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DJI’s Mini mics get a big upgrade with 32-bit float internal recording

The new Mic Mini 2S brings 32‑bit internal recording and built‑in storage to DJI’s tiny wireless mics, making them far more forgiving for creators.

DJI wireless earbuds, one blue and one purple, positioned beside their open black charging case on a light-colored surface with a blurred background.DJI

DJI has announced another offering in its Mic Mini lineup, the Mic Mini 2S. The new addition is a notable upgrade over the Mini Mini 2, bridging the gap to the higher-end Mic 3 with 32-bit internal recording, onboard storage and compatibility with four transmitter microphones.

For many, the standout upgrade in the Mic Mini 2S is its internal recording capabilities. The Mic Mini lineup has thus far lacked any onboard storage, meaning you don’t have a backup if something goes wrong with the device they’re broadcasting to. The Mic Mini 2S, though, offers 14.5GB of built‑in storage per transmitter, which DJI says will provide up to 28 hours of audio.

While internal recording is one safety net, the Mic Mini 2S also offers improved audio flexibility. Instead of being limited to the 48 kHz, 24‑bit wireless feed of the Mic Mini 2, the 2S can capture up to 32‑bit float, the same as the more expensive Mic 3. That mode, which uses a different way of storing audio data, makes it far easier to rescue quiet speech or avoid clipping with sudden loud noises. It also offers DJI’s two-level AI-based noise cancellation to filter out ambient noise.

The Mic Mini 2S can work with up to four transmitters per receiver with output to four independent audio channels, double what the Mic Mini 2 could manage. DJI says it also supports cross-generation compatibility, so users can pair with the Mic Mini and Mini 2 transmitters, or with the Mic Series Mobile Receiver. It’s also compatible with a range of DJI products without the need for an external receiver, including the Osmo Pocket 4, Osmo Pocket 4P, Osmo Action 6 and Osmo 360.

DJI promises up to 11 hours per charge on the transmitters, and up to 40 hours of battery life with the included charging case, 8 hours less than the total runtime of the Mic Mini 2. It keeps the typical tiny design of the Mic Mini lineup, with each transmitter weighing roughly 12 g (0.4 oz). As with other recent DJI mics, it doesn’t work as a wired lavaliere. However, it does accept the colorful magnetic front covers DJI released with the Mic Mini 2 (though those are a separate purchase).

The Mic Mini 2S is available today in most regions for £169/€189 as a bundle with two transmitters, a receiver and charging case. Unsurprisingly, it is not available in the US.

About the Author: Abby Ferguson holds an MFA in photography and blends a fine-art background with extensive editorial and commercial experience. She built and led an in-house imaging program for a large vacation rental company and has served as an associate editor at Popular Photography. She also teaches at a local community college and serves on its Photographic Technology Program Advisory Board, sharing her knowledge and enthusiasm for the medium.

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This camera battery doubles as a secret tracker (if you have an iPhone)

Falcam’s TagBatt has Apple’s Find My tech built in, letting you track and locate your gear.

A Falcam TagBatt in the grip of a Sony cameraFalcam

We’ve seen a recent trend of camera accessory companies building in clever hiding spaces for Apple AirTags into their products. Whether it’s a camera cage with a hole for one cut out, or a bag with a tiny pocket for them, there are more and more options for making sure you can find your expensive gear if it gets misplaced or stolen.

Falcam is taking the concept even further, building support for Apple’s Find My network into batteries for Canon and Sony cameras. For those unfamiliar, the trick of Apple’s Find My is that it uses many of the company’s products – including the iPhone – to anonymously track the location of devices on the network. This solves the issue of previous Bluetooth trackers by making it so you’re no longer relying on a relatively small group of people who use the same tracker as you and are running the app to be around the thing you’re trying to find.* The tech is what powers Apple’s ever-popular AirTags.

Graphic advertizing the tracking capabilities of the Falcam TagBattFalcam

Of course, the main purpose of Falcam’s TagBatts isn’t to find a misplaced camera; it’s to power the device you have in your hand. The company is making two versions: one that’s compatible with cameras that use Sony’s NP-FZ1000 series batteries (which is to say, most of the company’s modern cameras, as well as a host of other devices), and one that mimics Canon’s LP-E6 (again, supported by a wide range of the company’s DSLRs and mirrorless cameras). Falcam’s site also indicates that versions for Nikon and Fujifilm cameras are coming soon.

Both versions of the battery have a 17.4Wh capacity, which is slightly higher than the own-brand models they’re meant to replace. In an FAQ on its website, Falcam says the tracking feature uses a very small amount of power that “does not meaningfully reduce normal camera runtime,” though notes that it won’t work if the battery is completely drained. The battery also has a built-in USB-C port, letting you charge it directly outside the camera if you want, though it’s still compatible with traditional cameras and can also be charged inside the camera.

