Same 20.9MP DX-format CMOS sensor as the Z50 (not confirmed yet, hopefully my info is wrong and they will introduce a new sensor – Fuji for example, is already using a 40MP sensor in their latest X100VI camera)
Laowa is making its APS-C wide-angle 'zoom shift' lens available outside of China, a few months after it launched it in the country. The 12-24mm F5.6 lens is unusual – the company says it's the "first wide-angle zoom shift lens," giving you control over perspective without being locked into a single focal length.
That versatility does come with a cost. For one, the lens' F5.6 maximum aperture is relatively slow for APS-C cameras. You also only get plus or minus 7mm of shift, while some of Laowa's shift primes can reach up to 11mm of shift in either direction. It also doesn't have any tilting abilities.
Image: Laowa
The lens is mainly marketed at landscape and architectural photographers looking to take images with minimal distortion. However, it does have some features for those who are interested in it for creative purposes; its minimum focusing distance is a relatively close 15 cm (5.9").
BCN Retail published the article "Is the compact camera dead?" Here is the recap from digicame-info:
Casio has left the compact camera market, Nikon has stopped development, and Sony and Fujifilm have significantly scaled back their lineups. Some may fear that the category itself will disappear as it is pushed aside by smartphones. The bottom line is that it is not dead at all. Compact cameras still account for more than 60% of camera sales. Although their sales value composition ratio is small, ranging from the upper 20% to lower 30%, a certain level of sales continues.
The average price is also rising, just like with interchangeable lens cameras. In particular, the increase in the proportion of relatively high-priced models over 50,000 yen stands out. As of September 2021, this was only 6.8% of the total number of units sold, but this September it had risen to 33.2%. This is thought to be largely due to the impact of inflation, but at the same time, it is also highly likely that there are an increasing number of users who want better products even if they are a little more expensive.
Year-on-year sales of interchangeable lens cameras fell significantly in both unit volume and value. Although the decline narrowed in October, sales remain below the previous year's level. Compact cameras are also showing a slowdown, with unit sales declining slightly in September and October. However, sales value remained above the previous year, with October sales value increasing by double digits to 115.3%. With prices of mirrorless cameras rising, it could be said that even relatively high-priced compact cameras are now looking cheap.
The compact camera market structure has changed significantly in the past few years. Canon is by far the top five in terms of sales volume in September, with a large share of 31.1%, backed by the PowerShot and IXY series. Meanwhile, Fujifilm, in second place, took a 13.4% share, largely due to the huge sales of its instax mini Evo. Kodak and Kenko Tokina, in third and fourth place, moved into the "vacant lot" left by major manufacturers. They are the main players who have expanded their market share by leveraging their good cost performance, and have greatly changed the market. And Ricoh Imaging, with its GR series, has made it into the top five with a modest single-digit share. The GR brand, which has been around since the film era, still has many die-hard fans.
The market price of old compact digital cameras has increased 20-fold in one year
The Japanese website Dime published the article "The market price has increased by about 20 times in one year! The noisy charm of old compact digital cameras that Gen Z is addicted to". Here is the recap from digicame-info:
Among young people in their teens and twenties who belong to Generation Z, old models from the heyday of compact digital cameras in the 2000s and 2010s (= old compact digital cameras) are suddenly gaining popularity. What is the reason for this attraction to Generation Z? Yuta Mimura, manager of the used camera specialty store "2nd BASE", analyzes as follows.
"Many people perceive the characteristics of the image, such as the tendency for it to have blown out highlights and noise, as being film-like, and the lo-fi feel is probably what makes it so popular."
"The vast majority of compact digital camera users want to try film, but the running costs of film and developing are a hurdle. Old compact digital cameras make it easy to take low-fi photos at low cost. What's more, their Y2K designs from the 2000s are also boosting their popularity."
"Sales (of old compact digital cameras) were not that high at first, but from around spring of last year sales started to pick up, and by summer our inventory couldn't keep up."
