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Reçu hier — 5 février 2026 News: Digital Photography Review (dpreview.com)

Viltrox's first autofocus lens for L-mount is officially here

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hands hold a black camera with large lens attached over a blurred gray background
Image: Viltrox

Viltrox has announced its first L-Mount lens after joining the alliance last September. The company will now sell an L-mount version of its AF 16mm F1.8 lens, which has previously been available for E and Z mount cameras.

Optically, the Viltrox AF 16mm F1.8 L is the same as the models released in 2024. It's built around 15 elements in 12 groups, an optical design that includes 3 aspherical elements and 4 ED elements to better manage distortion, chromatic aberration and coma. Viltrox promises ultra-high resolution from the ultra-wide and says it is sharp edge-to-edge even when wide open.

The lens offers a wide F1.8 maximum aperture and can focus as close as 0.27m (10.6"), which is twice the distance of Sony's 16mm F1.8, its closest like-for-like rival. It uses Viltrox's stepper motor for autofocus, which it says is fast and accurate. Viltrox also promises minimal focus breathing, making it a suitable option for video applications.

a thumb rests on the aperture ring of a black lens with yellow blurred lights in the background
Image: Viltrox

Like the original E and Z-mount versions, the lens offers plenty of on-body controls. It features two function buttons: one is customizable, while the other enables users to quickly switch between two preset focus distances. A focus ring can be clicked or de-clicked, and it features an AF/MF switch. There's also a 0.96" color display at the top of the lens that shows focus distance, depth of field, and aperture settings.

Unlike some ultra-wide lenses, the Viltrox 16mm doesn't feature a bulging front lens element. The flat lens design reduces the risk of damaging the glass when walking around with it and also allows for a 77mm filter thread. It uses metal construction and weighs 550g (1.2 lbs). It also offers some weather sealing to protect against dust.

The Viltrox AF 16mm F1.8 L is available for purchase for $580.

Press release:

Viltrox Launches AF 16mm F1.8 L for Full Frame

Viltrox’s first L-mount autofocus lens underlines commitment to L-Mount Alliance

Shenzhen, China, [February 5], 2026 – Following its entry into the L-Mount Alliance, Viltrox today announces the release of the AF 16mm F1.8 L, the company’s first autofocus lens for L-Mount systems.

This milestone lens demonstrates Viltrox’s commitment to photographers and filmmakers working within the L-Mount ecosystem, by delivering high-performance optics, advanced autofocus, and professional-level control.

Ultra-wide 16mm view and extraordinary detail

The AF 16mm F1.8 L captures expansive scenes with its ultra-wide 16mm (105.6°) field of view, while precision optical design precisely preserves fine details. There are 15 lens elements in 12 groups, including 3 aspherical and 4 ED (extra-low dispersion) elements. This optical design controls distortion, chromatic aberration, and coma, ensuring consistent sharpness from frame center to edge.

Large aperture up to F1.8

The F1.8 maximum aperture makes this lens excel in low light, enabling faster shutter speeds and lower ISO settings for cleaner, higher-quality images. For example, it is perfect for capturing the Milky Way and other night sky scenes in stunning detail.

Fast, accurate autofocus

Viltrox’s STM stepping motor delivers fast, accurate, and stable autofocus. The lens also supports eye and face detection on compatible cameras, providing reliable subject tracking for photography and video. Focus transitions are smooth and controlled, with minimal focus breathing, making the lens perfect for video production, vlogging, and hybrid shooting workflows.

Comprehensive control for professional workflows

For professional creators, the AF 16mm F1.8 L features an intuitive control layout. At the heart of the user interface is the 0.96-inch color lens info panel, showing real-time data such as a large display of current focus distance, plus depth of field, aperture and other settings. The display is clearly visible in low-light conditions.

A Custom Function Button (Fn1) is user-assignable for quick access to frequently used settings – available functions will depend on the attached camera model. The Focus Preset Button (Fn2) instantly switches between two preset focus distances. The AF/MF Switch selects between autofocus and manual focus.

