Variety reports: Amazon MGM Studios started auditioning actors for the part of 007 in the past few weeks, Variety has learned... The next James Bond film will be directed by Denis Villeneuve, the filmmaker behind the "Dune" franchise, "Arrival" and "Sicario." Amy Pascal of the "Spider-Man" films and David Heyman of the "Harry Potter" series will produce the picture, which will feature a script from "Peaky Blinders" creator Steven Knight. Tanya Lapointe ("Dune") is executive producing the film. The BBC notes it's been five full years since the release of the last Bond film No Time To Die, and 15 months "since Amazon MGM Studios took control of the Bond franchise." But they also offer this list of "the current bookmakers' favourites" for who will become the seventh actor to play the gadget-loving super spy in the franchise's 64-year history: Callum Turner — the 36-year-old actor is the current bookies' frontrunner. He has been in the Fantastic Beasts franchise, was nominated for a Bafta for TV drama The Capture, and starred in Apple TV's Masters of the Air... Jacob Elordi — the Australian actor, 28, made his name in TV's Euphoria and cult hit film Saltburn, and was nominated for an Oscar this year for playing the monster in Frankenstein. The Rest Is Entertainment host Marina Hyde recently said she'd heard from a number of well-placed sources that he's now "in pole position" to be Bond. Harris Dickinson — the 29-year-old is playing John Lennon in the forthcoming major Beatles biopics, and has previously appeared in Maleficent, The King's Man, Where the Crawdads Sing and Babygirl, and received a Bafta TV Award nomination for A Murder at the End of the World. Henry Cavill — the Superman, The Witcher and Mission: Impossible actor is a fan favourite and was widely regarded to have been the runner-up when Craig landed the part. But at 43, is he now too old to start a lengthy stint as 007? Aaron Taylor-Johnson — the Bafta-nominated 35-year-old, known for films like Kick-Ass, Kraven the Hunter and 28 Years Later, is a perennial contender, and would fit the bill. Theo James — the suitably suave star, 41, made his name in the Divergent films and has since built his reputation in The Time Traveler's Wife, The White Lotus and The Gentlemen. ...Or producers could well go for one of the many other names who have been touted for the role, or an unexpected choice.

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The Academy has clarified that only human-performed acting and human-authored writing are eligible for Oscar nominations. The Oscars will not ban AI tools broadly, but says it will judge films based on the degree to which humans remain central to the creative work. The BBC reports: The Academy of Motion Picture Arts and Sciences [...], which controls the US film industry's most prestigious award, on Friday issued updated rules for what kind of work in movies and documentaries would be considered eligible for an Oscar as the use of artificial intelligence (AI) technology grows. In updated eligibility requirements, the Academy specified that only acting "demonstrably performed by humans" and that writing "must be human-authored" in order to be nominated for an award. The Academy called the requirements a "substantive" change to the rules for the Oscars. The need to specify awards can only go to acting and writing done by "humans" is new for the academy. [...] However, the academy did not issue a ban on AI use in films more broadly. Outside of acting and writing, if a filmmaker used AI tools in their work, such "tools neither help nor harm the chances of achieving a nomination," the academy wrote. "The Academy and each branch will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award," the group added. "If questions arise regarding the aforementioned use of generative artificial intelligence, the Academy reserves the right to request more information about the nature of the use and human authorship."

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Ahead of December's release of Avengers: Doomsday, Disney has unveiled "Infinity Vision," reports Kotaku, which they describe as "a new theater-going experience that will be certain to transform your pedestrian $15 night out into an exotic $43 one." (Though those prices appear to be estimates...) Disney's announcement calls it "a new certification for premium large format (PLF) theaters," helping ticket-buyers find "a huge screen with the sharpest, clearest color and sound," including laser projection "for superior brightness and clarity ") and "premium audio formats for fully immersive sound". Light on specifics, Disney says they will be certifying premium large format theaters for the Infinity Vision experience, highlighting laser projection and immersive audio quality. The new program will begin in the summer for a theater run of 2019's Avengers: Endgame ahead of Doomsday's holiday release. Now you might be thinking: Giant screen? Booming audio? That sounds an awful lot like IMAX. The most consumer-recognized premium movie-going screen is the coveted throne for big blockbuster events, from Avatar to One Battle After Another. Unfortunately for Doomsday, IMAX screens are already booked for the holiday season by Dune: Part Three, the anticipated return to Arrakis, where Timothée Chalamet's Muad'Dib will begin to go worm-mode. Locked out of the popular choice for doubling your ticket price, Disney appears to have made up a new one... Disney says they aim to certify 75 theaters in the United States and 300 internationally for the Infinity Vision program.

