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The Sony World Photography Award finalists showcase the art of long-form storytelling

2026 Sony World Photography Awards Professional Finalists

a grid of nine images with white lines between each

The World Photography Organization has announced the professional finalists and shortlists for the 2026 Sony World Photography Awards. While the Open competition (for which the 2026 category winners were announced last month) celebrates standout single images, the Professional awards focus on cohesive series that tell a story over multiple frames. The professional finalists offer a counterpoint to the Open winners, revealing how photographers are using image sequences to deepen storytelling beyond what a single photo can achieve.

This year's announcement highlights long-form projects across 10 categories, from Documentary Projects and Portraiture to Landscape and Wildlife & Nature. For the 2026 edition, 30 photographers have been named finalists, and more than 65 others have been shortlisted for series that range from intimate personal narratives to wide-ranging explorations of social and environmental change. The judges evaluated each body of work on its narrative strength, visual consistency and conceptual ambition, rather than on a single standout frame.

Selected images will be exhibited at Somerset House in London from April 17 to May 4, alongside hundreds of images from across all divisions of the World Photography Awards. Category winners and the overall Photographer of the Year, who receives a substantial cash prize and gear from Sony, the sponsor of the competition, will be announced at a ceremony in London on April 16. Work from the Photographer of the Year will also be shown in a solo presentation at next year's exhibition.

We've included a small section of the finalist images below, but you can see all of the finalists and shortlisted images at the contest website.

Architecture & Design

3833 10009 AndrTezza Brazil Professional ArchitectureDesign 2026

Photographer Name: André Tezza

Image Name: Loja e Mercado Marielen

Year: 2026

Image Description: Named after one of the owner's daughters, this store in Campo Largo is a family-run business integrated into the same building where the family lives, merging domestic space and commercial architecture into a single, everyday structure.

Series Name: Everyday Structures

Series Description: This ongoing project documents small neighbourhood grocery stores on the outskirts of Curitiba, in southern Brazil. These modest structures form an architecture of resistance that persists even as large retail chains reshape the city. Often family-run and linked to domestic spaces, the stores merge work, memory and dwelling into a single building. While the city centre undergoes gentrification, the periphery remains culturally dense and visually vibrant. This series reflects a belief that architectural beauty exists in ordinary, overlooked places.

Copyright: © André Tezza, Brazil, Finalist, Professional Competition, Architecture & Design, Sony World Photography Awards 2026

Creative

3871 10291 PabloRamos Mexico Professional Creative 2026

Photographer Name: Pablo Ramos

Image Name: Untitled

Year: 2026

Image Description: There is no record of the first disappeared woman in Mexico, but official figures state that 23 per cent of cases correspond to women.

Series Name: The Black Album

Series Description: With more than 130,000 individuals currently reported missing in Mexico, and a new disappearance occurring approximately every 40 minutes, The Black Album transforms archival imagery into a haunting collective portrait of absence, loss, and unresolved grief. Rather than documenting disappearance directly, this photographic essay reinterprets the past to question the future. Through an intervention in a photographic archive, the project constructs a symbolic 'album' of Mexico's disappeared — an unsettling reflection of a country living through a prolonged dark era in which absence has become routine and invisibility systemic.

Copyright: © Pablo Ramos, Mexico, Finalist, Professional Competition, Creative, Sony World Photography Awards 2026

Creative

3873 10307 BenBrooks UnitedKingdom Professional Creative 2026

Photographer Name: Ben Brooks

Image Name: Barson

Year: 2026

Image Description: Carson, California.

Series Name: The Palm, On Piru

Series Description: The Palm, On Piru is a photographic series exploring the spiritual connections and collective identities of rappers from South Los Angeles with Pirus/Bloods gang affiliations. The work focuses on the people and places central to the origins of West Coast hip-hop's G-funk music genre, and California's parallel gang culture, examining the interplay of their environment, community and artistic expression. The series was shot on colour infrared film, with its distinctive red and pink tones creating links between the environment and the artists, members, and families that form the Red side of the cultural divide, and the backbone of West Coast Hip Hop.

Copyright: © Ben Brooks, United Kingdom, Finalist, Professional Competition, Creative, Sony World Photography Awards 2026

Documentary Projects

3851 10143 SantiagoMesa Colombia Professional DocumentaryProjects 2026

Photographer Name: Santiago Mesa

Image Name: Untitled

Year: 2026

Image Description: Darwin, a young Venezuelan coca leaf picker (raspachín), rests on freshly harvested coca leaves in Putumayo, Colombia, before they are processed. The raspachíne's work is physically demanding, but the shifts are usually only half a day and are paid in cash. For many migrants, coca harvesting is one of the few reliable sources of income.

Series Name: Under the Shadow of Coca

Series Description: In the southern Colombian department of Putumayo, coca cultivation remains one of the few economic options for rural families in this neglected border region. This project follows farmers and families whose livelihoods depend on an illicit economy shaped by poverty, weak state presence, and armed control, as well as members of Comandos de la Frontera, the armed group that controls the territory and the cocaine trade. While some families try legal alternatives, coca often provides the only stable income. Under the Shadow of Coca shows that many of the local producers are not traffickers, but campesinos (farmers), and that it is usually armed groups who profit from the trade of coca.

Copyright: © Santiago Mesa, Colombia, Finalist, Professional Competition, Documentary Projects, Sony World Photography Awards 2026

Documentary Projects

3849 10133 AlexandreBagdassarian France Professional DocumentaryProjects 2026

Photographer Name: Alexandre Bagdassarian

Image Name: Sixteen and a Half

Year: 2026

Image Description: The photograph happened quickly. The flowers, the same colour as the detainee's sneakers and cap, immediately motivated him to pose. Many young people have experienced a similar scenario: drug dealing, then prison. He tells the photographer his story with ease: 'I started at 10 o'clock, in a small park, with a bag. Inside, there was really a big package. A lot of money.'