The CLICK Aperture Ring Switch selects between stepped aperture, for tactile still photography control, or smooth, silent continuous aperture changes for adjustment while shooting video.

Perfect for landscapes and astrophotography

The AF 16mm F1.8 L offers distinct advantages for outdoor and night-sky photography. First among these is the ultra-wide full-frame, high-resolution image quality, with aspherical elements that precisely render point light sources and suppress coma. Tactile, customizable controls streamline field operation, even in low-light. The non-bulbous front element with a 77mm filter thread supports CPL, ND, and other common filters. The high-grade dust-sealing protects the lens in demanding outdoor environments.

Expanding the L-Mount Creative Ecosystem

The launch of the AF 16mm F1.8 L marks Viltrox’s first L-Mount lens, introducing a large-aperture ultra-wide option that combines advanced optical performance with an accessible price point for L-Mount users.

Designed with modern optical engineering, professional control features, and full system-level compatibility, the AF 16mm F1.8 L expands the range of practical, high-performance lens options within the L-Mount ecosystem, supporting photographers and filmmakers with professional yet affordable tools.

Viltrox 16mm F1.8 specifications

Principal specifications
Lens typePrime lens
Max Format size35mm FF
Focal length16 mm
Image stabilizationNo
Lens mountL-Mount, Nikon Z, Sony E, Sony FE
Aperture
Maximum apertureF1.8
Minimum apertureF22
Aperture ringYes
Number of diaphragm blades9
Optics
Elements15
Groups12
Special elements / coatings4 ED, 3 aspherical
Focus
Minimum focus0.27 m (10.63)
Maximum magnification0.1×
AutofocusYes
Motor typeStepper motor
Full time manualUnknown
Focus methodInternal
Distance scaleYes
DoF scaleYes
Physical
Weight550 g (1.21 lb)
Diameter85 mm (3.35)
Length103 mm (4.06)
SealingYes
Filter thread77 mm
Hood suppliedYes
Tripod collarNo

Canon celebrates 30 years of PowerShot with a G7 X III you might, briefly, be able to buy

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Canon PowerShot G7X III LE top view

The gray colorscheme, 30th Anniversary logo, 'diamond' knurling on the control ring around the lens and the price set the Anniversary edition apart from the standard G7 X III.

Image: Canon

Canon is celebrating the 30th anniversary of its PowerShot line of compact cameras with a premium-priced special edition of its hard-to-find G7 X Mark III enthusiast compact.

It features a gray top plate and different knurling on the control ring, along with 30th Anniversary branding on the flash. Other than that, it's identical to the standard G7 X Mark III that's reliably unavailable.

As such it has a 24-100mm equiv. F1.8-2.8 lens in front of a 20MP Type 1 (13.2 x 8.8mm) Stacked CMOS sensor. It also has a clicking control dial around the lens, a dedicated exposure comp dial and a rear screen that flips 90 degrees down and 180 degrees upward, helping it become something of a TikTok favourite, as well as being an excellent enthusiast compact.

Canon North America will also provide a leather PeakDesign wrist strap with the 30th Anniversary logo but this isn't included in all markets.

Canon PowerShot G7X III LE 3qtr view

The Anniversary Edition is described as a limited edition, but the extent of its availability has not been disclosed.

Image: Canon

Canon refers to it as a "limited edition" but declined to specify how many units the edition is limited to. Canon North America told us it will run a lottery for people wanting to buy them from its own website but it'll be left up to retailers to decide how to allocate the units they get into stock.

The special edition G7 X Mark III will be available from April 2026 in unspecified numbers at a cost of $1295. This is a $420 premium over the regular version that isn't formally limited. A company spokesperson said that supply constraints on the standard version "should get better, later in the year."

In the UK, the special edition will cost £860, only a £40 increase over the cost over the standard model. Though you don't get the custom wrist strap. It will go on sale on April 23rd.

