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Nikon's new Zf firmware update adds bird mode, Imaging Cloud, and more

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Nikon Zf sensor
Photo: Richard Butler

Nikon has announced the 2.0 firmware for its full-frame Zf camera. The update adds a dedicated bird mode to the camera's subject recognition autofocus, support for connecting to the company's Imaging Cloud service and other improvements that will make shooting video and using older, manual-focus lenses more convenient.

The company says the dedicated bird subject detection mode will be quicker and more accurate at detecting and tracking birds than the Auto or Animal modes, especially in complex scenarios like shooting in forests or mountains. While the Zf likely isn't the first camera people reach for when doing wildlife photography – its gripless retro design is better suited to smaller lenses – it's nice that Nikon is making this mode available on the camera regardless.

Nikon Imaging Cloud

Nikon Imaging Cloud lets your camera automatically upload photos to the cloud and download color mode "recipes."

Image: Nikon

Support for Nikon Imaging Cloud is also a nice addition. It allows the camera to automatically upload images when connected to a Wi-Fi network, rather than requiring you to connect it to your phone or a computer to offload your shots. Additionally, you can configure Nikon Imaging Cloud to automatically offload those images to other services, like Dropbox, Google Drive, Lightroom and more. The service can also be used to sync additional color profiles to your camera – the Zf can store nine – and to automatically keep your camera's firmware up-to-date.

The 2.0 update also adds Nikon's 'Hi-Res Zoom' mode for video, which lets you progressively apply a digital crop up to 2x your lens' actual focal length when shooting 1080p. The company says it doesn't introduce any loss in resolution, as the camera is still using a 1080p region of the sensor. However, in other cameras like the Z9, the feature does incur some loss of detail, as you're no longer getting oversampled video. Still, if you want to make your footage look like you're zooming in, you'll at least have the option to do so.

The final big change with the update revolves around using manual-focus lenses. The company has improved the focus magnification feature, letting you quickly exit it by half-pressing the shutter button so you can see your full composition before actually taking the picture. When you're using the display, the maximum magnification has been increased from 200% to 400%. You can now also assign ISO and exposure compensation to the cameras' command dials in the manual shooting mode and manually record your aperture value if you're using a lens that doesn't electronically communicate with the camera.

It's not surprising that features like Hi-Res Zoom, Imaging Cloud and bird subject detection are coming to the Zf. After all, they're included in the just-launched Z5II, which uses very similar internals. However, it's nice to see them come so quickly, so users who bought the more expensive Zf won't have to be envious of Z5II owners. It's also one more step to making the company's lineup more cohesive, with most of its latest-gen cameras getting Imaging Cloud.

The update is available now from Nikon's website.

Press release:

Nikon Releases The Upgraded Firmware Version 2.00 For The Nikon Zf Full Frame Mirrorless Camera

MELVILLE, NY (April 8, 2025) -- Nikon Inc. is pleased to announce the release of firmware version 2.00 for its full-frame/FX-format mirrorless camera, the Nikon Zf.

This is the first major firmware update for the Zf since its launch and the next step in the camera’s evolution, adding new functions inherited from the Nikon Z9 flagship camera and full-frame mirrorless model, the Nikon Z6III. Firmware version 2.00 also adds support for Nikon Imaging Cloud, enabling the automatic transfer of images to third-party cloud storage services, automatic camera firmware updates, and access to a wide range of creative Imaging Recipes.

The Zf now incorporates a dedicated [Birds] subject-detection option, providing more powerful detection and tracking performance to enhance bird photography support. In addition, the Hi-Res Zoom function has been added, and functions have been expanded for greater usability when manual-focus lenses are used.

Firmware version 2.00 makes shooting with manual-focus lenses, including vintage lenses, even more enjoyable, with the ability to quickly exit the magnified display simply by half-pressing the shutter-release button and a function that allows users to record the aperture values used when shooting.

Primary Features of Firmware Version 2.00 for the Nikon Zf:

  • Support for Nikon Imaging Cloud enables more creative imaging expression
    Nikon Imaging Cloud is Nikon’s cloud service accessible via computers and smart devices. It hosts the Imaging Recipes color presets, both those recommended by Nikon and those carefully crafted by established creators. Up to nine recipes can be downloaded to the Zf, allowing users to get the look and style of their favorite creators easily. Connection to Nikon Imaging Cloud also facilitates updating the camera firmware without the need for a computer or smart device. Furthermore, the advanced setup enables the automatic transfer of captured images to various third-party cloud storage services when the Zf is connected via Wi-Fi, providing even greater convenience for storing and sharing images captured with the camera.
  • Dedicated [Birds] subject-detection option enhances support for bird photography
    A dedicated [Birds] subject-detection option has been added. It offers better bird-detection and tracking performance than when [Auto] or [Animal] subject-detection is selected. It also ensures quicker, more accurate detection and tracking of birds in various shooting scenarios, such as when complex, high-contrast backgrounds like rocky mountains or forests are in the frame. The [Birds] option satisfies the expectations of those who enjoy photographing birds with a greater ability to detect birds whether in flight, at rest, or characterized by a unique size or visual feature such as a long neck or vibrant colors.
  • Addition of the Hi-Res Zoom function enables zooming even when a prime lens is used
    With firmware version 2.00, users can zoom-in to up to twice the actual focal length with no loss in resolution in full-HD recording*. This enables recording that makes the most of the superior rendering characteristics of prime lenses. Selection from 11 different zoom speeds expands possibilities for imaging expression during video recording, allowing users to achieve the exact look and feel they want. The Hi-Res Zoom function can also be assigned to the Fn ring or control ring on a lens.
  • More convenient functions when shooting with a manual focus lens
    A new function has been added that lets users exit the magnified display by half-pressing the shutter-release button, making shooting with manual focus more convenient. Additionally, in the live view display, the maximum magnification has been increased from the previous 200% to 400%, providing greater convenience when shooting portraits and other situations that require more precise focusing. Furthermore, exposure compensation and ISO sensitivity can now be assigned to the main or sub-command dial in manual shooting mode. A new function has also been added that allows users to manually record aperture values to the Exif data when using non-CPU lenses. This enables them to review and appreciate the subtle differences in image results when shooting with different aperture values at or near the maximum aperture.

Nikon will continuously meet users' needs through firmware updates that expand the functionality of its cameras.

For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit nikonusa.com.

*AF-area mode is fixed at [Wide-area AF (L)]. The focus point is not displayed. [Electronic VR] in the video recording menu is fixed at [OFF].

