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Reçu aujourd’hui — 29 janvier 2026 News: Digital Photography Review (dpreview.com)

Leica's new, fast Noctilux goes a little wider

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leica 35 noctilux close up
Product photos: Mitchell Clark

Leica has announced the Noctilux M 35mm F1.2 Asph., the latest entry in its famed series of fast primes, and the first one to offer a wide-angle focal length. Since their introduction in 1966, Noctilux lenses have traditionally been 50mm, though the company added a 75mm option in 2017.

The lens is made up of 10 elements in five groups, and the company says it was made possible by the latest iteration of its in-house "Precision Glass Molding" process. Leica says this allowed it to obtain "an unprecedented degree of geometric freedom and surface precision" when molding the lens's three aspherical elements, with tolerances as tight as three nanometers per millimeter of diameter. It has a minimum focusing distance of 0.5m (19.7").

As is standard for Leica M lenses, the Noctilux 35mm F1.2 is a manual focus design, with an etched distance scale on the barrel. It also features an aperture ring and an integrated lens hood, which rotates to extend out or to stow away. It can also accept 49mm threaded filters. It has an all-metal build and weighs 416g (14.7oz). Despite its heft, it's quite compact at 50mm (~2") long.

Noctilux 35mm f1p2 on m11-p

The lens is an interesting offering from Leica in 2026. Even almost 20 years after its introduction, major manufacturers don't seem to be all that interested in competing with the Noctilux 50mm F0.95, so it's still a relatively unusual offering in the market*. But while the mechanical simplicity of the manual focus-only 35mm version makes it unmatched in compactness and weight, it's not a particularly singular offering. There are several modern, autofocusing 35mm F1.2 lenses available on the market from the likes of Sigma, Nikon and Viltrox, and several (shockingly cheap) manual focus offerings from the usual suspects.

That's not to say that people looking at the Noctilux would necessarily be interested in those options, just that it's not the kind of statement piece we typically associate with its nameplate. Still, it's an undeniable piece of craftwork, and it's hard to complain about the images it produces, at least in the samples we were able to take with it.

The Noctilux M 35mm F1.2 Asph. is available starting today at a retail price of $9650. That's a 50% premium over the Summilux 35mm F1.4, actually placing it on the lower end of what brands usually charge for that particular 1/3 stop difference.

* - There are several manual focus, 50mm F0.95 lenses from brands like TTArtisan, 7Artisans, Brightin Star and others, and, of course, there's the Nikkor Noct, but you can't get something that fast for modern mounts from Canon, Sony, Sigma, etc.

Sample Gallery

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Sample gallery
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Press release:

New: The Leica Noctilux-M 35 f/1.2 ASPH.

Leica Camera AG presents the first Noctilux M-Lens with a focal length of 35 mm

Teaneck, January 29th, 2026 – Since first being introduced in 1966, the name “Noctilux” has represented the pinnacle of optical craftsmanship at Leica. The name is made up of the Latin words “noctu” and “lux”, meaning “night” and “light”, and refers to the exceptional speed of this lens series. With a maximum aperture of up to f/0.95, Noctilux lenses are considered to be the epitome of optical development, opening up creative possibilities beyond the ordinary. They deliver images with an unrivaled visual aesthetic. With the new Noctilux-M 35 f/1.2 ASPH., Leica Camera AG is presenting the first Noctilux M-Lens in the company’s history to feature a 35 mm focal length.

Like all Noctilux lenses, the latest addition to the family impresses with its exceptional speed and superior imaging performance. The new, compact Noctilux-M 35 f/1.2 ASPH. produces clear, high-contrast images characterized by a distinctive look. The shallow depth of field at a wide aperture, precisely separates subject and space, creating a velvety soft bokeh and lending images tangible depth as well as a cinematic atmosphere. Stopping down the aperture allows you to selectively increase the depth of field. A floating element within the complex optical construction ensures consistent performance across the entire focusing range, from the close focus distance to infinity.

Up until now, the unique offering of Noctilux glass has been leveraged exclusively for 50 and 75 mm focal lengths. The new Noctilux-M 35 f/1.2 ASPH. now makes the revered Noctilux quality available for the versatile 35 mm focal length for the very first time. The perfect combination of a wide aperture and natural perspective makes it ideal for outstanding portrait, reportage, available-light, and street photography. Subjects are clearly in focus thanks to precise separation, while retaining their context thanks to harmonious transitions to the background.

This new lens is the first Noctilux to feature an extended close focus distance down to 50 cm. When used with the new Leica M EV1 and its high-resolution integrated electronic viewfinder, focusing is particularly convenient across the entire focusing range. M-Cameras with a rangefinder can focus to a distance of 70 cm via the optical viewfinder. In the close-up range of 70–50 cm, focusing is carried out via Live View on the rear LCD panel or the Visoflex viewfinder. The large focusing angle of the Noctilux-M 35 supports this, thereby enabling precise and sensitive work.

