Samsung has announced three new folding phones, updating its existing models and adding a new one to its lineup, complete with a new form factor.

The flagship model is getting a rebrand. Formerly known as the Galaxy Z Fold series, this year’s entry is called the Galaxy Z Fold 8 Ultra. Like its predecessor, it has a 6.5″ display on the outside, and an 8″ one on the inside. As you’d expect from an “Ultra” phone, it has a triple-camera setup. The main “wide” and telephoto cameras are unchanged from the ones found on the Galaxy Z Fold 7, but the ultrawide has been upgraded from a 12MP Type 1/2.5 (25mm²) sensor with an F2.2 lens, to a 50MP one with an F1.9 lens, which Samsung says will let in 33% more light.

Samsung

The company says it has enhanced its HDR mode for the main camera, as well as its low-light “Nightography” mode. The phone’s 8K video also now records in the APV codec, which Samsung says “gives users greater flexibility and quality for editing and production workflows.”

Aside from the upgraded ultrawide camera, Samsung has included the new Snapdragon 8 Elite Gen 5 processor with 12 or 16GB of memory (dependent on what storage size you get), along with a higher-capacity 5000 mAh battery, up 600 mAh from the one in the Z Fold 7. The company has also re-engineered the phone’s internal screen to make the crease less visible, while making it brighter and nicer-feeling to open. And despite all this, it weighs the same 215g (7.6oz) as its predecessor, and each half is a hair thinner at 4.1mm.

None of these improvements come cheap, though. Last year’s Z Fold 7 was $100 more than its predecessor, and Samsung has bumped the price again, with the Z Fold 8 Ultra starting at $2100 for the 256GB model.

Samsung

There is, however, now a new option below it: the Z Fold 8, which takes on a slightly different form factor. While the Ultra has a relatively tall and narrow 3:7 outer screen and a nearly-square 1.11:1 inner screen, the new model’s cover is a wider, shorter 10:16, and the inner display is 4:3. The Z Fold 8’s outer display has a 5.5″ diagonal, while the inner one is 7.6″.

While the Z Fold 7 (which was, remember, moreso the predecessor to the phone now called “Ultra”) marked a turning point as a folding phone that didn’t come with big compromises to its camera system compared to its candybar counterpart, that trend hasn’t continued with the Z Fold 8. It drops the telephone camera entirely, and its main 23mm equiv. camera is smaller, slower and lower resolution than the one on the Ultra. The ultrawide, however, is the same 50MP model.

Not everything is a downgrade compared to the Ultra, though. The displays may be a different size, but are still just as bright, and the Z Fold 8 has the same processor and storage options. And while it’s thicker both folded and unfolded, it’s also a touch lighter. Even if you don’t prefer the more passport-style form factor, though, the price may be slightly more attractive than the Ultra’s, as the phone starts at “just” $1900.

Samsung

Finally, Samsung has also updated its Z Flip 8, the smaller model that unfolds to be a similar size to a more traditional smartphone. The company doesn’t seem to have made any changes to its cameras – it still has a wide 50MP Type 1/1.57 (50mm²) and ultra-wide 12MP Type 1/3.2 (15mm²) – but it’s lighter and thinner than its predecessor. The company has also updated the processor to that same Snapdragon model (though there’s no option for one with 16GB of RAM like with the larger models), and has made improvements to the front screen’s interface, making it easier to use if you want to avoid opening your phone and potentially getting sucked in by feeds and apps.

The Z Flip 8 retains its position as Samsung’s least expensive foldable, but its $1200 price tag represents a $100 increase over its predecessor’s.

The Z Fold 8 Ultra, Z Fold 8, and Z Flip 8 are all available to pre-order today, and are set to become available on August 7th.

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Viltrox seems poised to start selling lenses for Micro Four Thirds, according to a post on social media platform Xiaohongshu. It shows a puzzle piece about to be slotted into a hole labeled “M4/3,” and teases an announcement coming on July 23rd. While the company hasn’t posted about it on its Instagram pages, the Viltrox US account did comment on a Reddit post about the teaser, saying “Something new coming soon.”