Series Name: Sixteen and a Half: Eight Months in a Juvenile Prison

Series Description: Over a period of eight months, Alexandre Bagdassarian documented the daily lives of young detainees in one of France's six juvenile prisons, one of the country's least visible institutions. The photographer sought to understand what it means to be young and confronted with prison, not from the perspective of legal texts or institutional discourse, but by observing the trajectories, voices, and bodies of those living this reality. Often relegated to silence or the margins, their stories are rarely told, and when they are, they reach us through a media or political lens, the photographer explains, sometimes 'shaped by security driven ideologies.'

Copyright: © Alexandre Bagdassarian, France, Finalist, Professional Competition, Documentary Projects, Sony World Photography Awards 2026

Environment

3895 10485 ShaneHynan Ireland Professional Environment 2026

Photographer Name: Shane Hynan

Image Name: Beneath | Beofhód

Year: 2026

Image Description: A family footing turf for domestic use. Ticknevin, County Kildare, Ireland.

Series Name: Beneath | Beofhód

Series Description: Beofhód — 'life beneath the sod' in Irish — evokes the primal significance of bogs in Celtic tradition. The series examines the cultural and environmental aspects of bogs in Ireland and contemplates themes of social and environmental justice, topographical mapping and the evolving perception of peatlands in an era of de-industrialisation. Although urgent ecological imperatives have ended large-scale peat extraction, they have also created tension with small-scale harvesting for domestic use, which still persists. Referencing Joseph Beuys' assertion that bogs are 'the liveliest elements in the European landscape' and 'preservers of ancient history,' this work reflects on the endangered status of these habitats in the artist's post-industrial surroundings. In this project, bogs are used as 'a metaphor for Ireland and the Irish psyche, and for local, human and personal exploration of a global issue.'

Copyright: © Shane Hynan, Ireland, Finalist, Professional Competition, Environment, Sony World Photography Awards 2026

Environment

3889 10429 MatteoTrevisan Italy Professional Environment 2026

Photographer Name: Matteo Trevisan

Image Name: Untitled

Year: 2026

Image Description: Jinwar is an eco-feminist village founded during the Syrian war as a refuge for women. The village, powered in part by solar energy, was built collectively and inaugurated in 2018. Amal arrived here a year ago and says that 'the relationships among women are beautiful; I love everything here.
I hope to be reborn here, with a clear mind, and to live in peace — here it's possible.'

Series Name: Jinê Land: Where Women Keep the Earth Alive

Series Description: Jinê Land: Where Women Keep the Earth Alive tells the story of women shaping the ecological and social future of Rojava in northeast Syria. In a region that is still recovering from war and fragmentation, women lead the fight for environmental restoration, sustainable agriculture, and community self-governance. Since 2012, Kurdish, Assyrian, Arab, and Armenian communities have self-organised under a model inspired by democratic confederalism, integrating women's liberation and ecology. Women manage schools, cooperatives, health centres, and local councils, ensuring their leadership in both social and ecological spheres. Villages such as Jinwar embody this vision: female-led, sustainable, and resilient, offering a space for education, self-reliance and communal life. Through photography, this project captures the intersection of freedom, ecology, and community, revealing a radical social experiment where women are both the stewards of the land and the architects of a new society.

Copyright: © Matteo Trevisan, Italy, Finalist, Professional Competition, Environment, Sony World Photography Awards 2026

Landscape

3917 10641 MichaelBlann UnitedKingdom Professional Landscape 2026

Photographer Name: Michael Blann

Image Name: Col du Tourmalet, France

Year: 2026

Image Description: The first mountain climb ever traversed by the Tour de France has earned its mythical status as one of the hardest cycling climbs.

Series Name: Mountain Roads

Series Description: Mountain Roads is a series of photopolymer etchings of iconic European mountain roads. This ongoing project aims to document the greatest cycling roads spanning the Alps, the Pyrenees, the Dolomites, the Picos and the Spanish Islands. It celebrates the permanence of mountains and the feats of engineering and construction required to navigate and build a route through and over these formidable climbs.

Copyright: © Michael Blann, United Kingdom, Finalist, Professional Competition, Landscape, Sony World Photography Awards 2026

Landscape

3913 10617 AndreasSecci Germany Professional Landscape 2026

Photographer Name: Andreas Secci

Image Name: Untitled

Year: 2026

Series Name: The Oyster

Series Description: This series of abstract landscapes depicts oyster farming on the French coast of Normandy and Brittany, where the farms stretch along the entire coastline, shaping the character of the landscape. With a tidal range of up to 12 metres, the oyster beds disappear from view at high tide but are fully exposed at low tide. Yet it is only from a bird's-eye view that the vastness of these abstract landscapes, reminiscent of Roman legions, can be appreciated.

Copyright: © Andreas Secci, Germany, Finalist, Professional Competition, Landscape, Sony World Photography Awards 2026

Perspectives

3937 10787 FredrikLerneryd Kenya Professional Perspectives 2026

Photographer Name: Fredrik Lerneryd

Image Name: Untitled

Year: 2026

Image Description: Sheriff Knight (centre), the 'Dancing Cowboy,' leads the line dance during International Cowboy Day.

Series Name: Country Music in Kenya

Series Description: This series was photographed over an 11-month period, with the highlight being the International Cowboy Day festival, in Nairobi, Kenya. The festival drew around 3,000 country music fans to Ngong Racecourse in the final week of July. Country Music has been played on the radio in Kenya since colonial times and the popularity for the genre is growing, with shows being held by various artists in local bars a few times per week.