The new Leica Noctilux-M 35 f/1.2 ASPH. has been optimized for M-Cameras with high-resolution image sensors, in addition to having been completely redesigned and handcrafted in Wetzlar. Decades of experience and state-of-the-art production technologies have gone into its development, including processing of special glass materials and aspherical lens elements manufactured in Wetzlar using innovative Precision Glass Molding (PGM) technology, which shapes lenses in a highly precise process, achieving exceptional quality standards. The optical design comprises ten lenses in five groups, including three aspherical lenses. A floating element ensures consistent imaging performance over the entire focusing range. The integrated lens hood reduces glare and reflections, ensuring high contrast and brilliant color rendering, even with backlighting. Measuring just 1.9 inches in length, with a diameter of 2.5 inches, and weighing only 14.6 ounces, the new lens also impresses with its remarkably compact size.

The Leica Noctilux-M 35 f/1.2 ASPH. will be available worldwide as of January 29th, 2026, from Leica Stores, the Leica Online Store, and authorized dealers. The retail price is $9,650.00


Leica Noctilux M 35mm F1.2 ASPH. specifications:

Principal specifications
Lens typePrime lens
Max Format size35mm FF
Focal length35 mm
Image stabilizationNo
Lens mountLeica M
Aperture
Maximum apertureF1.2
Minimum apertureF16
Aperture ringYes
Number of diaphragm blades11
Optics
Elements10
Groups5
Special elements / coatingsThree aspherical
Focus
Minimum focus0.50 m (19.69)
AutofocusNo
Full time manualYes
Focus methodInternal
Distance scaleYes
DoF scaleYes
Physical
Weight416 g (0.92 lb)
Diameter65 mm (2.56)
Length50 mm (1.97)
MaterialsMetal
ColourBlack
Filter thread49 mm
Hood suppliedYes
Tripod collarNo

Laowa has a new macro option for Micro Four Thirds users

laowa_90mm_macro_on_gh5
Image: Laowa

Laowa has announced that it will be bringing its 90mm F2.8 2X Ultra Macro APO lens to a new mount: Micro Four Thirds. The lens was originally made for full frame cameras, and it's been around for RF, Z, E and L mount systems for a few years now, but it's still exciting to see a manufacturer bringing out a new lens for Micro Four Thirds.

The lens, which will have a 180mm equiv. field of view on the new mount, has a design with 13 elements in 10 groups with 3 ED lenses. It can minimum working distance of 20.5cm (8.1"), allowing for 2:1 reproduction.

Its design is fully manual focus, but the lens has contacts that Laowa says will support EXIF data communication and electronic aperture control (which is, in fact, the only kind of aperture control for the lens; unlike the full frame version, there's no manual aperture ring). And while it's still a full frame lens at heart, the Micro Four Thirds version is a bit smaller and lighter than the versions made for other mounts, coming in at 540g (19oz) and measuring 115mm (4.5") long. It accepts 67mm filter threads.

Laowa says the lens will be available starting on February 29th, for $449.

Press release:

Laowa Expands Ultra Macro Lineup: The Acclaimed 90mm f/2.8 2x Ultra Macro APO Now Available for Micro Four Thirds

Anhui, China – January 29, 2026 – Anhui ChangGeng Optical Technology Company Limited (Laowa) is pleased to announce that the Laowa 90mm f/2.8 2x Ultra Macro APO is now available in Micro Four Thirds (MFT) mount.

Previously released for full-frame mirrorless systems, this specialized lens now brings its industry‑leading 2x magnification and Apochromatic (APO) performance to the MFT community, with the added benefit of an Auto Aperture mechanism. Thanks to the 2x crop factor of the MFT sensor, photographers can now enjoy an impressive 4x equivalent magnification without sacrificing resolution, making it a highly precise tool for exploring the microscopic world.

Unprecedented 2x Magnification and Reach

The Laowa 90mm f/2.8 2x Ultra Macro APO allows photographers to capture subjects at twice life-size. When paired with the 2x crop factor of the Micro Four Thirds sensor, this lens delivers an incredible 4x full-frame equivalent magnification. This enables the capture of microscopic details and textures that are often invisible to the naked eye, providing a powerful advantage for nature and scientific photographers.

Superior Sharpness and Rendering

Designed for the most demanding imaging tasks, the lens features a sophisticated optical formula of 13 elements in 10 groups. As a dedicated Apochromat (APO), it is engineered to suppress both longitudinal and lateral chromatic aberration to nearly zero. This ensures that high-contrast edges remain crisp and free of color fringing, even when shooting wide open at f/2.8.