The teaser doesn’t say what to expect, beyond having hashtags that translate to “lens.” But the idea of getting a Micro Four Thirds lens from Viltrox is exciting on its own; the company has become a major player in the world of third-party lenses, and it’s an interesting sign that it’s looking to throw at least some of its weight behind the mount, as we haven’t seen many others do so for a while.

Viltrox

There are a wide variety of companies, well known and not, making manual focus lenses for the system, and a few that continue to sell a handful of autofocus options, too. But beyond Panasonic and OM System, who also make cameras using the mount, there haven’t been any new Micro Four Thirds lenses from a major player in quite some time. Sigma used to have some options for the system, which you can still buy, but they haven’t been updated like we’ve seen with the company’s APS-C and full-frame offerings.

Of course, there are many ways to release a lens for a system. While Viltrox could come out with a lens custom-designed for Micro Four Thirds, with a sensible focal length and a small, compact size. It could also, however, just be swapping out the mount on one of its existing APS-C or, worse, full-frame designs (not that such a move would be unheard of). Even if it is a lens with a larger-than-neccesary image circle, though, it’s still a start. If whatever Viltrox releases ends up being successful, it could lead to the brand giving Micro Four Thirds more attention.

Or it could wind up being something completely unexpected, like a camera that uses the mount. It’s hard to put anything past companies at this point. Whatever it is, we won’t have to wait too long to find out.

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Sony has released a teaser for a new product announcement in its cinema line. As always, the video is very short on details, showing just the silhouette of a camera, tally lights blazing and a top handle attached, and the tagline “lighting the way forward.”

The company is no stranger to posting teaser videos, but, unlike with the one for what turned out to be the RX10 V, it isn’t giving a lot of time for hype to build. The video says the announcement is coming on July 22nd at 7 AM PT (15:00 BST), which is just around 24 hours after the video was published. Whatever the camera is, it seems we won’t have to wait long to get more details.

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The latest version of Adobe Camera Raw, 18.4.1, started rolling out a few weeks ago, but it quietly introduces a feature that I’ve personally wanted for years: the ability to see where your camera’s focus point was set to. This makes it much easier to tell whether it was your camera’s autofocus system that messed up, or if you simply put the focus point in the incorrect place (which is especially important when, say, you review cameras for a living).

The way it works is relatively simple (if a bit of a finger workout): you open up a Raw in ACR, and press Ctrl + Alt + Shift + O on Windows, or Command + Option + Shift + O on Mac. You can also right click on the image and select the “Show Autofocus Points” option. After you do, ACR will draw a red box around the camera’s selected focus point or area.

Screenshot: Mitchell Clark

While the feature isn’t a fool-proof way of assigning blame for an out-of-focus image – if the box is in the wrong place, it could either mean that you put it there in error, or that your camera’s tracking failed – it’s still very nice to have access to this information without having to view it on your camera’s screen, or in camera makers’ own software. Sometimes it’s just nice to be able to check where you were trying to focus, or, to pick a random example, to see where the photographers from your favorite camera review site were focusing in the images they uploaded to their sample galleries.

Currently, the feature is available for Raw files from Canon, Sony and Nikon cameras. We confirmed that we weren’t able to see autofocus points from the most recent cameras from any other manufacturer, so hopefully Adobe will expand the models it’s available to in the future. We’d also hope that this feature, which is currently only available in Photoshop’s ACR module, makes its way to Lightroom and Lightroom Classic, too.

ACR 18.4.1 also adds a “presentation” mode that shows the photo you’re editing full-screen with a customizable matte around it, and which lets you use the arrow keys to move through the photos you currently have open within the tool. It also lets you use the company’s AI-powered “Generative Expand” feature to fill transparent edges, and improves bidirectional gradient masks, adding support for feathering and giving you more precise control over them. You can download the update through the Creative Cloud app, or via the standalone installer.

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The U.S. Federal Communications Commission (FCC) is proposing a retroactive ban on suspected DJI‑linked drones and cameras, affecting products sold under brands like Xtra and Skyrover. The move escalates last week’s announcement of proposed $25,000 fines against eight companies that allegedly ignored FCC inquiries about DJI‑related gear marketed in the U.S., penalties that were technically for non‑response rather than the hardware itself.

