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Canon’s free Dual Pixel 3D software turns supported EOS R photos into 3D models

The Windows-only Dual Pixel 3D Converter uses depth data in compatible Canon EOS R images to create 3D models, stereoscopic photos and MP4 clips, no dedicated 3D camera required.

Bagel with mashed avocado, sliced cherry tomatoes, extra avocado slices, a poached egg, herbs, and chili flakes on a white plate with a yellow napkin on a wooden table.Canon

Alongside the new EOS R8 II, Canon has announced Dual Pixel 3D, a new Windows-based software tool, free at launch, that turns a single compatible camera image into an immersive 3D photo, a 3D model or a short 3D video clip. It does so using sensor data rather than requiring a dual-lens or dedicated 3D camera setup, meaning photographers can create 3D content without purchasing separate, specialized equipment.

How it works

The Dual Pixel 3D Converter uses depth and phase-detection data from a single compatible image, either a Dual Pixel Raw file shot with a supported camera, or a JPEG containing distance information captured by the EOS R8 Mark II. Users will need to ensure that the setting to record distance data to JPEGs is turned on, however.

The tool can export the resulting 3D content as OBJ or GLB model files, or as an MP4 video that creates a shifting, three-dimensional perspective. Canon says the tool is best suited to close-up, stationary subjects with clear depth and defined edges, such as products, plants and food.

Canon’s documentation of the feature highlights the need for a sharp source image. As a result, it recommends using an aperture between F5.6 and F8, specifying that anything beyond F8 will result in “a 3D conversion error.” The company also suggests an ISO of 1600 or lower to minimize noise. Finally, it cautions that subjects with fine details, transparency, reflections, repeating patterns or heavy blur may not produce ideal results.

The app then provides some controls for customization over the degree of depth. Users can increase depth for a stronger 3D effect or reduce it for a more subtle look. It also allows users to remove or replace the background before exporting the final file.

Compatible cameras

Compatible camerasRequired compatible lenses
EOS R5 Mark IIRF24-70mm F2.8 L IS USM
EOS R5RF24-50mm F4.5-6.3 IS STM
EOS R6 Mark IIIRF24-105mm F4 L IS USM
EOS R6 Mark IIRF24-105mm F4-7.1 IS STM
EOS R7RF35mm F1.8 Macro IS STM
EOS R8 Mark IIRF50mm F1.8 STM
EOS R8RF70-200mm F2.8 L IS USM
EOS R10RF70-200mm F4 L IS USM
RF85mm F2 Macro IS STM
RF100mm F2.8 L Macro IS USM
RF-S18-45mm F4.5-6.3 IS STM
RF-S18-150mm F3.5-6.3 IS STM

Canon says the new tool is compatible with eight EOS R-series cameras, listed above. While users don’t need a dual-lens setup, the feature only works with select Canon lenses, also listed above. The company notes that feature availability and viable output will depend on the camera, source file type, lens and shooting conditions.

Dual Pixel 3D could be particularly useful for photographers and small businesses that want to create rotating product visuals or shareable 3D-looking clips without investing in dedicated scanning hardware. It is not a firmware update that adds a new shooting mode to every Canon body. Instead, Canon’s new software converts depth information in compatible images captured with supported camera-and-lens combinations into 3D content.

About the Author: Abby Ferguson holds an MFA in photography and blends a fine-art background with extensive editorial and commercial experience. She built and led an in-house imaging program for a large vacation rental company and has served as an associate editor at Popular Photography. She also teaches at a local community college and serves on its Photographic Technology Program Advisory Board, sharing her knowledge and enthusiasm for the medium.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

Philippe n’est pas content et prend les armes dans Mayhem À La Carte

Par : Loulou
16 septembre 2026 à 16:06

Dévoilé en ce début de mois, Mayhem À La Carte du studio INGAME est un FPS coop jusqu’à 4 joueurs se déroulant dans l’univers de la restauration. Ici, il n’est pas question de faire remonter la pente à un restaurant à la dérive, mais bien de cuisiner de bons petits plats tout en repoussant des ennemis génériques au possible et armés jusqu’aux dents. Autant on ne se prononce pas sur l’aspect culinaire, autant on a des choses à dire sur le gunplay. Au-delà de l’aspect cartonesque, l’IA ennemie a l’air particulièrement conne et les séquences de pistolet à billes jouées à la manette peinent à convaincre. Mayhem À La Carte a tout du jeu pour influenceurs hystériques en quête d’attention et de subs.

