The previously leaked and teased retro-styled folding instant camera from TTartisan is now revealed at the 2025 CP+ show in Japan. There are no details about the pricing or shipping date - check the official website for updates. Here are some additional pictures:
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Introduction
The Canon PowerShot V1 is the company's second vlogging compact, following 2023's diminutive V10. It has more in common with the company's G1X series of enthusiast compacts, using a large sensor with technology borrowed from its APS-C cameras.
With vlogging in mind, it has a 16-50mm equivalent F2.8-4.5 lens, meaning it can maintain a wide-angle 22mm equivalent field of view, even when cropped-in 1.4x for its 4K/60 mode.
We raced over to the Canon booth the moment the CP+ show in Yokohama opened, so we could be the first to get our hands on the new camera.
Handling
It feels quite comfortable in the hand: it's quite deep, because of the space needed for the fan and ducting used to keep the camera cool for extended periods of recording, but there's enough of a grip to make it feel secure in the hand.
The body is coated with a soft, grippy rubber coating, adding to a sense of security, as well as giving a bit of a premium feel.
Controls
The controls on the camera are pretty small, with a small zoom rocker around the shutter button and a miniaturized exposure dial towards the back of the top plate.
There's a small [Rec] button and two mics on the top plate, along with the power button. The power button risks being somewhat obscured when you mount the supplied 'dead cat' wind screen over the mics.
Just behind the mode dial is a stills/video switch because, while it's been designed primarily as a vlogging camera, it should be pretty capable for stills, too.
Back of the camera
The back of the camera closely resembles the G1 X Mark III and most other Canon compacts, with a little control dial encircling its four-way controller, along with buttons for playback, delete and so forth.
Control dial
The V1 has a control dial around its lens but, rather disappointingly, this is free-rotating. This is great for smooth manual focus or seamless aperture changes in video mode, but it's not ideal for selecting discrete, stepped variables such as exposure compensation, ISO or aperture value in photography and means you don't get any tactile feedback.
By default the function of the dial changes with exposure mode, but you can override this and assign it to control: ISO, Exposure Comp, Focus or stepped zoom.
Ports and flash
For video the V1 has both mic and headphone sockets and can accept a selection of Canon microphones via the connections at the front of its Multi-function hot-shoe.
This shoe can also be used to attach external flashguns because, while it's primarily designed for vlogging, the V1 has an in-lens shutter that should allow it to sync with flash all the way up to its 1/2000 sec max mechanical shutter speed (and it can maintain 1/2000 even at its widest aperture setting).
Raw shooting
The other key feature from a photography point of view is that the V1 can capture full Raw files. As we've got used to seeing on recent Canons, you have a choice of Raw, lossy-compressed C-Raw or the Dual Pixel Raw.
Dual Pixel Raw saves the information from both halves of the camera's split pixels, used to give it depth-aware phase detection from its whole sensor area. In practice we've rarely found the Dual Pixel Raw are worth the extra storage space, and it's a feature that's been dropped from the likes of the EOS R5 II and R6 II, so we're surprised to see it reappear here.
If you don't want to shoot Raw, the camera gives a choice of JPEG or HDR photos for playback on high-dynamic-range displays as 10-bit HEIFs.
Lens and rolling shutter
That 16-50mm equiv F2.8-4.5 lens has an equivalent aperture range of F4.0-8.8 in full-frame terms, if you want to get some idea of the image quality, low-light performance and depth of field it will give. This gives it a distinct edge over the Sony ZV-1 Mark II, the most directly comparable wide-angle vlogging compact on the market: the Sony's lens doesn't go as wide, reaching a maximum of 18mm equiv, and its F1.8-4 aperture is equivalent to F4.9-10.9 in full-frame terms. So the Canon should be able to offer better image quality in both good light and poor.
The Sony's Stacked sensor has faster readout than the V1, so it'll exhibit less rolling shutter. We haven't been able to measure the speed of the Canon yet, but its close relationship to the EOS R7 sensor suggests it won't be super-fast.
Availability
Sadly we haven't been able to get any details of when it might be available in the US or Europe. But we get the impression its announcement for the Asian market was brought forward so that it could be put on display here in Yokohama.
The PowerShot V1 won't be available anywhere until late April, so there's still plenty of time for a rest-of-world release announcement before the camera hits the shelves. We hope to hear more, including when we can get a shootable example, soon, so please stay tuned.
If there are any other details we can check on, while we're here at the show, please let us know in the comments and we'll head back to the Canon booth to check, if we can.
We pretty much broke down the doors of the CP+ Expo in Yokohama, Japan, where we were the first media outlet to get our hands on the new Canon Powershot V1. See our first impressions in this short video.
Software company DxO has announced PureRaw 5, the latest version of its Raw processing software. The new iteration promises even better noise reduction, more control over adjustments, new tools for X-Trans sensors and a cleaner interface.
PureRaw 5 includes the new DeepPrime 3. The third generation of its "neural-network-powered RAW processing engine for Bayer and X-Trans sensors" takes advantage of DxO Modules – one of the features it's best known for – to get more out of Raw files. DxO has been working on these modules using custom-made equipment in its Paris lab for the past 20 years, creating a "mathematical model that describes the characteristics of a lens paired with a specific sensor." They allow the software to "enhance the performance of a lens/camera combination and push it beyond the laws of physics."