European outlets are reporting that the Anniversary edition and all G7 X III's will move over from the NB-13L battery to a new unit called the NB-15L. Batteries with the new designation differ only in that they won't attempt to charge if they've been over-discharged, as a safety feature.

Canon's PowerShot Compact Digital Camera Turns 30

Limited Edition PowerShot G7 X Mark III Camera Available

MELVILLE, N.Y., February 4, 2026 - Canon U.S.A., Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc. celebrates that 2026 marks the 30 year anniversary of Canon's PowerShot compact digital camera. To commemorate this anniversary, a limited edition PowerShot G7 X Mark III camera with a limited color body design and 30 year anniversary logo is currently scheduled to be released in April 2026.

Since the launch of the original PowerShot 600 in July 1996, PowerShot has expanded its lineup to meet the diverse needs of its users. The PowerShot line, which was developed with the aim of making it easy for users to enjoy high-quality still images and video, is popular among a wide range of users, from camera beginners to amateurs, and as of February 20261 over 200 PowerShot cameras in the Americas have been released.

Currently, Canon offers a wide range of products tailored to each user's lifestyle, including the G Series, which combines a compact, lightweight body with high image quality and multiple functions, the V Series, which allows users to enjoy full-fledged video recording with ease, and the SX Series, which offers high-magnification zoom.

Canon will continue to contribute to the further development of photographic and imaging culture by pursuing advanced technologies and high expressivity in response to user needs within the PowerShot line.

PowerShot 30 Anniversary Edition Available

To celebrate 30 years of PowerShot cameras, a limited edition version of the PowerShot G7 X Mark III camera is scheduled to be available later this year. The 1.0 inch PowerShot G7 X Mark III is a compact digital camera featuring a stacked CMOS sensor with approximately 20.1 million effective pixels2 and a large aperture and bright 4.2 x optical zoom lens for versatile video expression. In addition to still image capture, the "Video Blog" mode, which is specialized for Vlog shooting, enables comfortable video capture. This limited edition model uses a unique color "graphite" for the camera body and the front ring has a diamond knurling to create a design that combines luxury and quality. In addition, the 30 year anniversary logo is printed on the body to create a special feeling suitable for limited edition models.

Availability

The PowerShot G7 X Mark III Graphite Kit - PowerShot 30th Anniversary Limited Edition Camera, which will be available with a Limited Edition Peak Design Cuff Wrist Strap and a 32GB SD card, is currently scheduled to be available in April 2026 for an estimated retail price of $1,299.003. For more information about Canon's latest innovations and products, please visit www.usa.canon.com

Select Key Models in PowerShot History

Product name

Launched

PowerShot 600

July 1996

PowerShot A5

April 1998

PowerShot Pro70

November 1998

PowerShot S10

October 1999

PowerShot G1

October 2000

PowerShot S100 DIGITAL ELPH

May 2000

PowerShot SD100

May 2003

PowerShot TX1

March 2007

PowerShot SX100 IS

October 2007

PowerShot E1

September 2008

PowerShot D10

May 2009

PowerShot N

April 2013

PowerShot V10

June 2023

1 Number of models in the United States of America.
2 The total number of pixels is approximately 20.9 million.
3 Pricing, specifications and availability are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon PowerShot G7 X Mark III Specifications

