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NiSi released a new 16mm f/2.8 ASPH lens for Hasselblad XCD & Fujifilm GFX mount


NiSi released a new 16mm f/2.8 ASPH ultra-wide prime lens for Fujifilm GFX-mount and Hasselblad XCD mount. The lens is equivalent to 12.6mm and has a field of view beyond 118 degrees. Orders are now open at B&H Photo and at the official NiSi online store (GFX | XCD):


Here are the details:

  • Ultra-Wide 16mm Field of View: With a full-frame equivalent of approximately 12.6mm, it delivers an expansive field of view exceeding 118 degrees for dramatic medium format compositions.
  • Bright f/2.8 Maximum Aperture: A fast f/2.8 aperture lets you work at lower ISO for cleaner night skies, astrophotography, and dim interiors on high-resolution sensors.
  • Built for 100MP Medium Format Sensors: The advanced optical design resolves fine detail from center to edge across the entire image circle, matching today’s highest-resolution medium format cameras.
  • Native Fujifilm G-Mount Fit: This version mounts directly to Fujifilm GFX medium format bodies with no adapter, in a compact 108mm barrel that balances well in the field.
  • 12-Group, 16-Element Optical Design: Three glass aspherical elements and four ultra-low dispersion elements work together to deliver outstanding sharpness, contrast, and color accuracy.
  • APO-Level Chromatic Aberration Control: Axial and lateral color fringing is held to a minimum even wide open, resulting in clean edge definition and true-to-life color across the frame.
  • Clean 8-Point Sunstars: A specially designed 8-blade aperture creates crisp, defined 8-point sunstars from f/4 to f/22 for striking starburst effects in cityscapes and night scenes.
  • 0.25m Close-Focus Capability: A minimum focusing distance of just 0.25m enables close-up compositions with strong foreground impact and an exaggerated ultra-wide perspective.
  • Weather-Sealed Metal Body: A durable metal barrel with a weather-sealing ring helps resist moisture and dust, staying compact and lightweight at approximately 835g.
  • 82mm Filter Thread with SA+ Coating: An 82mm front thread accepts screw-in filters, while SA+ anti-reflection and ultra-hard surface coatings deliver low flare and lasting protection.

Designed for Fujifilm GFX Medium Format Cameras

This Fujifilm GFX (G-Mount) version mounts natively to Fujifilm GFX medium format bodies with no adapter required. It brings genuine ultra-wide coverage to a system that has long lacked an affordable, fast wide prime, unlocking sweeping landscapes, tight interiors, and night-sky work for high-resolution shooters who want maximum angle without compromise.

16mm Ultra-Wide Coverage

With a full-frame equivalent focal length of approximately 12.6mm, the NiSi 16mm f/2.8 delivers an ultra-wide field of view exceeding 118 degrees. That sweeping angle captures vast scenes, expansive skies, and exaggerated foreground perspective that longer lenses simply cannot reach, making it a natural choice for grand vistas and confined interior spaces alike.

Advanced Optical Design

A 12-group, 16-element optical formula includes three glass aspherical elements and four ultra-low dispersion elements. Together they suppress distortion, control aberrations, and keep lines straight even at the edges, delivering excellent image quality and resolving power across the large medium format image circle for architecture and symmetrical compositions.

Resolving Power for 100-Megapixel Sensors

The optical design delivers outstanding resolution from center to edge across the entire image circle, perfectly matched to high-resolution medium format cameras. Fine textures, distant detail, and subtle tonal transitions are rendered cleanly on today’s 100MP sensors, with peak performance reached around f/5.6 for the most demanding studio and landscape work.

Stays Sharp Wide Open at f/2.8

Even wide open at f/2.8, the NiSi 16mm f/2.8 holds sharp detail from the center to the edge. Three aspherical elements help control coma, rendering point light sources cleanly, which makes it a strong performer for Milky Way and astrophotography. The bright aperture also lets you shoot at lower ISO for cleaner, less noisy night-sky frames.

Minimal Chromatic Aberration

The lens delivers APO-level control of chromatic aberration across the entire image circle. Axial and lateral color fringing is kept to a minimum even wide open, resulting in clean edge definition and true-to-life color in high-contrast scenes such as backlit horizons, city lights, and bright winter skies, so files need less correction in post.

Clean 8-Point Sunstars and Close Focus

A specially designed 8-blade aperture produces clean, defined 8-point sunstars from f/4 to f/22, balancing image quality with a strong starburst effect and a small, tidy center spot. A close 0.25m minimum focusing distance and 0.12x magnification let you push in on foreground subjects for added depth, scale, and dramatic wide-angle storytelling.