The previous DeepPrime engine used AI to denoise and demosaic images, while the new version adds a third step. It promises to automatically fix chromatic aberration with the help of the DxO Modules. The company has officially created more than 100,000 Modules at the time of this announcement, providing wide coverage across many lens and camera combinations.
With PureRaw 5, DxO is introducing beta support for X-Trans sensors in DeepPrime XD, its noise reduction software. DxO introduced the DeepPrime XD engine, which refers to "eXtra Detail" in PureRaw 3. It says the engine is capable of producing "incredible results" even for images taken at ISO levels that would typically result in unusable images.
In addition to adjustments across an entire image, PureRaw 5 allows local adjustments for greater control. It will enable fine-tuned denoising and sharpening levels on specific parts of an image using masks.
Finally, DxO focused on improving the app's usability with what it describes as an overhauled, "cleaner, more refined experience." It also introduced custom presets to allow for faster editing based on variables such as camera, lens, ISO or subject.
DxO PureRaw 5 will be available on April 15. Those who pre-order before launch will immediately receive complimentary access to DxO PureRaw 4. You can purchase a new perpetual license for $120 or an upgraded license from PureRaw 3 or 4 for $80.
Press release:
New DxO PureRAW 5, the ultimate solution for RAW image quality, introduces local adjustments, expanded performance for Bayer and X-Trans sensors, and much more
The software that supercharges your cameras and lenses guarantees unprecedented image quality alongside powerful workflow boosts and a brand-new interface.
Paris (France): DxO, the leader in RAW image processing for more than two decades, announces DxO PureRAW 5, the software that delivers sharper, cleaner, more detailed images, and gives photographers unparalleled freedom. Version 5 introduces powerful local adjustments, allowing photographers to fine-tune noise reduction and lens sharpness optimization on the most complex and demanding images with absolute precision. In addition, DxO unveils the third generation of its renowned DeepPRIME technology, a brand-new interface, custom presets for an accelerated workflow, and fresh features for Fujifilm X-Trans photographers.
“The new version pushes noise reduction and detail extraction further than even we thought possible,” explains Jean-Marc Alexia, VP of Product Strategy. “Plus, we have a beautiful new interface that’s quick and easy to use thanks to the ability to create presets to match different cameras or scenarios. And Fujifilm fans will be delighted to see what’s included. X-Trans images have never looked this good.”
New Local Adjustments: Fine-tune with unmatched precision
For images that require detailed fine-tuning, photographers now have the option to focus the levels of denoising and detail extraction on specific parts of the image, and tailor levels of sharpening exactly as required. PureRAW’s automated processing is unmatched, but when an image needs a precision-focused approach, Local Adjustments provide the perfect solution.
Users can draw multiple masks and adjust the Force Details and Luminance sliders to dial exactly what they need. In addition, it’s possible to target sharpening more precisely, focusing on specific parts of the image.
Introducing DeepPRIME 3
DxO PureRAW 5 includes the third generation of DxO’s original neural-network-powered RAW processing engine for Bayer and X-Trans sensors. Four years ago, DxO pioneered the use of machine learning to perform denoising and demosaicing simultaneously, unlocking the potential of AI and far exceeding man-made algorithms. Today, DeepPRIME 3 incorporates a third process: residual chromatic shifts at a pixel level. Thanks to the data it draws from DxO’s exclusive DxO Modules, DeepPRIME 3 resolves chromatic aberration as part of the RAW conversion process.
In addition, users get a significant boost in image quality while also saving time. DeepPRIME 3 is faster than ever.
A brand-new interface
The appearance of DxO PureRAW has been completely overhauled in version 5, giving users a cleaner, more refined experience when using the software. The update makes for a smoother, more streamlined workflow, reducing friction and enhancing usability. Users can spend less time in the software and more time enjoying its spectacular results.
Workflow upgrades: Custom presets for faster editing
Version 5 introduces the ability to create custom presets, allowing users to dial in frequently used settings in a single click. This facilitates the easy application of different configurations according to different variables, such as camera, lens, ISO, or subject matter. Combined with the existing batch processing and batch renaming features, photographers avoid repetitive actions, saving time while maintaining consistency across their workflow.
Introducing DeepPRIME XD3 X-Trans Beta
As an extension of DeepPRIME, DxO’s DeepPRIME XD — ‘eXtra Detail’ — engine was introduced in DxO PureRAW 3 to offer the most intense processing of the most demanding files. Since then, it has progressed, promising incredible results for images captured at ISO levels that had previously been considered unusable.
For owners of Fujifilm cameras, DxO is proud to introduce DeepPRIME XD3 X-Trans Beta, giving X-Trans photographers early access to the next generation of noise reduction and detail extraction.
DxO Modules give PureRAW 5 the power to push your gear further
Last month, DxO passed a milestone: its exclusive laboratory in Paris has now produced more than 100,000 DxO Modules.
Pioneered by DxO more than 20 years ago, a DxO Module is a mathematical model that describes the characteristics of a lens paired with a specific sensor. This model is then used by DxO software to enhance the performance of a lens/camera combination and push it beyond the laws of physics.
The quality of the results relies on the precision that DxO’s team of highly experienced technicians deploys, conducting tests in controlled environments, and using custom-made equipment and meticulous processes that have been developed over the last two decades. The DxO Modules in PureRAW 5 ensure that photographers get the absolute best possible quality from their equipment.