Copyright: © Fredrik Lerneryd, Sweden, Finalist, Professional Competition, Perspectives, Sony World Photography Awards 2026

Perspectives

3933 10753 HayateKurisu Japan Professional Perspectives 2026

Photographer Name: Hayate Kurisu

Image Name: Living Photographs

Year: 2026

Series Name: Living Photographs

Series Description: 'My wife and I lost our child to stillbirth at 18 weeks of pregnancy. In the days leading up to the cremation we spent time together at home, during which time I took many photographs. In contemporary society, photographs are easily shared, generated and consumed, and with the rise of social media and artificial intelligence, the meaning of photography as a medium continues to shift. However, pressing the shutter in front of my child brought a renewed awareness of photography's fundamental qualities — its relationship to time and to the body. These photographs were not taken for the purpose of record or explanation. They are made simply to face the time that undeniably existed in that place. For me, looking at these photographs is an act of reaffirming the sensation of being alive.'

Copyright: © Hayate Kurisu, Japan, Finalist, Professional Competition, Perspectives, Sony World Photography Awards 2026

Portraiture

3943 10845 Jean-MarcCaimiValentinaPiccinni Italy Professional Portraiture 2026

Photographer Name: Jean-Marc Caimi & Valentina Piccinni

Image Name: The Faithful

Year: 2026

Image Description: A priest distributes communion during Pope Francis's funeral mass. Some 4,000 priests concelebrated the mass for approximately 200,000 mourners. Ritual persisted through the institutional transition, with the Eucharist administered regardless of papal presence.

Series Name: The Faithful

Series Description: Between the death of one pope and the election of the next, crowds gathered in St. Peter's Square, Vatican City, for an event that functions simultaneously as sacred ritual and global spectacle. The photographers explain that pilgrimage took on the traits of fandom, as rosaries, flags and prayer gestures were performed with full awareness of the attendant cameras and media. Individual devotion unfolded 'within a choreography shaped by mass attendance and global broadcast.' The portraits in this series capture that 'doubled consciousness': believers performing acts of faith within a mediated public space, where personal conviction merges with stadium-scale performance.

Copyright: © Jean-Marc Caimi & Valentina Piccinni, Italy, Finalist, Professional Competition, Portraiture, Sony World Photography Awards 2026

Portraiture

3951 10897 FedericoBorella Italy Professional Portraiture 2026

Photographer Name: Federico Borella

Image Name: Koryo-Saram

Year: 2026

Image Description: The K-pop group Blue Flame, established in 2023, during a rehearsal in the Bucheon University gym. Bucheon University in Tashkent is a branch campus of a Korean university and has become one of the main meeting points for this scene, bringing together young people from different backgrounds who share the same enthusiasm.

Series Name: Koryo-Saram: How Descendants of Deported USSR Koreans Are Rediscovering Their Roots in Uzbekistan

Series Description: Koryo-saram are the descendants of ethnic Koreans from the former USSR who were forcibly deported to Uzbekistan through Stalin's ethnic cleansing policies. Over time, they became an integral part of Uzbek society, but their connection to Korea gradually faded, and by the 1990s, few could even read or write Korean. Today, most Koryo-saram identify as Uzbek citizens, with only faint traces of Korean cultural heritage remaining. However, a new generation, influenced by the 'Korean Wave,' is rediscovering its roots through music, film, dance and language, particularly in Tashkent, where this revival also includes many young Uzbeks.

Copyright: © Federico Borella, Italy, Finalist, Professional Competition, Portraiture, Sony World Photography Awards 2026

Sports

3999 11271 ToddAntony UnitedKingdom Professional Sport 2026

Photographer Name: Todd Antony

Image Name: Against the Reins

Year: 2026

Image Description: Taken during the same buzkashi match, this series shifts from a strict documentary approach towards an 'emotional truth grounded in real events.'

Series Name: Buzkashi

Series Description: Buzkashi (literally meaning 'goat pulling' in Persian) is the fierce, ancient sport of Tajikistan. It is similar to polo, but there are no teams and no boundaries. The ball is the eviscerated, headless carcass of a goat and the aim is brutally simple: seize it, hold it, break free. The game was born among the nomadic horse cultures of Central Asia, where strength and horsemanship were measures of identity. For centuries, chapandaz (riders) have hurled themselves into this churning mass of hooves and bodies, fighting for honour and a moment of clear sky among the dust.

Copyright: © Todd Antony, New Zealand, Finalist, Professional Competition, Sport, Sony World Photography Awards 2026

Sports

4015 11371 MorganOtagburuagu Nigeria Professional Sport 2026

Photographer Name: Morgan Otagburuagu

Image Name: Untitled

Year: 2026

Image Description: Misturah Idowu after training.

Series Name: Beneath the Bridge

Series Description: In the shadowed arch of an underpass in Lagos, Nigeria, far from the gleam of professional rings, a raw and resonant rhythm of ambition pulses. Beneath the Bridge documents a makeshift gym where amateur boxers — boys and girls alike — forge their discipline and dreams with nothing but tyres, rope, water and willpower. The project creates an intimate, visceral portrait of grassroots aspiration, exploring universal themes of resilience, gender equality in traditionally male spaces, and the profound human need to carve a place of purpose from the margins. Photographed in the natural light of the underpass, shadows and hard light sculpt the boxers' bodies, as textures of rust, rope and sweat become central to the narrative. This is not a story about winning or losing, but of preparing; a testament to the unadorned, potent moments where character is built before a single punch is ever thrown.

Copyright: © Morgan Otagburuagu, Nigeria, Finalist, Professional Competition, Sport, Sony World Photography Awards 2026

Still Life

3989 11191 DanieleVita Italy Professional StillLife 2026

Photographer Name: Daniele Vita

Image Name: Untitled

Year: 2026

Image Description: A pistachio remains encased in its natural husk, left on the fruit beyond its ideal time. The husk has gradually darkened and started to break down, showing wrinkles, irregularities, and the first signs of decay. The contrast between the pale shell and the darkened husk highlights the pistachio's natural transformation, from fresh to weathered by time.