In the past, the FCC’s decisions generally couldn’t touch products that were already approved, but a recent rule adjustment changed that. As The Verge reported, in late 2025, the Commission amended its equipment‑authorization rules so it can now restrict the import and sale of previously approved devices from companies on its national‑security “Covered List,” without formally revoking those original approvals or disabling gear that’s already in users’ hands.

DJI itself was added to the Covered List in late 2025 after a national‑security review under the Secure and Trusted Communications Networks Act, a designation that already blocks new DJI radio‑equipped products from receiving FCC approval in the U.S.

Skyrover

This could be the first time the FCC uses its new power, with potential bans on products from Cogito, Fikaxo, Lyno Dynamics, Skyhigh Tech, Spatial Hover, SZ Knowact, WaveGo, Xtra and XAG. The Commission says those products “pose an unacceptable risk” to U.S. national security because they are suspected of containing DJI‑designed radio components under different brand names.

Those who already own products from the at-risk companies won’t be impacted by the FCC’s decision and can continue using them. However, affected drones and cameras are expected to disappear from major online retailers and from the brands’ own sites if the order is finalized, and unsold inventory in the U.S. could need to be written off.

The FCC is accepting public comments for 30 days, so the ban won’t take effect immediately. The Commission says it will consider “specific evidence” that might show the products are compliant, though, as The Verge points out, the organization doesn’t have a great track record of listening to public sentiment. If you would still like to voice your opinion, you can do so via the FCC’s Electronic Comment Filing System on the FCC website.

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It’s been about two weeks since we launched the new DPReview website, and our team is still hard at work. Along with fixing some critical behind-the-scenes bugs, we’ve been collecting your feedback and have already made some fixes where we could act quickly, with much more to come.

In the whirlwind since launch, however, there’s one new feature we haven’t talked about much: it’s now possible to see fewer ads on DPReview.

Ads were a source of frustration on the legacy site, and the new site gives you an easy way to cut down on them.

How to see fewer ads

It’s simple: use DPReview while logged in. That’s it. Logged-in readers see fewer ads, particularly the most disruptive kinds, like motion-heavy and video ads.

To be clear, this isn’t an ad-free experience; you’ll still see ads, just fewer of them. Consider it our way of thanking logged-in readers for your support as we continue to improve the ad experience for everyone.

Don’t have a DPReview account? Now’s a great time to create one. Just click the Register link to get started.

We know nobody loves ads. Believe me, we don’t either, but they’re a necessity to keep the site running. It costs real money to operate DPReview, and advertising is an important part of how we cover those costs. It’s not our only source of revenue, but it’s one of the things that lets us offer all of our content for free, whether you visit every day or once in a blue moon.

We also get why people use ad blockers. The reasons aren’t lost on us. We just ask you to keep one thing in mind: when you block ads, you’re not only preventing us from earning revenue, you’re actively costing us money. A photography-rich site uses a lot of bandwidth, and that’s a big part of our expenses. Every time you load our content without ads, we lose money, which makes it harder to do things like pay our writers and maintain our servers.

So if you’ve been browsing with an ad blocker, we ask that you try the new site without it (while logged in). We think you’ll find the ads less intrusive than they were on the legacy site, and you’ll be helping us stay on the internet.

In case you missed it

If you haven’t seen our earlier coverage about the new website, a few links are worth your time:

Gear Patrol founder and CEO Eric Yang – a DPReview user for over two decades – wrote about why we needed to rebuild the site from the ground up, including some helpful historical perspective.

If you want to track improvements as we make them, report a bug or usability issue, or just discuss the new site in our forums, we’ve published a guide on how to do that.

Finally, thank you for bearing with us as we improve the site. We know some things aren’t working as expected and that there’s plenty left to fix and improve. We appreciate your patience while our team works overtime to address those issues so we can remove the beta logo from the site.

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After becoming a go-to brand for tripods and various ways to carry your camera around, Peak Design is tackling the next piece of the puzzle: the L-bracket. As is its usual style, the company isn’t content with simply making a piece of hardware that makes it easy to switch between portrait and landscape shooting. Instead, it has built the Field Bracket as a modular system, launching it alongside additional accessories that aim to solve multiple issues.