À la rédac, on n’a pas envie de s’éterniser dessus, car on préfère se retrouver sur le discord communautaire de Nofrag pour des assauts sur WARDOGS. Si vous êtes intéressés malgré tout, Mayhem À La Carte dispose déjà d’une page Steam depuis laquelle vous pouvez l’ajouter à votre liste de souhaits.

Panasonic fixes flash on its S1II cameras and adds several much-needed features to the S9

The company’s small, full-frame vlogging camera is getting new flavors of MP4 (Lite) and support for the company’s Lumix Flow app.

The Lumix S9 with a blue skin an a 26mm F8 lens attached.Dale Baskin / Mitchell Clark

Panasonic has announced a slate of firmware updates for several of its cameras, meant to bring improvements to the company’s small, full-frame, creator-focused camera, the S9, as well as the more pro- and enthusiast-oriented S1II-series. It’s also updating its Lumix Lab and Lumix Flow apps.

Updates for the S1II, S1RII and S1IIE

The changelog for the S1II-series of cameras is short, sweet and significant. It reads:

  • Improved shutter release time lag and burst shooting performance when using an external flash.
  • Improved operational stability.

The last note means what it usually does. The company has fixed bugs and made things work that bit better.

However, we’ve been told, and have experienced ourselves, that the S1II-series of cameras could be laggy when paired with a flash being controlled via TTL. The performance was, frankly, not really acceptable for professional-level cameras, and Panasonic says it heard complaints from wedding photographers in particular. This update should help avoid that, making sure the camera takes a flash photo right when you press the shutter, instead of having to take a bit to think about it.

This update will be coming to all of the S1II-series cameras, including the S1IIN, a variant of the S1II for Chinese and Korean broadcasters with special networking capabilities.

Updates for the S9

Which update for the S9 is more important will depend on who you ask, and whether they’re a videographer. If they are, they’ll likely be quite excited about Panasonic adding new formats of its MP4 (Lite) codec, which is designed to use a lower bitrate, making it faster to wirelessly transfer to a phone and post to the internet.

When the S9 launched, it marked the debut of MP4 (Lite), which was only available in a single resolution – 3.8K open gate – and two framerates, 25 and 30p. While you can crop the 3:2 footage to get an output aspect ratio, that requires an extra step. Now, the camera is gaining some additional modes that won’t require it: UHD 4K/60p, 1080/60p and 1080/120p. These modes were introduced with the Panasonic L10, and it’s nice to see them showing up here for people who want even less work to get their footage ready to post, though I do still wish there was a UHD 4K/30p option, too.

A phone running the Lumix Flow app attached to the top of a camera.
The Lumix Flow app acts as a monitor, but also has advanced workflow tools built-in.
Panasonic

The camera is also gaining full support for the Lumix Flow app, a video-focused program that, among many other things, lets you use your smartphone as a monitor, either via Wi-Fi or USB-C. While that’s handy no matter what camera you have, it’s especially useful for the S9, which is otherwise limited to using Micro-HDMI to output video. Panasonic says many users were “begging” for the camera to work with Flow, which also lets you create storyboards and shotlists, and add metadata to your recorded clips that make it easier to sort through the good and bad takes in post.

Flow will be getting an update to support the S9, which also comes with a few tweaks to how it displays camera information while monitoring and expanded support for using it with your phone horizontally.

Finally, in a move that will please both videographers and photographers, the camera will now let you assign substantially more functions to a lens’s programable button (a feature likely brought on by the company’s release of a second small prime with one that seems like a perfect match for the camera).

Lumix Lab updates

If the firmware updates weren’t enough, the company is also updating its Lumix Lab app, which lets you download images from your camera, as well as manage its libraries of LUT (Look Up Table) color profiles. On top of some UI tweaks and improving the app’s compatibility with Android phones that have “non-standard” processors (read: chips from companies other than Qualcomm, such as Samsung’s own-brand Exynos models), Panasonic is trying to make the app friendlier to those trying to find and download new LUTs from its repository of creator-submitted options.

Lumix Lab will now let you download packs of LUTs as well, so you don’t have to individually pick and choose several separate ones to build a set of aesthetics. It also now lets you filter which LUTs show up based on a series of options, such as what kind of scene or subject you’re shooting, and what kind of colors you want. The company has also added an option to share a link to a LUT’s page in the Lumix Lab app.

Availability

The new firmware for the S1II, S1IIE, S1RII and S9 will be made available for free starting October 13, with the updated versions of Lumix Lab and Lumix Flow launching at the same time.