BlackMagic Design is blaming its US price jumps on tariffs

1-pyxis-pro 2x
Image: Blackmagic

Almost every news site is flooded with stories about the new tariffs and their impact on individual product categories. Given that so many photography companies manufacture their goods in places other than the United States, several outlets have predicted that the tariffs will impact photography gear. Now, those expectations are becoming a reality, with Blackmagic Design being the first to officially announce price increases because of tariffs.

In a statement provided to DPReview, Blackmagic explained: "In general, it’s a bit in flux as developments are happening with the tariffs, and our team is trying very hard to keep customers informed with updated pricing, so that’s why they may see some changes. Since we have factories in different countries, it causes different price increases, and we are moving production of some products to help lower costs for customers from what we had previously raised them to since the tariffs went into effect. This will take us some time, so customers may continue to see some pricing change, but again, we are working very hard to keep customers informed with updated pricing."

blackmagic-pyxis-12k-camera-price-screenshot
A screenshot of the Blackmagic website reflecting a $5495 price for the Pyxis 12K camera, taken at 12:42 PM EDT on April 7.

Yesterday, CineD reported that the newly released Blackmagic Pyxis 12K camera went from the launch price of $4995 to $6595 on Blackmagic's website, a 32% increase. CineD included a screenshot of Blackmagic's website reflecting the $6595 price. However, at the time of writing, the website shows $5495 for the camera. While that isn't as substantial an increase as what CineD reported, it is still a bump in price, which no one likes seeing. Since Blackmagic said things are in flux right now, that number could likely continue to change. At the time of writing, the price at B&H is still the original launch price.

blackmagic-pricing-statement
A screenshot of Blackmagic's statement on Facebook about pricing changes.

Blackmagic also posted a statement on Facebook about general US prices for its products. It said that most products in the US have increased because of the tariffs, and that these price changes only impact the US. A quick look at the Blackmagic website shows that the company also increased the price of the Pyxis 6K camera from a launch price of $2995 to $3295, while the Ursa Cine 17K went from $29,995 to $32,995.

Just announced: AstrHori 6.5mm f/2 fisheye 192° super wide angle lens for E/X/Z/RF/MFT ($129)


The previously reported AstrHori 6.5mm f/2 fisheye 192° super wide angle lens for E/X/Z/RF/MFT is now officially announced with a price of $129:

Additional informtion:

  • APS-C | f/2 to f/22
  • 10mm (Full-Frame Equivalent)
  • Fast, Ultra Wide-Angle Prime
  • Manual Focus Design
  • ED, Refractive Lens Elements
  • 9-Blade Diaphragm




The post Just announced: AstrHori 6.5mm f/2 fisheye 192° super wide angle lens for E/X/Z/RF/MFT ($129) appeared first on Photo Rumors.

DaVinci Resolve's latest version adds more than 100 new features

NAB-2025-Update-2-13-25-screenshot
Image: Blackmagic

The NAB 2025 show is underway, with plenty of announcements related to broadcasting and filmmaking coming out. Among those was a lengthy livestream from Blackmagic Design that revealed multiple new products and software tools, including the latest version of its video editing platform. Blackmagic calls DaVinci Resolve 20 "a major new update which adds over 100 new features." Unsurprisingly, many of those new features are AI-related and aimed at speeding up and simplifying the editing process.

The updates cover just about every step of the editing process and touch most aspects of the editing program. You can see all of the update details in the press release below, but there are some standout features worth mentioning. First, AI IntelliScript can automatically create timelines based on the original project script. This is done by first creating an automatic transcription of the video files and then uploading the original script text file. DaVinci Resolve chooses the best takes but provides alternative takes in additional tracks so that you can easily review those as well.

davinci-resolve-20-update-transcript-timeline
Image: Blackmagic

The company says the IntelliScript doesn't require an exact match to the original script, as similar wording is matched. You can also create a script after the fact by uploading the transcription of the master take and using that as the basis for the timeline. In a similar vein, AI Multicam SmartSwitch promises to automatically switch between multiple camera angles based on the active speaker in each scene.

Also coming to DaVinci Resolve 20 is a tool for animating subtitles. The AI Animated Subtitles feature uses the transcription tool to generate a subtitle track on a timeline, automatically animating them with highlighted text as things are spoken. AI Detect Music Beats will analyze "beat-driven music" and automatically place markers on each beat, making it easier to edit clips to the beat of the music.

davinci-resolve-20-update-animated-subtitles
Image: Blackmagic

Blackmagic also announced AI Set Extender, which sounds similar to Adobe Premiere Pro's Generative Extend. Blackmagic didn't provide extensive information on the feature but says it "creates a scene extension to fill an entire frame based on a simple text prompt."

While many of the standout features are AI-related, there are plenty of updates to hands-on tools as well. For example, Blackmagic Cloud support will now offer better collaboration tools. Blackmagic also changed the cut, edit and color pages when working with a vertical timeline or project, aimed at optimizing the vertical viewer without wasted space or needing to constantly zoom.

davinci-resolve-20-update-voiceover
Image: Blackmagic

The voiceover palette tool makes it easier to record voiceovers directly into the timeline, providing cue, record and stop controls. Plus, there's quick access to voice isolation and dialogue leveling tools. Blackmagic also added a "full audio mixer with professional loudness metering" to the cut page, allowing users to mix and monitor audio while recording, editing and finishing their content.

“This is a massive update this year, with AI tools and new features that help to speed up every stage of our customer’s workflow” said Grant Petty, Blackmagic Design CEO. “By automating tasks that take a long time manually or are tedious, with features such as keyframe editing, voice over palettes, live overwrite and multi-layer compositing tools, our customers are free to spend more time than ever being creative. The new processing code we’ve been rewriting over the last few years is an amazing base to be able to build these new features on. It’s exciting to see how we can provide tools with DaVinci Resolve to help our customers spend more time exploring their creativity.”

You can see a comprehensive list of all the features on the DaVinci Resolve 20 product page, or in the press release below. DaVinci Resolve 20 public beta is now available for download from the Blackmagic Design website. The standard version is free to download, however you'll need DaVinci Resolve Studio 20 for $325 to unlock the advanced editing tools.

Press release:

Blackmagic Design Announces DaVinci Resolve 20

Massive update adds over 100 new features including DaVinci AI tools, keyframe editor, voice over palettes, multi-layer compositing tools plus chroma warp, Magic Mask 2 and more!

