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Tamron confirms non-binding acquisition proposal from Sony


Tamron issued an official statement regarding the previously reported/rumored acquisition bid by Sony:

Regarding Partial Media Reports about Our Company

Yesterday, Diamond Online published a partial report stating that there had been an acquisition proposal regarding our company. However, this was not announced by our company.

It is true that we have received a non-binding proposal from Sony Corporation concerning a series of transactions to make our company a wholly-owned subsidiary of the Sony Group. In response, we have established a special committee and are examining various options aimed at enhancing corporate value. At present, however, there are no matters that require public disclosure.

Should any matters requiring disclosure arise in the future, we will promptly announce them.

Here is the original document:

Sony to acquire Tamron?

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Canon Q2 2026 financial results: profit up, 90% tariffs refunded, compact camera production increases


Canon released its Q2 2026 financial results. Here is the recap:

  • Market conditions remained weak in Europe, affected by the Middle East situation, and in the U.S., where the tariff impact persists.
  • Net sales rose 3.6%, reaching a record high for a second quarter, driven by continued sales growth in compact camera and network camera businesses, and revenue growth in semiconductor lithography equipment driven by memory-related demand
  • Higher costs resulting from a rise in memory prices and the Middle East situation, absorbed by refunds on additional U.S. tariffs and yen depreciation
  • Increased operating profit by 35.2% to 159.2 billion yen

Details on the Canon Imaging Business:

  • Camera sales increased significantly, driven by strong demand for compact cameras, which continued from the first quarter.
  • For compact cameras as well, we will further increase production volumes in the second half of the year and aim to achieve full-year sales growth of more than 50%.
  • For interchangeable-lens cameras, revenue increased as sales of full-frame models, led by the EOS R6 Mark III launched last November, grew compared with the first quarter, resulting in a higher average selling price.

Canon got back 90% of the Trump tariffs that we, the consumers, paid through price increases:

Breaking: Canon to increase prices in the US as a result of the new Trump tariffs

Detailed Canon camera report:

The compact camera market continues to expand, driven by the growing number of new camera users, particularly among younger consumers. As for the interchangeable-lens camera market, while we lowered our outlook to reflect the impact of the Middle East situation, we still expect the market to reach 6.45 million units.

In the second quarter, compact camera sales increased significantly as we were able to meet strong demand through the production expansion implemented in the second half of last year.

For interchangeable-lens cameras, sales of full-frame models increased significantly compared with the first quarter, led by the EOS R6 Mark III, which was launched in November last year. Combined with an increase in the average selling price, this resulted in revenue growth of 12.9% year on year.

In the second half of the year, for compact cameras, which continue to perform strongly, we will further expand production capacity to eliminate supply shortages as quickly as possible and drive additional sales growth. For interchangeable-lens cameras, in addition to the EOS R6 Mark III, which contributed to sales growth in the first half of the year, we will strengthen sales of full-frame models, led by the EOS R6 V, a full-frame mirrorless camera for video creators launched in June. As a result, we aim to achieve full-year revenue growth of 11.6% for the camera business.


Recap of the latest Canon Q2 financial results (cameras):

  • Cameras net sales: ¥175.4 billion, +12.9% YoY.
  • Full-year 2026 Cameras sales projection: ¥698.0 billion, +11.6% YoY (revised upward).
  • Strong demand for compact cameras continued from Q1 and was the main sales driver. Canon plans to further increase production in the second half and is targeting more than 50% full-year sales growth in the compact category.
  • Interchangeable-lens cameras (ILCs): Revenue grew thanks to higher sales of full-frame models (especially the EOS R6 Mark III), which raised the average selling price.
  • DILC unit shipments: 0.67 million units (down 10% YoY).
  • Full-year DILC projection: 2.80 million units (up 15.9% YoY).
  • Canon described the Imaging business as “highly profitable,” aided by the mix of higher-priced photography camera models. Full-year Imaging operating profit was raised to ¥191.5 billion (+10.8%).

