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Our "Canine Capers" photo challenge is now open for submissions

a dog with striking blue eyes staring directly into the camera

I photographed this pup during an event called "Barktoberfest," where people dressed their pets for Halloween and brought them to work. He was fascinated by my camera, and followed me around peering into the lens, just begging me to take his photo. Some dogs just love being in front of the camera.

Photo: Dale Baskin

Our February Editors' photo challenge theme is "Canine Capers."

This month, our Editor's challenge has gone to the dogs. Literally. We want to see your most impressive dog photography. Whether you've captured a soulful portrait, an action shot of a pup in flight, or your furry sidekick in an embarrassingly bad Halloween costume, we want to see it. Our favorites will be featured in an article on the DPReview homepage.

Photos can be submitted between Sunday, February 15, and Saturday, February 21 (GMT). The challenge is open to photos captured at any time.

Important: Images MUST include a title and a caption of at least 25 words to be eligible. We need to be able to share the story behind your photo. We will consider both photos and captions when selecting our winners, so make sure to tell us that story!

Visit the challenge page to read the full rules and to submit your photos for consideration as soon as the challenge opens.

Visit the challenge page to submit your photo

Sony FX3 II camera rumors?

Par : PR admin
15 février 2026 à 01:58


I received the following Sony FX3 II camera rumors (see the current FX3 models):

  • The Sony FX3 II has been delivered to select rental companies for testing. It inherits the FX3 body’s expandability and the FX2’s adjustable EVF. Visually, it resembles the FX2 with added color temperature sensors.
  • The FX3 II supports in-body image stabilisation settings for anamorphic lenses. The image stabilization rating is the highest in the FX series at 8.5 stops, and FX3 II retains a fully mechanical shutter instead of adopting the FX2’s electronic front-curtain mechanical shutter, which resulting in a body slightly thicker than the FX2 and FX3.
  • It uses a 33-megapixel partially stacked sensor and boosted by the BIONZ XR2 and enhanced active cooling system, with a UHD/DCI 4K at up to 60fps in full-frame / S35 mode, and UHD 4K 120fps in full-frame crop / S35 mode.
  • It supports full-frame 1.1x crop UHD4K 120p recording like the FX3, but with 6.2K oversampling. Only when shooting full-frame 4K at 120fps does the FX3 II fully leverage the 3.5x readout speed capability of its 33-megapixel sensor in video modes.
  • When paired with the XLR handle unit, the FX3 II supports 32-bit floating-point recording at 48kHz and incorporates an AGC circuit for extensive level control to prevent clipping. It supports up to 8 audio channels, facilitating multi-person recording and immersive sound capture.
  • Additionally, the FX3 II supports outputting timecode signals externally as a master camera and enables wireless synchronisation of timecode between multiple FX3 II units via the 6GHz channel (unavailable in certain countries).

Sony registered a new WW847606 camera overseas (Sony a7R VI?)


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