Series Name: The Bronte Pistachio

Series Description: For almost a year, Daniele Vita photographed the pistachios of Bronte, Sicily, from the trees to the harvested nuts. Studying them one by one, he realised that although they seemed alike, each was unique. This experience became a reflection on a society 'that tends to standardise and erase differences', and the photographer set out to capture the individuality of every natural element. In the final stage presented here, the pistachio stops being immediately recognisable and becomes an open image, where anyone can find their own perspective and meaning.

Copyright: © Daniele Vita, Italy, Finalist, Professional Competition, Still Life, Sony World Photography Awards 2026

Still Life

3985 11163 VilmaTaubo Norway Professional StillLife 2026

Photographer Name: Vilma Taubo

Image Name: Rubber Duck

Year: 2026

Image Description: Thailand.

Series Name: Talking Without Speaking

Series Description: Talking Without Speaking is a series of photographs of everyday objects that have become symbols of protest. Each of the objects can be connected to a specific historical period, a particular rights struggle or a particular country. Some have been intentionally brought to the streets to support a cause, while others have unexpectedly found their place in the public sphere, revealing their symbolic power over time.

Copyright: © Vilma Taubo, Norway, Finalist, Professional Competition, Still Life, Sony World Photography Awards 2026

Wildlife & Nature

3977 11111 WolfgangDuerr Germany Professional WildlifeNature 2026

Photographer Name: Wolfgang Duerr

Image Name: 10:01:23

Year: 2026

Image Description: All of the images in WILD were taken with wildlife cameras set up in forests and along rivers in the UNESCO Rhön Biosphere Reserve in Northern Bavaria, Germany. The image titles indicate the time at which it was captured.

Series Name: WILD

Series Description: The photographs in this series were taken by a wildlife camera. Exposures were made when animals activated the camera via motion sensors, in the absence of the photographer and without his intervention. He was responsible for the preparation and follow-up work; installing the wildlife cameras in carefully selected locations and evaluating and processing the images that were generated over a period of months. The finished work is thus a co-production with the wild animals, whose decisive part — the moment the image is created — was not chosen by the photographer.

Copyright: © Wolfgang Duerr, Germany, Finalist, Professional Competition, Wildlife & Nature, Sony World Photography Awards 2026

Wildlife & Nature

3973 11077 AnitaPouchardSerra Argentina Professional WildlifeNature 2026

Photographer Name: Anita Pouchard Serra

Image Name: Untitled

Year: 2026

Image Description: Passengers in a car watch a capybara eating grass by the side of a road running through the private city. The animals attract attention, and many people stop during the day to take photographs of them.

Series Name: Capybaras at the Forefront of the Dispute and Resistance in Buenos Aires

Series Description: Nordelta is one of the best-known private developments in Buenos Aires, Argentina. It was built on a wetland, an ecosystem in which the land is covered by water, which is the main factor controlling plant and animal life. In recent years, the development's 45,000 upper-class residents have seen numerous capybaras enter the neighbourhood. Social media has been flooded with videos and photographs of the area's original inhabitants in swimming pools, crossing the street, or, more tragically, run over or trapped in drains or sewers. In a little over three years, the capybara population tripled to 1,000, leading the Buenos Aires government to approve population control plans that include selective sterilisation and contraception. At the same time, the presence of capybaras has divided the community, with neighbours arguing for and against the capybaras; for the rights of nature and against uncontrolled urban growth on natural land.

Copyright: © Anita Pouchard Serra, Argentina, Finalist, Professional Competition, Wildlife & Nature, Sony World Photography Awards 2026

What’s in DianeMiller’s bag: From biochemist to night-sky explorer

 J2A9240-Edit - Diane Miller

Aerial view somewhere between Yuma and Gila Bend.

Canon EOS 5D Mark III | 135mm | F7.1 | 1/1600 sec | ISO 200
Photo: DianeMiller

DPReview community member DianeMiller (Diane D. Miller) is an active participant in our wider community and a talented self-taught photographer. Although she earned a Ph.D. in biochemistry and pursued a career in science, she always had a love of photography.

Her life took a different turn early on, though, after meeting her future husband, a pilot and adventurer. For their honeymoon, the couple flew around the world in a single-engine Beechcraft Bonanza – the first around-the-world flight not intended to set a record.

After years spent on aviation adventures and raising two daughters, Diane returned to working on her photography. Today, she is rooted primarily in nature, from studies close to home to expansive and beautiful landscapes and stills of the quiet night skies.

Submit your story to be featured in 'What's in your bag?'

Meet DianeMiller (Diane D. Miller)

Home base: Santa Rosa, CA, USA

Favorite camera and lens: Canon R5 with the Canon RF 100-500mm – her favorite for its remarkable, handholdable reach.

Typical photo scenes: Nature close to home, birds, flowers, landscapes, and, increasingly, astrophotography including the Milky Way, deep-sky objects and celestial events.

“I've been playing with cameras since I was 10 or younger. I love being able to capture things I see and things beyond what I can see," she says.

Diane describes herself as a self-taught photographer who prefers to work alone or with a very small group of like-minded people. While she has traveled around the globe, she has found deep satisfaction in exploring familiar places, discovering beauty in nearby wetlands and in mystical views of the night sky.

Over the last decade or so, she has become much more serious about astrophotography, building a deep-sky setup while also experimenting with wide-angle Milky Way scenes. Recently, she developed a method of using astrophotography software to overcome limitations of shooting with regular cameras – a tutorial she is publishing on her website.

059 M31 Andromeda 2023-09 v1-Edit - Diane Miller

M31, the Andromeda Galaxy, shot with my astro rig.