Source: Canon

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Nikon lost the patent lawsuit against Viltrox in China


Nikon has lost the patent lawsuit against Viltrox in China. Nikon’s Chinese Z-mount patent (202010127062.4) was declared fully invalid by CNIPA (see previous coverage of the Nikon vs. Viltrox lawsuit). The full court ruling can be found here. The documents are in Chinese – here is the AI recap:

Case Overview

  • Patent in Question: Chinese Invention Patent No. 202010127062.4, titled “Accessory” (配件).
  • Patentee: Nikon Corporation (株式会社尼康).
  • Patent Type: This is a divisional application with a parent application (201811247662.3), both filed on October 25, 2018, with a priority date of October 26, 2017.
  • Invalidation Petitioner: Shenzhen Jueying Technology Co., Ltd. (深圳市爵影科技有限公司).
  • Outcome: The CNIPA declared the patent entirely invalid in its decision (Decision No. 661357) dated July 13, 2026.

Chronological Summary of Events

  1. Initial Challenge (December 2025): The petitioner filed a request for invalidation on December 16, 2025, arguing that claims 1-11 were unclear and not supported by the description (Article 26.4 of the Patent Law).
  2. Supplemental Arguments (December 2025 & January 2026): The petitioner supplemented their arguments, adding reasons related to lack of novelty and inventive step, lack of priority entitlement, and added subject matter. They submitted several pieces of prior art (US2016/0041453A1, CN103620496A, JP2000047308A) as evidence.
  3. Patentee’s Amendment (February 2026): Nikon modified the claims. They merged features from original dependent claims 4 and 7 into independent claims 1 and 2. The final claim set was reduced from 11 to 10 claims.
  4. Oral Hearing (May 15, 2026): An oral hearing was held. Key clarifications were made:
    • The petitioner withdrew their arguments regarding the right of priority.
    • The panel confirmed the amended claims (1-10) as the basis for the decision.
    • Both parties agreed on the authenticity of the prior art documents submitted.
  5. Final Decision (July 13, 2026): The panel issued its decision to declare the patent invalid based on a lack of inventive step (Article 22.3 of the Patent Law).

Key Arguments and Reasoning

The main independent claims (1 and 2) define a lens accessory with four protrusions (第1-第4配件侧突出部) that engage with corresponding protrusions on a camera body’s mount. Key features added by the amendment include:

  • Specifying that the length of the 2nd protrusion is shorter than the distance between the two closest protrusions on the camera body.
  • Specifying that the center angle of the 2nd protrusion is smaller than the center angles of the 1st, 3rd, and 4th protrusions.

The Petitioner’s Argument (Lack of Inventive Step)

The petitioner argued that the claims were obvious in light of the prior art. The primary evidence used was:

  • Evidence 2 (CN103620496A): A camera body, lens barrel, and interchangeable lens system.
    • The panel found this document disclosed nearly all features of the “accessory,” including the lens mount, terminal groups, a cylindrical portion, and multiple protrusions.
    • The key differences were that the patent used four protrusions in a specific arrangement, while Evidence 2’s main embodiment used three.

The Panel’s Decision & Reasoning

The panel ruled that the claimed invention was obvious for the following reasons:

  • Number of Protrusions: Although Evidence 2 shows 3 protrusions, its description explicitly states that the number of protrusions can be “any number” (including four), providing a direct motivation to increase them.
  • Arrangement: Evidence 1 (US2016/0041453A1) and Evidence 3 (JP2000047308A) disclose interchangeable lenses with four or more protrusions arranged around the mount, providing a clear technical teaching for the claimed layout.
  • Preventing Mis-Insertion: The panel reasoned that even in Evidence 2, the different sizes of the protrusions inherently prevent incorrect insertion, making the patent’s solution a conventional design choice.
  • “Second Center Angle” Feature: The panel found the relationship between the center angles of the protrusions to be a routine design choice (a “limited experiment”) for a person skilled in the art, and the resulting effects (shock resistance, load-bearing) were predictable.
  • Terminal Protection: The arrangement of the protrusions relative to the terminal group was also deemed a predictable and conventional design to prevent damage.

