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Introducing Today in Photography: DPReview’s new twice-weekly email covering camera gear and photography culture

Today in Photography goes beyond the headlines with original stories, insider updates and inspiration you won’t find on the site.

White rounded rectangle displaying “Today in Photography” centered against a blue, blurred background with a subtle grid pattern.DPreview

A few months ago, we quietly launched Today in Photography, a new version of DPReview’s weekly email for anyone who wants to keep up with the photo world. It also marked a return to one of the site’s early ideas: our newsletter dates back to 1999, and past versions included more than just links to the latest stories.

Now, we’re excited to announce that we are expanding to twice a week, arriving in your inbox every Sunday and Wednesday, with original content you won’t find on the website.

Today in Photography includes far more than just a roundup of stories already on DPReview. It features a wide selection of newsletter-only material we’re creating specifically for subscribers: a personal note from the editor, behind-the-scenes looks at what our team is testing, inspiring photos and posts we spot on social media, standout images and quotes from the DPReview community, photography history and more.

You may also find quick newsletter-specific photo challenges, accessory reviews, reader polls, firmware and software update roundups, camera and imaging tech explainers, photography tips, upcoming photo opportunities, deals, quizzes, culture picks and occasional reader Q&As with the DPReview team. In other words, there’s a lot to check out in each edition of Today in Photography.

We still cover the latest articles and biggest industry news, but Today in Photography is a chance to step beyond the homepage, with interesting, useful and fun parts of photography that don’t always make it into a full article.

If that sounds like your kind of email, sign up for Today in Photography at the link below to keep up with what’s happening at DPReview and across the photography world, plus plenty you won’t find on the site. We’d love to have you join us.

About the Author: Abby Ferguson holds an MFA in photography and blends a fine-art background with extensive editorial and commercial experience. She built and led an in-house imaging program for a large vacation rental company and has served as an associate editor at Popular Photography. She also teaches at a local community college and serves on its Photographic Technology Program Advisory Board, sharing her knowledge and enthusiasm for the medium.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

Viltrox 50mm F2.0 Air sample gallery: see what this budget prime can do

Viltrox’s lightest 50mm for mirrorless mounts pairs a sub-$200 price with a relatively fast aperture, though at the cost of simplicity.

Black cat lying on its side on a wooden floor, mouth wide open in a yawn, with sunlight streaming in from the left.Abby Ferguson

Viltrox recently announced that four of its lightweight Air series prime lenses (14mm F4.0, 20mm F2.8, 40mm F2.5 and 50mm F2.0) are now available for L-mount. Although Viltrox joined the L-Mount Alliance just over a year ago, it had released only two lenses for the system before this announcement, making this a substantial expansion of its L-mount lineup.

While the lenses themselves aren’t new beyond an updated mount option, we took the opportunity to test the Viltrox AF 50mm F2.0 Air on the Panasonic S1RII.

Black Lumix digital camera with visible lens, textured grip, side ports, and a red button, resting on a light surface with a blurred background.Abby Ferguson

First, let’s put the lens in context with Viltrox’s other offerings. The Air series is the company’s compact, budget-oriented lens line, designed around portability. Compared with the company’s larger, faster-aperture Pro and Lab lenses, Air models prioritize low weight, smaller dimensions and affordability over professional-grade construction, on-lens controls and top-end optical performance.

As a result, the lens is remarkably simple, with its only feature being a manual focus ring. I found the texture on the ring to be quite nice; enough to give me grip, but not too aggressive. The focus throw strikes a good balance, allowing quick shifts between near and far focus without contorting my wrist. It also has just enough resistance to make it easy to get precise adjustments when manually focusing.

Black digital camera with a prominent lens labeled AF 50/1.2 D L, featuring clearly visible dials and buttons, resting on a white surface.Abby Ferguson

In terms of autofocus, I found the lens performed well. I didn’t have any substantial issues or exceedingly slow-to-focus moments. I didn’t test the lens on many fast-moving subjects beyond my black dog, which occasionally resulted in focus falling just behind her face as she moved. It’s hard to say whether that’s an issue with the camera not quite nailing where to drive the lens, or with the lens not keeping up with what the camera’s telling it to do.

Size is the main selling point of this lens, and indeed, it is remarkably compact and lightweight. On the bulky S1RII, the 50mm F2.0 Air was hardly noticeable. It barely sticks out from the camera and only adds 205 g (7.2 oz). It was an ideal lens for keeping in a small sling while walking about.

Sunlight filters through green leaves and branches over a wooden fence, with a lens flare visible. Trees and clear blue sky appear in the background.
The flare from this lens is not my favorite look.
Abby Ferguson

My biggest complaint about the lens is how it handles lens flare. I’m someone who, at times, is like a little flare in an image. But I am not a fan of the flare that this lens produces. It can be really overpowering, and, to me at least, doesn’t have a very pleasing look to it. It isn’t very susceptible to flare unless pointed very directly at the sun, so it’s easy to avoid, but I didn’t like the look very much. You can judge for yourself in the samples below.

Sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing; we do so in good faith, so please don’t abuse it. 

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About the Author: Abby Ferguson holds an MFA in photography and blends a fine-art background with extensive editorial and commercial experience. She built and led an in-house imaging program for a large vacation rental company and has served as an associate editor at Popular Photography. She also teaches at a local community college and serves on its Photographic Technology Program Advisory Board, sharing her knowledge and enthusiasm for the medium.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

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