About the Author: Mitchell started taking pictures at 10 and hasn’t stopped since. It’s been a wide-ranging adventure, spanning a wide variety of genres and locales, and occasionally dipping into fascinations with video and filmmaking. They honed their technical knowledge doing documentation, programing and QA, writing for The Verge, and just generally messing around on the computer to see what breaks.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

Panasonic introduces a new L-mount muffin prime, the 20mm F2.5

It’s a match with the 40mm model released earlier in the year, but shoots much wider.

The Panasonic S1RII with a Lumix 20mm F2.5 pancake/muffin lens attached to the front.Mitchell Clark

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Panasonic has announced the Lumix S 20mm F2.5, a small, wide-angle prime designed to complement the 40mm F2 it released earlier this year, while offering a much wider angle that’s ideal for things like landscapes, close-up shots that still give a sense of the environment and, of course, video.

The lens has very similar dimensions to those of the 40mm F2, and the S9’s 18-40mm F4.5-6.3 kit zoom when it’s retracted. It’s the lightest of the bunch by a fraction, coming in at 142g (5oz), and has the same 62mm thread for filters. Panasonic also says it’s splash, dust and freeze resistant; that won’t be a huge deal for S9 owners, since that body isn’t, but for S5 or S1-series users it’s a nice addition.

Panasonic also says it’s splash, dust and freeze resistant

Optically, the lens is made up of 11 elements in 9 groups, with three aspherical lenses and three ED elements. Its minimum focus distance is 0.18m (7.1″), which lets you get quite close to your subject for a dramatic look that seems to be quite popular these days.

Panasonic says the lens should be relatively sharp edge-to-edge with clean bokeh. We’re working on shooting a sample gallery with it so you can judge for yourself.

In terms of controls, it has what we’ve come to expect from Panasonic: a customizable ring that you can assign different functions based on whether you’re in auto or manual focus mode (a setting controllable with a switch on the lens’s barrel). This lets you use it for things like aperture, shutter speed, exposure compensation, Panasonic’s Crop Zoom feature and more when you don’t need it for focusing. There’s also a small, customizable function button.

It’s nice to see Panasonic continue to fill out its line of relatively affordable, small lenses for L-mount. While there are plenty of options available, it doesn’t hurt to have more options, especially ones this light and compact.

The Lumix S 20mm F2.5 will retail for $499, $100 more than the 40mm, and will start shipping in October.


Panasonic Lumix S 20mm F2.5 specifications

Quick Specs

Lens Type
Zoom lens
Zoom range
N/A
Fisheye
N/A
Perspective control
N/A
Macro
N/A
Mirror
N/A
Max format size
35mm FF
Minimum Focal length (W)
20 mm
Maximum Focal length (T)
20 mm
Max aperture (W)
F2.5
Min aperture (W)
22
Aperture ring
No
No. of diaphragm blades
7
Aperture actuation
Electronic
No. of elements
11
About the Author: Mitchell started taking pictures at 10 and hasn’t stopped since. It’s been a wide-ranging adventure, spanning a wide variety of genres and locales, and occasionally dipping into fascinations with video and filmmaking. They honed their technical knowledge doing documentation, programing and QA, writing for The Verge, and just generally messing around on the computer to see what breaks.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

Adobe is adding even more AI to its beginner-friendly versions of Photoshop and Premiere

The 2027 update to Photoshop Elements and Premiere Elements targets casual editors who want AI help without a steep learning curve.

Person wearing a colorful poncho and beanie stands with arms outstretched on a grassy hill; mountains, blue sky, and clouds in the background. Editing crop marks are visible.

Adobe has announced Photoshop Elements 2027 and Premiere Elements 2027, new versions of its consumer-focused photo and video editing apps. Both updates add AI-powered tools and features intended to make editing more approachable for beginners. Adobe has also updated Elements Organizer, its companion app for managing photo and video libraries.

Photoshop Elements 2027

Desert landscape split diagonally for before-and-after comparison; left side appears muted and less detailed, right side is brighter and sharper with an AI editing panel overlay.
Photoshop Elements is gaining Adobe’s AI Assistant, which can handle some edits for you based on text prompts.
Adobe

Photoshop Elements 2027 adds Generative Expand, which lets users extend an image beyond its original frame by using AI-generated content to fill the new areas. The new version also includes Generative Upscale, an AI-powered tool designed to improve the apparent clarity of low-resolution images as they are enlarged.