The panel concluded that the modifications from three to four protrusions and their specific angular relationships were “obvious” (显而易见) and did not involve an inventive step. Therefore, all 10 amended claims were invalidated.

Final Verdict

The CNIPA invalidated all claims of Nikon’s patent (202010127062.4). The decision states that Nikon can appeal to the Beijing Intellectual Property Court within three months.

 

Via NikonRumors

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Sony to acquire Tamron?


Today, Diamond Online (ダイヤモンド・オンライン) published an investigative scoop stating that Sony Group has proposed acquiring Tamron, aiming to acquire all of Tamron’s shares. The deal size is projected at roughly 200 billion yen (約2,000億円). No official confirmation or denial has been issued by Sony or Tamron as of the latest available information. Diamond is a long-established, respected Japanese business magazine. The article is paywalled, but here is an AI-generated recap:

Update #1: there is also a similar report from Nikkei today.

Update #2 – Tamron confirms non-binding acquisition proposal from Sony.

  • Sony has been Tamron’s largest (or near-largest) traditional shareholder for years, holding around 15% in recent periods. This stake has long functioned as a stabilizing “white knight” relationship.
  • Activist fund Effissimo Capital Management aggressively increased its holding (reports put it at ~17.4% earlier in 2026), potentially overtaking Sony as the top shareholder. Japanese coverage frames this as a possible defensive catalyst for Sony to move for full control.
  • Tamron is already a critical partner for Sony (popular third-party lenses + historical OEM relationships). Full ownership would lock that in.
  • Tamron shares (7740.T) reacted immediately in after-hours PTS trading with a sharp jump (reports of double-digit percentage gains).

Japanese coverage highlights a shift in Sony’s electronics division:

  • After years of defensive restructuring (including the TV/BRAVIA separation), the division is now pursuing growth-oriented M&A.
  • Strategic goal of tighter vertical integration: Sony’s industry-leading image sensors + camera bodies + Tamron’s optical design and high-volume precision manufacturing know-how.
  • Protecting the E-mount ecosystem and Tamron partnership from activist pressure or any shift in Tamron’s multi-mount priorities.

The post Sony to acquire Tamron? appeared first on Photo Rumors.

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Of course Sony FX5 orders far exceed expectations



It did not take long for Sony Japan to issue an official notice about FX5 pre-orders far exceeding expectations (B&H PhotoWEX Photo | Foto Erhardt):

Announcement Regarding the Supply of the Professional Camcorder ‘FX5′

Thank you for your continued patronage of Sony products.

We began accepting orders for the professional camcorder “FX5” on Tuesday, July 28, 2026, and have received significantly more orders than we anticipated. As a result, there may be a delay in delivery.

We are currently working diligently to meet our customers’ requests as much as possible, so please bear with us for a little while longer.

Comparing the Sony FX5 and the FX3A

Sony FX5 cinema camera announced

FieldMade released custom indicator labels for OM System cameras and lenses and the new Sony FX5 camera

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Meike 24mm f/1.4 MIX lens review: a fast wide-angle prime that delivers outstanding value


This Meike 24mm f/1.4 MIX lens review is by Daniel Kuhn (Website | Instagram | YouTube | LinkedIn):

Meike 24mm f/1.4 MIX Review: A Fast Wide-Angle Prime That Delivers Outstanding Value

A fast 24mm prime is one of the most versatile lenses a photographer can own, covering everything from landscapes and street photography to environmental portraits and astrophotography. With the 24mm f/1.4 MIX, Meike combines a bright aperture, modern autofocus and premium construction in a package that costs considerably less than many established competitors.

After extensive real-world testing, the lens proves that impressive performance no longer has to come with a premium price tag.

The first impression is excellent. An all-metal body, weather sealing and a dedicated aperture ring give the lens a refined, professional feel, while its balance on modern full-frame mirrorless cameras makes it comfortable to use for extended shooting sessions. Autofocus is fast, quiet and reliable, making the lens well suited for both photography and video.