Photo: DianeMiller

What's in Diane's bag

Diane Millers camera bag

DianeMiler's camera bag.

Photo: DianeMiller

What other gear makes a difference?

"For my birding expeditions, I find the Spider hip belt holster and Olympus EE-1 dot sight for fast aiming at extreme focal lengths especially useful," she says.

Diane admits that her bag is usually packed to capacity. “Maybe I'm too ‘focused’ on photography and I can barely lift the bag as configured for most shoots, so not much else goes along except water.”

 49A3842-Edit - Diane Miller
Recently fledged Western Bluebird.

Canon EOS R5 | 726mm | F13
Photo: DianeMiller

How do you adapt your setup to outdoor challenges?

Diane frequently repacks and reconfigures her bag depending on whether she is heading out to capture birds, flowers, macro shots or landscapes. For wildlife, the long lens and teleconverters dominate. For flowers and insects, macro tools and specialized lighting take priority. For landscapes and night skies, wide-angle lenses or her full astrophotography rig come along.

“It depends on the season and on what I am doing," she says. "If I travel alone like an explorer, I reduce everything to the minimum. If I have to photograph an organized event and stay in one place for three or four hours, I bring what makes the wait comfortable."

"My strength is that I always have the right focal length ready. The cameras are set in manual mode, usually with the aperture wide open. If necessary, I close it, but I like to isolate the subject and react quickly.”

 J2A0380-Pano-2-Edit - Diane Miller

Laguna de Santa Rosa on a foggy morning.

Canon EOS 5D Mark III | 170mm | F10 | 1/320 sec | ISO 200
Photo: DianeMiller

Diane's advice for other photographers

Diane’s philosophy is simple and ongoing: “The paint never dries.” She embraces photography as a lifelong process of refinement, curiosity and discovery. She also jokes that she loves her “dimroom, Lightroom and Photoshop!” where the creative process continues after the shutter is pressed.

If you’d like to share your photography setup, tell us about your main camera, lens choices, key settings and photography strategies. You could be featured next!


Editor's note: This article continues a series, 'What's in your bag?', highlighting DPReview community members, their photography and the gear they depend on. Would you like to be featured in a future installment? Tell us a bit about yourself and your photography by filling out this form. If you're selected for a feature, we'll be in touch with next steps.

Submit your story to be featured in 'What's in your bag?'

The 9 Best mirrorless cameras in 2026

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best-mirrorless-32 3
Updated March 5th, 2026

Well over a decade after Panasonic introduced the first mirrorless camera, it's a design that now dominates the interchangeable lens camera market. They include cameras designed for a wide range of photo and video pursuits and models at everything from budget to professional price points.

We've used and tested just about every current mirrorless camera on the market and picked out what we think are the stand-out models. We'll start with the most affordable models, then work our way up from there. In general terms, as you move up the price ladder, you'll see larger sensors with better image quality, higher resolution, faster burst rates, and more capable video specs. We'll explain why we've chosen each camera and try to explain the advantages and disadvantages of each choice.

Our picks:


Best affordable kit: Sony a6100

24MP APS-C sensor | Hybrid AF with Real-time Tracking | 4K video capture

Photo: Richard Butler

What we like:

  • Excellent autofocus system
  • 4K/30p video recording
  • Tilting touchscreen LCD

What we don't:

  • Less robust build quality
  • Rolling shutter 'jello effect' present in 4K video
  • Crop when recording 4K/30p video

The Sony a6100 is an entry-level APS-C mirrorless camera. While it's one of the older cameras still available, its 24MP sensor, touchscreen for easy focus placement and Sony's excellent autofocus tracking, which especially excels at focusing on people and pets, still make it an excellent value for its price.

It's happiest if you prefer to point-and-shoot in an auto mode. The wide range of lenses available for it provide room to grow if you find yourself catching the photography bug and, if you shop smart, you can get the body and a lens for around $1000 (though we'd recommend staying away from Sony's default 16-50mm F3.5-5.6 II kit option).

The a6100 is the most basic model in the a6000-series and doesn't feel quite as robust as its step-up siblings. It offers a lower-resolution electronic viewfinder, and twin control dials that are both thumb-operated. Its touchscreen flips upward 180-degrees for easy selfie framing and vlogging.
Sony's autofocus system has been trained to recognize people and pets as subjects, and will follow them flawlessly throughout the frame. Coupled with the ability to touch the screen to place a focus point, it's a system that will serve beginner users very well, whatever they're shooting.
"The a6100's autofocus can effortlessly track whatever you point it at"
The a6100 makes it easy to record 4K footage or slow-motion 1080 video. There's a socket to connect an external mic but no way to connect headphones for monitoring. It can be set up for tap-to-track autofocus in video, too. There's significant 'jello-effect' distortion in the 4K footage though, especially in 24p mode.
The a6100 is a good entry-level camera with a very powerful, easy-to-use autofocus system. We're not huge fans of the kit zoom and the interface isn't especially welcoming, but with a few settings changes, it can help you get excellent shots, easily.

Read our Sony a6100 review


See the Sony a6100 studio scene


Sample gallery
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Best value around $1000 - Nikon Z50II

20.9MP APS-C sensor | Subject recognition AF | Full-width 4K video up to 30p

Nikon z50ii
Photo: Richard Butler

What we like:

  • Twin command dials
  • Simple tracking AF w/ subject recognition
  • Strong video specs

What we don't:

  • Weak battery life
  • Limited zoom lens selection
  • Non-stabilized sensor limits video
The Nikon Z50II is an entry-level APS-C mirrorless camera, built around a 21MP CMOS sensor. It features Nikon's '3D tracking' autofocus system, and can recognize nine subject types.