Price and availability
DxO PureRAW 5 will be available on April 15, 2025. Customers who pre-order before the launch will immediately receive a complimentary copy of DxO PureRAW 4. A perpetual license for macOS and Windows machines can be purchased from the DxO website at the following prices:
New license 119.99 € / $ - 109,99 £
Upgrade from DxO PureRAW 3 or 4 79.99 € / $ - 69,99 £
DxO PureRAW 5 comes with unlimited access and no subscription is required. A full, 14-day trial of DxO PureRAW 4 is available now from the DxO website, and a trial of DxO PureRAW 5 will become available on April 15. Visit https://www.dxo.com/en/dxo-pureraw/download/.
DxO announced PureRAW 5. Available from April 15, 2025, this new version of the RAW processing software combines image quality, noise reduction, enhanced optical corrections, and a streamlined workflow. Here is what's new in DxO PureRAW 5:
DeepPRIME 3 – The most advanced AI-powered noise reduction and demosaicing engine yet, delivering unparalleled detail and clarity, even at high ISOs.
Local Adjustments – Fine-tune noise reduction and sharpness in specific areas for maximum control.
A redesigned interface – A smoother, more intuitive user experience designed for efficiency.
Enhanced performance for Bayer and X-Trans sensors – Fujifilm users will benefit from DeepPRIME XD3 X-Trans Beta, bringing X-Trans image quality to a new level.
100,000+ DxO Modules for superior optical corrections – Every camera + lens combination reaches its full potential.
DxO PureRAW 5 will be available on April 15, 2025. Customers who pre-order before the launch will immediately receive a complimentary copy of DxO PureRAW 4. A perpetual license for macOS and Windows machines can be purchased from the DxO website.
You may have noticed that all of Sigma's newly released lenses lack the "DN" label typically found on the company's mirrorless lens lineup. That label, which stands for Digital Neo, was used to indicate that the lens was designed for mirrorless cameras rather than DSLRs. It seems that Sigma no longer thinks the label is necessary, as all its new lenses will be for mirrorless cameras only.
Amateur Photographer claims that the company specifically said it has stopped development of new DSLR lenses, though Sigma has not issued a statement itself. Even without a statement, though, it's easy to make assumptions to that effect. After all, Sigma hasn't released a new lens for DSLRs since late 2018, so it seems like a safe assumption.
This news isn't overly surprising, given the decline in DSLR camera production. Pentax is the lone holdout, as it is reportedly working on a new full-frame DSLR and released the Pentax K-3 Mark III Monochrome in 2023. However, outside of Pentax, the last new DSLR models on the scene were from Nikon and Canon in 2020.
Still, while new DLSRs aren't coming out, the use of DSLRs – and DSLR lenses – appears to be going strong. A quick look at photo competition results reveals many of the winning images were taken with DSLRs. On a smaller scale, students in the college class I teach largely use DLSRs, either borrowed from parents or purchased because they were cheaper than their mirrorless counterparts.
Additionally, camera and lens rental house LensRentals revealed DSLR lenses are anything but dead in its annual report released in December. That report compared 2023's and 2024's most popular photo and video gear, and interestingly, Canon EF-mount lenses and cameras increased in popularity and claimed quite a few top spots. In fact, the Canon EF 24-70mm F2.8L II was number one, while the Canon EOS 5D Mark IV took the tenth spot.
Even still, given the dwindling support for and production of DSLR cameras from major brands (including Sigma), it only makes sense that the production of DSLR lenses would also start to wind down. Sigma's move to end development of new DSLR lenses seems in line with that. Plus, the company has likely made all of the DSLR lenses it needs to, given the current status of the DSLR camera market.
Does this officially mean that DSLRs are dead? Likely not, given that there are still plenty of used and new DSLR camera and lens models available for purchase and rent. That includes Sigma DSLR lenses, which are still for sale, just as you can still buy Canon and Nikon DSLR lenses. But, it does perhaps put more of an expiration date on the technology.
DPReview editors Dale Baskin and Richard Butler are currently in Japan covering the launch of the Sigma BF and the upcoming CP+ trade show. As part of the trip, they toured Sigma's factory in Aizu, Japan, where they discovered something special: a museum full of the company's products from the past several decades.
We've posted a mini museum tour on Instagram, which you can see below. It includes a look at some interesting pieces of photography history, including the Mark 1, Sigma's first SLR, produced in 1976, the SD9, the company's first digital camera and a showcase for the then-new Foveon X3 sensor and the first lens in Sigma's now-renowned Art lineup.
While we're at it, what's your favorite Sigma product from the past? Tell us in the comments!
In addition to the lenses I mentioned earlier today, 7Artisans is also expected to release a new AF 35mm f/1.4 APS-C lens for Fuji X-mount after the CP+ show (probably in March 2025). Here are the first pictures of the new lens:
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Photo: Richard Butler
Nikon has quietly released new firmware for its Z8 and Z6III cameras. These updates bring features previously introduced to the Z9 in December to two more of Nikon's mirrorless bodies. The focus is clearly on video, as all of the firmware changes in version 1.10 for the Z6III and version 2.10 for the Z8 are video-related. They address a range of custom settings and fix a problem with N-Log that has plagued the Z6III since launch.
The standout update for the Z6III is a change for N-Log. Nikon says it has "reduced noise in dark areas of N-Log videos." This should be a welcome change, as some users have reported seeing frustratingly high noise and flickering in the shadows when shooting N-Log. Most have mentioned this issue only crops up when shooting in low-light situations, though some have said it's more widespread. Either way, this firmware update should hopefully solve the situation.