Optically, the Meike performs beyond expectations. Even at f/1.4, it delivers crisp detail, strong contrast and natural color reproduction. Stopping down slightly improves edge-to-edge sharpness even further, making the lens equally capable for landscapes, architecture and travel photography. Thanks to its eleven-blade diaphragm, background blur is smooth and pleasing, allowing photographers to create environmental portraits with attractive subject separation while maintaining the wider perspective that makes a 24mm lens so versatile.

The bright maximum aperture also makes the lens an excellent companion for low-light photography. Whether capturing city scenes after sunset or photographing the night sky, the 24mm f/1.4 MIX offers impressive image quality and creative flexibility for its class.

Like any fast wide-angle lens, it shows a few minor optical characteristics at its widest aperture, including light vignetting and slightly softer extreme corners in demanding situations. In practice, however, these are well controlled, improve noticeably when stopping down, and rarely detract from real-world images. The overall balance of sharpness, rendering and usability is exceptionally strong for a lens in this price category.

What ultimately sets the Meike apart is its value. Rather than trying to outperform flagship lenses costing two or three times as much, it delivers the level of image quality and handling that most photographers need for everyday work. From travel and documentary photography to portraits, fashion and landscapes, it consistently produces results that inspire confidence.

Verdict: The Meike 24mm f/1.4 MIX is a remarkably well-rounded wide-angle prime that combines excellent optical performance, solid build quality and dependable autofocus at an attractive price. It stands as one of the strongest value propositions in its class and is an easy recommendation for photographers looking to expand their creative options without stretching their budget.

For those who want to see how the lens performs beyond technical specifications, the full review includes extensive real-world sample galleries covering portraits, fashion, landscapes, street photography, and astrophotography, along with detailed image comparisons and in-depth analysis.

Read the complete review here.

Additional information on the Meike 24mm f/1.4 MIX lens can be found here (buy at B&H Photo | Meike online store):

Meike 24mm f/1.4 full-frame autofocus lens announced (Z/E/L)

Previous coverage of Meike lenses can be found here.

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Additional information on the new 7Artisans AF 10mm f/2.5 MAX full-frame fisheye lens




Here are the details on the previously reported 7Artisans AF 10mm f/2.5 MAX full-frame fisheye lens (check B&H Photo and the official website for additional information and pre-order options):

  • Focal length: 10mm
  • Maximum aperture: f/2.5
  • Lens type/format: Full-frame autofocus fisheye
  • Angle of view: 185°
  • Optical construction: 11 elements in 8 groups (includes 2 ED/extra-low dispersion elements + 1 aspherical element)
  • Aperture blades: 9 (produces 18-point starbursts)
  • Minimum focus distance: 0.15 m
  • Autofocus motor: STM silent stepper motor (fast, quiet, suitable for stills and video)
  • Weight: 510 g
  • Body construction: Full metal
  • Available mounts: Sony E, Nikon Z, Leica L
  • Other notes: AF/MF switch; aperture ring; firmware upgrade support; compact design for a full-frame fisheye

Breaking conventions with its ultra-wide 185° field of view, this lens opens up a visual world you’ve never seen before. Equipped with a high-performance autofocus motor, it focuses quickly and smoothly, operating quietly and without noise. It accurately captures dynamic moments and meets the smooth focusing needs of video shooting, significantly improving shooting efficiency and experience. The large F2.5 aperture, combined with a minimum focusing distance of 0.15m, creates a strong “near is large, far is small” perspective effect, making the foreground subject stand out and the background story vividly presented. Nine aperture blades produce 18-pointed starbursts, enhancing the overall visual depth of the image. Its compact and lightweight design of 510g makes it a reliable creative partner in your backpack. Designed to inspire creativity, it is the ideal choice for landscapes, architecture, environmental portraits, and creative perspective works.

The post Additional information on the new 7Artisans AF 10mm f/2.5 MAX full-frame fisheye lens appeared first on Photo Rumors.

