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This week OpenAI launched a version of ChatGPT exclusively designed for teenagers between the ages of 13 and 17, reports CTV, "saying this version came with stronger protections around content related to mentions of suicide, self-harm and romantic or sexual chats." [Tech analyst Carmi Levy says] "What it's doing is it's using cues, it's sort of watching how you're using the tool, and it's trying to guess your age." Levy said if ChatGPT thinks a person has lied about their age when they first signed up, it will automatically put them into the Teens mode for protection. "It includes those sort of two things: prevent you from having experiences that are age inappropriate, and also add features that are aligned with academics, so that makes it easier to study, makes it less likely for you to cheat on an assignment, provide resources that that that allow you to learn more effectively," he said. Levy reminded users that this is still an application and a web service, which means it's constantly collecting personal information about the users' activities on the device and using the data to estimate their age... In the event a user is talking about self-harm, this new version will block the conversation and suggest additional help or call emergency or mental health services, Levy explained. It would do the same with violent content, eating disorders, engaging in dangerous activities, as well as explicit, sexual or graphic content. "It's using AI again to sort of parse out that conversation: 'are we headed in a in a significant direction? If so, throw up that guardrail, stop it from happening, redirect.'" However, the tech analyst said a number of people who have attempted to bypass the guiderails for research have succeeded in doing so "with a little bit of prompting.... I wouldn't call it 100% safe. That's kind of the catch-22 of the entire AI industry." This will lead parents to think that their children are safer and reduce the oversight on their online activities, which Levy described as a "perverse impact" that is "problematic." "Parents should not assume that OpenAI has their kids' best interests at heart. They should also not assume that these technologies are perfect. They will miss certain things, and they will also engage in what we call false positives," he said. "An adult who's legitimately is in the platform might be tagged as a child because the AI simply got it wrong." OpenAI's blog post says the new mode was designed for "preserving the ability to learn, create, and explore." But CNN notes the move "comes as OpenAI faces a string of lawsuits alleging that inappropriate conversations with ChatGPT contributed to the harm or deaths of young people." [New tools] include nudges for teen users to take a break if they've been active for 90 minutes within a three-hour window. OpenAI is also adding options for teens or parents to set "Quiet Hours" when ChatGPT is unavailable or "Study Hours" where ChatGPT's study mode for learning will be on by default. The company also said it has improved protections to prevent ChatGPT from expressing personal feelings toward a user. And it's adding reminders that caution teens to think twice if they try to upload a private or sensitive image to the chatbot... Nearly a third of American teens use AI chatbots daily, a Pew Research Center study published in December found. ChatGPT was by far the most popular AI chatbot in the survey, with more than half of those teens reporting having used it. Engadget shared this observation from Josh Golin, the executive director of Fairplay, a non-profit advocating for policies to make the internet safer for children. "Most parents, overwhelmingly, do not avail themselves of [parental oversight] tools, in part because they are deliberately made hard to find and use." Golin's group wanted to see testing of the tools first to see whether they led to better outcomes for teenagers. "The way this was just announced feels more like a response aimed at public relations than actual deep thinking about what kind of support [teens] need." And Mashable got a similar quote from Robbie Torney, head of AI/digital assessments for Common Sense Media's Youth AI Safety Institute. OpenAI's teen experience makes important safety commitments, but "What we really need now is evidence that they work, and we need this evidence, including our testing and the testing of others, before anyone, including parents, puts real trust in ChatGPT for Teens." Importantly, Torney said parents shouldn't assume their child is using ChatGPT for Teens. While OpenAI uses age estimation to place users in the age-appropriate version of ChatGPT, it can still mistake a user as older. Parents can be sure their child is using the teen version by linking their ChatGPT account to their child's and implementing OpenAI's parental control features. If a teen has previously lied about their age — and plenty do — they may continue to access the adult version of ChatGPT... Torney said caregivers must enact parental controls to receive notifications from OpenAI should their teen discuss suicide, self-harm, or acts of violence in immediate or dangerous ways... An OpenAI spokesperson said every notification is reviewed by a trained human before it's sent. The company strives to review notifications in under one hour.

Read more of this story at Slashdot.

L’attaquant espagnol, entré à la mi-temps, a signé un doublé qui a offert le match nul aux champions de France.

