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Vue normale

Far and wide: how the Sigma 20-60mm F2.8-4 works as a travel lens

We took Sigma’s latest small, full-frame zoom lens to the UK

St George's church, Beckenham, surrounded by trees with a cloudy sky behind it.Richard Butler

Earlier this week, Sigma announced the 20-60mm F2.8-4 DG Contemporary, a surprisingly small full-frame lens that offers better range and a faster aperture than most full-frame kit lenses, in a package that’s smaller than any of its immediate rivals.

It arrived just before a planned trip to the UK, so I got to test my theory that it’d be an excellent replacement for most kit zooms, with the size and flexibility that would work well for travel.

This is my initial response, as I unboxed it:

And below are the samples Mitchell and I shot in both Seattle and London.

Sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing; we do so in good faith, so please don’t abuse it. 

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Thanks to Panasonic for the loan of an S1RII to shoot this gallery. All images were processed using our standard lens workflow in Capture One, with the manufacturer’s distortion correction applied but no correction of vignetting. The profile corrects a large amount of barrel distortion at the wide end and a minor amount of pincushion distortion at the long end. We’d consider it an essential part of the lens’ optical design.

About the Author: Richard graduated as a scientist but had a lot more fun writing and shooting for his university magazine. A number of years spent variously as a reporter, writer and editor on science and engineering titles combined his knowledge of science with his interest in images and words. But it was spotting the connections between emission spectra, white balance and all the nonsense he’d taught himself playing around in Photoshop that helped kindle an interest in digital photography. Searching for a camera led to him discovering DPReview and Richard was recruited by Phil Askey in 2007. He’s been combining his love of photography, communication and attention to detail (pedantry?) ever since. He has unusually strong opinions about lenses for the APS-C format.

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