They’ll be useful for seeing where your camera is on a map, but won’t help you figure out which bag you left your spare batteries in

There are a few caveats to note. The first is that camera manufacturers don’t typically guarantee support for every camera feature when you’re using a third-party battery, and Falcam is new to making batteries, so it might be worth waiting for a few reviews to make sure everything works as expected. The second relates to Find My; many people will be familiar with the AirTag feature that lets you search around for your device, using your phone to point the way. This feature, however, isn’t inherent to Find My devices, and Falcam’s website makes no mention of the ultra-wideband tech that enables it on its product page for the batteries. That means they’ll be useful for seeing where your camera is on a map, but won’t help you figure out which bag you left your spare batteries in.

The Falcam TagBatt costs $70 for the Sony version and $65 for the Canon one, and they are available from the company’s website. That’s definitely pricier than competing third-party models from companies like SmallRig and Wasabi Power, but those don’t include Find My functionality. Neither do the own-brand models, which cost more.

* Though it introduces a new problem in that it’s not particularly cross-platform compatible. Android phones won’t report a Find My device’s location, and the Find My service won’t be particularly useful to you if you don’t have an Apple device. Google has its own version of the system, but the two are broadly incompatible.

About the Author: Mitchell started taking pictures at 10 and hasn’t stopped since. It’s been a wide-ranging adventure, spanning a wide variety of genres and locales, and occasionally dipping into fascinations with video and filmmaking. They honed their technical knowledge doing documentation, programing and QA, writing for The Verge, and just generally messing around on the computer to see what breaks.

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Planqué bien au chaud

Par : Perco
4 août 2026 à 17:31
Et on ose encore dire que le mérite n'est pas récompensé. Dans son dernier rapport, Electronic Arts révèle avec une fierté à peine dissimulée la fiche de paie de son PDG, Andrew Wilson. Pour l'exercice 2026, l’inestimable dirigeant a empoché 38,7 millions de dollars – en hausse de 8 millions –, boostés par des bonus et des actions. La raison ? Battlefield 6 a coché « toutes ses étapes de lancement », et la direction a déployé une « stratégie audacieuse » basée sur l'IA. Qu'importe, finalement, que cette prime astronomique tombe l'année même où EA a viré sans ménagement des dizaines de développeurs ayant charbonné sur ce même Battlefield 6 chez Criterion, DICE ou Motive ? Profitons bien de ces révélations : avec le rachat d'EA par l'Arabie saoudite  et son passage en société privée, l'éditeur n'aura bientôt plus l'obligation de publier ses bilans. Encore une victoire pour la transparence. P.

Sony’s FE 100-400mm F5.6-8.0 OSS is affordable but fairly slow

Sub-$1000, teleconverter-compatible long zoom provides gateway to sports and wildlife shooting (in good light)

Sony FE 100-400mm F5.6-8.0 OSS 3-quarter viewMitchell Clark

Sony has announced the FE 100-400mm F5.6-8.0 OSS, a comparatively small, comparatively affordable long tele for E-mount cameras.

Unlike its immediate peers or faster but heavier third-party rivals, the FE 100-400mm F5.6-8.0 is compatible with Sony’s teleconverters, meaning it can be converted into a 140-560mm F8.0-11 or a 200-800mm F11-16, if you need the extra reach and have sufficient light to play with.

Like Canon’s similarly-specced RF 100-400mm IS USM lens, it’s appreciably smaller and lighter than Tamron’s 50-400mm F4.5-6.3 or Sigma’s 100-400mm F5.0-6.3. At 645g (23.1oz) it’s around half the weight of either of those options, though also a fair bit slower, especially as you zoom.

The optical formula consists of fifteen elements arranged in ten groups. These include two extra-low dispersion (ED) elements and two aspheric elements. Focus is powered by a pair of linear motors (though not Sony’s smoother, more powerful ‘XD’ ones). The company says the lens is compatible with the 120fps shooting mode on its a9 III camera.

When retracted the lens is 165mm long and 78mm in diameter (6.5 x 3.1″). It accepts a relatively affordable 67mm diameter filter. It’s designed to be dust and moisture resistant and comes bundled with a lens hood.

Close-up of the barrel and zoom lock switch of Sony 100-400mm F5.6-8.0 OSS lensMitchell Clark

Although designed for full-frame cameras, it can also be used on APS-C models, giving a 150-600mm equivalent range, though its relatively slow aperture at the long end is likely to limit you to bright light working, even before you consider adding a teleconverter.

Sony tells us the FE 100-400mm F5.6-8.0 OSS is designed to offer a sub-$1000 entry point to its camera users who want to try their hands at wildlife photography or some sports shooting. Despite this entry-level position in the lineup, the lens has pair of focus hold buttons, positioned so they can be reached in portrait or landscape orientation. It also has a zoom lock switch and a focus limiter switch, that means the autofocus only focuses between 3m and infinity: preventing close-range hunting when you’re shooting distant subjects.

With the switch set to full range, the lens will focus down to 1.13m (3.7′) at the short end of its range and 0.86m (2.8′) at the long end. This gives a maximum magnification of 0.41x.

