If you’re anything like me, sometimes you like to put on a calming video for casually watching in the background while you work on something. The video below from Leica is the perfect option for just that.

The video is 2.5 hours long, and it documents the full restoration of a 100-year-old Leica I from the Leitz family. The video description explains that the camera was dealing with porous shutter curtains, resulting in light leaks and compromised shutter operation.

It showcases every step of the process, from start to finish. What I like best is that there are no dramatic cuts and no flashy music. There’s not even any commentary. It’s just pure camera repair ASMR, making it perfect to keep on in the background. Of course, it’s also neat seeing all of the inner workings of such a camera and all of the tools required for such work.

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I’m a big fan of cameras that are focused on fun, and I’m always interested when companies take a distinct approach to that idea. After all, there are countless highly capable cameras on the market today that are more serious, and you’re sure to find one that fits your needs, no matter what type of photography you enjoy. There are even options for small travel cameras after a bit of a lull in that segment.

What is the Godox C100

Abby Ferguson

When I saw that Godox had released the C100, its first camera, I was intrigued. The palm-sized camera uses a vastly different design from most. It features a transparent viewfinder (though calling it that is a bit generous) that doubles as a minimalist display. You can’t review your photos there, as it’s more like a heads-up display, but it shows which mode you have selected and frame lines. When in light meter mode, it displays ISO, aperture and shutter speed settings.

The white body is a slim rectangle with a central button to trigger the shutter or light meter, arrows to cycle through aspect ratio or exposure settings, and a side switch to select photo, video, light meter, or turn the camera off. It’s remarkably easy to operate from a settings standpoint, as there really aren’t any. It takes just a few seconds of pushing buttons to figure out how to use it.

Using the Godox C100

Abby Ferguson

While the buttons are easy to navigate, using the camera as, well, a camera, is not so pleasant. The large, transparent viewfinder is certainly novel and a playful idea. But using it as a viewfinder is far from ideal. For starters, judging what’s in the frame depends entirely on how close you hold the viewfinder to your face and at what angle. It isn’t a consistent or reliable way to compose images, though I did better than I thought when I actually reviewed them, aside from a few major misses.

The bigger issue I had was that my eyes struggled to decide what to focus on when using it. My eyes would jump back and forth between focusing on whatever was beyond the viewfinder and on the camera itself, which was rather headache-inducing for me. So you see: not so pleasant.

Of course, I’d be remiss if I didn’t touch on image quality. Godox hasn’t published any details about the camera in terms of sensor size, aperture, shutter speed, and so on, and none of those details are captured in metadata. So I can only comment on what I’m seeing in the roughly 2MP images.

Abby Ferguson

It should come as no surprise that the image quality is what you’d expect from a toy camera. It admittedly isn’t as bad as I expected (I had very low expectations), and this isn’t a camera meant for pristine image quality anyway. But there are some notable issues.

The dynamic range is very small, and it tends to massively overexpose highlights in favor of exposing for the shadows. In fact, it’s so intense that my colleague Mitchell described it as a “highlight brick wall” as opposed to a highlight roll-off. The fixed focus also isn’t very close, so subjects need to be relatively far away to be sharp (or at least as sharp as this setup can produce).

Abby Ferguson

In bright light, it handles moving subjects reasonably well; my dog wasn’t just a blur, suggesting a reasonable shutter speed. Low-light images are, naturally, quite rough-looking, though that isn’t a surprise given how small the sensor likely is.

Overall, the camera produces images that very much fit into the low-fi aesthetic that seems to be popular right now. The experience of using it isn’t all that pleasant for me, but I could see that being less of an issue for others.

Light meter use

Abby Ferguson

Given the image quality and framing annoyances, I think the Godox C100 actually makes the most sense as a light meter, since it offers a specific mode for that. As a film photographer, I can see the advantage there, as it is significantly smaller than my Sekonic light meter, meaning I can easily keep it in my pocket when I’m out shooting.

There are plenty of excellent smartphone light meter apps (even free ones), but that means I need to have my phone on hand. It also requires I unlock my phone every time I want to take a meter reading, and potentially navigate to the app if I’ve done something else in the meantime, which I’ve found a bit annoying when on a photo walk or something similar.

In my testing, I found the meter mode to be very accurate. I compared it to the measurements from various mirrorless cameras, and it was exactly the same every single time. I would feel confident using it for film.