It represents a step up over the a6100, offering similarly powerful autofocus (though with more autofocus subject recognition types) and much more welcoming controls for when you want to be more involved in the photo-taking process. Nikon places some restrictions on what lenses third parties can make, but there are increasingly more sensible options; if the ones you want are available for it, the Z50II is the best option at this price point.

It has a solid grip, twin top-plate control dials, and a wide variety of customizable buttons, including one that, by default, controls color mode. Focusing is handled using the touchscreen or four-way controller.
Autofocus is very good with subject detection being especially good. However, human detection doesn't seem as sticky and 3D Tracking isn't as dependable as on Nikon's higher-end models. Otherwise, the camera is snappy and can even do 30fps pre-capture, though it's JPEG only.
The Z50II delivers on the basics without breaking the bank.
The Z50II can shoot Log or HLG video and has a waveform monitor to help set correct exposure. A headphone socket helps maintain audio quality but the lack of in-body stabilization counts against its use for video.
The Z50II is a solid hybrid camera, with several features from Nikon's higher-end cameras. The lack of a stabilized sensor is the one mark against what are otherwise very good video specs, and you may find the lens selection limited if you want a camera to grow with you.

Read our full Nikon Z50II review


See the Nikon Z50II studio scene


Sample gallery
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Best APS-C mirrorless camera: Fujifilm X-T5

fujifilm x-t5 floating against red background
Photo: Richard Butler

What we like:

  • Dedicated dial interface shows your settings
  • Detailed 40MP images
  • Photo-centric design and feature set

What we don't:

  • Autofocus prone to false-positives
  • Significant rolling shutter in e-shutter mode
  • Smaller buffer, lower-spec video than X-H2

The Fujifilm X-T5 is an enthusiast-level APS-C mirrorless camera built around a stabilized, 40MP BSI CMOS sensor with the company's X-Trans color filter array. It has plenty of features for both photo and video shooters.

What really lands it on this list, though, is how lovely it is to use. There are physical controls for all your exposure settings alongside configurable top-plate command dials, a big, bright EVF, and its JPEG colors are especially pleasing with a wide range of sensible (and more out-there) "Film Simulation" color modes. Though there are more technically capable APS-C cameras on the market, for a lot of photography, we'd give up a bit of AF tracking performance and speed for the X-T5's user experience.

The X-T5 features dedicated control dials for ISO, shutter speed and exposure compensation, along with a film-era SLR-style low-profile front grip. Its rear screen tilts up and down but also hinges outward for portrait-orientation shooting.
The X-T5 can detect a variety of subjects from animals to vehicles, and tracking performance is quite good with these. Tracking for unrecognized subjects is less dependable and eye detection is prone to false positives. Buffer depth while shooting at 15fps is reasonable.
The X-T5 foregoes some of the X-H2's video features to offer a more photo-centric experience with classic styling
Video performance can be either full width but less detailed, or oversampled from a crop of the sensor. The use of SD cards means it doesn't share the X-H2's high-data-rate ProRes options. There's no headphone jack but audio can be monitored through the USB port with an included adapter.
Having the X-H2 and X-H2S available to meet the needs of videographers allows the X-T5 to fulfill photographers' desires for stills-centric handling and features. For photographers who enjoy Fujifilm's traditional dial-based controls, there's no more capable body than the X-T5.

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What are my other APS-C options?

The Sony a6700 is the most capable APS-C camera on the market, with extremely strong autofocus performance, image quality and video capabilities. Sony's E-mount also has the most complete array of APS-C lenses after Fujifilm's, largely thanks to support from third parties. However, we don't find it as pleasurable to use as the X-T5 – its viewfinder is smaller and lower-res, and the lack of an AF joystick makes picking a focus point a bit more of a chore – but if technical prowess is what you seek, the a6700 is your best bet.

Canon also builds some decent APS-C competitors that rival Sony's performance, but while you can now get several decent third-party fast zooms for them, the company still restricts what lenses can exist on RF-mount.

Fujifilm X-T50 against green background

Fujifilm's X-T50 is also worth considering if you're looking at APS-C cameras

Photo: Richard Butler

Finally, if you were enticed by the X-T5 but are on a budget, we'd suggest considering the Fujifilm X-T50. It packs the same sensor and processor into a smaller, lighter design. While the viewfinder isn't as nice, and the controls are a little more fiddly, in return, you get the film simulation dial, which encourages you to play with different looks. It can also be kitted with the excellent 16-50mm F2.8-4.8 OIS zoom, which is significantly better than the lenses bundled with other companies' APS-C offerings

Full-frame mirrorless

Full-frame cameras (those with image sensors the same size as traditional "35mm" film) offer the potential for better image quality than smaller formats, simply because they have a larger area on which to capture light. However, you don't get something for nothing: even if you can find an affordable, compact full-frame camera at a good price, the lenses needed to make the most of it will be larger and will typically cost more than those for APS-C or Four Thirds sensors. Broadly speaking, there's a balance to be struck between image quality, size and price, which is worth contemplating before you make the assumption that full-frame is the best (or even 'better') format.

Best value full-frame mirrorless: Nikon Z5II

24MP BSI full-frame sensor | In-body image stabilization | Dual UHS-II card slots

nikon z5ii
Photo: Mitchell Clark

What we like:

  • Excellent image quality
  • Very good autofocus, for a range of subjects
  • Excellent handling, ergonomics and feature set

What we don't:

  • Reasonable, but not great, battery life
  • Needs to crop to deliver 4K/60
  • Lens choice limited by Nikon
The Nikon Z5II is a full-frame mirrorless camera built around a 24MP BSI CMOS sensor.

Don't be scared by the "value" part of this pick; the Z5II doesn't feel cheap, and there aren't obvious features cut for cost. In fact, we suspect most photographers would struggle to push its limits, and unless you must absolutely have faster or higher-resolution shooting or top-end video, it's hard to argue that most people truly need anything better.