The other most notable change is that both cameras will now have the option to set a shutter angle instead of a shutter speed. Shutter angles are useful for professional videographers who frequently change recording framerates since shutter angles remain consistent, unlike shutter speeds. Like the Z9, the Z6III and Z8 will support 15 steps of shutter angles from 5.6° to 360°.
Outside of shutter angles, the firmware updates include various custom controls and settings. They introduce custom zebra pattern colors, with the option to choose black, gray, red, green, or blue. You can adjust the transparency, size and position of the histogram and wave-form monitor. Hi-Res Zoom is now available when the image area is set to DX.
Nikon also introduced a set of features specific to its 28-135mm f/4 PZ lens, including custom controls, the ability to use power zoom and Hi-Res zoom at once and the ability to load and save zoom position. Plus, users can customize the direction of rotation of the zoom ring and how far it needs to be rotated to go from wide to telephoto. The Z8 also gets the benefit of configurable photo and video modes.
Laowa 35mm f/2.8 Tilt-Shift 0.5X Macro – the versatile lens offering tilt-shift functionality for precise perspective control, combined with 1:1 macro capabilities for stunning close-up details.
Laowa 15mm f/4.5 Wide Angle Macro – the unique ultra-wide macro lens, that allowing photographers to capture immersive close-up perspectives with a dramatic depth of field.
Laowa 8-15mm f/2.8 Fisheye – the fast, ultra-wide fisheye zoom lens, perfect for dynamic, creative compositions in both photography and videography.
Laowa Proteus 2X Anamorphic Zoom Series – the lightest, most compact, and most affordable 2X anamorphic zoom lenses in its class, offering a 3x zoom range across two focal lengths (26-45mm & 45-85mm T2.9).
Laowa Ultima 12-120mm T4 8K S35 Broadcast Zoom – the ultra-wide zoom lens featuring an expansive 10X zoom ratio and superior optical performance to meet demanding working condition.
Laowa 10mm T2.9 Zero-D FF ML Cine – the widest rectilinear lens with T2.9 and Zero-D feature, designed to be compact and lightweight for enhanced mobility.
Pricing & Availability
The upcoming new lenses showcased at the event will be available later this year. Pricing details will be confirmed closer to the release date. Stay tuned for updates on availability and pricing as we get closer to the launches.
Lens Name
Available Mounts:
Laowa 35mm f/2.8 Tilt-Shift 1X Macro
Sony E, L mount, Canon RF, Nikon Z, Fujifilm GFX, Hasselblad XCD
Laowa 15mm f/4.5 Wide Angle Macro
Canon EF, Canon RF, L mount, Sony E, Nikon Z, Nikon F
Laowa 8-15mm f/2.8 Fisheye
Sony E, L mount, Canon RF, Nikon Z, Fujifilm GFX, Hasselblad XCD
Laowa Proteus 2X Anamorphic Zoom Series
ARRI PL, Canon EF, Canon RF, Sony E, L mount
Laowa Ultima 12-120mm T4 8K S35 Broadcast Zoom Lens
Do you remember the teasers from TTartisan about a “mysterious new product” from TTartisan? The official announcement should be tomorrow (February 27th), but we already got the first leaked pictures of a new retro-styled instant camera:
Sony 400-800mm F6.3-8 G OSS Super Telephoto Zoom G Lens
The first*1 α series super-telephoto zoom lens to cover the 400 to 800 mm range
High resolution and natural bokeh throughout the zoom range
Internal zoom for stable handling
Fast, precise AF captures even fast-moving subjects
High-performance 1.4x and 2.0x teleconverters extend the lens’s focal length
Durable for tripod-mounted shooting and mount to UNC standard 1/4-20, or 3/8-16 screws
Optical SteadyShot stabilization, with mode switch
New lens hood designed with a lock button and filter opening
Dust and moisture resistance*6 plus high durability
Minimal focus breathing for movies
Extended Reach, Bokeh, and Autofocus
As the newest addition to our G lens lineup, the 400-800mm F6.3-8 G OSS is designed for exceptional performance and consistency, even while extended to the furthest focal length. It is the first Alpha lens to offer a super-telephoto range of 400mm to 800mm, delivering unparalleled reach for the Sony Alpha full-frame system. For applications such as birding photography, the 400mm to 800mm zoom range allows photographers to locate subjects at the wide 400mm end before zooming in up to 800mm for tight, detailed shots. For those who need even more reach, the 400-800mm F6.3-8 G OSS is compatible with the 1.4x and 2x teleconverters2, extending its range up to a staggering 1600mm.
An internal zoom mechanism maintains a balanced length and weight distribution while adjusting focal lengths—enhancing stability and handling. A smooth, responsive zoom ring allows for precise adjustments, while a carefully designed structure helps prevent accidental focal length shifts. In addition, this lens’ zoom ring features a short rotation throw which enables quick zoom adjustments essential for tracking fast-moving subjects in birding, wildlife, and sports photography.
The 400-800mm F6.3-8 G OSS is designed for exceptional optical performance, featuring an 11-blade circular aperture that produces beautifully smooth, creamy backgrounds with stunning bokeh when shooting at a narrow depth of field. Six ED (Extra-low Dispersion) glass elements effectively minimize chromatic aberration, while advanced coatings suppress flare and ghosting, ensuring crisp, high-contrast images even in backlit conditions.