NAB 2025, Las Vegas, USA - Friday, April 4, 2025 - Blackmagic Design today announced DaVinci Resolve 20 a major new update which adds over 100 new features and AI tools such as AI IntelliScript, AI Animated Subtitles, AI Multicam SmartSwitch and AI Audio Assistant, as well as keyframe editing, voice over palettes, multi layer compositing tools, new optical flow vector tools and major updates to Magic Mask and depth map. DaVinci Resolve 20 public beta is available for download now from the Blackmagic Design web site.

The DaVinci Resolve 20 will be demonstrated on the Blackmagic Design NAB 2025 booth #SL216.

DaVinci Resolve 20 introduces more than 100 new features including powerful AI tools designed to assist customers with all stages of their workflow. Use AI IntelliScript to create timelines based on a text script, AI Animated Subtitles to animate words as they are spoken, and AI Multicam SmartSwitch to assemble a timeline with camera angles based on speaker detection. The cut and edit pages introduce a dedicated keyframe editor and voiceover palettes, and AI Audio Assistant analyzes the timeline audio and intelligently creates a professional audio mix. In Fusion, explore advanced multi layer compositing workflows. The Color Warper now includes Chroma Warp, plus Magic Mask and Depth Map have huge updates.

New features in Blackmagic Cloud include Cloud folders, which lets customers easily share extra clips, images or graphics for a project with other collaborators. All cloud content appears as virtual clips and folders until used in a project, after which it is synced locally. Customers can access large amounts of media while keeping their media pool organized.

Customers can also now review projects in Presentations with clients who don’t have a Blackmagic Cloud account. To activate guest access simply generate a URL link of the Presentation customers want to review and share it with clients. Customers can review clips, make notes on the timeline using markers and even group chat.

Cloud storage has also been updated with an icon view that displays thumbnails of all clips so customers can visually identify them and manage their media. Hovering over thumbnails lets customers scrub through the content for quick media preview. The inspector panel displays camera and clip metadata, as well as production notes.

On the cut, edit and color pages, when a vertical timeline or project is loaded, the page layouts automatically rearrange to optimize working with a vertical viewer. Tools and palettes are moved to ensure that customers have maximum use of the screen without wasted space and without the need to constantly zoom.

The voiceover palette on the cut page records a voice over track during timeline playback. Customers get cue, record, and stop controls, plus quick access to voice isolation and dialogue leveling tools. A dedicated track is added automatically. Customers can load and work with a prompter script and a countdown.

A dedicated keyframe editor in the cut and edit pages allows for finer parameter animation. Use the keyframe curves and parameter modes to edit keyframes and customize animation shape with ease controls. Customers can also use the keyframe tray below the timeline to review and navigate timeline keyframes.

The Text+ tool has been updated to include the layout’s point, text box, circle or path styles giving customers more refined control over the layout of their text graphics. When working with PSD files on a timeline, customers can choose to split the PSD layers in place in order to work with each individual layer.

The MultiText tool creates multiple text layers in one place for greater flexibility. Customers can use the inspector tabs to set individual style parameters within each text layer, including appearance, layout, warping and keyframe animation. The text list lets customers navigate, rearrange, lock, and delete layers.

On the cut page, customers can now drag directly in the viewer to live overwrite a camera angle directly into the timeline. With the sync bin active, or when in multi source mode, customers can drag horizontally to live paint at the playhead, or drag down to turn the angle into a draggable clip.

The cut page now also has a safe trimming mode to prevent crucial edits from being accidentally overwritten. Customers can drag trim points to quickly fill gaps in the timeline. When they reach a cut point, DaVinci Resolve will pause. If they do want to overwrite the edit, just keep dragging to trim the adjacent clip.

A full audio mixer with professional loudness metering has also been added to the cut page. Each channel strip has a left-right pan slider, fader, solo, and mute buttons, plus professional panning, EQ, Dynamics, and FX controls. Now customers can mix and monitor audio while they record, edit and finish their show.

On the edit page, the voiceover tool lets customers record directly into the timeline. There are quick controls to set file name, audio input and destination track. With automatic track selection and customization options like countdown and input monitoring, creating a voice over has never been easier.

On the color page, new chroma warp lets customers intuitively adjust color and saturation with a single motion in the viewer. The stroke control moves colors in one direction, while the point to point mode isolates regions for more precise hue correction. Customers can add pin points to isolate regions customers do not want to affect.

When streaming remotely, customers can choose to display power windows and other overlays on the reference monitor. This is helpful for remote workflows where the grading system is in a separate location from the colorist, or their client, and their local monitor. Customers can also now stream H.265 4:2:2.

Fusion now offers deep image compositing tools, so customers can access the depth data found in deep image EXR files. A range of new nodes allows customers to merge, transform, resize, crop, recolor, and generate holdouts. Render from Fusion’s 3D environment and export deep EXR’s with the Fusion saver node.

Support has also been added for multi-layer images across all nodes. Fusion can read multi-layer EXRs or photoshop files, preview the layers in the viewer, and access and manipulate any layer in any node. Now artists have seamless layer interaction without needing independent renders of a source file.

Vector warp, vector transform, and vector denoise are new optical flow vector tools integrated within Fusion. These tools enable intricate temporal effects by leveraging motion vectors. Utilizing a clip's natural movement for warping and denoising presents a powerful time saving solution for artists.

Fusion’s PanoMap, spherical stabilizer, LatLong patcher, 3D VR camera and the 3D viewers have been updated to support 180-degree angle of view to allow production of immersive content. Customers can also render 3D scenes to VR180 using a spherical camera and Renderer3D for a simplified production process.

The enhanced Dome light is a 3D tool that simulates natural ambient lighting in a 3D scene. It allows the integration of 360 HDRI images for accurate reflections and global illumination. Now customers can create more realistic environments, ensuring their 3D models respond convincingly to light conditions.

Customers can now preview color page clip grades directly in the Fusion page viewer through the MediaOut node. This will give customers a better representation of their final composition and save customers time by not requiring customers to leave the Fusion page every time customers need to review the final look of a clip.

Clip EQ now features 6 bands on the cut, edit and Fairlight pages. This allows for more tonal control at the clip level, and matches the track EQ in the mixer. So now customers can easily copy and paste settings between the clip, track and EQ plug-in for more consistent, flexible and precise control.

Fairlight has two new clip processing options that lets customers adjust a target clip’s audio to match a reference clip’s level or tonal spectrum. EQ match is dynamic and is automatically automated across their clip to maintain a tonal match. Level Matcher lets customers seamlessly intercut clip sections without manual changes.