Precision Handling and Durable Build

The manual focus ring moves smoothly across a 180-degree rotation, while the clicked aperture ring gives accurate, tactile stop control. A weather-sealed metal body, cinema-inspired painted markings, SA+ anti-reflection coating, and an ultra-hard surface coating that resists water, oil, and fingerprints round out a lens built for serious, repeatable work in tough conditions.

Whether you are capturing the Milky Way, expansive landscapes, or dramatic architecture, the NiSi 16mm f/2.8 ASPH. delivers a rare combination of ultra-wide coverage, a bright f/2.8 aperture, and ultra-high resolution. Its 82mm filter thread also pairs with the JetMag Pro 95MAG magnetic system using a dedicated adapter. Built for the Fujifilm GFX (G-Mount) medium format system, it stands among the highest image quality ultra-wide medium format lenses available today, ready for ambitious work in the studio and the field.

Via FujiAddict

The post NiSi released a new 16mm f/2.8 ASPH lens for Hasselblad XCD & Fujifilm GFX mount appeared first on Photo Rumors.

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Fuji and Canon registered new cameras



Both Fujifilm and Canon registered new cameras in Asia. Canon registered a new DS126965 camera on July 1st. It features dual-band Wi-Fi. This brings Canon’s total registrations for fiscal year 2026 to three new devices: DS126947, DS126973, and DS126965, none of which have corresponding existing models:


  
Fujifilm now has two registered and not yet announced cameras:


  • Fujifilm FF260001: registered on April 7, 2026, featuring the X-Processor 6 APS-C interface, tri-band Wi-Fi 6, NP-W255 battery, and CMOS Image Sensor.
  • Fujifilm FF260002: registered on July 3, 2026, featuring the X-Processor 6 interface, tri-band Wi-Fi 6, and CMOS Image Sensor – this will probably be the rumored Fujifilm X-T6:

Fujifilm F260001 Found: Likely Fujifilm X-T6

Updated list of upcoming/rumored Fujifilm cameras and lenses

Source: E8M_8888

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Officially launched: Meike AF 85mm f/1.4 MIX Ⅱ full-frame lens (L/E/Z)


Meike officially launched the AF 85mm f/1.4 MIX Ⅱ full-frame lens for L/E/Z mount:

 
Here is the list of lens updates:

  • Sharper. Faster. Lighter.
  • 67MP Ready – Image quality capable of 10K resolution
  • APO Optics – Minimized chromatic aberration for cleaner color
  • Three Colors Available – Black, Panda, and White
  • Edge-to-Edge Sharpness – Exceptional detail across the frame
  • Hyperb STM AF – Fast, precise, and whisper-quiet autofocus
  • Lightweight Design – Only around 650g
  • Click/De-click Aperture Ring, Aperture Lock & Fn Button

The new Meike AF 85mm f/1.8 lens for GFX mount will be announced on July 20th:


The post Officially launched: Meike AF 85mm f/1.4 MIX Ⅱ full-frame lens (L/E/Z) appeared first on Photo Rumors.

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The first Russian anamorphic cinema lenses


The first 80mm Russian anamorphic cinema lens (previously reported here) was recently presented by Shvabe Holding (part of Rostec State Corporation) at the Innoprom 2026 show. This marks the first time a domestically produced anamorphic film lens has reached the ready-made prototype stage in Russia. The anamorphic series, developed by the Lytkarinsky Optical Glass Plant (LZOS) within the Shvabe holding, includes four focal lengths:

  • 40mm
  • 60mm
  • 80mm (first finished model, now shown)
  • 100mm

All lenses feature a 2x anamorphic squeeze, PL mount as standard (with adapters available for other mounts), and are designed for digital cinema cameras.

Shvabe announced the first Russian anamorphic cinema lenses

Key lens highlights:

  • Ultra-wide field of view without the edge distortion and corner darkening typical of wide-angle spherical lenses.
  • Distinctive cinematic rendering, including characteristic bokeh and flares.
  • High image quality and “unique picture” that sets them apart from many foreign alternatives.
  • The front elements have an unusual concave shape – a hallmark of this optical design that enables the horizontal squeeze while preserving overall image integrity.

“The development of anamorphic lenses is an important step by a domestic manufacturer for the development of the Russian film industry. In addition to the extended horizontal frames and high image quality, they allow you to create unique cinematic effects. We will launch the film lenses into mass production next year. It is planned to produce 4 sets of products as part of the first installation batch. Test copies will appear this year. They will be available for delivery to film studios, and their cost will be lower than their foreign counterparts.” — Lev Borisov, Deputy General Director for Sales of Civilian Products at Shvabe Holding

Development Timeline & Availability

  • July 2026: 80mm ready-made model presented publicly for the first time.
  • Later in 2026: test copies are expected to become available for film studios.
  • 2027: serial/mass production launch, starting with an initial batch of 4 sets.