For fast, precise focusing, the lens is equipped with two precision linear motors, enabling seamless tracking that keeps up with the Alpha 9 III’s 120 fps3 maximum burst speed and up to 240 fps in video4. Its quiet operation, focus range switch, and suppressed focus breathing allow for enhanced control and make this lens an excellent choice for both photo and video use.
Enhanced Stability, Control, and Durability
The 400-800mm F6.3-8 G OSS delivers solid support for both handheld and tripod-mounted shooting. Its built-in Optical SteadyShot (OSS) image stabilization minimizes shake-induced blur, and when paired with an Alpha camera body featuring in-body stabilization, stability is further enhanced. Durable construction, optimized balance, and a non-removable foot maximize reliability and performance. For tripod use, the tripod mount foot allows quick rotation between horizontal and vertical orientations, offering versatility for various shooting scenarios.
Designed for high-level control and reliability, the lens features three customizable focus hold buttons positioned at 90° increments for easy access in any orientation. Full-time Direct Manual Focus (DMF) automatically engages manual focus when the focus ring is adjusted, allowing for seamless fine-tuning. The redesigned lens hood includes a lock button and filter opening, ensuring effortless operation in any environment.
Additionally, the dust- and moisture-resistant5 design enhances durability, while a fluorine-coated front element repels contaminants for easier cleaning.
Sony 16mm F1.8 G Full-Frame Ultra-Wide Prime Lens
16 mm ultra-wide G Lens with a stunning blend of high resolution and beautiful bokeh at F1.8
Two AA (Advanced Aspherical) lens minimize field curvature and astigmatism for stunning resolution
Minimum focus distance: 0.15 m (0.5ft) (AF)/0.13 m (0.43ft) (MF)
Compact and lightweight design of approx. 304 g (10.8 oz.)
Two XD linear motors for fast, precise, quiet autofocus that supports high-level imaging
Minimized focus breathing, refined, stable performance for movies
Front filter can be attached (filter diameter φ67 mm)
Both a click ON/OFF switch and an iris lock switch for quick, flexible aperture control
A dust and moisture resistant design
Ultra-Wide Performance with Stunning Bokeh
The 16mm F1.8 G is engineered for breathtaking, dynamic perspectives with an ultra-wide 16mm focal length. Its advanced optical construction includes two AA (Advanced Aspherical) elements to ensure razor-sharp resolution across all apertures. A combination of one Super ED (Extra-low Dispersion) glass element and three ED elements effectively suppresses chromatic aberration, delivering edge-to-edge clarity. Additionally, Sony’s optimized coating minimizes flare and ghosting, resulting in stunning image quality even in challenging lighting conditions.
With a bright F1.8 maximum aperture and an 11-blade circular diaphragm, the 16mm F1.8 G produces beautiful, creamy bokeh that enhances subject separation. Its impressive close-up performance allows for a minimum focus distance of just 0.5 ft (0.15 m) with autofocus and a maximum magnification of 0.25x. When using manual focus, these values improve up to 0.43 ft (0.13 m) and 0.30x, enabling unique wide-angle compositions with extraordinary depth.
Powerful Performance in a Compact Form
Through advanced optical engineering, including Sony’s high-precision AA lens elements, the 16mm F1.8 G maintains ultra-wide capabilities in an impressively compact and portable form factor. Measuring just 3 x 3 in (73.8 x 75 mm) and weighing approximately 10.8 oz (304 g), it offers exceptional mobility without compromising image quality. Designed for professionals on the go, this lens excels in capturing expansive landscapes and intricate architectural compositions with precision and clarity.
Fast and Accurate Autofocus
Equipped with two XD (Extreme Dynamic) linear motors, the 16mm F1.8 G delivers rapid, precise autofocus with remarkable tracking performance. A newly developed control algorithm enhances responsiveness while reducing delay and vibration, ensuring smooth, near-silent operation. This makes it an exceptional choice for both stills and video, especially when capturing fast-moving subjects.
Optimized for Stable Video
Designed with videographers in mind, the 16mm F1.8 G minimizes focus breathing for seamless focus transitions. It fully supports the breathing compensation function1 available in compatible Sony Alpha camera bodies and pairs effortlessly with in-body Active Mode2 image stabilization to ensure steady footage, even while shooting handheld or on the move. The lens also features a standard 67mm front filter thread, making it easy to integrate with a wide range of filter accessories. The compact design3 is ideal for gimbal use.
Intuitive Controls and Reliable Build
The 16mm F1.8 G offers comprehensive manual controls, including a responsive focus ring, customizable focus hold button, focus mode switch, aperture ring, and iris lock switch. The aperture ring allows for tactile exposure adjustments, while the click ON/OFF switch enhances flexibility for both photography and video applications. Built to ensure durability and reliability in challenging environments, the 16mm F1.8 G features a dust- and moisture-resistant design and a fluorine-coated front element.
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Image: Sony
Sony has announced the FE 16mm F1.8 G, a new ultra-wide, fast prime for full-frame E-mount cameras. The company's lineup hasn't exactly been short of wide-angle options, but Sony is pitching this as a happy medium between its existing 14mm and 20mm F1.8 options for those interested in videography, landscapes and more.