It is unclear how long the boom will last, but its momentum does not seem to be slowing down, with cameras that were selling for 1,000 or 2,000 yen two or three years ago now selling for around 20,000 yen.
The Sony Airpeak S1 drone and all related products/services are now discontinued. Sony has not announced any replacements or plans to continue the product line, which is precisely what GoPro did with their Karma drones a few years ago. I think it is safe to assume that Sony killed their drone program.
Here is the full text of the press release from Sony Japan:
Notice of discontinuation of Airpeak S1 sales
Thank you for your continued patronage of Sony products.
Due to recent changes in the business environment, sales of the Airpeak S1 and related products, except for some accessories, will end at the end of March 2025. Please see below for a list of products to be discontinued and details of the end of support, including repair services after the end of sales.
*These products are sold at Airpeak dealers. Please contact your local dealer for details.
Scheduled End of Life for Related Applications and Services
Application Service Name
End of service
Airpeak Base
Airpeak Flight
Airpeak Plus *1
March 31, 2030
Airpeak Protect Plan ※2
March 31, 2026
*1 Sales will end on March 31, 2029. *2 Sales will end on March 31, 2025.
*1*2 The planned end date of the paid services will depend on when the customer completes the service start-up procedure after purchase, but the above is the maximum period during which the services will be offered.
End of support schedule
Support Content
End of service
Regular inspection
and repair
software maintenance
The Laowa 12-24mm f/5.6 Zoom Shift lens offers a versatile zoom range of 12mm to 24mm, providing an expansive angle of view from 102.5° to 63.9°. This allows photographers to capture a wide variety of scenes. With a constant aperture of f/5.6, the lens ensures consistent exposure throughout the entire zoom range, offering great flexibility while maintaining high image quality.
Precise±7mm Shift Amount
The remarkable ±7mm shift capability set this lens apart. All shift lenses currently available in the market are primes, which makes this lens the WORLD’s first wide-angle zoom shift lens. This feature enables photographers to achieve precise perspective control and effortlessly minimize distortion.
Exceptional Distortion Control
The lens showcases excellent distortion control, allowing users to capture accurate and true-to-life images. This makes it an excellent choice for architectural and interior photography, where precise image quality is crucial.
15cm closest focusing distance
The Laowa 12-24mm f/5.6 Zoom Shift lens also has an exceptionally short focusing distance. Capable of focusing as close as 5.9 inches (15 cm) from the sensor. This lens offers photographers plenty of opportunities for creative experimentation.
77mm filter thread
The Laowa 12-24mm f/5.6 Zoom Shift lens offers the convenience of a 77mm filter thread, which can be used when the lens hood is attached.
Specifications
Format Compatibility
APS-C
Focal length
12-24mm
Max. Aperture
f/5.6
Angle of view
102.5°- 63.9°
Lens structure
15 elements in 11 groups
(2 aspherical elements, 3 ED elements)
Aperture blades
9
Shift Capability
±7mm
Min. Focusing distance
15cm
Max. Magnification
0.4
Focus mode
Manual (MF)
Filter thread
ø77mm
Dimensions
Ø98.91mm x 80mm
Weight
About 575g
Mount
Sony E / Nikon Z / Canon RF / L Mount / Fuji X / EF-M
With experience comes wisdom. And for photographers, few things are as satisfying as sharing that wisdom with those just starting their photographic journey. It's a chance to mentor, guide, and give back to the community that helped us grow.
Recently, a discussion in our forums caught our eye. The question posed was simple: "What have you learned that you would tell beginners?" The responses were insightful, offering a trove of knowledge perfect for sharing. In this article, we've gathered some advice from experienced DPReview forum users and some thoughts from our own editors.
The advice broadly falls into three categories: gear, technique, and the photographic process itself. Read on to discover what your fellow DPReview users said, and make sure to share your own hard-earned wisdom in the comments!