If customers have a favorite group of plugins that they need to apply together, customers can now build a Chain FX to include them, each with customized settings and saved as presets. Customers can have up to six effects within a chain and also combine Chain FX plugins for longer chains in the channel effects slots.

Fairlight now features per-channel automation mode selection allowing for more flexibility and creative control when mixing their projects. In a single pass customers can now dynamically adjust multiple individual tracks and have some channel automation settings in Snap, some in Latch, and others in Trim.

The AI Set Extender creates a scene extension to fill an entire frame based on a simple text prompt. Highlight the area customers want to extend, and missing regions caused by limited clip angles, blanking and cropping will be auto generated. Customers can even create new backgrounds behind foreground objects.

DaVinci Resolve Studio 20 also introduces powerful new features for Apple Immersive Video on Apple Vision Pro. Filmmakers can effortlessly edit, color grade, mix Spatial Audio, and deliver Apple Immersive Video captured using the new Blackmagic URSA Cine Immersive camera, which is starting to roll out to an initial set of customers. Customers can pre-order URSA Cine Immersive here.

Customers can use AI IntelliScript to automatically generate timelines based on the original project script. AI IntelliScript will match the transcribed audio in media clips to the script and construct a timeline of the best selected takes, with any alternative takes placed on additional tracks for editor review.

AI Dialogue Matcher is a powerful tool that automatically matches the tone, level, and room environment of dialogue. Customers can match audio from two totally different clips for audio consistency. Match dialogue recorded in different environments, on different devices, or on shoots spanning several days.

Automatically adjust a music track’s length to fit a video using AI Music Extender. The audio clip is analyzed and a music edit is extended or shortened to match. Customers get four versions to chose from, visual edit indicators, and the ability to decompose sections. It’s a fast, flexible way to tailor music to visuals.

Keep a viewer’s attention in videos with subtitles that are animated as words are spoken using AI Animated Subtitles. Use the transcription tool to generate a subtitle track on their timeline and then drag the animated Fusion title templates onto the track header to change the appearance and animation style of the text.

In the edit page, AI Multicam SmartSwitch automatically switches multi-cam angles based on the active speaker in a scene. After creating a multi-cam clip, click SmartSwitch in the multi-cam viewer. SmartSwitch analyzes and automatically selects clip angles based on audio, and lip movement in the video.

The revolutionary AI Voice Convert tool applies a pre-generated voice model to an existing voice recording, retaining its inflections, pitch variation, and emotion. Improve their own voice if recorded in a noisy environment, or create perfect ADR using the original actor’s own voice.

DaVinci Resolve’s SuperScale now features 3x and 4x enhanced upscaling, ensuring the highest visual quality of all media in a project, regardless of source resolution. Perfect for working with archival material or stock footage that needs to be matched to the deliverable resolution.

AI Magic Mask has been updated for even more accurate tracking within a single mode. Use points to select people, objects and regions, and paint tools to refine the selection faster than ever. Magic Mask intuitively tracks the motion of a selected area, even around obstructions and in low quality clips.

The AI Depth Map effect has been updated for faster scene analysis and more practical mattes. Quickly isolate foreground characters to make them pop against their environment or apply lens blur to the background of a shot. Customers can refine the resulting matte and isolate specific depths for grading.

AI IntelliCut provides powerful clip-based audio processing, automating time consuming tasks in seconds. Remove silence removes low level or silent areas for a cleaner audio track. Customers can split dialogue into a separate track per speaker for individual mixing and create an ADR list to replace dialogue.

When a timeline has audio elements that are not mixed or balanced, AI Audio Assistant can automatically create a professional audio mix. Audio Assistant organizes tracks, evens out dialogue levels, adjusts sound effects and music to the dialogue track, and automatically creates a mastered final mix.

When editing to the beat, customers can use the AI Detect Music Beats function to analyze audio clips containing beat-driven music and automatically place markers to indicate beats. Customers can use these as visual indicators for cut points, or drag to snap clips to the beat’s markers at the nearest frame.

“This is a massive update this year, with AI tools and new features hat help to speed up every stage of our customer’s workflow” said Grant Petty, Blackmagic Design CEO. “By automating tasks that take a long time manually or are tedious, with features such as keyframe editing, voice over palettes, live overwrite and multi-layer compositing tools, our customers are free to spend more time than ever being creative. The new processing code we’ve been rewriting over the last few years is an amazing base to be able to build these new features on. It’s exciting to see how we can provide tools with DaVinci Resolve to help our customers spend more time exploring their creativity”

DaVinci Resolve 20 Features

  • Import Blackmagic Cloud Shared folders to media pool.
  • New optimized UI layouts option for vertical videos on cut, edit and color pages.
  • Voiceover palette with cue, voice tools and teleprompter.
  • Improved keyframing with dedicated curve view and timeline drawer.
  • Text+ paragraph, line wrapping and bounding tools.
  • MultiText tool with layers and easy transform, clip and wrap controls.
  • Live overwrite now supports edit keys and search dial.
  • Mouse drag to live overwrite multi source and sync bin.
  • Trim with safe edit avoids overwriting adjacent clips.
  • Full featured audio mixer added to cut page.
  • Voiceover tool with record and monitor options in edit page.
  • Chroma Color Warper grading.
  • Display viewer overlays for remote monitoring.
  • Stream and monitor H.265 4:2:2 on supported hardware.
  • Deep image compositing toolset.
  • Multi layer pipelining for OpenEXR, PSD and stereoscopic 3D.
  • Vector warping toolset for image patching and cleanup.
  • Fusion support for 180 VR.
  • 3D Scene Dome Light.
  • View color page grade in media out node on Fusion page.
  • Clip EQ now features 6 bands.
  • EQ and Level Matcher processes match tone and clip levels.
  • EQ and Gain now also available as Fairlight FX plugins.
  • Fairlight Chain FX to create and restore frequently chained plugins.
  • Resolve FX AI Set Extender.
  • AI IntelliScript creates timelines with a user provided script.
  • AI Dialogue Matcher matches clip tone, level and reverberance.
  • AI Music Editor automatically edits music to desired length.
  • AI animated subtitles highlights or animates spoken words.
  • AI Multicam SmartSwitch for automatic angle switching.
  • AI Voice Convert with built-in and user trainable models.
  • AI SuperScale now includes 3x and 4x enhanced upscaling.
  • AI Magic Mask v2 with paint brush.
  • AI Resolve FX Depth Map v2.
  • AI IntelliCut to remove silences.
  • AI IntelliCut to checkerboard dialogue by speaker.
  • AI IntelliCut to generate ADR Cues using transcription speaker info.
  • AI Audio Assistant automatically creates a finished mix.
  • AI Detect Music Beats displays and allows beat snapping.

