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Reçu — 15 octobre 2026 ⏭ News: Digital Photography Review (dpreview.com)

Throwback Thursday: Fujifilm’s SuperCCD EXR didn’t take off, but its legacy might live on in your pocket

For Throwback Thursday we look at the Fujifilm F200 EXR, an overlooked compact whose ideas live on in modern smartphones

Three-quarter view of the Fujifilm F200 EXRRichard Butler

Launched in February 2009, the Fujifilm F200 EXR was an update to Fujifilm’s popular “F” series of large(r than typical) sensor compacts. It had a 28-140mm equivalent zoom lens in front of a Type 1/1.6 (8x6mm) that was around 65% larger than most compacts of the day.

But it’s the specifics of that sensor that make it interesting. The F200 EXR was the first instance of what proved to be the final iteration of Fujifilm’s Super CCD concept.

Diagram showing the layout of a conventional Bayer color filter array with the distance between blue-sampling pixels highlighted
Diagram of a Bayer filter, highlighting the distance between neighboring blue-sensitive pixels
Richard Butler
Diagram showing the layout of a the SuperCCD EXR color filter array with the distance between pairs of blue-sampling pixels highlighted
Diagram of the SuperCCD EXR layout, highlighting the distance between neighboring blue-sensitive pairs
Richard Butler

Previous versions of the Super CCD concept had essentially rotated the standard Bayer filter pattern by 45 degrees: exploiting the fact that the standard Bayer layout has better resolution capture along diagonal axes than along its vertical or horizontals. Later versions partially masked some pixels to mean that they captured less light during a given exposure and hence didn’t clip when the larger pixels did, allowing better highlight capture.

SuperCCD EXR expanded on both of these concepts. It continued to use the rotated Bayer pattern idea but this time re-arranged to put pairs of same-colored filters next to one another. This means you have pairs of adjacent pixels whose information can be easily combined. This, in turn, let Fujifilm offer three distinct modes:

  • High Resolution (HR) mode – This would render a 12MP image using all the pixels
  • High Sensitivity (SN) mode – This combined the output of pairs adjacent pixels in low light, to give 6MP images with improved signal-to-noise ratio
  • Dynamic Range (DR) mode – This stopped the exposure early for alternate lines of pixels, meaning they were less prone to clipping. Adjacent pairs of bright and darker exposures were combined to give a 6MP image with better highlight retention.

Sound familiar? Because those three modes are essentially the three ways in which Quad Bayer and TetraCell sensors are used in modern smartphones. These have an oversized Bayer pattern (the same R,G,B,G pattern but expanded so that each color covers four photosites), rather than a rotated version. But they end up with sets of adjacent pixels that sample the same color. This means they’re able to pixel-bin for improved performance in low light or expose alternate lines of their sensors for different periods of time, then combine the result.

So, even though the SuperCCD concept was eventually abandoned, some of the ideas in introduced are at the heart of many of the images from today’s most popular smartphones. Even if the user isn’t necessarily aware of that.

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About the Author: Richard graduated as a scientist but had a lot more fun writing and shooting for his university magazine. A number of years spent variously as a reporter, writer and editor on science and engineering titles combined his knowledge of science with his interest in images and words. But it was spotting the connections between emission spectra, white balance and all the nonsense he’d taught himself playing around in Photoshop that helped kindle an interest in digital photography. Searching for a camera led to him discovering DPReview and Richard was recruited by Phil Askey in 2007. He’s been combining his love of photography, communication and attention to detail (pedantry?) ever since. He has unusually strong opinions about lenses for the APS-C format.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

Getty Images going private, following collapse of ShutterStock deal and rise of AI

Editorial and stock photo agency will continue as usual, while Getty family and Koch investment company take full ownership

Getty Images wordmark on a white backgroundGettyImages

Getty Images has said it plans to go through the Chapter 11 bankruptcy process as a step to being taken private by members of the Getty family and Koch Inc’s investment arm, who will together invest up to $533M in the business.

“Under the Plan, vendors will be unaffected and paid in full in the ordinary course of business,” the company said: “There is no anticipated impact on content contributors, partners, customers, or employees across the Company’s worldwide network.”

The stock image library had given up on its attempts to buy rival ShutterStock after the UK competition body forced revisions to the deal. The heavily indebted company has now been delisted from the New York Stock Exchange and its two largest shareholders say they’ve developed a plan to take the company private.

Although the company said it expects a reduction in revenue from its iStock division, “due to reduced eCommerce
demand,” it said it still expects to see growth in its editorial business that provides images to news outlets.

This plan, if approved by the remaining creditors, will be implemented via a “prepackaged” Chapter 11 bankruptcy: a mechanism by which a company can be significantly reorganized, overseen by a bankruptcy court but under the control of the existing owners, in order to remain as a going concern. Some existing lenders have agreed to write-down and restructure some of the company’s debts as part of the process, and the company confirmed “the requisite majority of creditors have committed to vote in favor of the plan.”

It says the restructuring process should be complete by the end of the year.

News agency (and competitor) Reuters reports that competition from AI-generated imagery and heavy debt have played a role in the move. It highlighted that the company’s total debt was around $2.1B at the end of June, whereas its market valuation had slipped to just under $21M when markets closed last Friday. The company’s revenue estimate for 2026 is $920M.

In an accompanying financial update, Getty Images said it had spent around $105M on the failed ShutterStock acquisition, along with $17M in ongoing costs relating to its copyright infringement cases against Stability AI, which it accuses of using its images to train an image generation model.

About the Author: Richard graduated as a scientist but had a lot more fun writing and shooting for his university magazine. A number of years spent variously as a reporter, writer and editor on science and engineering titles combined his knowledge of science with his interest in images and words. But it was spotting the connections between emission spectra, white balance and all the nonsense he’d taught himself playing around in Photoshop that helped kindle an interest in digital photography. Searching for a camera led to him discovering DPReview and Richard was recruited by Phil Askey in 2007. He’s been combining his love of photography, communication and attention to detail (pedantry?) ever since. He has unusually strong opinions about lenses for the APS-C format.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

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