Avec iOS 26, Apple s'apprête à lancer la fonctionnalité AutoMix qui utilise l'intelligence artificielle pour répliquer une transition de DJ entre deux morceaux. Spotify, son concurrent suédois, annonce implémenter la même chose dès aujourd'hui.

Young listeners are accelerating audio and video consumption, with an Economist/YouGov poll finding 31% of Americans aged 18-29 using faster-than-1x playback versus 8% among those 45 and older, as Apple, Spotify, newspapers' audio, Netflix, and YouTube expand speed controls, including YouTube's 4x for premium users. YouTube reports more than 900 years saved per day from fast playback; a meta-analysis led by University of Waterloo researchers finds minimal test-score change up to 1.5x and declines near or past 2x.

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[Deal du jour] Si vous possédez une PlayStation 5, Sony et Apple vous permettent de découvrir Apple Music gratuitement pendant trois mois. Une offre idéale pour profiter d’un grand catalogue musical sur votre console et bien sûr votre smartphone ou tout autre appareil compatible.

Satirical singer-songwriter Tom Lehrer died Saturday at age 97. The Associated Press notes Lehrer had long ago "largely abandoned his music career to return to teaching math at Harvard and other universities." Lehrer had remained on the math faculty of the University of California at Santa Cruz well into his late 70s. In 2020, he even turned away from his own copyright, granting the public permission to use his lyrics in any format without any fee in return. A Harvard prodigy (he had earned a math degree from the institution at age 18), Lehrer soon turned his very sharp mind to old traditions and current events... He'd gotten into performing accidentally when he began to compose songs in the early 1950s to amuse his friends. Soon he was performing them at coffeehouses around Cambridge, Massachusetts, while he remained at Harvard to teach and obtain a master's degree in math. [Lehrer also "spent several years unsuccessfully pursuing a doctorate..."] He cut his first record in 1953, "Songs by Tom Lehrer"... After a two-year stint in the Army, Lehrer began to perform concerts of his material in venues around the world. In 1959, he released another LP called "More of Tom Lehrer" and a live recording called "An Evening Wasted with Tom Lehrer," nominated for a Grammy for best comedy performance (musical) in 1960. But around the same time, he largely quit touring and returned to teaching math, though he did some writing and performing on the side. Lehrer said he was never comfortable appearing in public... He did produce a political satire song each week for the 1964 television show "That Was the Week That Was," a groundbreaking topical comedy show that anticipated "Saturday Night Live" a decade later. He released the songs the following year in an album titled "That Was the Year That Was"... [Lehrer's body of work "was actually quite small," the article notes, "amounting to about three dozen songs."] He also wrote songs for the 1970s educational children's show "The Electric Company." He told AP in 2000 that hearing from people who had benefited from them gave him far more satisfaction than praise for any of his satirical works... He began to teach part-time at Santa Cruz in the 1970s, mainly to escape the harsh New England winters. From time to time, he acknowledged, a student would enroll in one of his classes based on knowledge of his songs. "But it's a real math class," he said at the time. "I don't do any funny theorems. So those people go away pretty quickly."

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Spotify was found publishing AI-generated songs on the official pages of deceased artists like Blaze Foley and Guy Clark -- without permission from their estates or labels. The tracks, flagged for deceptive content and now removed, were uploaded via TikTok's SoundOn distribution platform. "We've flagged the issue to SoundOn, the distributor of the content in question, and it has been removed for violating our Deceptive Content policy," a Spotify spokesperson told 404 Media. From the report: McDonald, who decided to originally upload Foley's music to Spotify in order to share it with more people, told me he never thought that an AI-generated track could appear on Foley's page without his permission. "It's harmful to Blaze's standing that this happened," he said. "It's kind of surprising that Spotify doesn't have a security fix for this type of action, and I think the responsibility is all on Spotify. They could fix this problem. One of their talented software engineers could stop this fraudulent practice in its tracks, if they had the will to do so. And I think they should take that responsibility and do something quickly." McDonald's suggested fix is not allowing any track to appear on an artist's official Spotify page without allowing the page owner to sign off on it first. "Any real Blaze fan would know, I think, pretty instantly, that this is not Blaze or a Blaze recording," he said. "Then the harm is that the people who don't know Blaze go to the site thinking, maybe this is part of Blaze, when clearly it's not. So again, I think Spotify could easily change some practices. I'm not an engineer, but I think it's pretty easy to stop this from happening in the future."

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Restaurants and bars face mounting financial pressure from music licensing fees as the number of Performing Rights Organizations has expanded from three dominant players to at least six nationwide. The National Restaurant Association reports members pay an average of $4,500 annually for music licenses, representing 0.5% of total sales for small establishments. Hotels have experienced even steeper increases, with one major chain seeing costs rise 200% from 2021-2025, and some properties facing 400% jumps. The proliferation stems from streaming's revenue surge, which attracted new PROs seeking market share. Since many songs involve multiple songwriters affiliated with different organizations, venues must secure licenses from each PRO or risk lawsuits carrying penalties up to $150,000 per infringement.

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Pour fêter les 10 ans d'Apple Music, le service de streaming lance une rétrospective spéciale appelée « Replay All Time ». Il s'agit d'une playlist avec le top 100 de ses écoutes depuis le lancement d'Apple Music en juin 2015.

S'ils représentent à peine 0,5 % des écoutes aujourd'hui, les morceaux générés à l'aide d'une intelligence artificielle (IA) ne cessent de se multiplier depuis plusieurs mois. Deezer annonce être le premier à déployer un « système d'étiquetage IA » sur sa plateforme de streaming musicale.