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Significant Sony FX3A, FX30, FX6, FR7 cinema cameras price increase announced in Japan


Sony Japan announced a significant price increase for several cameras:

Model Product Old Price New Price Increase % Increase
ILME-FX3A FX3A body ¥581,900 ¥693,000 ¥111,100 19.1%
ILME-FX6V FX6 body ¥935,000 ¥1,045,000 ¥110,000 11.8%
ILME-FX6VK FX6 + 24-105mm ¥1,089,000 ¥1,215,500 ¥126,500 11.6%
ILME-FR7 FR7 PTZ cinema ¥1,430,000 ¥1,622,500 ¥192,500 13.5%
ILME-FR7K FR7 + 28-135mm ¥1,727,000 ¥1,972,300 ¥245,300 14.2%
ILME-FX30 FX30 XLR handle ¥352,000 ¥374,000 ¥22,000 6.3%
ILME-FX30B FX30 body ¥297,000 ¥319,000 ¥22,000 7.4%

  • Total affected products: 18 (7 cameras above + 11 memory cards)
  • Average increase across the priced products is reported at 12-14.5%
  • Here is the original text from Sony Japan:

Notice Regarding Price Revision for Some Products

Thank you for your continued patronage of Sony products. Sony Marketing Inc. will revise the manufacturer’s shipping prices for some products sold in Japan, effective September 1, 2026.
Due to the impact of the current external environment, including rising raw material costs and manufacturing/logistics costs, we will revise the shipping prices as follows. We will also revise the manufacturer’s suggested retail prices.

  • Date of revision of shipping price and suggested retail price: September 1, 2026
  • Target Categories: Cinema Line camera and professional camcorder products
  • Average price revision rate: Approximately 12% increase

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Sony FX5 camera officially delayed, no official release date given




I already reported that the Sony FX5 orders have far exceeded expectations, and now Sony has officially delayed the release date of the FX5 (pre-orders: B&H Photo | WEX Photo | Foto Erhardt):

“Regarding the professional camcorder FX5, which was announced as having a release date of August 21, 2026, in the press release on July 22, 2026, Wednesday, we regret to inform you that the release will be postponed due to production issues. In addition, the release of related accessories DVF-EL1, XLR-H2, and VMC-BNCU1 will also be postponed. We will inform you of the new release dates as soon as they are confirmed. We sincerely apologize for any inconvenience caused by this last-minute announcement.” (source)

B&H is listing the FX5 for September shipping:


Sony FX5 previous coverage:

Sony FX5 cinema camera announced

Of course Sony FX5 orders far exceed expectations

Comparing the Sony FX5 and the FX3A

FieldMade released custom indicator labels for OM System cameras and lenses and the new Sony FX5 camera

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Spider-Man 5 déjà en préparation ? Le réalisateur de Brand New Day prêt à rempiler

Alors que les fans savourent encore les révélations autour de Spider-Man: Brand New Day, l'avenir de l'Homme-Araignée au cinéma semble déjà s'inscrire sur le très long terme. Entre l'enthousiasme des producteurs et l'envie du réalisateur Destin Daniel Cretton d'enchaîner avec un Spider-Man 5, le Tisseur n'a pas fini de faire parler de lui.

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List of upcoming/rumored Sony lenses


Here are some of the upcoming/rumored Sony lenses that are currently being tested:

  • 8-15mm Fisheye Zoom
  • 600mm f/6.3
  • 400mm f/4.5
  • 28mm G
  • 40mm G

These are all engineering prototypes. Specifications or naming conventions may be adjusted upon official release. The specific release dates are currently unknown.