The 16mm F1.8 is comprised of 15 elements in 12 groups, with 2 aspherical lenses and 3 ED elements. Its aperture has 11 blades, which Sony says should provide smooth, circular bokeh. It can focus on subjects at as close as 0.15m (5.9") away.
The 16mm F1.8 packs several features into a relatively compact body
At 304g, it's relatively lightweight, and it packs several features into a relatively compact body. The lens is 75mm long and has an aperture ring that can be locked and set to either clicked or clickless mode, as well as a customizable focus hold button. It accepts 67mm filters. The body is weather-sealed, and the front element has a fluorine coating to repel dirt, oils and water. Autofocus duties are handled by a pair of linear motors, and the lens is compatible with the a9 III's 120fps mode.
Image: Sony
Sony says its new lens will be more practical than the wider 14mm GM model, as it's much more affordable, weighs 156g (5.5oz) less and doesn't have a bulbous front element that prevents you from using screw-on filters. While the 16mm is similar in price to the 20mm model, its field of view gives you a bit more room when shooting large or close-up subjects or vlogging. Sony also says the 16mm will be much better than the 20mm when it comes to focus breathing, which could be a selling point for videographers.
The FE 16mm F1.8 G will cost $800 and will be available starting in April.
We were able to spend some time with a pre-production copy of the lens and put together a sample gallery, which you can see below.
DPReview sample gallery
Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.
Sample gallery
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Press Release:
Sony Electronics Launches the Ultra-Wide 16mm F1.8 G Full-Frame Prime Lens
Compact and Lightweight Design Meets Exceptional Optical Performance
SAN DIEGO, Feb. 26, 2025 - Sony Electronics introduces the 16mm F1.8 G (SEL16F18G), a full-frame E-Mount lens that combines an ultra-wide 16mm focal length with a compact, lightweight build. Delivering high-resolution image quality, smooth bokeh, precise autofocus, and a bright F1.8 aperture, this lens is ideal in a variety of photo and video scenarios including landscapes, architecture, astrophotography, and more.
"At Sony, we are committed to providing creators of all levels with a diverse range of lens options to meet their artistic and technical needs,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “The 16mm F1.8 G is now the widest prime lens in our G lens lineup and pairs seamlessly with all our latest full-frame Alpha series cameras, as well as the FX3 and FX30 cinema cameras. With 79 E-Mount lenses now available, we are continuing our mission to ensure photographers, filmmakers, and creators have a breadth of high-performing lens options to bring their visions to life."
Ultra-Wide Performance with Stunning Bokeh
The 16mm F1.8 G is engineered for breathtaking, dynamic perspectives with an ultra-wide 16mm focal length. Its advanced optical construction includes two AA (Advanced Aspherical) elements to ensure razor-sharp resolution across all apertures. A combination of one Super ED (Extra-low Dispersion) glass element and three ED elements effectively suppresses chromatic aberration, delivering edge-to-edge clarity. Additionally, Sony’s optimized coating minimizes flare and ghosting, resulting in stunning image quality even in challenging lighting conditions.
With a bright F1.8 maximum aperture and an 11-blade circular diaphragm, the 16mm F1.8 G produces beautiful, creamy bokeh that enhances subject separation. Its impressive close-up performance allows for a minimum focus distance of just 0.5 ft (0.15 m) with autofocus and a maximum magnification of 0.25x. When using manual focus, these values improve up to 0.43 ft (0.13 m) and 0.30x, enabling unique wide-angle compositions with extraordinary depth.
Powerful Performance in a Compact Form
Through advanced optical engineering, including Sony’s high-precision AA lens elements, the 16mm F1.8 G maintains ultra-wide capabilities in an impressively compact and portable form factor. Measuring just 3 x 3 in (73.8 x 75 mm) and weighing approximately 10.8 oz (304 g), it offers exceptional mobility without compromising image quality. Designed for professionals on the go, this lens excels in capturing expansive landscapes and intricate architectural compositions with precision and clarity.
Fast and Accurate Autofocus
Equipped with two XD (Extreme Dynamic) linear motors, the 16mm F1.8 G delivers rapid, precise autofocus with remarkable tracking performance. A newly developed control algorithm enhances responsiveness while reducing delay and vibration, ensuring smooth, near-silent operation. This makes it an exceptional choice for both stills and video, especially when capturing fast-moving subjects.
Optimized for Stable Video
Designed with videographers in mind, the 16mm F1.8 G minimizes focus breathing for seamless focus transitions. It fully supports the breathing compensation function1 available in compatible Sony Alpha camera bodies and pairs effortlessly with in-body Active Mode2 image stabilization to ensure steady footage, even while shooting handheld or on the move. The lens also features a standard 67mm front filter thread, making it easy to integrate with a wide range of filter accessories. The compact design3 is ideal for gimbal use.
Intuitive Controls and Reliable Build
The 16mm F1.8 G offers comprehensive manual controls, including a responsive focus ring, customizable focus hold button, focus mode switch, aperture ring, and iris lock switch. The aperture ring allows for tactile exposure adjustments, while the click ON/OFF switch enhances flexibility for both photography and video applications. Built to ensure durability and reliability in challenging environments, the 16mm F1.8 G features a dust- and moisture-resistant design and a fluorine-coated front element.
Pricing and Availability
The 16mm F1.8 G will be available in April 2025 for approximately $799.99 USD and $1099.99 CAD. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.