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Fujifilm X-T6 camera rumored specifications


The Fujifilm X-T6 camera is rumored to be announced at the Fujikina event in Paris (September 4-6th). Here are the rumored Fujifilm X-T6 camera specifications:

Update – B&H Photo has already scheduled an event “Demo Experience: Touch and Try the Latest Fujifilm Gear” for September 8th:

Sensor & processor

  • 40MP partially-stacked X-Trans 6 APS-C sensor
  • X-Processor 6
  • Revised processing pipeline for improved signal-to-noise — more detail, cleaner high ISO
  • Faster readout from the stacked architecture

Speed & autofocus

  • Burst up to 60 fps
  • 500 phase-detect AF points (up from 425 on the X-T5)
  • AI-based subject prediction and tracking — people, animals, birds
  • Electronic shutter to 1/18000 sec
  • Mechanical shutter to 1/8000 sec, ~30ms release lag

Video

  • 8K/30p 10-bit 4:2:2
  • 4K/120p
  • 4K HQ oversampled from 8K with 2x digital zoom
  • 14 stops of dynamic range
  • F-Log2
  • 12-bit ProRes RAW / Blackmagic RAW output over HDMI

Stabilization

  • IBIS rated to 7 stops
  • Multishot pixel-shift mode: 20 frames combined into a single 200MP file

Color

  • 20 Film Simulation modes: Provia, Velvia, Astia, Classic Chrome, PRO Neg. Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros (Ye/R/G), Black & White (Ye/R/G), Sepia, Reala Ace
  • Three auto white balance modes: auto, white priority, ambience priority

Body & display

  • Redesigned control dials and revised button layout
  • 3-inch fully articulating LCD, 1.84M dots (up from 1.62M)
  • 3.69M-dot OLED EVF, 0.8x magnification
  • 550g
  • 60+ weather sealing points

Power & connectivity

  • NP-W235 battery, up to 750 shots per charge, ~16% higher capacity than the X-T5 pack
  • Micro-HDMI, USB 3.2 Gen 2, 3.5mm mic, PC sync, 2.5mm remote
  • Wi-Fi 6, Bluetooth

Announcement

  • Fujikina Paris runs September 4–6; hands-on units expected there
  • Livestreamed announcement expected shortly before the show opens, so the actual reveal may land earlier
  • Camera has reportedly already cleared regulatory registration

Via FujiAddict

The post Fujifilm X-T6 camera rumored specifications appeared first on Photo Rumors.

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Another Fujifilm price increase is coming


A German store published the new Fujifilm prices that will take effect on September 1, 2026. Some of the prices will already be increased on August 1st:

Model designation Color Old RRP New RRP
FUJIFILM X100VI Black €1,799.00 €1,999.00
FUJIFILM X100VI Silver €1,799.00 €1,999.00
FUJIFILM X-E5 Housing Black €1,549.00 €1,649.00
FUJIFILM X-E5 Housing Silver €1,549.00 €1,649.00
FUJIFILM X-E5 Kit XF23mmF2.8 R WR Black €1,799.00 €1,899.00
FUJIFILM X-E5 Kit XF23mmF2.8 R WR Silver €1,799.00 €1,899.00
FUJIFILM X-T50 Housing Black €1,499.00 €1,599.00
FUJIFILM X-T50 Housing Silver €1,499.00 €1,599.00
FUJIFILM X-T50 Housing anthracite €1,499.00 €1,599.00
FUJIFILM X-T50 Kit XF16-50mmF2.8-4.8 R LM WR Black €1,899.00 €1,999.00
FUJIFILM X-T50 Kit XF16-50mmF2.8-4.8 R LM WR Silver €1,899.00 €1,999.00
FUJIFILM X-T50 Kit XF16-50mmF2.8-4.8 R LM WR anthracite €1,899.00 €1,999.00
FUJIFILM X-T50 Kit XC15-45mmF3.5-5.6 OIS PZ Black €1,599.00 €1,699.00
FUJIFILM X-T50 Kit XC15-45mmF3.5-5.6 OIS PZ Silver €1,599.00 €1,699.00
FUJIFILM X-T50 Kit XC15-45mmF3.5-5.6 OIS PZ anthracite €1,599.00 €1,699.00
FUJIFILM X-S20 Housing Black €1,399.00 €1,499.00
FUJIFILM X-S20 Kit XC15-45mmF3.5-5.6 OIS PZ Black €1,499.00 €1,599.00
FUJIFILM X-S20 Kit XF16-50mmF2.8-4.8 R LM WR Black €1,799.00 €1,899.00
FUJIFILM GFX100 II Housing Black €7,999.00 €8,499.00

