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Vue lecture

Sigma launches a new line of compact, vintage-style lenses focused on character over sharpness

The first entry is the full-frame 50mm F1.4 CL DG Contemporary.

Person holding a black camera lens against their shoulder.Sigma

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Sigma has announced the full-frame 50mm F1.4 CL DG Contemporary, the first entry in a new line of lenses that will sit within its affordable I series, which is focused on vintage aesthetics and metal construction. The CL line retains that – this lens is made out of aluminum and has a depth of field scale, a knurled screw-on hood and aperture and focus rings – but is also designed to be small and lightweight in a way that the I series historically hasn’t been.

The lens is around 65mm long and weighs 375g, a substantial reduction from Sigma’s Art-series 50mm F1.4 DG DN, which is 110mm (4.3″) long, and 670g (23.6oz). It’s also only a touch heavier than the I series 50mm F2, and is a touch smaller. It takes 52mm filters.

Woman holding a black camera with a large lens in front of a colorful abstract background.Sigma

Sigma has made it clear that part of its focus on size has been letting go of the need for “sterile, clinical sharpness,” especially at the corners, which look to be especially soft. The company’s press release is full of words that show that this will be a lens with character, saying that it’ll offer a “distinct artistic signature” and have “thoughtfully developed bokeh” with “smooth, organic falloff.” The lens is constructed from nine elements in six groups, with three aspheric lenses and one FLD low dispersion element.

That’s not to say that Sigma has entirely given up on traditional markers of optical quality; it still promises the lens will have well-controlled ghosting and aberration, with no internal reflections. It has a minimum focusing distance of 0.45m (1′ 6″).

Despite the lens’s focus on compactness, Sigma says it still focused on providing a “rugged, tactile, and premium feel” to the lens’s construction, and it will come with a magnetic lens cap. It’s also sealed for dust and splash resistance, and has a moisture and oil-repellant coating on the front element.

Top-down view of a black mirrorless camera body attached to a black Sigma 50mm f/1.4 lens, displaying the power switch, recording button, and aperture control ring.Sigma

The lens’s focusing system is also built for compactness. Rather than focusing internally, Sigma says it uses a “new whole-lens extension focus.” The company is also driving focus in a new way, taking the coils and magnets from its linear motors and arranging them in a circle to create a “slim, high-torque autofocus mechanism.”

According to Sigma, this also lets you immediately switch to manual mode just by turning the focus ring (which happens to have hard stops at infinity and minimum focus distance), even if the lens is focusing, rather than needing to flip an AF/MF switch. However, the company also says it can wobble a bit, thus won’t be as well-suited to continuous autofocus for video.

Sigma hasn’t announced pricing or an exact release date yet, saying that it expects to launch the 50mm F1.4 CL DG Contemporary in “early Spring, 2027.” When it does come out, it’ll be available for L and Sony E-mounts in black and silver finishes.

Sigma 50mm F1.4 CL DG Contemporary specs

Quick Specs

Lens Type
Prime lens
Zoom range
N/A
Fisheye
N/A
Perspective control
N/A
Macro
N/A
Max format size
35mm FF
Minimum Focal length (W)
50 mm
Maximum Focal length (T)
50 mm
Max aperture (W)
F1.4
Max aperture (T)
F1.4
Min aperture (W)
16
Min aperture (T)
F16
Aperture ring
Yes
Aperture actuation
Electronic
No. of elements
9
About the Author: Mitchell started taking pictures at 10 and hasn’t stopped since. It’s been a wide-ranging adventure, spanning a wide variety of genres and locales, and occasionally dipping into fascinations with video and filmmaking. They honed their technical knowledge doing documentation, programing and QA, writing for The Verge, and just generally messing around on the computer to see what breaks.

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Guns of Eschaton, le soulslike FPS avec des cowboys de l’apocalypse, dégainera son colt le 8 décembre

Découvert en ce milieu d’année, Guns of Eschaton se présentait comme une soulslike à la première personne se déroulant dans un Western alternatif imaginé par Viktor Antonov. Pour rappel, c’était le directeur artistique du studio Eschatology Entertainment avant son décès l’année dernière, mais il était surtout connu pour son travail sur des licences telles que Half-Life 2 ou Dishonored. À la rédac, dès la première vidéo gameplay, nous n’étions pas particulièrement convaincus, la faute à un gameplay plutôt mou et ennuyeux. Même la démo, qui était sortie récemment, nous avait conforté dans nos premières impressions et du côté de Steam, le retour des joueurs était également mitigé. Ces derniers s’accordaient à dire que la direction artistique était sublime, mais que l’optimisation et certaines mécaniques de gameplay étaient à revoir. Malgré tout, l’équipe de dev ne change pas ses plans et confirme la sortie de son FPS coopératif pour le 8 décembre prochain au travers d’un nouveau trailer.

Comme dit précédemment, l’univers de Guns of Eschaton est plutôt original et beau, que ce soit pour les environnements ou les boss. On comprend qu’après plus de trois ans de développement, le studio souhaite sortir son jeu et probablement passer à autre chose. Mais ne devrait-il pas reporter de quelques mois pour au moins peaufiner l’optimisation à défaut du gameplay qui divise les joueurs ? Par ailleurs, à l’occasion du Steam Neo Fest de ce mois d’octobre, la démo a été mise à jour, si vous souhaitez tester ou à nouveau donner sa chance au jeu. En attendant le 8 décembre prochain, vous pouvez ajouter Guns of Eschaton à votre liste de souhaits Steam, si la lenteur et la difficulté d’un soulslike FPS ne vous rebutent pas.

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