❌

Vue lecture

↗️

Bridge returned error 400! (20694)

✇Bluesky - Tristan K. (@tristankamin.bsky.social)
Par : RSS-Bridge

Details

Type: ClientException
Code: 400
Message: Invalid parameters value(s): data_source
File: lib/utils.php
Line: 256

Trace

#0 index.php(73): RssBridge->main()
#1 lib/RssBridge.php(39): RssBridge->{closure:RssBridge::main():37}()
#2 lib/RssBridge.php(37): BasicAuthMiddleware->__invoke()
#3 middlewares/BasicAuthMiddleware.php(13): RssBridge->{closure:RssBridge::main():37}()
#4 lib/RssBridge.php(37): CacheMiddleware->__invoke()
#5 middlewares/CacheMiddleware.php(44): RssBridge->{closure:RssBridge::main():37}()
#6 lib/RssBridge.php(37): ExceptionMiddleware->__invoke()
#7 middlewares/ExceptionMiddleware.php(17): RssBridge->{closure:RssBridge::main():37}()
#8 lib/RssBridge.php(37): SecurityMiddleware->__invoke()
#9 middlewares/SecurityMiddleware.php(19): RssBridge->{closure:RssBridge::main():37}()
#10 lib/RssBridge.php(37): MaintenanceMiddleware->__invoke()
#11 middlewares/MaintenanceMiddleware.php(10): RssBridge->{closure:RssBridge::main():37}()
#12 lib/RssBridge.php(37): TokenAuthenticationMiddleware->__invoke()
#13 middlewares/TokenAuthenticationMiddleware.php(10): RssBridge->{closure:RssBridge::main():33}()
#14 lib/RssBridge.php(34): DisplayAction->__invoke()
#15 actions/DisplayAction.php(54): DisplayAction->createResponse()
#16 actions/DisplayAction.php(88): BridgeAbstract->setInput()
#17 lib/BridgeAbstract.php(163): throwClientException()
#18 lib/utils.php(256)

Context

Query: action=display&bridge=BlueskyBridge&data_source=getAuthorFeed&user_id=tristankamin.bsky.social&feed_filter=posts_and_author_threads&include_reposts=on&format=Atom
Version: 2025-08-05 (git.master.f4aa9e0)
OS: Linux
PHP: 8.4.24

Go back

mruac

  •  
  • ↗️
↗️

Anthropic Sued By Sony, Warner For Allegedly Stealing Tens of Thousands of Songs, Torrenting Copyrighted Works

✇Slashdot
Par : EditorDavid
Axios reports: Some of the world's largest music publishers filed a blockbuster lawsuit against Anthropic late Friday night, alleging "one of the largest and most blatant ongoing thefts of intellectual property in history." The suit is the opening salvo in what is now likely to be a yearslong fight over music, AI, and how intellectual property is protected in a new era of technology... The Sony/Warner lawsuit is notable because it's broad. It alleges Anthropic unlawfully trained its models off "tens of thousands" of music publishers' copyrighted compositions, whereas other lawsuits have focused on a narrower set of works. BMG's lawsuit against Anthropic, for example, claims infringement against 493 compositions. What they're saying: "Defendants Anthropic and its founders Dario Amodei and Benjamin Mann have conducted a brazen campaign of illegally torrenting, scraping, and downloading copyrighted works on a massive scale in order to develop, operate, and reap enormous profits from Anthropic's 'Claude' series of artificial intelligence ('AI') models," the plaintiffs write in the 48-page complaint. They also claim that Anthropic pirated thousands of copyrighted musical works... More details from The Verge: The companies are asking for up to $150,000 per work, plus up to $25,000 for each instance when identifiable copyright data was stripped. In total, the damages could amount to several billion dollars if a court finds in Sony and Warner's favor and awards the maximum amount... The suit alleges that Mann used BitTorrent to download over five million pirated books, and that employees downloaded at least two million more from Pirate Library Mirror. It also claims that Anthropic scraped lyrics from sites like MusixMatch and LyricFind, which paid to license content from the labels.

Read more of this story at Slashdot.

  •  
  • ↗️
↗️

What's 88-year-old Ridley Scott Doing Now?

