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Vue lecture

The Godox A2 is a real flash for your phone

The company is bringing its flash expertise to a whole new kind of camera.

Orange smartphone held in a hand, featuring a circular LED ring light attached to the back, positioned against a clear blue sky.Godox

Godox has announced the A2, a flash that’s designed to attach to the back of your phone. While almost every smartphone has a flash built-in, they’re almost always LEDs, which aren’t particularly powerful, and don’t really produce the look most people associate with flash photography. The A2, meanwhile, has a xenon flash tube, like you’d find on a traditional compact or flash gun.

It magnetically connects to the back of your phone, providing the classic front-on flash look that is nostalgically associated with photos from compact cameras. However, since it’s wireless, you’re also free to detach it from your phone and use it as a bounce or fill light. The company says its bluetooth connection should work at up to 15m (49′) away.

A hand holds up a sparkling blue drink on a beach at dusk, with a white floral sundress and a large straw hat visible.Godox

Unlike most cameras, phones don’t really expect you to be using them with an external flash, which means you can’t use the A2 with your phone’s built-in camera app. Instead, Godox is providing its own app, which lets you either shoot in auto mode, which decides how bright the flash should be and your exposure settings for you, or in a fully manual mode that gives you control over all those settings.

Three smartphone screens displaying the Godox Camera app interface in manual mode, showing adjustable shutter speed settings of 1/2000, 1/4000, and 1/8000.
The reliance on an app means that, unfortunately, the A2 is iPhone-only to start.
Godox

Godox says that, at launch, the app will work with the iPhone 15 or newer running at least iOS 18. The company promises that versions for Android and Huawei’s HarmonyOS are in the works.

The flash is small enough to fit in most pockets once detached from your phone, so it’s not surprising that it’s not the most powerful light out there, with a guide number of 15. The company says that, for best results, you should have the flash within 2m (6’6″) of your subject. But while it’s not particularly powerful in the world of standalone flashes, it’s still much brighter than the flash included on your phone.

The A2 also has a 3W bi-color modeling light built-in, which you can use to make focusing and composing easier in dark environments, or as a video light with adjustable color temperature. The company says you should be able to leave it running at full power for up to an hour off of the 500mAh internal battery, which is also good for up to 400 full-power flashes.

Alongside it, Godox is releasing several optional accessories that you can use to shape the light and change its look, and that give you more options for positioning it. The magnetic ring that lets you attach the flash to your phone also means you can theoretically mount it to any magnetic surface.

The A2 seems like a very interesting product for anyone who’s serious about phone photography, and we’ve enjoyed Godox’s flashes in the past. It will, however, be interesting to see how well its camera app works, and whether it comes with a hit to image quality. So much of mobile photography comes down to multi-shot exposures and computation, and it’s unclear whether Godox’s app will have any of that (and, if it does, how well it’ll play with flash).

Four round Godox LED lights in silver, black, light blue, and maroon hovering over a wavy white surface.Godox

Thankfully, Godox isn’t demanding too high a price for the A2: it retails for $85, and comes with a diffuser dome and carrying case. It’s also available in four colors which, perhaps unsurprisingly, match this year’s crop of pro iPhones: silver, black, light blue and dark red.

About the Author: Mitchell started taking pictures at 10 and hasn’t stopped since. It’s been a wide-ranging adventure, spanning a wide variety of genres and locales, and occasionally dipping into fascinations with video and filmmaking. They honed their technical knowledge doing documentation, programing and QA, writing for The Verge, and just generally messing around on the computer to see what breaks.

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Epic : baisse ta culotte, c’est l’IA qui pilote

Si vous aviez encore le moindre doute là-dessus, Epic part à fond les ballons sur l'autoroute de l'IA, sans ABS, sans airbag, sans même allumer le GPS pour savoir s'il est sur la bonne route. Ainsi apprend-on grâce à Bloomberg qu'ils ont ordonné à leurs développeurs de passer en mode Turbo Full IA, aussi bien pour le code que pour le contenu artistique, afin de terminer leur nouveau jeu de shoot Marvel/Star Wars. Plus rien ne sera fait à la main (c'est trop lent), tout doit être généré par des prompts. Les employés font la gueule. Dans la foulée, Epic annonce aussi que son nouvel Epic Game Store a été entièrement vibe-codé et se gargarise que la plateforme tourne désormais beaucoup plus rapidement que Steam. Ce qui n'est pas très difficile vu qu'il n'a qu'une fraction des fonctionnalités offertes par Valve et que plus grand monde ne l'utilise. A.
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Hail to the king, baby

Richard Gray, dit Levelord, est mort le 12 octobre 2026 à l'âge de 68 ans. Si vous ne connaissez pas son nom, vous êtes certainement familier avec son travail, puisque c'est à lui qu'on doit l'essentiel des niveaux de Duke Nukem 3D. Véritable légende du level design (à l'époque le mot n'existait pas, on appelait ça « faire des cartes »), il a été l'un des premiers à réfléchir aux grands principe du métier, en publiant dans des magazines de jeu vidéo américains des guides destinés aux level designers débutants. Ag.
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Getty Images going private, following collapse of ShutterStock deal and rise of AI

Editorial and stock photo agency will continue as usual, while Getty family and Koch investment company take full ownership

Getty Images wordmark on a white backgroundGettyImages

Getty Images has said it plans to go through the Chapter 11 bankruptcy process as a step to being taken private by members of the Getty family and Koch Inc’s investment arm, who will together invest up to $533M in the business.

“Under the Plan, vendors will be unaffected and paid in full in the ordinary course of business,” the company said: “There is no anticipated impact on content contributors, partners, customers, or employees across the Company’s worldwide network.”

The stock image library had given up on its attempts to buy rival ShutterStock after the UK competition body forced revisions to the deal. The heavily indebted company has now been delisted from the New York Stock Exchange and its two largest shareholders say they’ve developed a plan to take the company private.

Although the company said it expects a reduction in revenue from its iStock division, “due to reduced eCommerce
demand,” it said it still expects to see growth in its editorial business that provides images to news outlets.

This plan, if approved by the remaining creditors, will be implemented via a “prepackaged” Chapter 11 bankruptcy: a mechanism by which a company can be significantly reorganized, overseen by a bankruptcy court but under the control of the existing owners, in order to remain as a going concern. Some existing lenders have agreed to write-down and restructure some of the company’s debts as part of the process, and the company confirmed “the requisite majority of creditors have committed to vote in favor of the plan.”

It says the restructuring process should be complete by the end of the year.

News agency (and competitor) Reuters reports that competition from AI-generated imagery and heavy debt have played a role in the move. It highlighted that the company’s total debt was around $2.1B at the end of June, whereas its market valuation had slipped to just under $21M when markets closed last Friday. The company’s revenue estimate for 2026 is $920M.

In an accompanying financial update, Getty Images said it had spent around $105M on the failed ShutterStock acquisition, along with $17M in ongoing costs relating to its copyright infringement cases against Stability AI, which it accuses of using its images to train an image generation model.

About the Author: Richard graduated as a scientist but had a lot more fun writing and shooting for his university magazine. A number of years spent variously as a reporter, writer and editor on science and engineering titles combined his knowledge of science with his interest in images and words. But it was spotting the connections between emission spectra, white balance and all the nonsense he’d taught himself playing around in Photoshop that helped kindle an interest in digital photography. Searching for a camera led to him discovering DPReview and Richard was recruited by Phil Askey in 2007. He’s been combining his love of photography, communication and attention to detail (pedantry?) ever since. He has unusually strong opinions about lenses for the APS-C format.

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