The Field Bracket takes design cues from the “Field” tripod plate the company released last year. Like the Field Plate, the L-bracket doesn’t require a tool for installation. Instead, it uses the company’s “Field Latch” mechanism, which features a tab that pops up with the press of a button, turning into a thumb-drive handle. That means no more relying on having a hex tool on hand at all times.

Peak Design

The tool‑free design makes it quick and easy to attach the part of the bracket that goes up the side of the camera, transforming from a simple base plate into a full L‑bracket for shooting in portrait orientation on a tripod. Users can also adjust the upright position to provide room for tethering cables, making it easier to use in a studio setup. The Field Bracket is camera-specific, with versions for select Sony, Canon, Nikon, Fujifilm and Leica camera systems.

Peak Design says that the Field Bracket is the base of a modular system of accessories. In that spirit, it’s also launching the Beacon Finder Tag, a smaller version of its card-sized tracker that it released with its wallet system and which ties in with Apple’s Find My ecosystem. Peak Design says the tag is the first tracker specifically designed to fit in Arca-compatible camera plates, offering a discreet way to keep track of camera gear.

Peak Design

The company has also created a few additional new accessories for the Field Bracket. Its Cheese Plate adds 1/4″-20, 3/8″-16 and cold shoe mounting points for adding accessories like lights, mics, monitors and more. There’s also a hand strap, making it easier to work handheld with it attached to your camera. No matter which accessories are attached, Peak Design says all your camera’s ports and controls will remain easily accessible. It also allows full integration with existing Peak Design accessories, such as its camera straps and Capture Clip.

As is typical for Peak Design product launches, the new gear will first be available via Kickstarter (its 17th such launch). The Kickstarter campaign will allow users to purchase the system at a discount before the retail release. The camera-specific Field Brackets have an MSRP of $150, while the Cheese Plate, Hand Strap and Beacon Finder tag will be sold separately, starting at $40.

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Last year, Adobe’s Nextcam team launched Project Indigo, an experimental camera app for iPhones that offered full manual controls and promised a more natural look from smartphone photos. Now, the team has announced AI Playground, an experimental generative AI tool inside of Project Indigo.

In its announcement, Adobe explains that text-based editing (e.g., asking an AI chatbot to make changes to a photo for you) is still clunky, both in its results and usability. This new tool aims to improve that experience by keeping more of the process – both capture and edit – in one app. It says that AI Playground aims to “explore how generative AI can assist mobile photographers at the point of capture.”

AI Playground offers a handful of buttons that, when tapped, trigger specific generative AI prompts engineered by Adobe. These include options for removing distractions, creating a shallow depth of field, applying certain styles, changing lighting and critiquing photos. There’s also a Custom Edit button where users can input their own prompts, either via typing or dictation. For now, Adobe says it is using Google’s Nano Banana model, but that is subject to change, and may even change on a per-button basis.

Adobe

The “Styles” button allows users to apply a range of preset styles, turning photos into drawings or paintings or changing the lighting. Adobe says the available options “represent techniques we have found to be most successful when applied to everyday snapshots,” so it isn’t an endless list. It also clarifies that it trained the model to identify and highlight the main subject to keep focus on the most important parts of the photo.

Adobe

Object Editing offers tools familiar to editing apps, but Adobe says it is “exploring whether simple editing operations can be performed in the camera app using a generative model.” There are buttons for removing distractions and creating a shallow depth of field. If those specific tools don’t cover what you are looking to do, the Custom Edits button lets you change almost anything, similar to standalone generative AI tools. That includes completely swapping out backgrounds and specifying different styles. Adobe also showed off the ability to turn a drawing into a photo-like image, or change a sculpture into a “real” person.

Adobe

Adobe also highlighted the feedback section, which looks to be a more robust version of Google’s “Camera Coach,” albeit one that critiques photos after the fact, rather than giving you suggestions as you’re composing. It says that it is aimed at helping users learn or advance their photography by providing critique. The tool can provide both reshooting suggestions since it operates within a camera app, along with editing suggestions. Adobe says it is “working on customizing these prompts to reflect individual phone models and lenses, each of which has unique capabilities,” so that users get suggestions specific to what their phone is capable of.