The Z5II is a solid camera with a deep grip and plenty of customizable buttons. It's comfortable to use, even for long sessions using a relatively large lens.
The autofocus is very good, especially in subject recognition modes. It's not quite as dependable at recognizing people in low light, but it's very competitive and light-years better than even higher-end cameras from just a few years ago.
The Nikon Z5II is almost unimaginably good for a camera priced under $2000.
Video quality is good, though with a decent amount of rolling shutter, and it offers advanced options like Log, HLG HDR and N-Raw capture. Autofocus isn't as dependable as it is in stills.
Image quality is excellent, and the Z5II can capture HLG HDR images using HEIF files for a more life-like viewing experience.
The Z5II is an impressive all-rounder that delivers excellent image quality and good video, underpinned by very good autofocus in a body that's well-designed and comfortable to use. It's hard to see what more an enthusiast photographer could want from a camera.

Read our full review of the Nikon Z5II


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What are the other entry-level full-frame options?

We also think the Canon EOS R8 is worth considering if you're looking for a comparatively affordable full-frame camera. Like Nikon's Z-mount system, Canon's RF lens ecosystem is also somewhat short on affordable lenses to pair with an entry-level camera.

Its usability is what keeps it from topping this guide; it has shorter battery life and a smaller viewfinder than the Z5II, and lacks in-body image stabilization, a second SD card slot and an AF joystick. However, it can shoot 4K60 video without a crop, which could be interesting to videographers, though, unlike the Z5II, it doesn't offer any Raw options.

Best mid-priced full-frame mirrorless: Nikon Z6III

25MP full-frame 'Partially Stacked' CMOS sensor | 6K/60p N-Raw video | 5.76M dot OLED 0.8x EVF

Nikon Z6iii
Photo: Richard Butler

What we like:

  • Very good image quality
  • Good autofocus tracking with auto subject recognition mode
  • Extensive choice of video resolutions and codecs

What we don't:

  • Peak dynamic range lower than peers
  • N-Raw video format has limited support
  • Nikon controls 3rd-party lens options
The Nikon Z6III is Nikon's third-generation full-frame enthusiast mirrorless camera, with a 'partially stacked' 25MP CMOS sensor.

The Nikon Z6III is a significant step up for the Z6 series, and is a very capable camera for both stills and video. Its main benefit over less expensive models are its sensor readout speeds – and, therefore, rolling shutter performance in video. At its MSRP, at least in the US, it's not quite as good as its similarly priced rivals, but it's routinely available for hundreds of dollars off, a price that makes it a bit more attainable as this category gets increasingly expensive.

The Z6III has an ample grip and easy-to-use control scheme. Nikon's menus and touchscreen layout are also well-refined, but the camera lacks the company's traditional AF mode button or front-corner switch.
The Z6III is a genuine do-anything camera with excellent video and photo capabilities.
Autofocus is generally reliable, and the camera includes Nikon's 3D-tracking system and plenty of subject recognition modes. It can shoot 20 raws per second, or 60fps in JPEG mode.
The Z6III shoots many video formats, including Raw, and has dependable subject-tracking autofocus and a waveform display. Its 4K and 5.4K modes produce excellent detail, even in 60p, and its rolling shutter performance is outstanding.
Image quality is very good, with lots of detail and acceptable amounts of noise. There is a recognizable dynamic range tradeoff for that speed, but it's only noticeable in extreme situations.
The Z6III is a significant step-up from its predecessor and is to-date the most all-round capable camera in its class. It excels in both stills and video.

Read our full review of the Nikon Z6III


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Most capable mid-range mirrorless: Canon EOS R6 III

32MP full-frame CMOS sensor | 3.0", 1.62M dot fully-articulating screen | 7K recording up to 60p

canon eos r6iii
Photo: Mitchell Clark

What we like:

  • Excellent image quality
  • Dependable autofocus
  • Full suite of video recording modes and assist features

What we don't:

  • Overheating in ambitious video modes
  • Dynamic range isn't as strong as its best competitors'
  • Hitting buffer's limit slows camera down
The Canon EOS R6 III is a full frame enthusiast camera, with a 33MP sensor.

It earns its place on this list by being a complete package that's enjoyable to use. Its image quality, burst rates and autofocus are capable of helping you tackle pretty much any subject, and it's also a powerful video camera. No matter what your needs it's hard to imagine you'll find that the EOS R6 III holding you back.

It has plenty of customizable buttons and a decent range of settings for them. It's comfortable to hold, but its viewfinder and display aren't the nicest around.
The EOS R6 III has very dependable autofocus across its selection of tracking and subject recognition modes. It can shoot at bursts up to 40fps (though with reduced dynamic range), and supports pre-capture for up to 0.5 sec before you press the shutter.
Rather than "jack of all trades, master of none." It's a master of most.
Images from the EOS R6 III have very good levels of detail and pleasing colors. The camera's peak dynamic range can't match the best of its competitors, and it'll struggle a bit more in e-shutter mode, but it's good enough for most use cases.
The video quality from the camera's open gate, Raw and oversampled 4K modes is quite good at 24p, though its higher-framerate and subsampled modes suffer a bit. Its rolling shutter performance is great, and it's quite nice to use for shooting video. However, its overheating performance could limit its most ambitious modes in hot shooting environments.
The EOS R6 III is an abundantly capable camera for most kinds of stills and video shooting. It pairs great performance with excellent ergonomics and a refined user experience.

Read our full review of the Canon EOS R6 III


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The enthusiast rivals

The category of mid-range enthusiast full-frame cameras is perhaps the most competitive in the industry: each option is very capable, but with different strengths and weaknesses. Depending on your needs, the Sony a7 V or the Panasonic S1II may be slightly better options than the EOS R6 III or Z6III, but for most users, it's hard to go wrong with any of them. For more info on the subtle differences between them, check out our full best cameras under $3000 buying guide.