Sony launches FE 100-400mm f/5.6-8 OSS super-telephoto zoom lens


Via camerainsider

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Sony launches FE 100-400mm f/5.6-8 OSS super-telephoto zoom lens






The previously rumored Sony FE 100-400mm f/5.6-8 OSS super-telephoto zoom lens is now officially announced. Notable features include a newly designed optical system with ED (extra-low dispersion) and aspherical elements for outstanding image quality throughout the zoom range, fast and precise linear motor autofocus, built-in Optical SteadyShot image stabilization, impressive close-focusing capabilities with up to 0.41x maximum magnification, and compatibility with Sony teleconverters for even greater reach.

  • Pre-orders: B&H Photo | Foto ErhardtWEX Photo
  • Key features:
    • Designed for wildlife, birds & travel photography
    • Dual linear motor autofocusing mechanism
    • Compact and lightweight at only 654g
    • Close focusing from 0.86 meters
    • Two ED and two aspherical elements
    • Optical SteadyShot reduces camera shake
  • Additional informtion:

Compact, Lightweight Design for Easy Handling, Even for First-Time Super-Telephoto Users

The lens delivers a 100-400mm super-telephoto zoom range in a compact, lightweight body weighing approximately 654g, making it easy to carry. That portability also eases handling during handheld shooting and speeds up framing. You can capture powerful images of subjects that are hard to approach, such as birds and sports scenes, and use the ‘compression effect’ (which makes the distance between nearby subjects and distant background elements appear shorter) for landscape work unique to super-telephoto lenses. With an optional SEL20TC teleconverter*[1], you can double your reach, up to 800mm, or up to 1,200mm in APS-C mode.

Sharp Detail Through the Entire Zoom Range Means You Can Capture the Details That Matter

Excellent image quality holds whatever the shooting distance, thanks to an optical design with two ED glass elements and two aspherical elements that suppress color bleeding and distortion for clear rendering across the entire zoom range. The subject stands out against natural, soft bokeh, helped by a 9-blade circular aperture and optimization of spherical aberration. Its close-up performance is strong too: a minimum focusing distance of 0.86 m at the telephoto end and 1.13 m at the wide end, with a maximum magnification of 0.41x, lets you shoot flowers, insects, and other nearby subjects as easily as distant ones.

Fast, Precise AF and Built-In Optical Image Stabilization for Moving Subjects

The linear motor drive delivers fast, precise, and quiet AF (auto focus) to track moving subjects. The lens also supports high-speed continuous shooting with AF/AE (auto exposure) tracking at up to approximately 120 frames per second*[2] with the full-frame mirrorless α9 III camera. Built-in optical image stabilization suppresses camera shake during handheld shooting and keeps framing stable, even with distant subjects. The lens also works with the camera body’s Active Mode image stabilization and coordinated image stabilization control*[3], for high-quality stills and movies with reduced blur when shooting handheld. It also supports the camera body’s breathing compensation function*[4], which corrects changes in angle of view caused by shifts in focus position during movie recording.

Usability and Reliability Built for Outdoor Adventures with Dust and Moisture Resistance

A customizable focus hold button, focus mode/range switching dial, and zoom lock switch give you quick operation across shooting scenes and comfortable ultra-telephoto handling. A dust and moisture resistant design*[5] helps you keep shooting with confidence when the weather changes unexpectedly. The supplied lens hood helps prevent flare and ghosting that can degrade image quality.

Sony to announce a new FE 100-400mm f/5.6-8 OSS lens with integrated focus limiter/AF/MF switch

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Sony published an official list of E-mount license partners: not a single Chinese lens manufacturer is on the list


Sony published an official list of E-mount license partners, and not a single Chinese lens manufacturer is on the list:

“The E-mount Basic Specifications have been disclosed to the partners that satisfy the qualification criteria predefined by Sony. License partners are as follows (as of July/2026). The E-mount Basic Specifications are disclosed for compatibility. It does not guarantee the compatibility or quality of all functions. For quality assurance, please contact the license partner.”


