7Artisans is teasing a new MAX autofocus ultra-wide-angle lens. The clue they provided is the number 012456 – four of those digits are for the focal length and the aperture. Maybe 15mm f/2.4?

Previous coverage of 7Artisans can be found here.

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The previously reported Viltrox 25mm f/1.7 AIR and the 35mm f/1.7 AIR lenses for Micro Four Thirds were officially released in China today. Pre-orders should open soon at B&H Photo, Amazon, and the official Viltrox store.

The post Viltrox 25mm f/1.7 & 35mm f/1.7 AIR lenses for Micro Four Thirds officially released appeared first on Photo Rumors.

I already reported that Viltrox will introduce a new line of Micro Four Thirds autofocus lenses. The first two Viltrox MFT lenses are expected to be the 25mm f/1.7 AIR and the 35mm f/1.7 AIR:

The first two Viltrox AIR lenses for MFT will be 25mm f/1.7 & 35mm f/1.7

Viltrox already has their teaser online:

Viltrox used to make MFT lenses (see listings):

Latest Viltrox lens roadmap reveals new MFT lenses

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A comparison between the new Sony FX5 and the FX3A cameras can be found here:

Sony FX5 cinema camera announced

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Sony introduces the previously rumored FX5, the newest addition to the Cinema Line family. Designed to bridge the gap between the FX3 and FX6, the FX5 combines the portability of a compact body with advanced imaging technologies inspired by Sony’s flagship cinema cameras. Additional information on the FX5 is available here and here.

Pre-orders are now open at B&H Photo, WEX Photo, and Foto Erhardt.

​
The Sony FX5 features a newly developed full-frame stacked Exmor RS CMOS sensor and Sony’s latest BIONZ XR2 image processor, delivering more than 15 stops of dynamic range, three Base ISO settings, and introducing Open Gate recording and internal X-OCN RAW recording to the FX series for the very first time. The video recording options are up to 5K 60p, 4K 120p, and Full HD 240p,
​
​Additional features include AI-powered Real-time Recognition Autofocus, enhanced in-body image stabilization, a larger multi-angle LCD with the CineAlta-inspired BIG6 interface, expanded professional connectivity, and new optional OLED viewfinder and XLR handle accessories with 32-bit float audio recording.

Check out the new FX5 accessories from Kondor Blue, Bright Tangerine, and Mid49:

Additional information:

A newly developed image sensor and the latest high-speed image processing engine

• Uses a full-frame, fully-stacked Exmor RS CMOS image sensor and the latest BIONZ XR2 high-speed image processing engine with a dedicated AI processing unit.
• In S-Log3, captures 15+ stops of dynamic range.
• Three base ISOs of ISO 800, ISO 4000, and ISO 12800^[2] keep noise low across a wide range of conditions. The Dual Gain Shooting function,^[3] a first for the FX series, draws more from the sensor for smoother gradation and wider latitude while reducing noise and preserving shadow detail.
• Also a first for the FX series, the camera supports 3:2 full-pixel readout across the entire sensor, or Open Gate shooting^[5], plus 17:9, 16:9, and Super 35mm scan modes. In-camera recording in X-OCN, Sony’s proprietary 16-bit scene-linear RAW format, captures high quality without an external recorder. Alongside X-OCN LT, the new X-OCN C1 and X-OCN C2 codecs cut data size to speed transfer and streamline post-production.

High-precision AF powered by AI and detailed settings that support intentional shooting

• AI-based human pose estimation recognizes a subject’s eyes, head, and body, holding strong AF performance even in dark scenes. Real-time Tracking follows subjects automatically.
• Auto Tracing White Balance (ATW) combines visible-light and IR (infrared) sensor data with deep-learning light-source estimation to read scenes accurately, giving more stable^[5] and natural white balance in shade, indoors, and other conditions.
• Noise suppression settings (on/off) give flexibility to match shooting intent and post-production workflows.
• A de-squeeze function supports anamorphic lenses at 1.3x, 1.5x, 1.6x, 1.8x, and 2.0x.