There are some caveats with the AI Playground. First, while it’s free (for now) and doesn’t require sign-in, Adobe is only rolling this out to a small percentage of Project Indigo users. It says that if AI Playground is successful, there will be a paid version. Adobe also makes it clear that this is an experiment inside of an experimental app, so things are subject to change. You need to be connected to the internet to use AI Playground, and to save transmission and generation time, images are 2K pixels on a side.

Adobe

The Nextcam team also explains that it has had to create a workaround for HDR images, as image-generation models only output SDR images at this point. So, if you use Nano Banana to edit an HDR photo (even one taken with Project Indigo), it will produce an SDR image. To address this, Adobe says it built a custom ML model to post-process the SDR image and boost it back to HDR, but warns that it isn’t always accurate.

The announcement also briefly addresses ethics as well. Adobe says it is “working to attach metadata to AI-edited images produced from the AI Playground by using technology from Adobe’s Content Authenticity Initiative,” and specifies that some models, such as Nano Banana, apply invisible watermarks to images. At the end of the day, though, Adobe puts the onus on users: “Whether the edits you apply are ‘fair’ or ‘misleading’ depend on what you do, who you share the images with, and how you present them.”

Adobe

Ethics aside, it seems like an interesting move for the app, given that the original goal of Project Indigo was to produce more natural images that offer “SLR-like” quality from your iPhone. DPReview’s Dale Baskin even chose Project Indigo as his Gear of the Year last year, because it unlocked the ability to take more natural images, encouraging him to use his phone for photos more often. The AI Playground tools, however, seem to take things in a very different, more synthetic direction.

Additionally, the results, at least for now, don’t necessarily inspire confidence. The image at the top of this article looks more like a video game rendering than a photograph, with a distinctly synthetic sheen rather than the ‘natural’ look Indigo set out to offer. Plus, in some instances, such as the cycling image above, Adobe acknowledges that the models will change details that you don’t want changed. That includes altering face shape and expressions, even if it isn’t part of the user’s prompt or intent. The company’s workaround is to upload reference photos, which certainly isn’t ideal.

For those interested in testing AI Playground, you’ll need to update the Project Indigo app to version 1.1. If you are one of the selected users, you’ll see a screen pop up inviting you to use the feature. If you’re not a fan of GenAI in your camera app and you get invited, you can simply decline and keep using Project Indigo as you did before. Adobe also says that the Nextcam team is working on non-GenAI computational photography features that it plans to launch soon.

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We recently launched the new DPReview website with a beta logo at the top of the page. The site is in beta for a reason: we’re aware that there are things to fix and improve, and our team is actively working to address outstanding issues. The beta logo reflects our ongoing effort to improve functionality, features and the overall user experience.

To make sure you know where to find the latest updates, report bugs or usability issues, or discuss changes to the site, we’ve set up a dedicated forum section to consolidate this information in one place.

Keep updated on changes

Progress updates: To see the latest updates from our team, visit the dedicated Change log thread. This is where we’ll post updates to let you know what changes, updates or bug fixes we’ve made to the site. We are making updates on a rolling basis based on a combination of prioritization and ease of fix. We expect this process to go on for quite some time.

Report a bug or usability issue: If you encounter a bug or usability issue, please use the Known issues and bug reports thread in our forum to share it with us. We keep the first post in that thread updated with all the reports we’re tracking, so please check there first to see if your issue has already been reported before reporting a new one.

New site discussion: If you have other questions or just want to discuss the new site, please create a post in the Website redesign feedback, questions and help section of the forums.

One more thing: If you haven’t already done so, we encourage you to read our article Gear Patrol founder Eric Yang: Why we rebuilt DPReview after 25 years, which provides additional context for why we’re making this change now.

We’ve already heard a lot of valuable feedback, and will continue to gather it to help shape our development and improvement roadmap. Thank you for your patience, feedback and support as we get things dialed in.

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Kodak licensee Reto has quietly added another beginner-friendly 35mm camera to its analog lineup. The Kodak EC35 is a fixed-focus point-and-shoot aimed squarely at casual shooters and film-curious newcomers thanks to its affordable price and ease of operation.

The EC35 is a simple 35mm film camera with a plastic body and 25mm, fixed-focus, 2-element acrylic lens. It’s a point-and-shoot camera, featuring a fixed F10 aperture and a constant 1/100 sec shutter speed. It does offer manual film advance and rewind, though, for a more traditional film experience. There’s also a built-in flash powered by a single AA battery.