✇Slashdot
Par : EditorDavid
The Los Angeles Times first calls Ridley Scott's newest movie "a postapocalyptic thriller that trades zombies for pandemics and asks whether hope can outlast catastrophe." But besides The Dog Stars, Scott is also working on an adaptation of Robert Louis Stevenson's "Treasure Island" starring Hugh Jackman, and is thinking about turning one of his past films into a musical. ("I can't tell you which one because they're being difficult.") The common theme, they suggest, is a director who allows his stories to "speak through evocative, immersive images rather than unnecessary exposition." The British director says it's because he got his start in advertising after attending the Royal College of Art in London. After 1982's neon-coated sci-fi thriller "Blade Runner," Scott notably made the iconic Apple Macintosh computer ad "1984," a memorable Orwellian-themed clip that contained suggestions of the dystopias that would continue to fascinate Scott in his filmmaking. "Advertising in England at that point became a competitive art form," he says, pointing to the notorious "Adland Five," a group of directors that included Hugh Hudson, Adrian Lyne, Alan Parker, Scott and his brother Tony. "I've got a show reel which is 50 years old which would entertain the s — out you. Hasn't aged at all. Our visual drive changed the face of how films looked." That's apparent in Scott's latest, "The Dog Stars" (in theaters Friday), a film about survival after the end of the world. It's based on Peter Heller's 2012 novel and set in Colorado 10 years in the future after an aggressive flu has decimated much of the population. Those remaining alive use any means necessary to stay that way, resulting in instability, brutality and, more hopefully, connection... These days, Scott develops movies with his production company, Scott Free, which he founded with his late brother Tony in 1995. Before that he says he struggled to find good scripts. And rarely has someone handed one to him. "I've only ever had three films land on my desk," he says. "One was 'Alien,' which I was fifth choice for after Robert Altman." He makes a face. "Can you imagine offering Robert Altman 'Alien'? How stupid can you get?" Another was 2015 space adventure "The Martian," which Scott says had been sitting on a shelf for two years before it was sent to him. Scott's grounded, semi-comedic take on Andy Weir's novel resulted in seven Oscar nominations. The third screenplay to materialize was "The Dog Stars." "I read it and I was blown away," Scott says. Deadline notes that Scott is already re-writing the third prequel to Alien, citing Scott's comments to French outlet AlloCiné. "The one that just came out [2024's Alien: Romulus] was OK. I think it needs some help. So, I've gone back in." Scott continued, "I've already got a footprint for the next Alien.... I'm picking up where we left off in Covenant with Micheal Fassbender, who now thinks he's Ozymandius." With the sequel bringing back Fassbender's futuristic AI droid, Scott sees an opportunity to explore the repercussions of artificial intelligence in our current world. "I like the fact that AI has gone off the rails," said Scott of where the character is at the end of Covenant. "If we go AI, the moment we discover it's off the rails is too late. It could switch every digital thing off in the world like that. You'd have fucking chaos. It's that kind of stuff that's scary." Scott tells the Los Angeles Times that the malfunctioning AI character fascinates him, and in the movie will be creating a "brave new world for himself... AIs can go off. And if they do, it's like a bomb..." So far, Scott says he hasn't implemented AI technologies into his filmmaking. He holds up his "Treasure Island" Ridleygrams [hand-drawn storyboards] and shakes them at the camera. "I can compete with an AI without any problem making images," he says. "But it's coming, inevitably." Scott was not involved in the forthcoming Prime Video series "Blade Runner 2099," out in November. "I can't blame my lawyers and my agents at that time, but somehow we let 'Blade Runner' go," he says. "And when you're not the author of the actual written word, you don't have a piece." (He was more involved in Noah Hawley's recent "Alien: Earth" series, which he calls "pretty damn good....") Does that mean he thinks about his legacy as a filmmaker? He does, but not often. "When you think of your legacy, you're too near the end," Scott says. "I'm not near the end." He looks up from his drawings. "I've had a riotous time," he says. He corrects himself: "I'm having a riotous time."

Read more of this story at Slashdot.

  •  
  • ↗️
↗️

152° - Imprimantes 3D Anycubic Kobra S1 Combo

✇Dealabs
316€ - JoyBuy

Le Anycubic Kobra S1 version Combo-Joybuy est un système d'impression 3D haute performance couleur conçu pour offrir vitesse, précision et une facilité d'uti...

  •  
  • ↗️
❌