Excellent operability and high mobility in a compact, lightweight body

• 5-axis optical in-body image stabilization anchors the image, and the latest stabilization unit roughly doubles the roll correction range of the previous system^[6] to suppress rotational blur. Active Mode and the new Dynamic Active Mode^[7] keep handheld footage steady.
• A 3.5-type, approximately 2.76-million-dot 16:9 touch-panel LCD monitor, larger than the FX3’s, mounts on a 4-axis multi-angle arm. It tilts ~98 degrees up, 40 degrees down, and opens ~180 degrees to the side, with a high-brightness adjustable panel. Shooting information sits around the edges of the screen so it never overlaps the image. The “BIG6” home screen, carried over from CineAlta cameras, gathers key settings such as frame rate, exposure, and LUTs so creators can focus on the shot.
• A new menu system gives operability consistent with CineAlta cameras and the FX6 on a shared production.

High reliability and expandability to support professional production environments

• A high-efficiency cooling fan and optimized heat dissipation keep the camera stable through long recording sessions.
• The lightweight, rigid body carries screw holes in multiple locations to attach accessories directly, so you can build rigs without a cage.
• Integration with the Monitor & Control application brings video monitoring and remote operation to smartphones, tablets, and Mac.
• Uses the recently released high-capacity NP-SA100 battery (2670 mAh), which holds approximately 1.3 times the capacity of the Z-series NP-FZ100 for longer shooting.
• Two USB Type-C ports accept timecode input through an optional timecode adapter cable and external power through USB Power Delivery (PD),^[9] for stable long-duration shooting.
• A wired LAN terminal enables remote operation and a stable network connection, with the expandability professional production networks require.

Planned Firmware Update ver. 2.0 (coming 2027)

A planned update will add higher resolution high frame rate shooting up to 240 fps in X-OCN, XAVC S-I recording in 3:2 (Open Gate shooting), an optimized interface for vertical shooting, and a frame grab function.

Accessibility and environmental considerations

• Accessibility features support visual recognition and operation, including a screen reader^[11] that reads menus aloud and an enlarged menu display.
• Recycled plastic accounts for approximately 30% or more of the camera’s parts.^[12] The Thailand and China sites that build the camera run on 100% renewable energy.^[13] Product bags use plant-derived nonwoven fabric,^[14]cutting packaging plastic and lowering environmental impact.

Optional Accessories

0.58-type OLED Viewfinder “DVF-EL1”

• This detachable viewfinder carries a 0.58-type, approximately 7.07-million-dot OLED panel.^[8] It supports HDR display with a DCI-P3-equivalent color gamut and 10-bit gradation. The wide gamut confirms subject colors accurately, and HDR reveals fine detail when shooting and playing back high-contrast scenes.
• Approximately 0.9x magnification^[15] and you can switch between display modes that prioritize resolution or eye point.
• A tilt mechanism moves from 0 to approximately 90 degrees upward for comfortable monitoring at low, high, and handheld angles.

XLR Handle Unit “XLR-H2”

The XLR-H2 carries two XLR/TRS combo terminals and supports up to 4-channel audio input. Dual AD converters digitize microphone signals with high precision across a wide dynamic range and record in-camera at up to 96 kHz, 32-bit float. It connects directly to the body through the Multi Interface (MI) Shoe for stable digital transmission.

Timecode Adapter Cable “VMC-BNCU1”

The optional USB-C to BNC timecode adapter cable feeds timecode from external devices into the camera. It synchronizes multiple cameras and external audio devices for timecode-based workflows across multicamera shooting, broadcasting, and filmmaking.

Applications Supporting Production with the FX5

• Monitor & Control ver. 3.0
  ​Scheduled for July 2026 or later, enables wired and wireless video monitoring and camera control
• Catalyst Prepare ver. 3.0
  ​Scheduled for August 2026 or later. Catalyst Prepare and Catalyst Browse, which provide high-precision video stabilization and color editing, merge into Catalyst Prepare ver. 3.0.

Sony FX5 videos:

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The world’s first Megadap M2RF autofocus lens adapter for using Leica M lenses on Canon RF cameras (previously reported here) is now available to order at:

• B&H Photo
• Foto Erhardt
• WEX Photo

More Leica M-mount lens adapters for the Canon EOS R mirrorless cameras can be found here.
Previous coverage of the Megadap M2RF is available here.

Additional information is available here:

The world’s first Megadap M2RF autofocus lens adapter (Leica M lens to Canon RF camera) is now available

The post The world’s first Megadap M2RF autofocus lens adapter (Leica M lens to Canon RF camera) is now available appeared first on Photo Rumors.