Beyond its technical precision, the lens utilizes 9 aperture blades to produce a soft, creamy background fall-off, making it a versatile tool for compressed, cinematic portraits with a 180mm equivalent field of view.

Optimized for the MFT Workflow

This new MFT-specific version is built for modern digital integration, featuring electronic contacts that allow for seamless aperture control directly from the camera body. This integration ensures that all EXIF metadata is recorded and better supports image stabilisation. To further enhance usability in the field, the lens employs an internal focusing design. By maintaining a constant lens length, photographers can work confidently at the minimum working distance of 205mm without the risk of the lens barrel extending into skittish subjects or interfering with lighting setups.

Compact and Portable Design

Despite being originally designed for full-frame cameras, the Laowa 90mm f/2.8 remains remarkably compact on Micro Four Thirds. Weighing approximately 540g and measuring 115mm in length, it is still significantly smaller and lighter than equivalent macro setups. This compact form factor, combined with its robust build quality, makes it an ideal companion for handheld field work and long days of exploration in the natural world.

Pricing & Availability:

The Laowa 90mm f/2.8 2X Ultra Macro APO MFT Mount will be available for purchase starting February 29, 2026, through the Venus Optics official website (https://www.venuslens.net/) and authorized resellers. The U.S. retail price is USD 449.

DJI's latest gimbal is a collection of subtle updates

person_holding_camera_on_dji_rs_5
Image: DJI

DJI has announced the RS 5, the latest version of its gimbal designed for creators and video professionals using mirrorless cameras. The update is a relatively subtle one over last year's RS 4, but it brings improvements to the gimbal's compatibility with DJI's accessory ecosystem, some tweaks to its physical switches and knobs and refinements of the algorithms it uses to keep your camera steady.

The RS 5 will look familiar to anyone who's seen or used previous RS (née Ronin) gimbals. However, the company has included the same mechanism for switching between horizontal and vertical shooting as was found in the RS 4 Mini, which should make the process just a touch easier than it was on the RS 4. The company has also added more ways to fine-tune the balance; the RS 4 had a knob for slightly shifting the tilt axis, while the RS 5 gains additional controls for its other axes. It weighs roughly the same as the RS 4, and supports the same 3Kg (6.6lb) payload.

2nd Generation Automatic Axis Lock
Image: DJI

DJI has also made some software improvements, allowing the RS 5 to control Panasonic and Fujifilm cameras via Bluetooth, in addition to the Canon, Nikon and Sony models its predecessor supported. This lets you use the gimbal's interface to start and stop recording, control powerzoom lenses and set parameters like aperture, ISO and shutter speed, so you don't have to deal with two sets of controls or work around the gimbal to reach your camera's buttons. The gimbal also now has an indicator that will suggest adjustments to your pace and gait to help achieve even steadier footage.

The RS 5 can charge 60% faster than the RS 4

The company says it's also made improvements to the battery. When paired with the included RS33 battery grip, the RS 5 can charge 60% faster than the RS 4, getting 14 hours of power with just an hour of charging, assuming you have a 65W PD-capable power brick to plug it into.

The gimbal has gotten some other accessory-related updates, too. It can now natively attach to the company's latest RS Intelligent Tracking Module, an $85, sold-separately accessory that lets you have the gimbal automatically pan and tilt to follow a selected person or other arbitrary subject. While you could connect the module to the RS 4, doing so required using an adapter that used 'RSA' port, precluding the use of other accessories that might need to connect to it. With the RS 5 that port remains free while you're using the module.

Handle Grip
The new Electronic Briefcase Handle now includes controls.
Image: DJI

The company has also introduced a new "Electronic Briefcase Handle," which lets you shoot with the gimbal at a different angle than would be practical with the standard handle. The pre-existing briefcase handle was, essentially, just a bent piece of metal, but the electronic version gives you buttons and other controls that let you operate the gimbal while using it.

According to DJI, the fifth-gen stabilization algorithm used by the RS 5 will perform better during quick movements, with the peak torque the motors are able to provide increasing by 50%. The comapny also says it'll perform even better when you're shooting vertically, something that's becoming increasingly common and influencers and brands continue to make content aimed towards social media.

As with the rest of DJI's recent releases, the RS 5 won't be officially launching in the US. The standard configuration is available in the UK for £485, and in Europe for €569. A combo pack that includes the RS Enhanced Intelligent Tracking Module, Electronic Briefcase Handle, a cable and carrying case, is also available for an additional £134 and €150, respectively.