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Sony also confirms the Tamron acquisition offer in their latest Q1 FY2026 financial results



Sony also confirms the Tamron acquisition offer in their latest Q1 FY2026 financial results:

Earlier today, Sony released its Q1 FY2026 financial results (for the three months ended June 30, 2026). While the big headline numbers were incredibly strong—consolidated sales up 8.2% to JPY 2,837.8 billion and operating income surging 40% to JPY 476.5 billion—the biggest takeaway for the Alpha community was the formal confirmation we’ve all been waiting for: Sony has formally submitted a proposal to acquire Tamron.

Sony Q1 FY2026 Financial Results: Sony Confirms Tamron Acquisition Offer

Tamron confirms non-binding acquisition proposal from Sony

Sony to acquire Tamron?

Via SonyAddict

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Tamron confirms non-binding acquisition proposal from Sony


Tamron issued an official statement regarding the previously reported/rumored acquisition bid by Sony:

Regarding Partial Media Reports about Our Company

Yesterday, Diamond Online published a partial report stating that there had been an acquisition proposal regarding our company. However, this was not announced by our company.

It is true that we have received a non-binding proposal from Sony Corporation concerning a series of transactions to make our company a wholly-owned subsidiary of the Sony Group. In response, we have established a special committee and are examining various options aimed at enhancing corporate value. At present, however, there are no matters that require public disclosure.

Should any matters requiring disclosure arise in the future, we will promptly announce them.

Here is the original document:

Sony to acquire Tamron?

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Sony to acquire Tamron?


Today, Diamond Online (ダイヤモンド・オンライン) published an investigative scoop stating that Sony Group has proposed acquiring Tamron, aiming to acquire all of Tamron’s shares. The deal size is projected at roughly 200 billion yen (約2,000億円). No official confirmation or denial has been issued by Sony or Tamron as of the latest available information. Diamond is a long-established, respected Japanese business magazine. The article is paywalled, but here is an AI-generated recap:

Update #1: there is also a similar report from Nikkei today.

Update #2 – Tamron confirms non-binding acquisition proposal from Sony.

  • Sony has been Tamron’s largest (or near-largest) traditional shareholder for years, holding around 15% in recent periods. This stake has long functioned as a stabilizing “white knight” relationship.
  • Activist fund Effissimo Capital Management aggressively increased its holding (reports put it at ~17.4% earlier in 2026), potentially overtaking Sony as the top shareholder. Japanese coverage frames this as a possible defensive catalyst for Sony to move for full control.
  • Tamron is already a critical partner for Sony (popular third-party lenses + historical OEM relationships). Full ownership would lock that in.
  • Tamron shares (7740.T) reacted immediately in after-hours PTS trading with a sharp jump (reports of double-digit percentage gains).

Japanese coverage highlights a shift in Sony’s electronics division:

  • After years of defensive restructuring (including the TV/BRAVIA separation), the division is now pursuing growth-oriented M&A.
  • Strategic goal of tighter vertical integration: Sony’s industry-leading image sensors + camera bodies + Tamron’s optical design and high-volume precision manufacturing know-how.
  • Protecting the E-mount ecosystem and Tamron partnership from activist pressure or any shift in Tamron’s multi-mount priorities.

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Sony veut son Spider-Verse pour adulte (et gore) : un film d’animation Venom est en préparation

Vous pensiez être débarrassés de la bavouille noire après la fin de la trilogie en live-action ? Peine perdue. Sony Pictures n'a pas du tout l'intention de lâcher le filon. La productrice Amy Pascal vient de l'avouer : un film d'animation Venom est officiellement en préparation. Et le choix des réalisateurs en dit long.

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Jumanji Open World : la première bande-annonce inverse totalement le concept du film

Poule aux œufs d'or inattendue pour Sony, la saga Jumanji version The Rock se prépare à tirer sa révérence. La première bande-annonce de Jumanji: Open World vient de tomber. Le quatuor d'avatars rempile une ultime fois pour un chaos à ciel ouvert, tout en évitant soigneusement de se faire broyer au box-office.

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