It’s highly compact, weighing 102 g (3.6 oz) and measuring 119 x 65 x 41.5mm (4.7 × 2.6 × 1.6″). It features a slide-out cover to protect the lens, just like highly popular retro compact film cameras, such as the Olympus Stylus (Mju series) and Contax T3.

Reto

While the camera uses Kodak branding, it comes from Reto, the Kodak licensee behind the viral Kodak Charmera cameras. Reto has been steadily rebuilding a Kodak-branded analog ecosystem with playful, affordable cameras like the Ektar H35 half-frame, the H35N half-frame and the Snapic A1, a compact with a 25mm three-element glass lens and double-exposure mode. The EC35 slots in as a more basic model that produces full 35mm frames, sitting below the feature-rich Snapic A1 with its LCD, auto wind/rewind and multi-exposure features.

The Kodak EC35 comes in six colors: black, white, yellow, lavender, light blue, light pink and light green. It’s available for purchase now for $35, the same price as Lomography’s recently released half-frame camera.

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Lomography is jumping on the half-frame trend with its latest camera. The appropriately named Half-frame Simple Use Reloadable Film Camera is an affordable option that aims to make film easy for those looking to explore the medium.

As a half-frame camera, it uses half of each 35mm frame, resulting in 17 mm x 24 mm vertical images and letting you get twice as many photos from a roll as a traditional 35mm camera. The small point-and-shoot looks like a classic disposable camera and comes pre-loaded with a roll that gives you 40 shots before you need to reload. Despite its lightweight, disposable-style design, the camera is fully reloadable, and with a standard 36-exposure roll, you can capture up to 72 images.

Lomography

Lomography designed the camera to be easy to use. It features a fixed-focus 21mm lens, a single 1/120 sec shutter speed, a fixed F9 aperture and no ISO adjustment options. It offers a built-in flash to help in low-light situations and has integrated gels to slide in front of the flash for pops of color. There are also shooting instructions printed on the camera body to help you use it if you’re new to film.

You can choose between two preloaded versions of the half-frame camera: one with LomoChrome Classicolor ISO 200 film, and the other with Lady Gray ISO 400 black and white film. You can also opt for a kit that includes six additional rolls and a case to store your film. Sitting well below options like the Pentax 17, it’s meant to be an affordable, casual way to enjoy film.

The Lomography Half-frame Simple Use Reloadable Film Camera is available for preorder now and costs $30 with black-and-white film and $35 with color film.

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Hasselblad launched Phocus Mobile 2 in 2019, as an iOS-only app for editing Raw files from its medium format cameras on phones and tablets. Now, the company has announced Phocus Mobile v1.0.0 for Android, finally bringing the mobile workflow to Android users with the X2D II 100C, X2D 100C and 907X + CFV 100C.

Like the iOS version, Phocus Mobile for Android includes a robust set of editing tools, including exposure, curves, white balance, sharpening, cropping, lens correction and more. It also supports batch adjustments and basic asset management with the ability to add ratings and mark favorites. Images can be imported over Wi‑Fi or, for those using the X2D II 100C (with firmware version 1.3.16.1 or later), via USB‑C. Files can then be exported as Ultra HDR JPEG, HDR TIFF, as well as standard JPEG, TIFF, HEIF or 3FR Raw.

Hasselblad says that the Android app brings its end-to-end Natural Color Solution (HNCS) to mobile, allowing for a consistent look whether editing on desktop or mobile. The app supports HDR viewing and editing for X2D II 100C files on compatible HDR devices. It also features the company’s AI-powered Raw noise reduction, which it says is tuned for its 100MP sensors. The noise reduction tool offers two modes, allowing users to prioritize either cleaner files or better micro-contrast.

There are some hardware caveats, though. The app requires an Android device with at least 12 GB of RAM and Android 12 or later. That said, Hasselblad recommends Android 16 or later and devices powered by Snapdragon 8 Gen 3 or newer for the best experience. Given that the phone needs to handle 100MB files, that shouldn’t come as much of a surprise.

Hasselblad’s Phocus Mobile for Android is now available on the Google Play Store for free.

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