Gear: Don't get distracted by shiny objects
It's easy to get caught up in the allure of new cameras and lenses, but gear is only one piece of the puzzle. As sirhawkeye64, who started the forum thread, wisely points out, "I would have focused more on skill...and less on gear or having the latest gear or buying gear that I really never used, and perhaps instead learning to really use the gear I had."
User yardcoyote echoed this sentiment, advising beginners to trust their instincts and avoid getting swept up in trends: "Almost all my mistakes happened because I didn't trust myself and my photographic instincts. Now I know and trust that I don't want zoom lenses, I don't want wide angle, I don't want burst... I don't want to shoot Raw and do extensive work in post."
It's easy to get caught up in the allure of new cameras and lenses, but gear is only a piece of the puzzle. Learn to use the gear you have, and don't hesitate to buy used or refurbished gear.
Photo: Richard Butler
"It used to bother me a lot that I wasn't in the mainstream and that many people think I am not a 'real' photographer, at least partly because of these things. Now, I don't care as much. I'm just gonna go over here and take pictures."
Finding the right lenses can be a journey in itself. Editor Richard Butler suggests careful consideration: "Take some time to work out which other lenses you might need. A lot of people buy wide-angle or telephoto zooms, but you may find something like a portrait lens, a macro, or a bright 35mm prime if you like to capture the world as you see it."
"The key thing is that you don’t need all of these; you may not need many lenses at all. But you need to work out what you enjoy and what you want to photograph before you make an informed decision about what lens to buy next."
"I would have focused more on skill...and less on gear..."
For some, considerations of comfort and practicality are key. User mmartel wishes they had prioritized ergonomics: "I've found that grams and millimeters don't matter to me at all, and big EVFs are great... Just because a camera is larger or heavier doesn't mean it's less comfortable to carry and use."
User Leo_Yai emphasizes the importance of a manageable kit: "Keep the body size reasonable. Too small is too fiddly, too big stays in the garage too often, not taking images. Same for lenses... If you ever think, 'Should I change the lens?' then your carrying system is too cumbersome." Ultimately, the best gear is the gear you actually use.
Many experienced photographers suggest buying used gear. If you don't want to buy from a private party, you can often buy reliable used gear from shops like MPB.com (above). Some manufacturers sell refurbished products through their own websites.
Finally, Editor Dale Baskin offers this reassuring advice: "Don’t obsess about having fancy gear or the newest camera. Buy something used in good condition... Don't hesitate to buy refurbished or used gear."
Technique: Master the fundamentals
While gear is essential, mastering photographic techniques is crucial for creating compelling images. User GreenEyesGTA advocates for learning manual focus: "My biggest leap in photography was when I stopped [using] AF/burst so much and took my time with MF [manual focus]."
User Claus H keeps it concise, suggesting a focus on the basics: f-stop, focal length, shutter speed, ISO, composition, and color vs. black and white, along with skills like focusing on composition and leveling your camera.
Focus on learning the fundamentals – both the fundamentals of photography and of your camera.
Photo: Dale Baskin
"React emotionally to your pictures," Claus says. "Make them as good as you can, don't become a technophobe about them. If an image has soul, it has soul, regardless of what it was shot with. Learn the technical, but educate your eyes. Once you have the basics down, carry a camera as often as you can, and shoot, shoot, shoot."
Shooting a lot will help you get to know your camera, but Editor Mitchell Clark highlights the importance of exploring your camera's features. "My photography journey started well into the digital age when even basic cameras had capable auto modes and a litany of complex features. In a lot of ways this was a blessing, but it also let me build some bad habits that took years to undo."
"Once you have the basics down, carry a camera as often as you can, and shoot, shoot, shoot."
"I shot in manual but pretty much ignored everything else. This helped give me a solid understanding of exposure, but it also left huge gaps in my knowledge about how cameras worked and what they were capable of."
"Don't make that mistake," he implores. "While you probably shouldn't read your camera's manual cover to cover, I recommend taking a day to dive through the menus and make sure you have an understanding of what most of the options do. Today's cameras have so many features and capabilities, and it'd be a shame if you didn't use all the ones that fit your shooting style and needs."
