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Vue lecture

LK Samyang says its forthcoming, fast 28-135 is the lens for “every moment”

Korean lens maker says it has a 28-135mm F2.8 for Sony E-mount coming in February 2027

Promotional image showing the top edge of a lens on a black background, with the words "The New All Rounder" and "AF 28-135mm F2.8 FE" overlaidSamyang

LK Samyang has started to tease the arrival of a 28-135mm F2.8 autofocus zoom for Sony E-mount, more than four months ahead of a February 2027 launch.

The company has only released close-up photos of the lens, so far, but has also published full specifications.

So we know it’ll be an extending zoom that expands from 151mm to 190mm long, as you zoom in (6.0-7.5″). We also know that it’ll weigh 854g (1.9lbs).

This makes it almost 30% longer than the Tamron 28-75mm F2.8 G2 and around 60% heavier, so you definitely pay a price for the additional flexibility the Samyang should offer. It’s around 27% longer and 50% heavier than Tamron’s 35-100mm F2.8, that doesn’t offer either the wide-angle or telephoto capabilities that this will.

It will also take an 82mm filter, rather than the 67mm filter used by the two Tamrons.

As with other recent LK Samyang lenses, its autofocus will be driven by a voice coil motor, which should be quiet and fast.

And, although no mention of them is made, the preview images show control ring grips that match the company’s lenses co-developed with Schneider-Kreuznach.

About the Author: Richard graduated as a scientist but had a lot more fun writing and shooting for his university magazine. A number of years spent variously as a reporter, writer and editor on science and engineering titles combined his knowledge of science with his interest in images and words. But it was spotting the connections between emission spectra, white balance and all the nonsense he’d taught himself playing around in Photoshop that helped kindle an interest in digital photography. Searching for a camera led to him discovering DPReview and Richard was recruited by Phil Askey in 2007. He’s been combining his love of photography, communication and attention to detail (pedantry?) ever since. He has unusually strong opinions about lenses for the APS-C format.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

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Why your sense of camera prices might be out-of-date

Cameras and lenses can seem more expensive than ever, but a lot of that is out of the manufacturers’ hands

A steadily rising trend line appears in front of two out-of-focus camerasComposite: Richard Butler

Camera prices, like most other prices, are going up. Part of this has been manufacturers focusing on high-end users, because they tend to buy the higher-margin products. But even attempts at making more accessible cameras can seem wildly expensive, compared to the prices we remember paying.

And that’s not a question of manufacturers being foolish or greedy. Whether we like it or not, we are living through a period of higher inflation than we’re used to.

This is the first of a two-part series looking at why the perspective on cameras’ prices in our reviews can seem out-of-step with other people’s initial reactions, on the day of launch.

Many of us lived through a more than twenty-year period of relatively low inflation. Prices of most things rose by around 2% per year, the cost of electronics fell, partly with the outsourcing of manufacture and through increased efficiencies and economies of scale. Wages typically kept pace with inflation, so things didn’t feel more expensive. Large sensor digital cameras got cheaper at first, then settled into a pattern of improving while maintaining their existing price.

Top-down view of OM System PEN
The OM System PEN is less expensive than the PEN F was, a decade ago, in money terms (without taking inflation into account) as well as in ‘real’ terms (with inflation factored in), making it much easier to recognize that its been repositioned to a more affordable position in the market.
Richard Butler

Sadly, that’s no longer the world we live in. It’s impossible to enumerate all the factors that got us to here without spiraling off into discussions of politics, but there have been a host of inflationary pressures over the past few years. Whether it’s supply-chain shocks, tariffs, wars putting pressure on oil and gas prices or out-of-control demand for processors and RAM, there’s more pushing prices up than encouraging them to drop.

Manufacturer’s materials and energy costs have gone up. Their component prices have become erratic. Their wages have gone up. Their logistics costs have increased. They cannot make cameras for the prices we used to pay. And, because of the way inflation works, the $1000 you had planned for your next purchase simply isn’t worth as much as that figure have been, five or six years ago.

I’m not trying to defend inflation, or suggesting you should (or even can) just decide it doesn’t matter.

I suspect it’s not just me who finds myself marveling at articles or footage from the 70’s showing a pint of beer priced in pennies or a gallon of ‘gas’ in cents. To a more modern ear, that just seems unimaginable, and it’s hard to see how we got from there to where we are. For most of my adult life, the changes have been incremental enough that I didn’t notice the jump. But thinking back to when I was at college, a pint in my favorite pub was £1.36. I visited the same pub this summer, and it was £5.30. Those little changes have ramped up into big ones in the past few years, and now the prices of my own yesteryears are beginning to seem impossibly distant. 

The same thing is happening with cameras, and just about all manufactured products: the value of money is dropping faster than any reduction in the cost of electronics (and a lot of key components are being bought for AI, before it can get anywhere near consumer products). Also, there’s every chance that it’s been some time since you last bought a new camera, and that precisely remembered reference point is no longer realistic.

None of which is to say that we have to like it. I’m not trying to defend it, or suggesting you should (or even can) just decide it doesn’t matter. But getting frustrated about it or insisting that the latest camera should cost what your last one did, pre-pandemic, isn’t going to change things. None of us enjoys it, but pretending inflation doesn’t exist or that rising prices are down to manufacturer misjudgment or greed doesn’t get you anywhere useful.

About the Author: Richard graduated as a scientist but had a lot more fun writing and shooting for his university magazine. A number of years spent variously as a reporter, writer and editor on science and engineering titles combined his knowledge of science with his interest in images and words. But it was spotting the connections between emission spectra, white balance and all the nonsense he’d taught himself playing around in Photoshop that helped kindle an interest in digital photography. Searching for a camera led to him discovering DPReview and Richard was recruited by Phil Askey in 2007. He’s been combining his love of photography, communication and attention to detail (pedantry?) ever since. He has unusually strong opinions about lenses for the APS-C format.

Want to stay up to date on the latest product news and releases? Add DPReview as a preferred source to ensure our independent journalism makes it to the top of your Google search results.

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