1 Camera compatibility info at: https://www.sony.net/dics/breathing/
Not available when shooting stills. Angle of view and image quality may change slightly when this function is [ON]. Effective compensation may not be achieved in all situations.
2 Compatible models only
3 Not guaranteed to be 100% dust and moisture proof
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Image:Sony
Sony has announced the FE 400-800mm F6.3-8 G, the company's new furthest-reaching super-telephoto zoom for full-frame cameras.
It's made of 27 elements in 19 groups, with 6 ED elements, and has an 11-blade aperture. At 400mm, its minimum focusing distance is 1.7m (5' 7"), which goes up to 3.5m (11' 6") at 800mm. It's also compatible with Sony's 1.4x and 2x optical teleconverters, which can give you up to 1600mm of reach at the cost of 2EV of light.
The lens weighs 2475g (4.66lb) and accepts 105mm filters. It's weather-sealed and has a fluorine coating on the front element. It has three customizable buttons as well as a variety of switches to control focus mode, its focus limiter and optical image stabilization. Its zoom mechanism is internal, and Sony says its weight distribution puts the center of gravity over the integrated tripod foot.
The 400-800mm is compatible with the 120fps burst mode on Sony's a9 III, and its autofocus is handled by two linear motors.
Sony says the lens is meant for wildlife and sports shooters who need a bit more reach than its 200-600mm F5.6-6.3 or 600mm F4 lenses can provide. It will be available in March, at a retail price of $2900.
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Photos provided by Sony
Press Release:
Sony Electronics Unveils Specialty 400-800mm F6.3-8 G OSS Super Telephoto Zoom G Lens: The Furthest Reaching Sony Lens To Date
Full-Frame E-Mount Lens Designed for Birding, Wildlife, and Sports Professionals
SAN DIEGO, Feb. 26, 2025 - Sony Electronics introduces the 400-800mm F6.3-8 G OSS (SEL400800G), its longest-range full-frame E-Mount lens to date1, setting a new benchmark in focal length reach for the Sony mirrorless system. The Sony E-Mount lens lineup previously peaked at 600mm, but the 400-800mm F6.3-8 G OSS extends the focal length to an incredible 800mm for specialty shooting. The additional reach is especially beneficial for birding, wildlife, aerial, and sports photographers seeking long-range lens capabilities.
The 400-800mm F6.3-8 G OSS is designed to provide exceptional image quality and lens control across the entire ultra telephoto zoom range. Its internal zoom mechanism ensures stable handling, while its advanced optical design delivers creamy bokeh and sharp, detailed images. With a fast and accurate autofocus system combined with a durable, versatile build, this lens is a powerful tool ideal for both photographers and videographers documenting far away subjects.
"At Sony, we are dedicated to equipping photographers and videographers with the tools they need to push creative boundaries. The 400-800mm F6.3-8 G OSS is a testament to this commitment, delivering unparalleled reach and reliability as a super telephoto within the G Series lens line-up,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “By continually expanding our lens offerings, we ensure that Sony mirrorless users have the specialized gear to capture stunning imagery in even the most challenging environments."
Extended Reach, Bokeh, and Autofocus
As the newest addition to our G lens lineup, the 400-800mm F6.3-8 G OSS is designed for exceptional performance and consistency, even while extended to the furthest focal length. It is the first Alpha lens to offer a super-telephoto range of 400mm to 800mm, delivering unparalleled reach for the Sony Alpha full-frame system. For applications such as birding photography, the 400mm to 800mm zoom range allows photographers to locate subjects at the wide 400mm end before zooming in up to 800mm for tight, detailed shots. For those who need even more reach, the 400-800mm F6.3-8 G OSS is compatible with the 1.4x and 2x teleconverters2, extending its range up to a staggering 1600mm.
An internal zoom mechanism maintains a balanced length and weight distribution while adjusting focal lengths—enhancing stability and handling. A smooth, responsive zoom ring allows for precise adjustments, while a carefully designed structure helps prevent accidental focal length shifts. In addition, this lens’ zoom ring features a short rotation throw which enables quick zoom adjustments essential for tracking fast-moving subjects in birding, wildlife, and sports photography.
The 400-800mm F6.3-8 G OSS is designed for exceptional optical performance, featuring an 11-blade circular aperture that produces beautifully smooth, creamy backgrounds with stunning bokeh when shooting at a narrow depth of field. Six ED (Extra-low Dispersion) glass elements effectively minimize chromatic aberration, while advanced coatings suppress flare and ghosting, ensuring crisp, high-contrast images even in backlit conditions.
For fast, precise focusing, the lens is equipped with two precision linear motors, enabling seamless tracking that keeps up with the Alpha 9 III’s 120 fps3 maximum burst speed and up to 240 fps in video4. Its quiet operation, focus range switch, and suppressed focus breathing allow for enhanced control and make this lens an excellent choice for both photo and video use.
Enhanced Stability, Control, and Durability
The 400-800mm F6.3-8 G OSS delivers solid support for both handheld and tripod-mounted shooting. Its built-in Optical SteadyShot™ (OSS) image stabilization minimizes shake-induced blur, and when paired with an Alpha camera body featuring in-body stabilization, stability is further enhanced. Durable construction, optimized balance, and a non-removable foot maximize reliability and performance. For tripod use, the tripod mount foot allows quick rotation between horizontal and vertical orientations, offering versatility for various shooting scenarios.