The photographic process: Find your voice
Beyond gear and technique, photography is about capturing moments, expressing creativity, sharing your vision with the world, and being true to yourself and your vision.
"Make the images [you] want to make, don't be afraid to experiment, and don't assume that what 'everyone thinks' and 'everyone does' are the right things for you, says yardcoyote.
SeeingSomeThingsMissingMany emphasizes the importance of finding your passion: "[Choose] a subject matter you really like that makes you want to photograph it a lot; [Find] an easy-to-use camera you enjoy that makes you want to use this camera again and again."
Choose a subject matter you really like and photograph it a lot. Finding your own niche in photography allows you to build expertise and shoot something you really enjoy.
Photo: Dale Baskin
Finding your voice and vision is about more than just taking great photos, though. Dale Baskin offers this helpful hint: "Find a niche. When you're in learning mode, it's tempting to take pictures of lots of subjects without much creative focus, which is natural because you're learning your craft. As you get better, find one or two things you really love to shoot and get really good at shooting them. It allows you to become an expert and take your experience to the next level."
While feedback is valuable, staying true to your vision is essential. As Mitchell Clark notes, "If the images you're taking make you happy, it doesn't really matter what other people think of them." He also encourages sharing your work freely, reminding us that perfection shouldn't be an obstacle to sharing our creativity.
"Make the images [you] want to make, don't be afraid to experiment..."
With that in mind, user teejaywhy offers a simple but powerful reminder: "When sharing photos to friends or family (or random internet people, for that matter), remember: LESS IS MORE."
Richard Butler agrees: "One of the key skills of photography is to be able to critically assess your own work. This not only lets you focus your efforts on the photos most worthy of processing and editing, but also helps you learn which things work and which things don’t, helping you develop as a photographer."
Which brings us to the other thing he says he wished he’d known earlier: "Don’t judge your efforts too harshly at first: remember that everyone else is only sharing their best work."
Retrospekt, a company known for refurbishing and reselling classic consumer electronic devices, has announced a limited run of 24-karat gold-plated Rollei 35 film cameras called the Retrospekt 24K Gold Edition.
There's no denying the current fascination with film and digital vintage cameras, and the Rollei 35 is one of the most famous compact film cameras ever made. It was initially launched at Photokina in 1966, and at the time of its introduction, it was the smallest 35mm film camera available; over two million were eventually manufactured.
According to Retrospekt, its limited edition gold-plated cameras are fully-restored vintage Rollei 35 film cameras, with each camera being disassembled and its internal mechanicals refurbished to like-new condition. Each camera's exterior metal parts are electroplated with 24-karat gold.
Original Rollei 35 models usually had 40mm F2.8 or F3.5 Zeiss lenses. Retrospekt's gold-plated cameras include a Zeiss Tessar, Rollei Tessar or Schneider Kreuznach Xenar 40mm F3.5 lens.
Image: Retrospekt
Each camera comes in a presentation box, with a leather case and a wrist strap. The company says the case and strap are made of new materials modeled after the camera's original accessories.
Retrospekt did not disclose how many cameras the limited run would include.
The Rollei 35 is one of the most iconic film cameras in history. Earlier this year, a company called Mint Camera started taking orders on the Rollei 35AF, a modern version of the design that incorporates autofocus.
The Retrospekt 24K Gold Edition sells for $999, including case and accessories, and can be ordered from Retrospect beginning today.
Hasselblad will announce a new XCD 3,4/75P lens on November 7th (previously reported here - I am not sure if the rumored 150mm will be announed in addition to the 75mm).
Can a creative project change your life? Photographer Sami Aziz (Instagram: @southstreetsam) discovered that it can. Armed with his camera and a lot of determination, he embarked on a project to shoot portraits every day for an entire year, capturing images of more than 100,000 people along a single iconic street in his hometown of Philadelphia.