A new Creative Filters feature applies styles including Embroidery, Oil Painting, and Duotone. Users can adjust the intensity, texture and color of each effect for a more customized result.

Adobe is also bringing its AI Assistant to Photoshop Elements as a beta feature. The tool allows users to describe the edit they want to make, and it then carries out the tasks (at least simple ones). It debuted earlier this year on Photoshop for web and mobile before expanding to the Photoshop desktop beta.

Lastly, Photoshop Elements 2027 adds an AI Tools Hub that brings the app’s AI-powered editing features into one place, reducing the need to search through multiple menus and panels.

Premiere Elements 2027

Boat floating on water near a glacier with “ALASKA” carved into the ice; dense evergreen trees along the shoreline.
Premiere Elements 2027 can turn plain text into graphics.
Adobe

Premiere Elements 2027, Adobe’s consumer-focused video editor, is also gaining new AI tools (though, like Photoshop Elements, those may be subject to AI credit rules). Users can generate images from scratch to fill gaps in a timeline or create overlays, while Generative Title Art turns plain text into stylized graphics using text-based prompts.

Adobe is also adding sample photos and videos so users can experiment with tools and try editing techniques without importing their own footage. Contextual Toolbars help users locate relevant editing tools by describing the task they want to complete, serving a similar beginner-friendly purpose to Photoshop Elements’ AI Assistant.

Lastly, the video editor adds Editing Indicators, which help users quickly identify effects, transitions and text formatting while editing.

Elements Organizer

Adobe has also updated Elements Organizer to make growing photo and video libraries easier to manage. The update is designed to help users find specific files, reduce duplicate clutter and share finished work more quickly.

A new Semantic Search feature lets users use natural-language descriptions to find photos and videos, even when their search terms do not exactly match existing tags. Semantic Search is currently an English-only beta feature.

The update also improves duplicate-file detection and adds Share to Phone, which uses a QR code to transfer edited photos directly from a desktop computer to a mobile device.

Availability

Photoshop Elements and Premiere Elements 2027 are available now. The bundle of both programs costs $150, or each program is available separately for $100.

Interestingly, Photoshop Elements and Premiere Elements are limited to a three-year term license. Once that period ends, users will lose access to the editing apps, although Adobe says their media catalog will remain accessible in Elements Organizer. That means owners cannot simply continue using an older version indefinitely if they decide the newer features are not worth upgrading for.

It’s important to note that Adobe’s AI-powered features typically cost one credit per use. When purchased as standalone apps, Photoshop Elements and Premiere Elements each come with 25 credits per month, while the bundle includes 100 generative credits per month. The company also offers a way for you to purchase more through its dedicated AI subscription.

About the Author: Abby Ferguson holds an MFA in photography and blends a fine-art background with extensive editorial and commercial experience. She built and led an in-house imaging program for a large vacation rental company and has served as an associate editor at Popular Photography. She also teaches at a local community college and serves on its Photographic Technology Program Advisory Board, sharing her knowledge and enthusiasm for the medium.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

Capture One’s latest update includes automatic culling and more Canon support

Capture One’s newest release brings AI-powered automated culling when shooting tethered and expands second-generation wireless tethering to two additional Canon cameras.

Laptop on a stand displaying photo editing software with an image of a person in dark clothing; thumbnail previews and editing tools are visible on the screen, with a blurred patterned background behind the laptop.Capture One

Capture One has announced the latest version of its desktop and mobile software. The updates bring 2nd Gen Wireless Tethering to two more Canon cameras. They also include immediate support for Canon’s newly released EOS R8 II and an enhanced version of Capture One’s AI-powered culling tool.

One of the more broadly helpful features is the updated version of Assisted Review, Capture One’s AI-powered culling tool that entered Beta in the May 2026 release. The tool promises to automatically flag images with issues like closed eyes, missed focus and exposure problems. Its initial release required users to manually trigger it, but now, the tool can run automatically while shooting tethered. That means photographers can have culled images by the time the shoot is done, potentially saving quite a bit of time. It’s only available on desktop for now, and is still in beta.

Capture One has also expanded compatibility for its 2nd Gen Wireless Tethering system, adding support for the Canon EOS R3 and Canon EOS R6 III. The feature launched in May 2026, with support limited to the Canon EOS R5 II and EOS R1. It

The second-generation system sends a smaller, fully editable Raw file almost immediately while the full-resolution file transfers in the background, allowing photographers to review and begin editing images without interrupting a shoot. With standard wireless tethering, the complete Raw must transfer before it appears in Capture One, a process that can take several seconds, or longer with high-resolution files or a weaker Wi‑Fi connection. Capture One says the feature works on both desktop and mobile.