Availability and Price

DaVinci Resolve 20 public beta is available now for download from the Blackmagic Design web site.

Nikon Z5II pre-production sample gallery: a time-tested sensor

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Sample gallery
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This week, Nikon announced the Z5II, its entry-level full-frame camera. It uses a 24MP BSI sensor we've seen in plenty of other cameras, such as the Zf and Z6 II, but that's not a complaint – in the past, it's provided excellent image quality.

We spent a day shooting with a pre-production Z5II. While rainy weather doesn't always make for the best samples, it was just enough to add a bit of ambiance. Do keep in mind that although the samples provide an idea of how the camera performs, they may not exactly reflect the output of a final production model. We'll be looking to get ahold of one of those when they become available, so stay tuned.

See the sample gallery

Here we go: Blackmagic Design increased prices in the US only



Blackmagic Design officially announced a price increase only for the US as a result of the new Trump tariffs (check the new prices here):

"We wanted to post a quick note on USA prices and the new government tariff changes. Most products in the USA have increased and please check our web site for details. DaVinci Resolve and Blackmagic Cloud prices remain the same. It's also worth noting the price increases only affect the US and prices in other counties are currently unchanged."


Blackmagic just announced a new 12k Pyxis camera (now $4,995, will go up to $6,595) at the 2025 NAB show in Las Vegas (additional information available here, (see all new product announcements from the 2025 NAB show on this page).

How will the new Trump tariffs impact the camera and lens imports to the US?

The post Here we go: Blackmagic Design increased prices in the US only appeared first on Photo Rumors.

New: SG-Image 25mm f/1.8 lens

SG-Image will soon announce a new 25mm f/1.8 lens (SG-Image lenses are sold at Ali Express and Amazon JP):

  • Ultra-lightweight design
  • Weight: 145g
  • Lens height is only 32mm
  • Four-color: black/red/silver/titanium

Via FujiAddict

The post New: SG-Image 25mm f/1.8 lens appeared first on Photo Rumors.

Songraw 50mm f/1.2 full-frame AF lens announced (E/Z/L)



The previously reported Songraw 50mm f/1.2 "Moonlit" full-frame AF lens for Sony E, Nikon Z, and L-mount is now officially announced at the 2025 NAB show. Here are the details:

  • First Chinese 50mm F1/2 full-frame autofocus mirrorless camera lens
  • For Sony E, Nikon Z, and L mount
  • Aluminum body
  • Weight: 900g/1.98 lbs
  • Two switches: AF/MF and de-click option
  • Lens design: 15 elements in 10 groups, including two aspherical lens elements
  • Aperture diaphragm with 13 blades
  • Minimum focusing distance: 52 cm/20.4 in
  • Filter size: 72mm
  • Shipping will start at the end of April
  • Price between $950 - $1,100
  • SongRaw showcased the lens at NAB 2025, emphasizing its "Moonlit" branding, inspired by its low-light performance



Coming soon: new Songraw 50mm f/1.2 full-frame AF lens

Via cined

The post Songraw 50mm f/1.2 full-frame AF lens announced (E/Z/L) appeared first on Photo Rumors.

B&H Photo and Nextorage NAB specials



B&H Photo launched a new site with specials for the 2025 NAB show (see all new product announcements from the show on this page).

Nextorage is also running special savings on memory cards (up to $450 off) during the 2025 NAB show, starting from April 5th until April 13th:

Nextorage announced the world’s first VPG800-compliant CFexpress Type A memory cards


Via NikonRumors

The post B&H Photo and Nextorage NAB specials appeared first on Photo Rumors.

RGB: Our April editor's challenge is open for submissions

RGBIV

This photo was taken at a train station in France from the safety of the platform. I was testing out Sony's latest ultra-wide lens, and was very excited that I could get the red bumper posts, the rails, and the parked train all in the shot.

Sony a7C R | FE 16mm F1.8 G | F1.8 | 1/60 sec | ISO 100
Photo: Mitchell Clark

Our April editor's photo challenge is now open for submissions. The theme this month is red, green and blue, and we're looking for photos that utilize all three colors.

Some examples: an apple orchard under a blue sky, a color-coordinated bookshelf, a parrot – anything with a tri-chromatic color palette utilizing the three colors that form the basis of all our digital images. Our favorites will be featured on the DPReview homepage at the end of the month.

This challenge is open to photos taken at any time. The last day for entry will be Saturday, April 12th (GMT).

IMPORTANT: Images MUST include a title and a caption of at least 25 words to be eligible. Viewers want to know the story behind your photo. We will consider both photos and captions when selecting our winners, so make sure to tell us that story!

Visit the challenge page to read the full rules and to submit your photos for consideration. Please remember to include a caption or your submission will be deemed ineligible, and we'll ask you to resubmit it.

Visit the challenge page to read the rules and submit your photo

Sony announced new HVL-F46RMA & HVL-F28RMA flash units


 
 
It seems that SonyAddict was the only website that noticed and reported on the new Sony HVL-F46RMA and Sony HVL-F28RMA flash units that were announced a few days ago:

Sony HVL-F46RMA

  • Compact GN46 Wireless Radio Flash
  • Compatible with Sony ADI / P-TTL
  • Up to 1/80,000 sec Shutter Speed w/ HSS
  • Up to 320 flashes w/ 2 sec Recycle Time
  • 0.1-2.5 sec Recycling Time
  • Auto Zoom Control
  • TTL, Manual, and Multi Flash Modes
  • Wireless Control up to 98.4′
  • Built-In Modeling Lamp
  • Uses 4 AA Alkaline or Ni-MH Batteries

Sony HVL-F28RMA

  • Compatible with Sony ADI / P-TTL
  • 2.4 GHz Radio Transceiver, 115′ Range
  • Guide Number: 92′ at ISO 100 and 50mm
  • Wireless TTL Ratio Controller/Remote
  • Control Up to 15 Flashes/5 Groups
  • Tilts from 0 to 120°
  • Manual Output Adjustment: 1/1 to 1/256
  • HSS and Multi-Flash Modes
  • Dust- and Moisture-Resistant
  • Metal Foot and Rugged Side Frame



Via SonyAddict

The post Sony announced new HVL-F46RMA & HVL-F28RMA flash units appeared first on Photo Rumors.