It was a journey of exploration and discovery for Aziz. His presence on South Street became a source of positive energy for the city of Philadelphia, strengthened his own ties to the community, and helped him find a path to becoming a full-time photographer.
Shortly after reaching the one-year milestone, Aziz shared his motivations behind the project and its transformative impact on his life.
Forging a path
"I've been doing street photography for a while. I picked it up when I went to college in New York City. While I was living there, Brandon Stanton was doing the Humans of New York project, and it really inspired me."
After college, Aziz traveled across Morocco and the United States, exploring different regions and taking photos.
"Everywhere from Casablanca, Marrakech, and Tangier – to California, Colorado, New Mexico, and Arizona. I had a van and was driving around the country, just taking pictures of people. I like the model of focusing on just one place in a city. It's an effective way of honing your skills and building a sense of community."
Aziz eventually felt drawn back to his hometown of Philadelphia but was faced with the task of creating a sense of belonging. "Although I was born and raised in Philly, I didn't feel at home here for the longest time. I didn't have a sense of community yet," he explains. But he did have a dream he wanted to make real.
"Coming back to Philly at 26 was almost like a coming-of-age journey for me. I was like, 'Alright, I want to make something of my photography career now.'"
Becoming South Street Sam
"Leading up to this project, I spent about a year working as a delivery driver. One day, as I was picking up a lunch delivery on South Street, I thought to myself, 'What if I made an Instagram called South Street Sam?' My parents' first date was on South Street. My father had a store here, and my mom worked at a Greek restaurant, South Street Souvlaki, that's been around for 40 years," he explains.
"I planned to make it a side project and didn't expect it would ever become something big."
Aziz initially used his trusted Canon 5D Mark IV and Zeiss Otus 55mm F1.4 lens. However, he realized he needed more flexibility for his project. "There were limitations to using one focal length. I love 50mm – it's probably my favorite because it was my first ‘big boy’ lens – but sometimes, like in these Philly row homes or on a busy sidewalk, it's harder to take group photos with a 50mm."
"Many people don't realize that all the photos on my page are hand-focused."
He kept working as a delivery driver to fund his gear purchases. "I ended up buying the Zeiss Otus 28mm F1.4 and 100mm F1.4 lenses as well. They're all manual focus, cine-style lenses. But after I bought these great lenses, I realized my 5D Mark IV wasn't cutting it anymore because it didn't have certain focus assist tools, which make shooting with manual focus lenses a lot easier."
"Many people don't realize that all the photos on my page are hand-focused. I was basically eyeballing it the whole time with the Canon 5D IV because it didn’t have focus peaking."
Before I quit my delivery job, I decided to make one more investment in an updated camera body and ended up going with the Canon EOS R3. It was the best Canon had to offer with a vertical grip, articulating screen, and, most importantly, manual focus assist tools."
"It was a game-changer. After getting the Canon R3, I started shooting portraits daily and building a streak. When you start, there’s always talk about starting local, but I started hyper-local. I focused on just one street. I knew early on that I was going to be focusing on this street – no pun intended; I mean, it's in my Instagram handle. I'm South Street Sam."
A Turning Point
Aziz reached a crossroads where he realized he had to choose between his delivery job and his passion for photography. "There came a point where I quit the delivery job. I remember a distinct moment on a busy delivery day. I had my keys and was walking toward my car, but I had already started this new page and thought to myself, 'Am I going to go to work today, or am I going to shoot?'"
"I decided to shoot. I didn't care if I was down to my last dollar. I dreamed of being a working street photographer and of being able to pay my bills with photography. It was almost a Forrest Gump-type moment. I just decided to take pictures daily and see what would happen. I never could have imagined this was where my photography career would take off."
He started taking pictures of people along South Street, capturing the diverse faces of the neighborhood. "It picked up steam pretty quickly. My first 10,000 followers were people I photographed and asked, 'Hey, can you follow my Instagram page?' Then, the second I started posting reels, I think I went from 10,000 to 50,000 followers in about three weeks." He used a DJI Osmo Action 4 camera to provide a behind-the-scenes view into his process.