Three photos showing a red and white dress, each with AI interface labels: No issues detected, Likely Closed Eyes, Black frames, and the Review During Tethering option highlighted.Capture One

Lastly, Capture One is also providing immediate support for the new Canon EOS R8 II. Photographers working with Canon’s latest camera won’t have any delay in terms of editing files in Capture One, either on desktop or mobile. It’s important to note, though, that it uses the standard wireless tether feature, not the 2nd generation version.

Capture One version 16.8.6 for desktop and version 4.1 for mobile are available now.

About the Author: Abby Ferguson holds an MFA in photography and blends a fine-art background with extensive editorial and commercial experience. She built and led an in-house imaging program for a large vacation rental company and has served as an associate editor at Popular Photography. She also teaches at a local community college and serves on its Photographic Technology Program Advisory Board, sharing her knowledge and enthusiasm for the medium.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

Paradox en mode Mad Max

Par : ackboo
16 septembre 2026 à 05:35
Paradox vient d'annoncer un nouveau projet développé par l'un de ses studios internes. Évidemment, il s'agira d'un jeu de stratégie, dans la grande tradition suédoise, mais sans un vrai background historique comme Crusader Kings 3, Hearts of Iron IV et Europa Universalis 5. Afterworld se déroulera en effet dans une Amérique du Nord post-apocalyptique, dans laquelle il faudra rebâtir un semblant de civilisation. Peu d'infos pour l'instant, si ce n'est une poignée de photos d'écran qui nous indiquent que le style Paradox – une grande carte lézardée de frontières et de gros menus pleins de chiffres sur la gauche de l'écran – sera respecté. L'éditeur suédois nous sort son laïus habituel : ce sera une simulation profonde et complexe, tout en étant plus accessible que ses jeux historiques hardcore. Ils nous avaient dit la même chose pour Stellaris il y a une dizaine d'années, et ils s'en étaient plutôt bien sortis. A.

Télex

Par : ackboo
16 septembre 2026 à 05:34
Le prochain Starcraft ne sera pas un STR, mais cela ne veut pas dire que Blizzard abandonne le genre. Six ans après la sortie de Warcraft III Reforged (lui-même sorti 18 ans après le jeu original), le studio américain lance Forsaken Kingdom, une nouvelle campagne de trente heures. Pour trente euros. Oui, quand même. A.

Ricoh’s limited 30th anniversary edition GR IV is coming in October for $1799

It’ll include a version of the camera with special finishes, a strap, and collectible pins.

The Ricoh GR IV 30th anniversary edition kit with the camera, strap and pin set.Ricoh

Ricoh has released its 30th anniversary Ricoh GR IV kit, which includes the camera and a host of extras. The kit was originally announced earlier this summer, and will be shipping on October 21st (which is, from what I can tell, the actual anniversary of the original GR1’s release).

The company is only selling 6000 of the kits, so they’re relatively exclusive. Here’s what they’ll include, according to the company’s website:

  • A GR IV with its shutter and rear buttons “finished in a special color inspired by the plated finish used on the first-generation GR1”
    • The camera also has “A special power-off graphic” to commemorate the anniversary
  • “A ring cap ‘GN-3 (30th)’ with a diamond-cut design inspired by the design of the GR1 lens area”
  • A leather finger strap engraved with “30th Anniversary”
  • A steel-gray metal hot shoe cover with the 30th anniversary logo on the front, and “Ricoh GR” on the back
  • 16 pins, 14 of which depict past GR models, one of which is the 30th anniversary logo, and the other a GR logo

The latter two pins are exclusive to those who purchase the kit. The rest will be sold individually as accessories, or as a bundle, along with the finger strap and hot shoe cover. (There’s even a version of the latter being made for the GR III series, too.)

The cost for all that? $1800, a $200 premium over the standard GR IV. The official Ricoh site currently has a “keep me informed” button rather than a “buy” one, but some retailers like B&H have opened up preorders.

Will you be lining up for the GR IV anniversary kit, or are you more excited about the GR IVx variant also due out later this year? Let us know in the comments.

About the Author: Mitchell started taking pictures at 10 and hasn’t stopped since. It’s been a wide-ranging adventure, spanning a wide variety of genres and locales, and occasionally dipping into fascinations with video and filmmaking. They honed their technical knowledge doing documentation, programing and QA, writing for The Verge, and just generally messing around on the computer to see what breaks.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

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