Price
MSRP$880 / £820 ($750 / £750 at launch)
Body type
Body typeCompact
Sensor
Max resolution5472 x 3648
Image ratio w:h1:1, 4:3, 3:2, 16:9
Effective pixels20 megapixels
Sensor photo detectors21 megapixels
Sensor size1″ (13.2 x 8.8 mm)
Sensor typeBSI-CMOS
ProcessorDIGIC 8
Color spacesRGB
Color filter arrayPrimary color filter
Image
White balance presets6
Custom white balanceYes
Image stabilizationOptical
Uncompressed formatRAW
JPEG quality levelsFine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Canon CR3)
Optics & Focus
Focal length (equiv.)24–100 mm
Optical zoom4.2×
Maximum apertureF1.8–2.8
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lampYes
Digital zoomYes (4x)
Manual focusYes
Normal focus range5 cm (1.97)
Macro focus range5 cm (1.97)
Screen / viewfinder
Articulated LCDTilting
Screen size3
Screen dots1,040,000
Touch screenYes
Screen typeTFT LCD
Live viewYes
Viewfinder typeNone
Photography features
Minimum shutter speed30 sec
Maximum shutter speed1/2000 sec
Maximum shutter speed (electronic)1/25600 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Scene modes
  • Self Portrait
  • Portrait
  • Panning
  • Star Portrait
  • Star Nightscape
  • Star Trails
  • Star Time-Lapse Movie
  • Handheld Night Scene
  • High Dynamic Range
  • Fireworks
  • Standard Movie
  • Short Clip
  • Manual Movie
  • Time-Lapse Movie
  • iFrame Movie
Built-in flashYes
Flash range7.00 m
External flashNo
Flash modesAuto, on, slow synchro, off
Drive modes
  • Single
  • Continuous
  • Self-timer
Continuous drive30.0 fps
Self-timerYes (2 or 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation±3 (at 1/3 EV steps)
Videography features
FormatMPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p, H.264
  • 1920 x 1080 @ 120p, H.264
  • 1920 x 1080 @ 60p, H.264
  • 1920 x 1080 @ 30p, H.264
MicrophoneStereo
SpeakerMono
Storage
Storage typesSD/SDHC/SDXC card (UHS-I compatible)
Connectivity
USB USB 3.2 Gen 1 (5 GBit/sec)
USB chargingYes
HDMIYes (micro-HDMI)
Microphone portYes
Headphone portNo
WirelessBuilt-In
Wireless notes802.11b/g/n + Bluetooth
Remote controlYes (via smartphone or wireless remote)
Physical
Environmentally sealedNo
BatteryBattery Pack
Battery descriptionNB-13L lithium-ion battery and charger
Battery Life (CIPA)235
Weight (inc. batteries)304 g (0.67 lb / 10.72 oz)
Dimensions105 x 61 x 41 mm (4.13 x 2.4 x 1.61)
Other features
Orientation sensorYes
Timelapse recordingYes
GPSNone

Astro shooters rejoice: Canon's new F1.4 prime is its widest yet

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Canon-RF14mm-F1-4-L-VCM-3qtr view
Image: Canon

Canon has announced the 14mm F1.4 VCM L, the latest in its family of similarly-sized F1.4 lenses designed for shooting both stills and videos. With the exception of the company's "Dual" lenses designed for VR, this becomes Canon's widest-angle prime for RF mount.

The lens is made up of 18 elements in 13 groups, with a litany of special glass and coatings: there's a fluorite lens, a UD lens, a Blue Refractive "BR" optical element for correcting chromatic aberration, and three glass-molded aspheric elements, as well as a fluorine coating for anti-fouling and the company's SWC and ASC coating for reducing flare, ghosting and reflections. It can focus on subjects as close as 0.24m (9.4") away, providing up to 0.11x magnification.

Physically, the lens is a similar weight to the rest of Canon's VCM lenses, coming in at 578g (20.4oz). At 112mm (4.4") long, it'll stick out a touch further from the camera than the others, though that's primarily down to its integrated lens hood. Speaking of, the front element is slightly bulbous, meaning the lens can't be used with filters that screw on to the front. It does, however, have a holder for pre-cut gelatin filters on the back of its mount. A special lens cap that clips on is included.

Canon-RF14mm-F1-4-L-VCM showing slot-in rear filter

The 14mm F1.4 VCM accepts gelatin filters at the back of the lens. There doesn't appear to be room behind the optics to use the slot-in filter modules used on the co-announced 7-14mm L fisheye lens.