Fujifilm already had several price increases last year.

If you are planning to buy any new Fuji gear, now would be a good time to do so – check the current prices at B&H Photo, Foto Erhardt, and WEX Photo.

Foto Erhardt XXL weekend sale

Additional informtion:

Note regarding FUJIFILM price adjustment on 01.09.2026

FUJIFILM has announced a price increase for selected camera models effective September 1, 2026. The manufacturer cites rising costs in the semiconductor market and higher manufacturing costs as reasons for the increase.

The affected models are FUJIFILM X-S20, X-E5, X-T50, X100VI and GFX100 II, including their respective variants and kits.

Both the manufacturer’s suggested retail prices and our purchase prices are being significantly increased. Therefore, we will also have to make corresponding price adjustments.

For pre-orders up to and including July 31, 2026, the prices shown in our online shop apply.

Starting August 1, 2026 , we will gradually adjust the prices of the affected products. The complete transition to the new price level will be finished by September 1, 2026 .

For particularly popular models and products with longer delivery times, the price adjustment may take place earlier.

Anyone currently planning to purchase one of the affected models can therefore still benefit from the currently advertised prices for a short time.

Should unexpected delivery failures or further price increases occur, we reserve the right to cancel purchase requests (orders) or, after prior notification, to offer a price adjustment; this will only be done with your consent, otherwise the order may be cancelled.

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FieldMade released custom indicator labels for OM System cameras and lenses and the new Sony FX5 camera


FieldMade has finally released custom indicator labels for OM System cameras and lenses and the new Sony FX5 camera:

  • Get 10% off your FieldMade order with code “Rumors10“ (minimum purchase of $20 CAD, cannot be combined with other discounts)
  • Previous coverage of FieldMade can be found here
  • Additional information on the new labels:

  • Each label is sold separately and includes a rear lens cap indicator and a front cap indicator.
  • Rear indicators feature the filter size, focal length, aperture & lens designations.
  • Front indicators feature the focal length and filter size.
  • Custom-made for the original brand rear and front lens caps.
  • Made of durable, UV & scratch-resistant matte vinyl from North America.
  • Waterproof and outdoor-rated adhesive.
  • Crafted in our Montreal, Canada, workshop.
  • Ships in 1-3 business days
  • Each camera model sticker is sold separately
  • Custom-made for the original brand body cap
  • Made in Quebec, Canada
  • Made of durable scuff-free vinyl: outdoor-rated premium vinyl from the USA with permanent adhesive.
  • Tax-Free for US Customers > Printed in Canada using premium US-made vinyl. As a USMCA-compliant product (Category C), all orders shipping to the USA are exempt from taxes and import duties.

New FieldMade stealth blackout decals kits for Sony, Canon, Nikon, and Leica cameras (coupon code included)

Field Made unveiled a complete customizable battery indicator/labels ecosystem for Canon, Nikon, and Sony cameras (coupon code included)

FieldMade introduced new custom lens hood & Pelican case indicator labels

FieldMade finally released custom indicator labels for OM System cameras and lenses

Via 43Addict

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Stow: a free tool to verify your camera memory card backups before you format


This is a guest post by Luke Lv, founder of Lumira Studio, a UK video production studio (Website | Instagram | YouTube | LinkedIn).

There is a small moment that I think most photographers and filmmakers will recognise. You are on the next shoot, you reach for a card, and realise it is still full from the last job.