Accessory roundup: a lightstand with a trick, and some big upgrades

AccessoryRoundup h5studio-myriad-blackmagic-luna-lightstand
Images: Zoom, Cutasunda, BlackMagic, 3 Legged Thing

Happy weekend, everyone. We're deep into camera news season, but the accessory makers haven't been slacking at all. Today, we'll be taking a look at a big update to a solid audio recorder, a new take on the light stand and a host of other accessories – but first, the deals.

Canon deals

Canon EOS R6 II sensor
Photo: Dale Baskin

Canon's mid-range full-frame camera, the EOS R6 II, is currently on sale for $200 off. When we tested it, we were very impressed with how well-rounded it is, combining excellent autofocus, great ergonomics and solid performance.

Eos r5 ii in hand
Photo: Richard Butler

Speaking of cameras we were impressed with, the EOS R5 II is also on sale for $300 off its MSRP. It takes everything that's good about the EOS R6II and turns it up to 11, with a higher-resolution sensor, faster burst rates and more.

Not just a light stand

3-legged-thing-luna-lightstand
Image: 3 Legged Thing

3 Legged Thing is getting into the light stand market. On the surface, its new product, the Luna, looks like a standard piece of grip equipment, but if you look closer, you'll notice it's made of carbon fiber. The company says this makes it light, stable and compact when folded up. It has a maximum height of 2m (79").

That's not its only trick, though: you can also detach the center column from the legs and use it as a boom pole for recording audio or getting your camera closer to a hard-to-reach subject. While the head features a 3/8"-16 thread, common for lighting and microphones, it's actually retractable: push down the outer sheath, and it'll reveal a 1/4"-20 thread, which can be used to mount a wide variety of accessories.

$149 at 3 Legged Thing

Even more grip

impact-3-stage-baby-folder-roller
The Impact 3-stage Baby Folder Roller is just one of the products in the new KeyGrip series.
Image: Impact

If you prefer more traditional light stands, Impact has you covered. The company has announced a new KeyGrip lineup, which it says is supposed to provide rugged, flexible designs at a relatively affordable price. The lineup includes everything from small, sturdy stands meant to hold camera sliders to three-stage stands on rollers that can extend up to 3.35m (11') tall.

Buy at B&H

Video Performance Guaranteed

Nextorage a2Pro vpg-800
Image: Nextorage

If you're a videographer who shoots on Sony cameras and have to be absolutely sure your storage media is fast enough for any resolution, codec or framerate, you have a new option. Nextorage has announced its NX-A2Pro series of CFexpress Type A cards, which it says are the first of their kind to comply with the Video Performance Guarantee (VPG) 800 standard. That means the cards can write at least 800MBps of data continuously.

Of course, the cards' peak write speeds are much higher, at 1900 MBps. Both speeds, however, are well above what you'll need today. The manual for Sony's flagship a1 II says that even the camera's highest-bitrate modes only require a VPG200 or higher card. Nextorage says the NX-A2Pro is designed for "the high-end camera market in the future."

If you're not looking for future-proof storage, the company also announced its NX-A2AE line, which has a VPG400 rating. Both cards will be available starting in "late April."

NX-A2Pro:

Buy at B&H

NX-A2AE:

Buy at B&H

A new school way to shoot old-school

Myriad Film Holder
Image: Cutasunda

While shooting film gives you a completely analog experience, if you're doing so in 2025, you'll probably want to digitize your photos at some point. The Myriad film holder by Cutasunda, which got a shout-out from PetaPixel this week, promises to help make that process a little easier. It has a diffusion panel to help ensure your film is evenly backlit, and its top panel makes sure your film is flat, even if months in a canister have given it a tendency to curl up. Its adjustable film guides support film sizes from 110 to 6x9, so it'll work with pretty much whatever you're shooting.

It's not a complete package – you'll still need a quality backlight to put behind it, a camera with a macro lens and a tripod – but it plays an important part in bringing your film from the analog world into the digital one.

Buy at Cutasunda

A legend improved

Zoom-h5studio
Photo: Zoom

Zoom's Handy Recorders – especially the H4 and H5 lines – have been popular among videographers for years, as they provide a versatile way to capture audio wherever you are. Now, the H5 has gotten an upgrade: the new H5studio includes an even better stereo microphone capsule, as well as the ability to record in 32-bit float audio, which essentially means you don't have to worry about your audio clipping.

Like the standard H5, the H5studio has a "capsule" system that lets you attach various microphones and inputs to it. It comes standard with a stereo XY capsule that features "the largest mics ever" included in the Handy Recorder lineup, which can capture around 130dB of dynamic range. The recorder's body also features two combination XLR / TRS inputs, line and headphone out jacks, and USB-C. If you swap the capsule, though, you can add two more XLR inputs or even a dual-channel wireless receiver or shotgun microphone. The H5studio can record up to six tracks, which you can monitor via its LCD screen.

Buy at B&H
Buy at Amazon

A slew of software updates

final-cut-pro-adjustment-clip
Finally, an end to copying and pasting color boards or having to use compound clips.

This week, Apple released an update for its Final Cut Pro editing software. The free 11.1 update includes a few minor improvements and integrates one of the company's new AI features, but the biggest addition is Adjustment Clips. If you've ever edited in Premiere Pro or Davinci Resolve, you'll likely be familiar with the concept: it's a layer you can put over multiple other clips to apply the same effect or transition to them. This can be especially useful with color grading; if you have clips that all need the same grade applied, you can simply apply it to an adjustment clip layered over them rather than having to apply them to each clip individually.

As big as that is, it pales in comparison to what BlackMagic has been working on. The company announced a new version of its Resolve editing software that adds an AI tool for creating animated subtitles, a dedicated keyframe editor and an even easier-to-access audio mixer.

blackmagic-tracking-autofocus
Photo: BlackMagic

Its blockbuster announcement, though, is the Blackmagic Camera 9.5 Update, which is currently in beta but provides a massive upgrade to the autofocus system for the Blackmagic Cinema Camera 6K. When it launched, the camera just had single autofocus – the camera could focus once but wouldn't update if your subject moved. The new update, though, adds continuous autofocus, which will work to keep whatever's under its selected focus point sharp. It also supports tracking autofocus, where it will attempt to keep its focus point on a selected subject, even if it moves or the framing changes, as well as face tracking autofocus. These changes should make the camera substantially more useful for smaller productions or even single-shooter setups with no dedicated focus puller. The company says it'll be bringing the feature to its other large-sensor cameras as well.