Image: Canon

It has plenty of controls and switches, including a customizable function button, a manual / auto focus switch, Canon's control ring and an (unfortunately clickless) aperture ring, which can be locked into "Auto" mode. As with the rest of the VCM lenses, the latter can be used in video mode across Canon's RF camera lineup, but can only be used in stills mode on the relatively recent EOS R1, R5 II, R6 III and R50V.

The RF 14mm F1.4 VCM L fills a hole in Canon's mirrorless lineup, which previously lacked a fast, high-end ultra-wide prime, the kind that's the bread and butter of astro-photographers. Of course, there are plenty of other uses for this focal length, but some of those will have already been covered by lenses like the 10-20mm F4 zoom.

We wouldn't have necessarily guessed that this would be Canon's next choice for a VCM lens, partially because the company has always stressed its focus on making the lenses good for both stills and video. While the company says it has well-controlled breathing, the lens still falls a bit short for the latter use case since its front element makes it difficult to attach filters. Presumably for reasons of space, Canon hasn't used the drop-in filter port included on the fisheye lens launching alongside this one, which would've made at least some affordance for a variable ND. Still, we're glad to see the company finally offering a high-end ultrawide prime for full-frame RF.

The RF 14mm F1.4 VCM L will be available near the end of February and will retail for $2499.

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Canon Continues Wide Angle Optical Excellence with Launch of RF7-14mm F2.8-3.5 L Fisheye STM Zoom Lens and RF14mm F1.4 L VCM Prime Lens

MELVILLE, N.Y., February 4, 2025 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and the RF14mm F1.4 L VCM prime lens. Building on Canon's legacy of innovative optics, these new RF-mount lenses expand the diverse lineup for professional photographers, videographers, and hybrid creators. The RF7-14mm F2.8-3.5 L Fisheye STM zoom lens introduces the world's widest angle zoom lens1 with a 190° field of view, ideal for dynamic fisheye imagery in sports, landscapes, and virtual reality. The RF14mm F1.4 L VCM prime lens delivers Canon’s brightest ultra-wide1 angle interchangeable lens ever produced, a 14mm lens with a bright f/1.4 aperture, perfect for astro, architecture, and video applications.

Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens redefines versatility in ultra-wide angle fisheye imaging. Continuing the heritage of the groundbreaking EF 8-15mm f/4L Fisheye USM, the world's first fisheye zoom lens2, this new RF lens pushes boundaries further for professionals seeking impactful, distorted perspectives. It supports a wide range of unique use cases including sports, landscapes, starscapes, video, and virtual reality.

Key features include:

  • Canon's widest single lens3 with a maximum 190° field of view, achieving both circular 190° fisheye at 7mm (wide), and diagonal 180° fisheye at 14mm (telephoto), with its’ 7-14mm zoom range.
  • Variable maximum aperture of f/2.8 at 7mm (wide) and f/3.5 at 14mm (telephoto), brighter than its EF predecessor for enhanced low-light performance and background separation.
  • Built-in support of Canon EF-to-EOS R mount adapter drop-in filters (Clear, CPL, Variable ND) plus Lens Lock/Limit, Lens Function button and Control Ring.
  • High image quality with 5 UD lens elements, 2 replica aspheric lenses, and Air Sphere Coating (ASC) applied in 3 locations to reduce ghosting.
  • Leadscrew-type STM focus drive with position sensors for smooth, video-capable operation and reduced focus breathing (0.4% at wide, 1.5% at tele).
  • Fisheye images shot with the RF7-14mm F2.8-3.5 L STM zoom lens can be converted using Canon EOS VR Utility for viewing on a PC or head-mounted display. Conversion of 2D VR images is possible with cameras such as: EOS R5C, EOS R5 Mark II, EOS R5, EOS R6 Mark II.
  • This lens appeals to professional photographers and videographers seeking dynamic imagery and VR studios desiring a lens for monoscopic shooting, offering wider angle zoom, brighter aperture, and more video capabilities than the EF 8-15mm.