Designed for high-level control and reliability, the lens features three customizable focus hold buttons positioned at 90° increments for easy access in any orientation. Full-time Direct Manual Focus (DMF) automatically engages manual focus when the focus ring is adjusted, allowing for seamless fine-tuning. The redesigned lens hood includes a lock button and filter opening, ensuring effortless operation in any environment.
Additionally, the dust- and moisture-resistant5 design enhances durability, while a fluorine-coated front element repels contaminants for easier cleaning.
Pricing and Availability
The 400-800mm F6.3-8 G OSS will be available in March 2025 for approximately $2,899.99 USD and $4,099.99 CAD. It will be sold directly through Sony and at a variety of Sony’s authorized dealers throughout North America.
Exclusive stories and exciting new content shot with the new 400-800mm F6.3-8 G OSS and Sony's other imaging products can be found at www.alphauniverse.com, a site created to inform, educate, and inspire content creators.
1 As of the February 2025 product announcement
2 Sony FE 1.4x Teleconverter SEL14TC Lens and 2x Teleconverter SEL20TC Lens
3 Sony test conditions. Maximum continuous shooting speed may be lower in some conditions. Continuous shooting speed may vary in the AF-C focus mode.
4 Functional compatibility may vary depending on the camera used.
5 Not guaranteed to be 100% dust and moisture proof
7Artisans will announce a new 24mm f/1.8 lens for E/L/Z mount tomorrow (previously reported here), together with some cine lenses. The company is also expected to announce the rumored 85mm f/1.8 AF lens for L-mount and the 35mm f/1.4 APS-C lens for Fuji X-mount:
Canon issued a notice that the new PowerShot V1 and two other compact cameras will be in short supply:
Apologies and information regarding product supply status
Thank you for your continued patronage of Canon products.
We are currently receiving more orders than expected for the following products, which is causing delays in delivery. We sincerely apologize to our customers and business partners for the inconvenience caused. We would like
to apologize again for keeping our eagerly awaiting customers waiting for these products. We will continue to take measures to ensure a stable supply of products so that we can deliver them as soon as possible. We appreciate your understanding.
We plan to ship the products one by one, but we are currently suspending orders. We will inform you of the resumption of orders and delivery dates as soon as we have a clear idea of when the products will be shipped.
We plan to ship the products one by one, but we are currently suspending orders. We will inform you of the resumption of orders and delivery dates as soon as we have a clear idea of when the products will be shipped.
Canon celebrates 22nd consecutive year of No. 1 share of global interchangeable lens digital camera market:
MELVILLE, N.Y., - February 24, 2025 — Canon U.S.A., Inc. today announced that its parent company, Canon Inc. is celebrating that the company’s interchangeable-lens digital cameras (digital SLR and mirrorless cameras) have maintained the No. 1 share1 of the global market for 22 consecutive years from 2003 to 2024.
Canon’s EOS series of interchangeable lens digital cameras is an imaging system based on the basic concept of “Speed, Comfort, and High Image Quality,” for which the company has developed proprietary key components, including CMOS image sensors, the DIGIC image processors, and interchangeable lenses. Putting together a wide-ranging product lineup—from high-performance flagship models that are highly trusted by professionals to entry-level models that allow users to enjoy full-scale shooting with easy operation, as well as a rich selection of over 1202 RF and EF series lenses that make possible a wealth of creative expression—Canon continues to support the diverse needs of customers.
Throughout its 22-year history, the EOS series has led the market with a range of outstanding models. During the dawn of digital SLR cameras, Canon introduced its breakthrough EOS Kiss Digital (EOS Digital Rebel or EOS 300D in other regions) in September 2003. By launching this groundbreaking camera, which was competitively priced and featured a compact, lightweight design, Canon spurred growth in the digital SLR market, capturing the top share of the global market and heralding the age of digital SLR cameras.
Canon has continued to release further innovative cameras by launching the professional-model EOS-1D series and the EOS 5D series, which paved the way for digital SLR video recording. The company’s desire to further expand the boundaries of visual expression led to its next-generation EOS R SYSTEM, launched in October 2018, that includes the full-frame mirrorless camera EOS R5—the first camera to feature 8K video recording3—released in July 2020 and the EOS R3 in November 2021, which features tracking of fast-moving subjects and continuous shooting performance. In addition, it launched the EOS VR SYSTEM, designed to record video for virtual reality content, in December 2021.
In 2024, Canon managed to secure the No. 1 share of the global market once again for the 22nd consecutive year by further enhancing its lineup of EOS R Series cameras and lenses.
For cameras, Canon released the EOS R5 Mark II (August 2024), a full-frame mirrorless camera that combines the capability to cover shooting in a wide range of scenarios with a single camera with mobility, and the EOS R1 (November 2024), the first flagship model of the EOS R SYSTEM. Both models featured the new image processing system “Accelerated Capture” and included diverse video shooting functions accumulated through the CINEMA EOS SYSTEM for achieving high-speed analysis and high-speed shooting.
As for lenses, in 2024 Canon expanded its L-series lineup of large-aperture single-focus lenses, which contribute to full-fledged video production, and added 15 models of RF lenses4, including two types of lenses that facilitate making 3D VR videos to meet the growing demand for video and handle 3D imaging.
Going forward, Canon will continue to refine its proprietary imaging technologies while bringing fulfillment and excitement to people’s daily lives as well as promoting the spread of photo and video culture by providing products, services, and solutions that meet its customers’ diverse needs.