Then the doubt starts.

Did I definitely back this up properly? Is everything on both drives? Is it actually safe to format? You probably did everything correctly. But when that card holds a full day of work, “probably” does not always feel good enough.

I started Lumira Studio in 2014, and this was something that bothered me for years. So we eventually built a small tool for our own team to remove that doubt.

It is called Stow, and we decided to make it free. It works on both Mac and Windows.

What Stow does

The idea is deliberately simple.

You choose the camera card, then choose two destination drives. Stow copies the files to both destinations at the same time. Once the copy is complete, it reads the files back from the destination drives and verifies them before giving you a clear result:

Safe to wipe.

Or, if something is not right:

Not yet.

The important part for us was that Stow should not simply tell you that a copy process has finished. We wanted it to check the files that had actually been written to the destination drives before we trusted the result.

Why the verification matters

Most of the time, copying a card is completely uneventful. The problem is that the footage or photographs on that card may be impossible to replace. A wedding, a commercial, an interview, a wildlife trip or an entire production day might only exist once.

That is why I wanted a very simple answer at the end of an offload. I did not want to look through folders and wonder whether everything had made it across. I wanted to know whether the copy had been completed and verified before the card was reused.

Stow also saves a short report to the destination drives showing what was copied and verified. For us, that report is useful because the question often comes later. You pick up the card on another shoot and cannot quite remember what happened to the footage that was on it. Having a record removes some of that uncertainty.

Why we made it free

We originally built Stow for our own production work. We wanted something simple that could copy to two destinations, verify the files afterwards and give our team a clear answer before a card was formatted. Once we had built it, there did not seem to be much reason to keep it to ourselves.

So Stow is free.

There is no account to create, no subscription and no paid tier behind it. It is not intended to replace a proper backup strategy. It is simply a tool to make one very important part of the workflow clearer: getting the files safely off the card and verifying the copies before that card is reused.

One honest note

Stow is not yet code-signed and certified by Microsoft or Apple. That means the first time you open it, your operating system may display a security warning. Getting the app properly signed is one of the next things we are working on. In the meantime, we have put together a short installation guide for both Mac and Windows, you will find it on the website.

Where to get it

Stow is available free at:

https://www.lumirastudio.com/stow/

There is nothing to sign up for. And if you try it and find something that would make it more useful, I would genuinely like to hear about it. A lot of the improvements we are already planning have come directly from photographers and filmmakers telling us what they would like the app to do next.

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This colorful new Chuzhao M3 fixed-lens compact digital camera costs $69

 
 
 
This new Chuzhao M3 fixed-lens compact digital camera was recently released in China and is now available for purchase on Amazon for $69 (Chuzhao cameras are sold on Amazon and AliExpress). Here are the details:

  • Sensor: 1/4-inch CMOS
  • Still resolution: 12 MP (square format, typically ~3456 × 3456 pixels)
  • Video resolution: 1080p Full HD (1920 × 1080)
  • Lens: Fixed (non-interchangeable) wide-angle lens with autofocus; approximate aperture f/2.8
  • Minimum focus distance: Listed as ~90 cm on packaging
  • Display: 1.54-inch LCD (usually 240 × 240 pixels), functions as an electronic waist-level viewfinder
  • Storage: MicroSD card slot (supports up to 64 GB; often includes a 16 GB card)
  • Battery: Built-in rechargeable lithium-ion (commonly listed around 1000 mAh), USB-C charging (roughly 2 hours for a full charge), several hours of typical use
  • Connectivity: USB-C for charging and file transfer
  • Dimensions: Approximately 89.5 × 52 × 42.5 mm
  • Weight: Approximately 115g
  • Other: Fully automatic exposure/ISO, color and black-and-white modes available, no optical zoom, no built-in flash

Chuzhao also makes the popular M1 TLR-style camera: Amazon | Aliexpress.

The post This colorful new Chuzhao M3 fixed-lens compact digital camera costs $69 appeared first on Photo Rumors.

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