The Canon RF14mm F1.4 L VCM prime lens empowers professional photographers, and hybrid creators with Canon’s brightest ultra-wide-angle interchangeable lens ever produced, an extremely compact and lightweight ultra-wide lens with incredible optical performance. Updating the legacy of the EF 14mm f/2.8L II USM, this lens provides ultra-wide angle views with a fast f/1.4 aperture and controlled distortion and rectilinear characteristics from the center to image. It's designed for pro still photographers capturing landscape, astro, and starscape imagery, as well as architectural and real estate shooters, and videographers and time-lapse creators.

Key features include:

  • Canon’s brightest ultra-wide-angle (14mm) interchangeable lens for hybrid Photo / Video use.
  • Ultra-wide 14mm prime with f/1.4 aperture for outstanding low-light performance and background separation, brighter aperture than the EF 14mm f/2.8. Dual VCM (Voice Coil Motor) focusing for fast, precise autofocus in photo and video, with reduced focus breathing (3.0%, or 2.3% up to f/20).
  • Compact and light weight at 4.4” (L) x 3.0” (D) and just 1.27lbs, providing a similar size, weight and design complimenting the comprehensive F1.4 L-series lens series (RF20mm/24mm/35mm/50mm/85mm F1.4 L VCM lenses).
  • Amazing optics for high image quality and sharp rendering of point light sources with Canon’s first Fluorite element in an ultra-wide-angle lens, and featuring BR Optics, 1 UD lens, and 3 GMo aspheric lenses, plus Sub-wavelength coating in 1 location and Air Sphere coating in 2 for minimized ghosting.
  • 11-blade aperture for smooth, circular bokeh.
  • Iris ring compatible with EOS R1, EOS R5 Mark II, and EOS R6 Mark III cameras; plus Lens Function button and Control Ring.

Availability

The Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and RF14mm F1.4 L VCM prime lens are currently expected to be available by the end of February 2026, for estimated retail prices of $1,899.00 and $2,599.00 respectively4. For more information about Canon's latest innovations and products, please visit www.usa.canon.com.

1 As of February 3, 2026 according to Canon data

2 As of August 23, 2010 according to Canon data

3 Among full-frame lenses manufactured by Canon with a focal length wider than 20mm

4 Specifications, availability and prices are subject to change without notice.

Canon 14mm F1.4 VCM L specifications:

Principal specifications
Lens typePrime lens
Max Format size35mm FF
Focal length14 mm
Image stabilizationNo
Lens mountCanon RF, Canon RF-S
Aperture
Maximum apertureF1.4
Minimum apertureF16
Aperture ringYes
Number of diaphragm blades11
Optics
Elements18
Groups13
Special elements / coatings1 flourite, 1 UD, 1 BR, 3 aspheric, SWC, ASC, flourine coatings
Focus
Minimum focus0.24 m (9.45)
Maximum magnification0.11×
AutofocusYes
Motor typeLinear Motor
Focus methodInternal
Distance scaleNo
DoF scaleNo
Physical
Weight578 g (1.27 lb)
Diameter77 mm (3.03)
Length112 mm (4.41)
SealingYes
ColourBlack
Filter notesSlot for rear gelatin filters
Hood suppliedYes
Hood product code14B
Tripod collarNo

Canon's new fisheye zoom has a 190° field of view

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Canon-RF7-14mm-F2-8-3-5-L-FISHEYE-STM-diagonal
Image: Canon

Canon has announced the RF 7-14mm F2.8-3.5 L Fisheye STM, which it says is the first zoom lens of its kind to provide a 190° field of view at its widest setting. The lens also has a few other tricks up its sleeve, including a way to use filters – even variable ones – despite its hemispherical front element.

The lens is made of 16 elements in 11 groups, with two aspheric elements and 5 UD lenses. It has a minimum focusing distance of 0.15m (5.9") across its zoom range, providing up to 0.35x magnification at 14mm. When paired with a full-frame camera, its widest angle offers a circular field of view, which becomes a diagonal fisheye field of view at the 'long' end.