Press release:

DJI Launches the RS 5, an All-New Lightweight Commercial Gimbal

DJI RS 5 Prioritizes Stability and Efficiency for Videographers, with New RS Enhanced Intelligent Tracking Module

JANUARY 29, 2026 – DJI, the global leader in civilian drones and creative camera technology, today launches DJI RS 5 – an all-new, lightweight commercial camera gimbal that brings videographers new levels of flexibility, creativity, and control for their work. The latest offering from the Ronin Series empowers videographers with enhanced intelligent subject tracking, stability and control mechanisms, and a longer runtime, redefining what’s possible for solo videographers.

Enhanced Intelligent Tracking and Stable Maneuvers

First introduced with the RS 4 Mini, the latest generation of the RS Intelligent Tracking Module has been updated with a number of impressive features. The new RS Enhanced Intelligent Tracking Module allows videographers to frame live footage and track any subject right from the gimbal’s touchscreen.

The new module also provides the ability to track objects other than people, such as vehicles, pets, or any object, and can maintain locked focus on a human subject up to 10 meters away, simplifying the process of shooting a scene with a crowded environment. If the subject leaves the frame, the module can easily re-aquire him or her, ensuring efficiency during a shoot. The module can be installed magnetically, without the need for an adapter or other accessories, making operation quick and convenient. Any videographer, regardless of experience level, can now effortlessly achieve complicated camera movements, such as surround shots, reverse tracking, or single-person fixed-camera tracking.

DJI RS 5 features the 5th generation RS Stabilization Algorithm, improving peak motor torque by 50%. This ensures greater stability in fast-moving scenes, such as when a videographer captures footage while walking or running, or when the camera undergoes extreme movements or switches angles quickly. It also offers significantly improved stability when shooting vertically.

Weighing just 1.46kg with the battery grip and quick release plates, RS 5’s compact body can carry a payload of up to 3kg and is capable of carrying a wide range of mainstream mirrorless cameras and lens combinations1. It also switches to vertical shooting without needing extra accessories, ensuring flexibility and ease for a wide range of videographer needs.

Unbridled Creativity

Videographers can finally get their shot with new features that unlock creative perspectives and enable a longer shoot day. RS 5’s new Electronic Briefcase Handle makes it possible to capture intriguing camera angles from above or below the subject, while offering electronic control of the footage. Its comfortable grip and easy-to-reach joystick or button controls allow for one-hand operation, while its smooth transitions reduce wrist fatigue. Additionally, the all-new on-screen Z-Axis Indicator suggests how the videographer should adjust their gait and pace to reduce image shake, helping to achieve steadier and more professional shots.

For longer shoots, RS 5 can be fully charged in just one hour2,3, a 60% improvement in charging efficiency compared to RS 4. The standard battery delivers 14 hours2 of power to ensure it lasts during long days on set. For even more power, the new BG70 High-Capacity Battery Grip extends RS 5’s runtime to 30 hours2, reducing downtime and lost hours waiting for more power.

DJI has also expanded camera compatibility for wireless control, with RS 5’s Bluetooth shutter now supporting Panasonic and Fujifilm cameras1, in addition to previously supported cameras from Sony, Canon, and Nikon.

The new fully-adjustable, fine-tuning knobs with Teflon™ interlayers on each axis arm enable precise balancing when installing a camera. The DJI RS 5 delivers a smooth and efficient leveling experience, even with heavier professional imaging equipment.

Trusted Efficiency from DJI, with DJI Ecosystem Compatibility

Along with its impressive roster of new features, RS 5 also incorporates some of the most reliable features from DJI’s flagship gimbals:

  • The 2nd-Gen Automated Axis Locks automatically unlock the gimbal when it powers on, ensuring creators are ready to film in an instant. Similarly, the gimbal locks immediately upon power-off or during sleep mode.
  • The 3rd-Gen Native Vertical Switch allows videographers to switch to vertical shooting within a few seconds.

DJI RS 5 is also compatible with DJI’s comprehensive product ecosystem. When paired with two DJI Focus Pro Motors, RS 5 allows videographers to adjust the zoom via the joystick and the focus via the dial wheel. Additionally, the DJI SDR Transmission provides high-definition live feeds, remote gimbal and camera control, and more collaboration opportunities.

Catering to each individual creator's unique needs, the RSA Communication Port connects to the Electronic Briefcase Handle, the RS Tethered Control Handle, and third party ring handles, enabling videographers to switch between different shooting combinations to fit their vision. The open RS SDK also allows third-party developers to build custom functions for the RS 5, making for endless shooting possibilities.

For more information4, please refer to www.dji.com/rs-5

1 For more details on camera and lens compatibility, please refer to the Ronin Series Compatibility Search page here: www.dji.com/support/compatibility.

2All data was tested in controlled conditions. Actual experience may vary. For more details, please refer to the official DJI website.

3Requires a 65W charger supporting PD protocol and DJI RS BG33 Battery Grip.

4Not officially available in the United States via official websites.

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