The lens will be available in September, with a recommended price of $850.

Sample gallery

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Sony Electronics Launches SEL100400 – FE 100-400mm F5.6-8 OSS, The Perfect Hobbyist’s Super-Telephoto Zoom Lens 


Delivering Outstanding Mobility and Excellent Image Quality Across the Entire Zoom Range

San Diego, August 4, 2026 – Sony Electronics introduces SEL100400 – FE 100-400mm F5.6-8 OSS, a super-telephoto zoom lens for 35mm full-frame Alpha™ E-mount cameras. Despite its super-telephoto reach of up to 400mm, the lens stays compact and lightweight, weighing just 654g (approx.). Its latest optical design incorporates two ED (Extra-low Dispersion) glass elements and two aspherical elements, delivering excellent image quality and clear rendering across the entire zoom range no matter how far away the subject is. The lens also features fast, precise AF (autofocus) and built-in optical image stabilization to support handheld shooting, letting you quickly capture moving subjects such as birds, sports, trains, and aircraft.

“With the needs of a large set of hobbyist photographers in mind, from birders to parents, we used our expertise in professional lens technology to create a high-quality, affordable super-telephoto zoom lens that will go the distance,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics.

Pricing and Availability:
The SEL100400 – FE 100-400MM F5.6-8 OSS will be available for a suggested retail price of $849.99 USD / $1,079.99 CAD from September 2026.

Key Features of SEL100400 – FE 100-400mm F5.6-8 OSS:

Compact, Lightweight Design for Easy Handling, Even for First-Time Super-Telephoto Users
The lens delivers a 100-400mm super-telephoto zoom range in a compact, lightweight body weighing approximately 654g, making it easy to carry. That portability also eases handling during handheld shooting and speeds up framing. You can capture powerful images of subjects that are hard to approach, such as birds and sports scenes, and use the ‘compression effect’ (which makes the distance between nearby subjects and distant background elements appear shorter) for landscape work unique to super-telephoto lenses. With an optional SEL20TC teleconverter*1, you can double your reach, up to 800mm, or up to 1,200mm in APS-C mode.

Sharp Detail Through the Entire Zoom Range Means You Can Capture the Details That Matter
Excellent image quality holds whatever the shooting distance, thanks to an optical design with two ED glass elements and two aspherical elements that suppress color bleeding and distortion for clear rendering across the entire zoom range. The subject stands out against natural, soft bokeh, helped by a 9-blade circular aperture and optimization of spherical aberration. Its close-up performance is strong too: a minimum focusing distance of 0.86 m at the telephoto end and 1.13 m at the wide end, with a maximum magnification of 0.41x, lets you shoot flowers, insects, and other nearby subjects as easily as distant ones.

Fast, Precise AF and Built-In Optical Image Stabilization for Moving Subjects
The linear motor drive delivers fast, precise, and quiet AF (auto focus) to track moving subjects. The lens also supports high-speed continuous shooting with AF/AE (auto exposure) tracking at up to approximately 120 frames per second*2 with the full-frame mirrorless α9 III camera.

Built-in optical image stabilization suppresses camera shake during handheld shooting and keeps framing stable, even with distant subjects. The lens also works with the camera body’s Active Mode image stabilization and coordinated image stabilization control3, for high-quality stills and movies with reduced blur when shooting handheld. It also supports the camera body’s breathing compensation function4, which corrects changes in angle of view caused by shifts in focus position during movie recording.

Usability and Reliability Built for Outdoor Adventures with Dust and Moisture Resistance
A customizable focus hold button, focus mode/range switching dial, and zoom lock switch give you quick operation across shooting scenes and comfortable ultra-telephoto handling. A dust and moisture resistant design*5 helps you keep shooting with confidence when the weather changes unexpectedly. The supplied lens hood helps prevent flare and ghosting that can degrade image quality.

The SEL100400 – FE 100-400MM F5.6-8 OSS product video can be viewed here: https://youtu.be/n0PeWyK0nV4

For more information, visit:
https://electronics.sony.com/imaging/lenses/all-e-mount/p/sel100400
https://www.sony.ca/en/electronics/camera-lenses/sel100400

Exclusive stories and exciting new content shot with the new SEL100400 – FE 100-400MM F5.6-8 OSS and Sony’s other imaging products can be found at www.alphauniverse.com, a site created to inform, educate, and inspire content creators. 

About the Author: Richard graduated as a scientist but had a lot more fun writing and shooting for his university magazine. A number of years spent variously as a reporter, writer and editor on science and engineering titles combined his knowledge of science with his interest in images and words. But it was spotting the connections between emission spectra, white balance and all the nonsense he’d taught himself playing around in Photoshop that helped kindle an interest in digital photography. Searching for a camera led to him discovering DPReview and Richard was recruited by Phil Askey in 2007. He’s been combining his love of photography, communication and attention to detail (pedantry?) ever since. He has unusually strong opinions about lenses for the APS-C format.

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