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Years from now, you won’t care about your version of the shot everyone else has. You’ll care about the one only you could take.

Dale Baskin

Every photographer knows the drill. You return from a trip, start copying photos from your memory cards, pour a coffee, and begin culling your images. Or some variation of that. And somewhere in that process, something strange begins to happen.

The photos you actually traveled to take – the ones that required you to arrive early to get a spot for your tripod – get a quick look, maybe even an edit, and then a shrug before you move on.

Meanwhile, a spontaneous shot of your friends pretending to do a fashion shoot in France gets exported and shared.

I’ve been doing this long enough to recognize the pattern, and I’m pretty sure I’m not alone.

Dale Baskin

The pull of iconic places

There’s a gravitational force to photograph famous places. You’re standing above Machu Picchu at sunrise, or below the Christ the Redeemer statue in Rio de Janeiro, and it feels almost negligent not to take a great photo of it. That’s the draw. It’s why you’re there. And it’s why there are often several hundred other people with cameras right next to you, trying to do the same thing.

I’m not suggesting you skip these photos, but before you spend half a day of your valuable travel time on one of them, it’s worth asking a simple question: Why am I doing this?

Dale Baskin

Dale Baskin

Sometimes, the answer is genuinely good. Maybe you’ve been thinking about how to photograph the place for years and have a real vision for it – a unique angle or treatment that’s different from what everyone else has done. There are always new ways to photograph something that’s already been photographed a million times, and if you’re the person with that vision, that’s a gift. Go for it.

There’s a gravitational force to photograph famous places.

More often than not, however, the answer is that it’s an exercise. Photography is a craft and a skill, and one that requires repetition. Some of the most useful photos I’ve ever taken were mediocre pictures of famous things, because the mistakes I made taking them taught me something I later used.

And occasionally, you really do just get lucky. You’re standing somewhere right when the weather or the light does something extraordinary, and if you’re ready, you capture something rare. Luck, as the saying goes, is what happens when preparation meets opportunity. Taking a lot of unremarkable photos of iconic places is the kind of preparation that leaves you ready to act when that chance alignment of magic factors finally happens.

Dale Baskin

But sometimes, the honest answer is just that “you’re there,” and you feel like you should photograph whatever the thing is. That’s the one worth examining, because if the result is going to be identical to several million photos already on the internet, you’ve spent something valuable – your time on a trip you might never repeat – to produce a duplicate.

Then, there’s a middle path, and one I find myself embracing more often: if you’re going to shoot the icon, do something to personalize it and make it yours. Put someone you’re traveling with in the frame, or find something in the foreground that creates a humorous juxtaposition. It won’t be fine art, and it probably won’t win any awards. But then again, was your technically perfect shot going to win any in the first place?

The photos that matter

There’s a truism about travel stories: Nobody ever goes to a dinner party and tells stories about what went right on a trip.

Dale Baskin

The stories that land, and the ones people actually listen to rather than finding an excuse to return to the buffet for another piece of shrimp cocktail, are the ones where things went sideways. The trip where you went to one country, but your luggage went to another. The “hotel with a view” whose view turned out to be an alley full of dumpsters. Or the food poisoning that arrived courtesy of a Michelin-starred restaurant.

Nobody ever goes to a dinner party and tells stories about what went right on a trip.

Photography works the same way. The frames that survive for years and decades are almost never the postcard-perfect shots. They’re the small vignettes, like a spontaneous photo with friends in a French village or the street vendor in Buenos Aires where you had the best food of your entire adventure.

Dale Baskin

When I was younger, I came home from a lot of trips with a lot of photos of famous things. Some were pretty good. A lot more were pretty mediocre. But what I learned pretty quickly was that, regardless of how good they were, other people were rarely that interested in looking at those photos.

What they did respond to were the candid, unstructured, and often just plain weird photos that captured the essence of the trip. Years later, those were the ones I cared about too.

So, shoot the icon if you want to shoot the icon. Just don’t let it take over your trip. Keep your camera ready during the in-between moments, the ones that don’t feel important when they’re happening. Odds are good that one of them is the photograph you’ll still be looking at in twenty years.

About the Author: Dale Baskin is a professional photographer, writer, and filmmaker based in the Pacific Northwest. He is the Managing Editor of DPReview.com.

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