LZOS & Shvabe Background

Lytkarinsky Optical Glass Plant is one of Russia’s premier optical manufacturers. It is the only facility in the country capable of producing large-scale ground- and space-based mirrors used in major telescopes worldwide. The plant also produces the well-known Rubinar mirror lenses.

Previous coverage of Russian lenses is available here.

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FieldMade introduced new custom lens hood & Pelican case indicator labels

 
 
FieldMade introduced new custom lens hood & Pelican case indicator labels.

  • Get 10% off your FieldMade order with code “Rumors10“ (minimum purchase of $20 CAD, cannot be combined with other discounts)
  • Previous coverage of FieldMade can be found here
  • Additional information on the new labels:

Customizable Lens Hood & ID Labels
Engineered to stop the frustration of mixing up identical-looking lens hoods on busy sets. This system allows shooters to easily differentiate similar hoods while adding their custom studio or business name directly to lens bodies and camera setups for durable, clean ownership tracking.

Customizable ID Labels for Pelican Cases
Heavy-duty, weatherproof labels designed to replace messy gaffer tape on rugged hard cases. These IDs allow creators to identify exactly what gear is inside each case at a glance, giving the entire production kit a sleek, cohesive, and professional look during client sessions.

New FieldMade stealth blackout decals kits for Sony, Canon, Nikon, and Leica cameras (coupon code included)

Field Made unveiled a complete customizable battery indicator/labels ecosystem for Canon, Nikon, and Sony cameras (coupon code included)

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New on Kickstarter: WANDRD magnetic camera straps, Nomatic bag travel system, real-time POV live camera headset




WANDRD introduced new magnetic camera straps: magnetic camera straps with patent-pending features built for speed, security, and a better way to carry your camera (started today and already raised $18,680).


Nomatic bag travel system: a new one-bag travel system ($278,960 raised).


MusicCam Pro real-time POV live camera headset: 4K Stable POV, Wi-Fi 6 Fast Sync, Live Preview, Live Streaming, Team Talk, AI Edit, IP68 Waterproof ($109,699 raised).


The post New on Kickstarter: WANDRD magnetic camera straps, Nomatic bag travel system, real-time POV live camera headset appeared first on Photo Rumors.

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The latest Insta360 X6 camera rumors





Here are the latest Insta360 X6 camera rumors (see the current X5 model):

  • More compact and shorter than the X5, with dual front/back fisheye lenses for 360° capture, a small side touchscreen (redesigned rounded corners), physical shutter/power buttons, multi-directional microphones, a tripod mount, a recording LED, and new cooling vents.
  • Up to 8K at 50 fps video (a major upgrade from X5’s 8K at 30 fps).
  • Single-lens mode improvements.
  • Sensors: larger sensors rumored (1-inch or improved ~1/1.28″ dual sensors).
  • Photo: 100MP+ stills with enhanced stitching (up from X5’s ~72–100MP).
  • Color & processing: rumored 10-bit color depth and improved HDR.
  • Expected 2,600–3,000mAh battery range (improved over X5).
  • Build & features: retains rugged/waterproof design; enhanced AI for tracking, reframing, and editing; next-gen app integration.
  • Rumored pricing: €689 ($750 equivalent) for the base model, essentials bundle expected at ~€789, US prices expected $549-$599.
  • The expected release date is August-September 2026.

Insta360 upcoming products: hints from the CEO’s computer

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Here is what’s coming next in Aftershoot





Here is what’s coming next in Aftershoot (free trial | galleries | previous coverage | “AI will not replace us“):

  • AI Culling: Cull to Target Beta, selection accuracy up from 79% to 83%, on-device Face Recognition, and Tethering Beta.
  • AI Editing: 5 new Creator profiles, 3 new Aftershoot profiles, Portrait & Headshot Crop, and exposure improvements.
  • Aftershoot RAW Engine: Tone Curves & Live Histogram, Clones / Virtual Copies, masking improvements, and Dynamic AI Learning.
  • AI Retouching: Double chin & dark circle removal, neck brightening, shadow generation in background replacement, and faster sync.
  • Gallery Sharing: More print labs (NPhoto, Loxley, Bayphoto), Brand Kits, Portfolios & Collections, and Sales Automation.
  • Aftershoot Photon: A free Lightroom alternative. Fast, native, and clutter-free.

