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Icelandair just paid the worst photographer it could find $50,000

Several sailboats docked at a marina at night  masts silhouetted  city lights and crescent moon reflected on calm water  hillside buildings.
This isn't the type of photo that usually wins a photo contest. Unless it's Icelandair's contest to find the world's worst photographer.

Photo: Blance Mortemard

Back in March, we shared news of one of the more intriguing photography contests we'd come across in some time: Icelandair's hunt for the most terrible photographer it could find. The premise was that Iceland is so breathtaking that even the world's worst photographer couldn't help but come home with beautiful photos.

The campaign was clever. It was also, apparently, far more successful than the airline expected. Icelandair says it received 127,642 entries from 178 countries, all vying for the title of "World's Worst Photographer." That's a lot of terrible photographers. It is, in fact, almost as many bad photographers as there are people in the city of Reykjavík.

'Winning' photographer Blanche Mortemard of Paris, France, learns of her victory and shares some of her photographic masterpieces.
Video: Icelandair

This must have been one of the most arduous photo contests to referee in history, with judges spending more than 2,000 hours screening pictures that were, by all accounts, terrible before narrowing the field to 13 finalists. The irony of the number 13 – historically associated with bad luck – is not lost on us.

The winning photographer (and we use the word 'winning' loosely) was Blanche Mortemard from Paris, France, who claimed victory in what the airline termed "a highly competitive selection process," and impressed the judges "with her admirable lack of skills and knowledge of basic photography."

High praise. But maybe the kind you'd want to think twice about before putting it on your LinkedIn page.

"Blanche Mortemard... impressed the judges 'with her admirable lack of skills and knowledge of basic photography.'"

Speaking about the ineptitude that secured her victory over what was, evidently, a deep and competitive field, Blanche said, "For years, friends and family have asked why my photos always look disappointing. I'm thrilled to finally have an answer: I was training for this role." She added that this was "probably the only photography competition I ever stood a chance of winning."

As long as we're clear that winning means losing. Or, in this case, that losing at photography, for years, means winning a 10-day trip to Iceland, along with getting paid $50,000 to do something you're terrible at.

So perhaps winning does mean winning. It's honestly hard to keep track.

Sample gallery
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A selection of images submitted by Blanche Mortemard to prove her photography skills – or rather, lack of them.
Photos: Blanche Mortemard

Whether being declared the worst photographer from a pool of 127,000 self-identified bad photographers is something you want covered by the world's press is questionable, but now that the genie is out of the bottle, Blanche might as well own it.

The story isn't over, of course. Blanche will hit the road for Iceland this summer to put her terrible photography skills to the ultimate test: to see whether she can manage to take a bad photo in a country that we can all agree is pretty magical. We'll make sure to report back to let you know how that works out.

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Aftershoot: “The Workflow is Now Complete” and “AI that works for you, not against you”

“The Workflow is Now Complete”


Aftershoot’s biggest recent news is the completion of its end-to-end post-processing workflow, announced on May 28: “The Workflow is Now Complete.”

The company has evolved from an AI culling-focused tool into a full all-in-one platform for culling (Select), AI + manual editing (Edit), retouching (Retouch), and client delivery via Aftershoot Galleries. This shift eliminates the need to switch between multiple apps (e.g., Lightroom for editing/delivery).

Use coupon code RUMORS for a 15% discount at Aftershoot.


Here are the details:

Key Elements of the May 2026 Update

  • Built-in RAW Editing: New dedicated RAW editor with manual tonal adjustments, batch processing, sliders, and fine-tuning of AI edits. You can now edit RAW files directly in Aftershoot and export JPEGs or TIFFs without leaving the app. This includes self-improving AI profiles that learn from your adjustments, plus pipeline tools such as advanced masking, denoising, object removal, HSL/color grading, and more precise cropping/straightening (including aggressive, subject-focused crops).
  • Aftershoot Galleries (new, highlighted with “New” on the homepage): Integrated client delivery platform with 100 GB free storage. Features include built-in proofing, face detection/filtering by person, favorites, branded galleries, and direct export from Aftershoot (no re-uploads or downloads needed). It integrates print sales via labs like WHCC, Bay Photo, and Atkins Pro Labs. The goal is a better client experience than basic shares or Google Drive links.
  • Culling (Select) Enhancements: Smarter duplicate/variation detection (distinguishes intentional variations from true duplicates, ~20% tighter culls), improved blur/closed-eye detection, key subjects prioritization, binary selection states, and “cull to target” (specify how many keepers you want). UI now clearly distinguishes AI Automated Cull vs. AI Assisted Cull.
  • Editing & Retouching Improvements: More consistent white balance/exposure across albums, better before/after previews, enhanced acne/blemish/hair/glare detection with texture preservation, Background Replacement (beta with custom uploads), Cloth Dewrinkle, object removal, and subtle body reshaping. Retouching works on RAW files.

The update positions Aftershoot as a privacy-focused (local processing), non-destructive workflow tool that learns your style via training on your edits/presets or imported Lightroom profiles. It includes 30+ pro styles in the marketplace.

2026 Roadmap

Aftershoot also published its 2026 Roadmap (full AI Retouching rollout with one-click skin/hair/glare tools, advanced culling, smarter editing, and expanded creator styles/marketplace):

  • Further AI refinements in culling (smarter technical detection, key subjects, cull-to-target).
  • Enhanced editing (better profile accuracy, advanced masking/cropping, more marketplace styles with previews).
  • Expanded RAW Editing (histogram, tone curves, deeper masking, etc.).
  • More AI Retouching tools (one-click object removal, body reshaping, background removal, natural skin work).
  • Aftershoot Gallery delivery enhancements (already live).
  • Tethered shooting (sneak peek): Planned rock-solid tethering with fast/stable connections, broad camera support, auto-import/organization, on-set proofing, and instant gallery pushes. Not yet released.

The company claims users save significant time (e.g., 60+ days per year in repetitive work across their user base) while maintaining creative control and style consistency.

Pricing Updates

Aftershoot introduced more flexible modular pricing aligned with the complete workflow:

  • Select (Culling): ~$10/mo (annual) or $15/mo.
  • Edit: ~$30/mo (annual) or $35/mo.
  • Retouch: ~$20/mo (annual) or $25/mo.
  • Aftershoot Complete (Select + Edit + Retouch): ~$45/mo (annual, discounted) or $55/mo.
  • Galleries: Currently free with 100 GB storage (future pricing TBD).

“AI that works for you, not against you”

Aftershoot recently issued a reassuring manifesto titled “AI That Works For You, Not Against You.” It directly addresses photographers’ fears that AI will replace them, emphasizing that the camera will always need a human behind it for intuition, light reading, and client connection. Aftershoot positions its AI as a supportive tool built by photographers for photographers – designed only to handle tedious tasks like culling and editing so you can spend more time shooting.

Aftershoot outlines three firm commitments: they will never create tools to replace you, they will always ask explicit permission before using your images (with easy opt-out or deletion), and they will build the product together with their Founders Community of photographers who help shape the roadmap. A personal note from founder Harshit explains how the company started in 2019 with a simple request to reduce culling time and has stayed true to its mission of returning time to creators ever since.

The post Aftershoot: “The Workflow is Now Complete” and “AI that works for you, not against you” appeared first on Photo Rumors.

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