It has a dual-purpose locking / limit switch, which you can use for different purposes, depending on what kind of system you're using it on. If you're shooting on a full-frame camera, you can use it to lock the zoom at 7mm, making sure you maintain the full circular fisheye effect. If you're using it with an APS-C body, however, you can use it to lock the lens in to only use focal lengths that fill the entire frame, starting at around 8.7mm.

To help with this mode, there's a "C" indicator on the zoom ring, which lines up with the limit switch once you've reached that focal length. Of course, there's nothing stopping you from using this limit setting on a full-frame camera, too, but the focal lengths it limits you to won't have any particular significance on a larger sensor.

The lens also has Canon's control ring, a programmable button and an autofocus / manual focus switch.

7343C002-RF7-14mm-F2-8-3-5-L-FISHEYE-STM-1

You can use the slot-in circular polarizer previously offered with Canon's EF/RF adapter, this has a small, geared wheel (shown towards the upper left of this image) to let you rotate the filter inside the lens.

Image: Canon

It weighs 476g (16.8oz) and is 109mm (4.3") long. While its front element makes it impossible to use standard screw-on filters, Canon has borrowed a trick from one of its EF to RF adapters, building in a slot for drop-in filters into the lens. It ships with a clear filter, but it can accept any of the ones used by that adapter, meaning there's already a circular polarizer, gelatin filter holder and even a variable ND filter for it. The circular polarizing and vari ND filters come with a geared wheel that lets you rotate the filters while they're mounted in the lens.

The Canon RF 7-14mm F2.8-3.5 L Fisheye STM will be available later this month at an MSRP of $1899. As you'd expect of an L-series lens, it's weather sealed and comes with both a lens hood and lens pouch.

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Canon Continues Wide Angle Optical Excellence with Launch of RF7-14mm F2.8-3.5 L Fisheye STM Zoom Lens and RF14mm F1.4 L VCM Prime Lens

MELVILLE, N.Y., February 4, 2025 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and the RF14mm F1.4 L VCM prime lens. Building on Canon's legacy of innovative optics, these new RF-mount lenses expand the diverse lineup for professional photographers, videographers, and hybrid creators. The RF7-14mm F2.8-3.5 L Fisheye STM zoom lens introduces the world's widest angle zoom lens1 with a 190° field of view, ideal for dynamic fisheye imagery in sports, landscapes, and virtual reality. The RF14mm F1.4 L VCM prime lens delivers Canon’s brightest ultra-wide1 angle interchangeable lens ever produced, a 14mm lens with a bright f/1.4 aperture, perfect for astro, architecture, and video applications.

Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens redefines versatility in ultra-wide angle fisheye imaging. Continuing the heritage of the groundbreaking EF 8-15mm f/4L Fisheye USM, the world's first fisheye zoom lens2, this new RF lens pushes boundaries further for professionals seeking impactful, distorted perspectives. It supports a wide range of unique use cases including sports, landscapes, starscapes, video, and virtual reality.

Key features include:

  • Canon's widest single lens3 with a maximum 190° field of view, achieving both circular 190° fisheye at 7mm (wide), and diagonal 180° fisheye at 14mm (telephoto), with its’ 7-14mm zoom range.
  • Variable maximum aperture of f/2.8 at 7mm (wide) and f/3.5 at 14mm (telephoto), brighter than its EF predecessor for enhanced low-light performance and background separation.
  • Built-in support of Canon EF-to-EOS R mount adapter drop-in filters (Clear, CPL, Variable ND) plus Lens Lock/Limit, Lens Function button and Control Ring.
  • High image quality with 5 UD lens elements, 2 replica aspheric lenses, and Air Sphere Coating (ASC) applied in 3 locations to reduce ghosting.
  • Leadscrew-type STM focus drive with position sensors for smooth, video-capable operation and reduced focus breathing (0.4% at wide, 1.5% at tele).
  • Fisheye images shot with the RF7-14mm F2.8-3.5 L STM zoom lens can be converted using Canon EOS VR Utility for viewing on a PC or head-mounted display. Conversion of 2D VR images is possible with cameras such as: EOS R5C, EOS R5 Mark II, EOS R5, EOS R6 Mark II.
  • This lens appeals to professional photographers and videographers seeking dynamic imagery and VR studios desiring a lens for monoscopic shooting, offering wider angle zoom, brighter aperture, and more video capabilities than the EF 8-15mm.