"I decided to shoot. I didn't care if I was down to my last dollar."
As his Instagram page grew, people started recognizing him on the street. "One night, I went out to shoot around 11 pm. I walked up to a girl and said, 'Hey, I'm a street photographer. Can I take a portrait of you?' She recognized me immediately and was like, 'Oh my God, Sam!'
While I'm doing that, another guy driving by backs up in full reverse, rolls down his window and asks if I'm South Street Sam. I'm thinking to myself, I'm out here at 11 pm on a weeknight, and people recognize me. This is crazy. It demonstrates how important this project became to people in my city."
"I never could have predicted it would grow the way it did. I’m now approaching 300,000 followers and just surpassed 60 million video views. It's very humbling. At the same time, this is probably one of the hardest things I've ever done. To do something every single day for a year, especially when it's raining or below freezing outside... there were times when I asked myself, ‘What on Earth am I doing?’"
"And for the record, I even picked up a fully weather-sealed Canon RF 85mm F1.2 for days when it was raining or snowing too heavily to use my Otus lenses."
After spending an entire year taking portraits on this iconic street, South Street had become home for Sam. He felt the sense of community he’d always longed for, and it was there to stay.
Living in the moment
"I go out, I shoot, I come home, I upload. The next morning, I edit, I post, and go out to shoot again," Aziz says of his daily routine.
He's so focused on his work that he once didn't recognize a famous actor while taking his photo. "I walked up to him and asked to take his portrait. 'You know I'm an actor, right?' he asked me. And I'm like, 'Great, let's take a photo.' While heading back towards my apartment, I Googled Michael Peña and realized that I'd watched one of his movies, and thought to myself, wow, I just walked up to a Hollywood actor completely clueless."
South Street Sam out during a weekend night taking portraits.
Photo courtesy of Sami Aziz
Aziz emphasizes the importance of confidence and positive energy when approaching people for street portraits. "An important lesson I've learned is to approach people with the right energy."
"If you walk up to people expecting them to say no, more likely than not, they're going to say no. If you approach them in a confident way, with good energy, more often than not, they're going to say yes. It takes practice. You can't be discouraged if people say no. Just keep moving, keep rolling, and don't take it personally."
He also believes in giving back to the community by sharing his work. "Everyone gets a copy of their photo. Every night after shooting, I upload an album to Google Drive. All people have to do is follow a link in my story to find their photo in the album and download it. I've never charged anybody for the street portraits. I do, however, give them an option to tip if they’d like to support my creative mission."
Reflecting on the Journey
"I took 100,000 portraits of people, most of which were on five blocks in one city. I can't even wrap my head around the number 100,000. The amount of diversity and human interaction in just five blocks is crazy. That's what I love about portrait photography: just being able to connect with people of different backgrounds and walks of life, particularly in a city like Philadelphia."
Aziz hopes his experience will inspire others to pursue their passions. "If you have a dream, just keep at it. Be consistent. Practice. There are no secrets. It's like in any field; you need to put in the work and pay your dues, and you'll eventually see the result."
"It's so cool to look back at all these years of photography and say I've found my niche."
The new Brightin Star 50mm f/0.95 APS-C manual focus lens for E/Z/RF/XF/EF-M/MFT has glow-in-the-dark focusing and aperture scales (the lens will soon be listed for sale on Amazon and Brightin Star website):
Early morning flog clings to the autumn landscape in the UK.
Photo: Richard Butler
The November edition of the Editors' Photo Challenge is open for submissions! Our theme this month is 'Fog'.
Fog provides endless creative possibilities for photography, from soft, diffused landscapes to ghostly cityscapes. It can add an ethereal quality to a scene, transforming the familiar into something magical. Show us the magic and mystery of mist with your favorite fog photos.
This challenge is open to photos taken at any time, and you may submit up to three photos. Photos must be submitted by Saturday, November 9 (GMT).