Abby Ferguson

It’s also nice because you can select which two parameters you want control of versus which the camera should give you a reading for. With what I photograph, I’m most often interested in adjusting my own aperture, and I have a set ISO since I’m shooting film. So I set my ISO and aperture, push the center button, and it gives me a reading for what my shutter speed should be.

The one small issue with light meter mode is the range of each setting. Aperture ranges from F1.0 to F64, and shutter speed from 1 sec to 1/8000 sec, which are both plenty broad (much more than any of my film cameras can use, in fact). ISO, however, only covers from 100-800.

Most of the film I shoot falls in that range, but there are popular film stocks well above 800, or below 100. I’m currently working on a roll of CineStill 800T that I’m shooting at 1600. So that narrow ISO range is potentially a bit limiting. But, for those who know how to calculate equivalent exposures, it could at least help dial in an appropriate setting.

Final thoughts

When looking at a camera like this, it’s important to keep in mind what it actually is and who it’s meant for. This is supposed to be a novel, fun camera, and in most ways it is. For those who aren’t precious about framing or image quality, I could see it being a fun toy to take out and about.

The visually challenging process of trying to actually use the viewfinder will keep me from using it as a camera. But, I think it will make a home next to my film cameras that don’t have built-in meters on photo walks, as it is easier to carry around than my dedicated light meter and more convenient than using a smartphone app.

Godox

Godox C100

• $45 at B&H

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It seems like the camera industry wasn’t content with just one busy week. We’ve seen another rush of announcements in the past few days, and we wouldn’t blame you if you missed a few things among all the articles we’ve put out. So let’s recap everything that happened this week.

The Instax Pal gets an unexpected follow-up

Fujifilm

The Instax Pal was always a bit of an odd duck: a gumdrop-shaped camera that only shot digital, despite bearing the name of Fujifilm’s instant film brand. This week, though, the company released a successor with a completely different design, recalling the tiny 110 film cameras of old. (Strangely, not the only one of its kind released this week: Camp Snap announced something similar.) Alongside it, Fujifilm launched an updated version of its Instax Link Wide printer.

Fujifilm

Fujifilm Instax Pal 2

• $170 at B&H

The Canon EOS R8 II

Mitchell Clark

Canon has updated its entry-level full-frame camera, fixing two of our major complaints about the original in the process with the inclusion of IBIS and an autofocus joystick. While we still have our complaints – the tiny LP-E17 battery has been untouched, and the RF mount remains strictly under Canon’s control – we were left with a very positive first impression. Check out our full initial review for all the details.

Canon

Canon EOS R8 Mark II

• Shop Now at B&H
• Shop Now at Adorama

Sony’s twin telephoto lenses that won’t break the bank (or your back)

Dale Baskin

The super telephoto game has never been cheap to get into and, make no mistake, it still isn’t. But Sony’s new 400mm F4.5 and 600mm F6.3 GM are steps towards making it a bit more accessible, coming in at $2700 and $3700, respectively (both just under $10,000 less than their faster counterparts). The lenses are shockingly similar, coming within a gram of each other, and their optical formulas have a lot of shared glass.

Sony

Sony FE 400mm F4.5 GM OSS

• $2,698 at B&H

Sony

Sony FE 600mm F6.3 GM OSS

• $3,698 at B&H

Panasonic’s full-frame 20mm F2.5 cupcake lens

Mitchell Clark

Not one to miss out on the action, Panasonic also announced a new lens: a 20mm F2.5 option for L-mount that’s not quite as small as a pancake lens, but is around the same size as the 40mm F2 option it released earlier this year. Panasonic once described this style of lens as a “muffin” (read: a baked good thicker than a pancake), but reader nologo suggested that calling it a cupcake would be a more fun descriptor (and, potentially, a less internationally confusing one), which I wholeheartedly agree with.

Keep an eye out for a sample gallery from this lens, coming soon.

Panasonic

Panasonic Lumix S 20mm F2.5

• Shop Now at B&H
• Shop Now at Panasonic
• Shop Now at Adorama

Software news

Capture One, Adobe Photoshop Elements and Affinity Photo all received updates this week, with the former improving tethering and AI-assisted culling and the latter promising its biggest update for photography ever. Canon also launched a piece of software that lets you use pictures from some of its cameras to create 3D models of the real-life object you photographed.

Those were all the major launches this week, but I’ll leave you with a pro tip: if you want to make absolutely sure you won’t miss our best stories, and want to see exclusive content from us, be sure to subscribe to our Today in Photography newsletter.