Read last week's roundup

Moonlit magic: SongRaw’s 50mm F1.2 lens makes its grand entrance

songraw-50mm-f1p2-white-horizontal
Image: SongRaw

A new lens company hailing from China has popped onto the scene, promising even more autofocus lens options for mirrorless cameras. Named SongRaw, the company's slogan states, "Crafted with Dedication, Honoring Your Passion and Love," adding that it "is dedicated to polishing every detail of the craft." To kick things off, it has announced a fast 50mm lens that it claims is the first Chinese 50mm F1.2 full-frame autofocus mirrorless lens.

SongRaw's debut lens is a full-frame offering that provides that classic 50mm focal length with a wide aperture for a shallow depth of field and better low-light performance. The lens features 13 aperture blades, which SongRaw says promises "beautiful bokeh." It offers autofocus powered by a stepping motor, which SongRaw says is compatible with eye-tracking. It can focus as close as 0.52m (20.5") and is compatible with 72mm filters.

The optical design comprises 15 elements in 10 groups. The information on special elements is a bit mixed, with one piece mentioning two aspherical elements and another including two extra-low dispersion elements. It wouldn't be out of the question to see both in the same lens, though. SongRaw didn't provide any details as to the size or weight of the lens.

songraw-50mm-f1p2-white-background-closeup
Image: SongRaw

The lens is marked with "Moonlit," and the company's barebones website includes that branding. Photos of the lens show an aperture ring, along with a switch labeled "click," suggesting the aperture ring can be clicked or de-clicked. There's also an AF/MF switch and what could be a function button.

SongRaw says the 50mm prime lens will be compatible with FE-mount, Z-mount and L-mount, but that it is prioritizing the Sony model. Nikon and L-mount users may need to wait a bit longer. SongRaw is showing the lens off at NAB, so anyone headed to the show could check it out in person. The lens will be priced at around $1000 and should be available by the middle or end of April.

Sticker shock: Fujifilm film prices bumped as high as 52% in Japan

fujifilm-400-film
Photo: Abby Ferguson

Unfortunately, this Film Friday brings some disappointing news. Price hikes are in the news everywhere right now, and that includes film prices, at least for those in Japan. Earlier this week, Fuji Rumors shared that, along with a redesign of a disposable camera, Fujifilm is increasing the price of its film in Japan.

Fujifilm Japan's press release explains that the prices are increasing because of the costs of making and transporting the film. "As the prices of materials, raw materials, and transportation costs for photographic film continue to rise, we have been working to absorb costs by improving production efficiency and cutting expenses, but as it is difficult to absorb the costs through corporate efforts alone, we will be revising the prices of some of our photographic film products," a machine-translated version of the release states.

Price change date Selected products Size
April 1 Color Negative Film 135 Approximately 21% to 22%
April 1 Disposable Film Camera 135 Approximately 44%
April 1 Reversal Film 135/120 Approximately 31-52%

The release says that 35mm color negative film prices have increased by around 21 or 22%, while 35mm and 120mm reversal film prices increased by roughly 31 to 52%. The QuickSnap disposable camera is also around 44% more expensive. While the new prices took effect on April 1, it was not an April Fool's Day joke. A search on Bic Camera, one of Japan's largest electronics retail chains, currently has a single roll of 135 Velvia 50 priced at 6050 yen, or $41.57. If you want a five-pack of 120 Velvia 100 in Japan, you're looking at 23,650 yen, or $162.51.

Color negative film isn't nearly as bad, but it's still extremely expensive. A single roll of 135 Fujifilm 400 – typically considered a beginner-friendly budget option – is listed at 2420 yen, or $16.63. For comparison, that same film is listed at B&H in the US for $8.39.

Fujifilm hasn't said whether the pricing outside of Japan will be affected, but it seems possible that the higher costs will be implemented elsewhere. Given the recent tariffs, that seems especially likely in the US. If you're an analog photographer, it may be a good time to stock up on some film.

Zoom versatility in a probe: Laowa shares more details on its Zoom Probe lens

Laowa-Probe-Zoom 04
Image: Laowa

Venus Optics released a teaser of sorts in January for its first zoom probe lens, with a promised release date of sometime in Q2 this year. Details were slim at the time, but now, in conjunction with NAB, the company has revealed more information on the unique Probe Zoom macro lens.

The new full-frame probe lens from Laowa uses a modular design with four interchangeable front modules and two rear tubes. The rear tubes offer slightly different focal ranges, coming in at 15-24mm T8 and 15-35mm T12. Laowa says it is the "widest and largest range probe lens" available, with a 110.5° angle of view and a 2.3x zoom range.

Laowa-Probe-Zoom 03
Images: Laowa

The four front modules allow users to switch between a direct view, periscope, 35° view, and a new 90° view. Each module can rotate 360° independent of the focus and zoom ring with Laowa's patent-pending rotation design. Combined with the two rear tubes, this set enables eight combinations, making it a versatile option for macro content. The probe is 40cm (15.7") long, helping it reach subjects in tricky locations. Plus, the barrels are waterproof, opening up even more possibilities.

The January announcement promised a Q2 release, but things appear to be slightly delayed. The company now says that it will be available to ship in Q3 of this year, so macro enthusiasts have to wait a bit longer. Laowa did provide some details on pricing now, however. The Probe Zoom Macro 15-24mm T8 Direct View lens will be $3,499, and the 15-35mm T12 Direct View lens will be $3,999. Laowa says more details on the lens and pricing will be announced soon.

In addition to the new lens, Laowa also announced it is offering 10% off select products from April 3 to 13 on the Laowa Cine website and to selected resellers, including B&H.

Press release:

Laowa Debuts Its First-Ever Probe Zoom Macro Lens at NAB Show 2025 & Adds Its New 90-Degree Module to the Set

Las Vegas, US – April 3, 2025 – Laowa, renowned for its legendary probe lenses over the past decade, is proud to announce the debut of its highly anticipated Probe Zoom Macro Lens at NAB Show 2025 in Las Vegas. The new Probe Zoom features two focal lengths – 15-24mm T8 and 15-35mm T12 with 4 interchangeable front modules including the Direct View, Periscope, 35° View and 90° view. The 90-degree module is designed with a user-friendly 360° rotation mechanism while maintaining precise focus and zoom control. Visitors can try on the show at North Hall Booth N2823.

Alongside this groundbreaking innovation, Laowa will also unveil its first-ever broadcast lens and showcase a selection of its newly launched lenses and popular series. Attendees will have the opportunity to experience Laowa’s latest optical advancements firsthand and have a chance to win the popular 10mm f/2.8 Zero-D FF lens on site.