FujiAddict spotted a new Viltrox AF 35mm f/1.7 XF lens (Fujifilm X-mount) that will be officially announced soon. Here are the details (check also the official Viltrox website):
The larger one on the left under the white cloth (white like the GFX boxes) should be a GFX camera, possibly the fixed-lens GFX camera rumored to be coming in the first half of 2025.
The smaller one on the right under the black cloth (black like the X-series boxes) should be an X camera, possibly the so-called "half-frame" camera with a 1-inch portrait-oriented sensor (thanks Mistral75)
After a week without an accessory round – mainly owing to a dearth of accessories – we're back and better than ever. Today, we'll look at a powerful flash, an exciting firmware update, a versatile set of microphones, and more. Before we get to that, though, let's see what's on sale.
Photo: Brendan Nystedt
Panasonic's G9 II is a substantial upgrade from its predecessor, and is now much more capable when it comes to video. It's large for a Micro Four Thirds camera, but that allows for a plethora of controls and a full-size HDMI port. It's currently $200 off MSRP.
Canon's EOS R8 is also $200 off, which makes it an even better deal as an entry-level full-frame camera. However, it may be worth spending some of those savings on an extra battery or two, as battery life isn't the EOS R8's strongest suit.
This week, Profoto announced the D30, a bright monolight flash that's still compact and lightweight. It has a range of 11 F-stops, outputting between 0.5 and 500Ws of light.
It also has a continuous dimmable LED modeling light, with an adjustable color temperature ranging from 2,800 - 7,000K and a >94 CRI. Its recycle time depends on what type of mains electricity you have it hooked up to, but it ranges from 0.1 seconds to a maximum of 0.9 seconds.
The D30 is undeniably a professional tool and has a price tag to match: it comes in at $1,995, and adding a handle is an extra $50. But if you need a lot of lighting power and are making money from your photography, it's certainly an interesting option.
Sennheiser's new Profile wireless microphone system could be an interesting option if you're looking for a plug-and-play audio kit that covers a lot of bases. It includes a few components: two microphone packs, a dual-channel receiver, a charging bar, and a host of accessories, such as wind blockers, a 3.5mm TRS cable, and mounts.
The simplest setup involves clipping the two microphones to your talents' lapels and having them record to their 16GB each of internal memory. Of course, if you're filming those people, you can also have the microphones transmit to the receiver, which can output to a camera's mic jack.
If you'd rather them not be conspicuously in the shot, both packs have locking 3.5mm inputs and can act as transmitters for more traditional lav mics.
Clipping one or both of the microphones into the battery bar lets you use it as a handheld microphone.
Here's where things get exciting though; the microphone capsules and receiver all fit into the charging bar, which makes sure their batteries are topped up. However, that charging bar can also become a handheld wireless microphone if you're doing a piece to camera and want to look official.
It also has a tripod mount, letting you use it as a desktop microphone. You could connect it to your computer via a 3.5mm cable or USB-C... or you could snap on the included USB-C adapter to the receiver and plug it into a phone or computer, letting it work wirelessly in that mode, too. That adapter's also useful if you want to use any of these configurations while recording video with a phone instead of a dedicated camera.
Given just how many roles this setup can fill, it comes at a surprisingly reasonable price of $299. The company also says there's no app required to use it; you can manage all the settings using the receiver's touchscreen.
If you have a Sony a7 IV and haven't updated it in a while, now might be the time. Sony recently released firmware version 4.0 for the camera, which adds support for focus bracketing, letting you automate the process of taking several images to get an object entirely in focus.
The update includes several more features and fixes, such as the ability to continue taking pictures while your camera transfers images to your phone.
Speaking of updates, the Blackmagic Camera app for iOS recently got support for the iPhone 16 and 16 Pro's new Camera Control button, and the ability to launch the app from the lock screen or control center. The 2.1 update also adds bitrate selection options for when you're recording in H.264 or H.265.
Connexion