The Canon RF14mm F1.4 L VCM prime lens empowers professional photographers, and hybrid creators with Canon’s brightest ultra-wide-angle interchangeable lens ever produced, an extremely compact and lightweight ultra-wide lens with incredible optical performance. Updating the legacy of the EF 14mm f/2.8L II USM, this lens provides ultra-wide angle views with a fast f/1.4 aperture and controlled distortion and rectilinear characteristics from the center to image. It's designed for pro still photographers capturing landscape, astro, and starscape imagery, as well as architectural and real estate shooters, and videographers and time-lapse creators.

Key features include:

  • Canon’s brightest ultra-wide-angle (14mm) interchangeable lens for hybrid Photo / Video use.
  • Ultra-wide 14mm prime with f/1.4 aperture for outstanding low-light performance and background separation, brighter aperture than the EF 14mm f/2.8. Dual VCM (Voice Coil Motor) focusing for fast, precise autofocus in photo and video, with reduced focus breathing (3.0%, or 2.3% up to f/20).
  • Compact and light weight at 4.4” (L) x 3.0” (D) and just 1.27lbs, providing a similar size, weight and design complimenting the comprehensive F1.4 L-series lens series (RF20mm/24mm/35mm/50mm/85mm F1.4 L VCM lenses).
  • Amazing optics for high image quality and sharp rendering of point light sources with Canon’s first Fluorite element in an ultra-wide-angle lens, and featuring BR Optics, 1 UD lens, and 3 GMo aspheric lenses, plus Sub-wavelength coating in 1 location and Air Sphere coating in 2 for minimized ghosting.
  • 11-blade aperture for smooth, circular bokeh.
  • Iris ring compatible with EOS R1, EOS R5 Mark II, and EOS R6 Mark III cameras; plus Lens Function button and Control Ring.

Availability

The Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and RF14mm F1.4 L VCM prime lens are currently expected to be available by the end of February 2026, for estimated retail prices of $1,899.00 and $2,599.00 respectively4. For more information about Canon's latest innovations and products, please visit www.usa.canon.com.

1 As of February 3, 2026 according to Canon data

2 As of August 23, 2010 according to Canon data

3 Among full-frame lenses manufactured by Canon with a focal length wider than 20mm

4 Specifications, availability and prices are subject to change without notice.

Canon RF 7-14mm F2.8-3.5 L Fisheye STM specifications:

Principal specifications
Lens typeZoom lens
Max Format size35mm FF
Focal length7–14 mm
Image stabilizationNo
Lens mountCanon RF, Canon RF-S
Aperture
Maximum apertureF2.8–3.5
Minimum apertureF22–29
Aperture ringNo
Number of diaphragm blades8
Optics
Elements16
Groups11
Special elements / coatings2 asph., 5 UD
Focus
Minimum focus0.15 m (5.91)
Maximum magnification0.35×
AutofocusYes
Motor typeStepper motor
Focus methodInternal
Distance scaleNo
DoF scaleNo
Physical
Weight476 g (1.05 lb)
Diameter77 mm (3.03)
Length109 mm (4.29)
SealingYes
ColourBlack
Zoom methodRotary (internal)
Power zoomNo
Zoom lockYes
Filter notesDrop-in filter slot
Hood suppliedYes
Hood product code7-14
Tripod collarNo

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