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Sony Pictures chief Tom Rothman urged theater owners to cut down the roughly 30 minutes of trailers and ads before movies. "Get off the ad crack," Rothman told the audience at CinemaCon this week. "Get rid of the endless advertising and substantially shorten the long pre-shows." Variety reports: He noted that frequent moviegoers now show up a half hour late to avoid all the spots (something that reserved seating has made easier than ever before). Rothman said that means many people "don't even see the trailers," which results in "enticements gone to waste." Rothman predicted that the 2026 box office, which has already benefitted from hits like "Super Mario Galaxy Movie" and "Project Hail Mary," will rebound in a big way. But he acknowledged that attendance still trails pre-pandemic levels. Rothman has been a vociferous defender of the big screen, pushing studios to embrace longer windows so that movies will stay in cinemas longer. That was a theme that Rothman returned to at CinemaCon, pressing exhibitors to hold strong and agree not to show movies that quickly appear on streaming services or on-demand platforms. "Enforce longer windows," Rothman said. "Yes, even if that means you cannot play every film." In addition to stumping for exhibition, Rothman has practically begged Hollywood to invest in new stories along with all the franchise fare. In a recent New York Times op-ed, for instance, Rothman, the longest-serving studio chief, wrote, "For all the success of films driven by existing intellectual property, originality is essential to movies. Neither movie theaters nor the art form itself can survive without at least some originality. After all, you can't make a sequel to nothing."

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The Super Mario Galaxy Movie "is officially the year's highest-grossing film to date with $629 million at the global box office," reports Variety — and it will likely earn over $1 billion. Project Hail Mary now becomes the year's second highest-grossing movie, with four-week ticket sales over $510, notes The Hollywood Reporter: The two films have helped propel year-to-date revenue to $2.113 billion — the best showing for the first part of the year since before the pandemic in 2019 ($2.619 billion), according to Comscore. And revenue is running 25% ahead of the same corridor last year. Some context from ScreenRant: Even though The Super Mario Galaxy Movie reviews were largely negative, earning it a disappointing 43% score from critics on Rotten Tomatoes, audiences gave it a far superior score of 89% from audiences, making it Verified Hot on the platform's Popcornmeter. This indicates that the movie should continue to climb up the global box office chart thanks to strong word of mouth, even as it trails consistently behind the original 2023 movie in terms of commercial performance. Canadian astronaut Jeremy Hansen called Project Hail Mary "an inspirational example.. We all thought that movie was really uplifting and inspiring." Before the Artemis astronauts launched their mission, Space.com points out "they were treated to a viewing of Amazon MGM Studios' Project Hail Maryto bolster their spirits ahead of their monumental 10-day lunar voyage. " Marking the occasion and providing encouraging words to the three American astronauts and one Canadian astronaut, Ryan Gosling recorded a brief encouraging video for the moon-bound foursome. Today NPR took a spoiler-filled look at the science in the film, asking: Would it be possible for humans to travel to a place as far away as the Tau Ceti star system? It's not possible right now, says Lisa Carnell, division director for NASA'S Biological and Physical Sciences Division. "I don't think we are fully prepared to send humans to Mars, let alone light years away," she says. Given the leaps in technology that humanity has made in just the past century, however, she didn't want to rule it out.... "I believe it's possible [one day]"... The hypothetical study of how humans and extraterrestrials might communicate is a real scientific field, called xenolinguistics, that includes researchers from linguistics, animal communication, and anthropology. Martin Hilpert, a professor of linguistics at the University of Neuchâtel in Switzerland, says the film "gets a lot of things right" for how such an encounter might occur, though it also employs a lot of "happy coincidences" too.

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