Some other notable mentions: if you shoot outside a lot and need a compact system with excellent weather sealing, the OM System OM-1 II is worth considering; outside of that use case, it's probably worth considering other options unless you're heavily invested in Micro Four Thirds lenses.

Sony's a7C II is also a reasonable choice, as its high-resolution sensor is good for stills, though its slow readout speeds limit its video capabilities. Its autofocus isn't quite as advanced as that of the a7 V, but it's appreciably smaller than its rivals. This does mean that the viewfinder is small, and there's no AF joystick, though, which are the main reasons it's not one of our main picks: it's better on paper than in the hand.


Best high-end mirrorless camera: Canon EOS R5 II

45MP Stacked CMOS sensor | Eye-controlled AF subject selection | Up to 30fps continuous shooting

EOS-R5-ii
Photo: Richard Butler

What we like:

  • Excellent image quality
  • Fast, dependable autofocus
  • Good video support tools

What we don't:

  • Slight reduction in dynamic range in extreme scenarios
  • Temperamental eye control
  • Temperature limits in heaviest video modes

The Canon EOS R5 II is one of the most capable cameras we've ever tested and will almost certainly be up to any task that most photographers can throw at it. It shoots at high resolution, has an excellent autofocus system and sports plenty of video features.

The grip is very well-shaped and proportioned, and the controls are all well-placed and comfortable to use for extended periods. Eye Control for autofocus is excellent when it works, which isn't always
The EOS R5 II has excellent tracking and subject-tracking autofocus performance. The subject detection is effective without getting in your way. It can shoot Raws at up to an extremely rapid 30fps.
The EOS R5 II does a vast range of things, most of them extremely well: it's impressive for action, landscapes, video, you name it.
It has plenty of video options up to Raw 8K/60p, offering high levels of detail, though it can overheat when shooting in its most impressive modes. Its rolling shutter rates are generally quite good.
The 45MP Raws are highly detailed, and the JPEG sharpening and noise reduction are sensible. It can't quite match higher-resolution cameras like the A7R V, but performs well in its own right.
The EOS R5 II excels at almost everything it tries to do, and that's a long list. It's hard to imagine what photo or video need it won't support you in.

Read our full Canon EOS R5 II review


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A worthy competitor

The strongest competitor to the EOS R5 II, besides the original EOS R5, is Nikon's Z8. And, frankly, there's very little to choose between them. Canon's high-end model has some features that could be useful to certain photographers, like Action Priority AF and Eye Control, but outside of that, your choice should again be dictated by lens selection, as they're both supremely capable cameras.

Compact high-resolution: Sony a7CR

61MP BSI CMOS sensor | 4K/60p video with 10-bit color | Dedicated ‘AI’ processor for AF system

Photo: Richard Butler

What we like:

  • Big camera features in a small body
  • Outstanding AF performance
  • Auto Framing video mode

What we don't:

  • Small, low-res viewfinder
  • No joystick control
  • No fully mechanical shutter

The Sony a7CR takes most of the features of the more expensive a7R V and provides them in a smaller package. The viewfinder is disappointing for such an expensive camera, but nothing gives you so much image quality in such a small, capable package.

The a7CR is impressively small for a full-frame camera. The addition of a front control dial improves handling significantly. Notably, there’s no joystick for positioning the AF point, and the viewfinder is small and very low resolution for a camera costing this much.
Autofocus performance on the a7CR is very good and is helped by a dedicated processor for crunching complex machine learning-trained algorithms. Subject recognition is quick, and the AF system tracks subjects tenaciously around the frame in either stills or video. 8 fps burst shooting with continuous AF results in a dependably high hit rate.
"If you're looking for maximum resolution in a travel-sized body, the a7RC is tough to beat."
The a7CR captures 4K video at up to 60 fps. The most detailed, oversampled footage results from a 1.2x crop of the sensor, which makes it challenging to maintain wider focal lengths. Auto Framing mode uses AI algorithms to mimic the way a camera operator might punch in on subjects, keeping them framed and in focus.
The a7CR's 61MP sensor can capture a lot of detail, putting it ahead of most full-frame rivals; though it is a little noisier in low light. JPEG colors are pleasing, and excellent sharpening makes the most out of the 61MP sensor. Raw files provide plenty of latitude to pull up shadows at base ISO.
The a7CR delivers impressive results for its size. It essentially provides the same level of image quality, and most of the same features, as Sony's a7R V, but in a smaller package. In exchange for the small size, you make a few compromises, like no AF joystick, but if you're looking for maximum resolution in a travel-sized body, the a7CR is tough to beat.

Read our full Sony a7CR review


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IQ above all else: Fujifilm GFX 100S II

102MP BSI medium format sensor | In-body image stabilization | 5.76M dot viewfinder

Fujifilm GFX 100S II Front
Photo: Mitchell Clark

What we like:

  • Excellent detail capture
  • Very high tonal quality
  • Ready-to-go JPEG or malleable Raws

What we don't:

  • Autofocus not especially fast
  • Video prone to rolling shutter

The Fujifilm GFX 100S II is a 100MP medium format mirrorless interchangeable lens camera with built-in image stabilization.

This camera is perhaps the most specialized pick on this list: it's not especially fast or versatile, but in terms of image quality, it essentially offers the best levels of detail we've ever seen. It's a true step up over even the best of its full-frame rivals (some of which comes from its lenses - the GF primes often being particularly good).


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What are the other high-end options?

Just about all the cameras that cost $3000 and up are, unsurprisingly, rather good. We go into a little more detail about their relative merits in our High-end camera buying guide. As with any budget, the key things to consider are what types of photography you plan to do (and hence, which features and capabilities are most important to you), and whether the lenses you need are available at a price you're willing to pay.


Why you should trust us

This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.

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