Aftershoot: “The Workflow is Now Complete” and “AI that works for you, not against you”

Ending soon: DxO, Luminar, Aftershoot, and ON1 discounts

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Tamron to announce a new 12-20mm f/2.8 lens for Z/E mount (model A084)


Tamron will soon announce a new 12-20mm f/2.8 lens for Nikon Z-mount and Sony E-mount (model A084). Here are the details:

  • Focal Length: 12-20mm ultra-wide zoom
  • Maximum Aperture: Constant F2.8 throughout the zoom range (ideal for astrophotography, nightscapes, and interior shooting)
  • Format: Di III (full-frame mirrorless)
  • Angle of View: 121°58′ – 94°30′ (full-frame)
  • Length: 4.7” (119.3mm) Sony E / 4.8” (121.3mm) Nikon Z
  • Weight: 20.2 oz (570g) Sony E / 20.7 oz (585g) Nikon Z
  • Maximum Diameter: Ø90mm
  • VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism — high-speed, high-precision, and quiet
  • Minimum Object Distance (MOD): 7.1” (0.18m) at 12mm wide end / 11.1” (0.28m) at tele end
  • Maximum Magnification Ratio: 1:5.8 (wide) / 1:9.1 (tele)
  • Overwhelming 12mm perspective for dynamic, expansive scenes
  • Stunning corner-to-corner resolution optimized for astrophotography and nightscapes
  • Enhanced mobility for landscapes thanks to compact, lightweight design
  • Comprehensive control features (switches and rings) for professional demands
  • Compatible with TAMRON Lens Utility™ for seamless video and stills customization
  • 12-blade circular diaphragm for beautiful bokeh and mastery of light
  • New “Tone Profile Next” lens design evolution
  • Integrated flower-shaped lens hood
  • Integrated rear filter holder
  • Locking front lens cap
  • Includes protective lens wrap
  • Minimum Aperture: F16
  • Diaphragm Blades: 12 (circular)
  • Filter Diameter: Rear filter holder (no front thread)
  • Standard Accessories: Front cap, rear cap, lens wrap, integrated hood
  • Optical Construction: 17 elements in 12 groups, including 1 XGM (eXpanded Glass Molded Aspherical), 3 GM (Glass Molded Aspherical), and multiple special lens elements:
    • Effectively suppresses peripheral blurring, color fringing, and sagittal coma flare
    • Delivers high sharpness from center to extreme edges


Via NikonRumors

The post Tamron to announce a new 12-20mm f/2.8 lens for Z/E mount (model A084) appeared first on Photo Rumors.

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New: Kase AF 24mm f/3.8 FE full-frame pancake lens



Kase has a new AF 24mm f/3.8 FE full-frame pancake lens (appears to be identical to the upcoming TTArtisan 24mm f/3.8). The lens is already listed for sale on AliExpress.

In the US, Kase Optics products are sold at B&H Photo and Amazon.

Previous coverage of Kase lenses can be found here.

Here are the details and product video on the new lens:

  • 24mm full-frame autofocus wide-angle lens
  • Weight: 60g
  • VCM (Voice Coil Motor) autofocus motor
  • 6 elements in 6 groups
  • Minimum focusing distance: 0.3 meters
  • Sony FE mount (other mounts to follow)

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Sony RX10V 24-600mm super-zoom camera announced ($2,300)


The previously reported Sony RX10V super-zoom camera is officially announced with a price tag of $2,300:

  • Pre-orders: B&H Photo | Foto Erhardt |. WEX Photo
  • Additional information
  • Review
  • Press release
  • Basic specs:
    • 20.1MP 1″ Exmor RS BSI CMOS Sensor
    • BIONZ XR Processing Engine with AI Chip
    • 4K60 Full-Pixel 4:2:2 10-Bit Video
    • Zeiss Vario-Sonnar T* f/2.4-4 Zoom Lens
    • 24-600mm Zoom Range (35mm Equivalent)
    • AI-Powered Autofocus & Subject Tracking
    • 4K120 High-Speed Video with Sensor Crop
    • 3.69m-Dot Quad-VGA OLED EVF
    • 3″ 1.62m-Dot Tilting Touchscreen LCD
    • 30 fps Continuous Shooting

The Sony RX10 V is the fifth generation of the all-in-one super zoom camera series, combining a 24–600mm ZEISS Vario-Sonnar T* F2.4–4.0 lens with AI-powered autofocus and high-speed performance. Powered by a 20.1 MP 1.0-type stacked Exmor RS CMOS sensor and the BIONZ XR processing engine, the RX10 V introduces AI-powered Real-time Recognition AF, blackout-free continuous shooting at up to 30 fps with 60 AF/AE calculations per second, and up to 4K 120p video recording. Borrowing the ergonomics and control layout of Sony’s Alpha series, it also features an upgraded electronic viewfinder, extended battery life, and enhanced handling for demanding shooting environments. The RX10 V will be available in August 2026 for approximately $2,299.99 USD / $2,899.99 CAD.

Related videos:

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