In celebration of Laowa’s continued innovation in the realm of optics, customers around the world can enjoy an exclusive, limited-time 10% online discount on selected products across NAB period, available only on the official laowacine.com website and selected US resellers.

Laowa Probe Zoom Macro Lens: A Revolutionary Addition

The Laowa Probe Zoom Macro Lens set is an innovative addition to Laowa’s industry-renowned Full Frame probe lens lineup, featuring the 15-35mm T12 and 15-24mm T8. Being the widest and largest range probe lens on the market, it boasts a 110.5° angle of view and a 2.3x zoom range for significant changes in magnification and perspective. The 40cm-longest waterproof tubular design empowers filmmakers to capture deep, hard-to-reach subjects with unparalleled flexibility and top-notch image quality.

Key Features:

  • 15mm Ultra-Wide Perspective
  • 2.3x Zoom Range with Parfocal Design
  • 4 Versatile Modules: Direct, Periscope, 35° View and the additional 90° View
  • Up to 2.3x Magnification for extreme close-ups
  • Unrivaled Sharpness & Superior Image Quality
  • Waterproof, Long Tubular Barrel for versatile shooting conditions
  • 360° rotation for front modules

The lens set features a modular design with 4 interchangeable front modules and 2 main barrels, allowing users to switch between Direct View, Periscope, 35° View, with one more 90° perspective announced. The rear tubes come in two focal ranges: 15-24mm T8 and 15-35mm T12, offering 8 unique combinations.

With a maximum T8 aperture, 15mm ultra-wide perspective, up to 2.3x magnification, and a waterproof barrel, this lens excels in extreme close-ups (as close as 5mm), low-light conditions, and underwater filming. It’s a versatile tool for advertising, wildlife documentaries, and cinema production, delivering unmatched storytelling potential.

A unique 360° rotational ring is installed in front of the lens body, this patent-pending front rotation design allows the tube to rotate independently from the focus and zoom ring, and users can produce sweeping and dynamic shots while being able to control the focus and zoom ring.

The Laowa Probe Zoom Macro Lens will debut at NAB Show 2025—visit us for a hands-on experience!

Pricing and Availability

Laowa Probe Zoom Macro Series will be available to ship by 2025 Q3. The US Price for the Probe Zoom Macro 15-24mm T8 – Direct View lens is $3,499 and 15-35mm T12 – Direct View lens is 3,999. Pricing varies in different countries. More details on the price and updates will be announced soon.

ProGrade's latest card reader is made to be mounted on your phone

prograde-mobile-card-reader-with-card
Image: ProGrade

ProGrade Digital has announced three new products aimed at making storage extra portable. The company unveiled two highly compact SSDs that each promise fast speeds and excellent reliability, along with a memory card reader meant to work with the iPhone 16 line of phones to unlock 4K 120p recording.

ProGrade CFexpress Type A Mobile Reader

prograde-digital-mobile-card-reader-in-use
Image: ProGrade

Smartphone cameras are capable of impressive video quality, which is why many content creators rely exclusively on their phones to record video. But those files quickly eat up storage space. Plus, some formats are only unlocked with external recording, such as the iPhone 16 Pro/Pro Max 120 fps ProRes recording mode. The new PGM12 CFexpress Type A mobile card reader from ProGrade aims to make it easier for users to take full advantage of their phone's recording capabilities.

The PGM12 card reader is a single-slot CFexpress Type A reader that ProGrade says offers the same performance as its full-sized card readers despite its more compact size. That means promised transfer rates of up to 1.25GB/s. It features a patented magnetic base and metal mounting plates with a flexible cable, making it feasible to mount to your phone or rig in multiple ways. The card reader is small enough to be attached to the back of an iPhone while also using a MagSafe charger, ensuring you don't run out of storage or battery.

"Our customers can now record video onto low-power, CFexpress Type A memory cards, at the highest possible quality, and not have to worry about running out of storage space, that might be experienced with a fixed capacity storage device," says ProGrade.

The PGM12 reader is available for preorder now for $80 and will ship at the end of April.


Buy now:

Buy at B&H

ProGrade Pro Mini USB 4.0 Solid State Drive

prograde-digital-ssd
Image: ProGrade Digital

The ProGrade PG10.5 Pro Mini SSD is a compact SSD that, like the above card reader, is equipped with ProGrade’s patented magnetic base. It also comes with an adhesive metal plate, so you could mount it to any work surface or to ProGrade PG20 Pro Hub.

It uses USB 4.0 technology, resulting in a promised maximum bus speed of up to 40Gbits/sec. ProGrade says it will offer read speeds of 4000MB/s, a write speed of up to 3500MB/s. It should also provide a sustained write speed of 1250MB/s, which is critical for high-resolution video workflows. It's compatible with Thunderbolt 4, Thunderbolt 3, USB 3.2 and 3.1 Type-C ports.

"The PG10.5’s small physical size and robust design also allow it to be easily removed from the workstation, studio environment, and easily used in more mobile, non-studio environments," said Wes Brewer, CEO and founder of ProGrade.

The PG10.5 Pro Mini SSD is now available for preorder. It comes in 1TB, 2TB and 4TB capacities and is priced at $180, $300 and $550, respectively.


Buy now:

Buy at B&H

ProGrade PG30 Ultra-Portable SSD

prograde-digital-mini-ssd
Image: ProGrade

SSDs keep getting smaller, as is the case with the ProGrade PG30 Ultra-Portable SSD. This tiny device looks like a classic thumb drive but should offer better performance and reliability. After all, thumb drives aren't typically meant to be used as working drives, and they often don't last for extended periods, either.

The ProGrade PG30 Ultra-Portable SSD, though, is more up to the needs of creative professionals. It uses USB 3.2 Gen 2 technology, and ProGrade promises read and write speeds of up to 1000MB/s and a sustained write speed of 300MB/s.

The tiny SSD features tethered caps that protect the Type-A and Type-C ports, while the IP65 rating provides water and dust resistance. It's also X-ray and shock-proof and comes with a three-year warranty.

"The PG30’s relatively small die-cast aluminum body, dual USB Type A and C connectors, coupled with an impressive IP65 dust and water rating, make it an ideal choice for all imaging professionals seeking the compatibility and reliability that ProGrade is known for," said Josh Brewer, Product Manager of ProGrade.

The ProGrade PG30 Ultra-Portable SSD will be available for purchase at the end of April and comes in 500GB, 1TB and 2TB capacities.

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