Meike officially announced the previously reported AF 85mm f/1.8 lens for Fujifilm GFX mount in Asia. Here are the details:

• Orders should open soon at: Meike Store | B&H Photo |  Amazon
• Format: Medium format
• Focal length: 85mm
• Lens construction: 11 elements in 7 groups |
• Aperture blades: 11
• Magnification: 0.17x
• Minimum focusing distance: 0.65m
• Autofocus motor: STM stepping motor (in-house developed)
• Filter size: 62mm
• Net weight: Approx. 406g (excluding lens cap)
• Additional pictures:

This is the latest Meike lens lineup:

Meike is teasing a new lens for Fujifilm GFX medium format cameras

The post Meike AF 85mm f/1.8 lens for Fujifilm GFX-mount officially announced in China appeared first on Photo Rumors.

Godox launched a new Lux Junior II retro camera flash for Sony, Canon, Nikon, Fujifilm, OM System, and Panasonic cameras. Pre-orders are now open at B&H Photo. Additional information is available here:

• TTL, Manual, Multi & Auto Modes
• Compatible with Nikon i-TTL
• 2.4 GHz Wireless Receiver
• Built-In Rechargeable USB-C Battery
• 1.5 sec Recycle Time
• Up to 400 Full-Power Flashes
• High-Speed, Front & Rear Curtain Sync
• Dual-Axis Rotation Design
• Horizontal & Vertical Orientations
• Includes USB-C Cable & Magnetic Filters

Via FujiAddict

The post New Godox Lux Junior II retro camera flash launched for Sony, Canon, Nikon, Fujifilm, OM System, and Panasonic cameras appeared first on Photo Rumors.

Peak Design introduced a new modular field L-bracket system for Sony, Nikon, Canon, Fuji, and Leica cameras (with an AirTag pocket) and is currently crowdfunding the project on Kickstarter. In just the first few hours, they already raised over $200k:

New on Kickstarter: WANDRD magnetic camera straps, Nomatic bag travel system, real-time POV live camera headset

Additional information can be found here and here:

The post Peak Design has a new modular field L-bracket system for Sony, Nikon, Canon, Fuji, and Leica cameras appeared first on Photo Rumors.

In addition to the new FX camera, Sony will also announce a new FE 100-400mm f/5.6-8 OSS lens that will have an integrated focus limiter switch (∞-3m) into the lens’s AF/MF switch (according to camerainsider).

Sony already has two 100-400mm lens models with different aperture ranges:

The post Sony to announce a new FE 100-400mm f/5.6-8 OSS lens with integrated focus limiter/AF/MF switch appeared first on Photo Rumors.

Sony just released a teaser for their upcoming  FX camera that will be officially announced tomorrow (see listings at B&H Photo and Foto Erhardt):

New Sony FX camera rumored to be announced this week

Foto Erhardt is already taking deposits for the upcoming Sony FX camera

The post Here is the Sony FX camera teaser – announcement tomorrow appeared first on Photo Rumors.

The German retailer Foto Erhardt is already taking deposits for the upcoming Sony FX camera:

Update – B&H Photo now also has the new Sony FX camera listed on their website:

The rumored Sony FX cinema camera specifications can be found here:

New Sony FX camera rumored to be announced this week

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Here are the top 10 best-selling compact digital cameras of the first half of 2026 in Japan:

1. Kodak Pixpro C1
2. Kodak Pixpro FZ55
3. Fujifilm Instax mini Evo
4. Canon PowerShot SX740 HS
5. Canon IXY 650
6. OM System Tough TG-7
7. Panasonic Lumix TZ99
8. Kenko KC-AF11
9. Kodak Pixpro FZ45
10. Kodak Pixpro WPZ2

You can clearly see how the big Japanese brands are behind on the trend – Kodak has four cheap mediocre cameras in the top 10 list.

The BCN Ranking is a POS database that collects and aggregates daily sales data of digital cameras from major consumer electronics retailers and online shops covering approximately 40% of the Japanese retail market.

Used compact camera prices quadruple in Japan as CCD models make a comeback

Compact fixed-lens cameras are becoming more popular, while interchangeable-lens cameras are starting to lose their popularity

Source: BCNR

The post Here are the top 10 best-selling compact digital cameras for the first half of 2026 in Japan appeared first on Photo Rumors.

A new Sony FX camera has been rumored for a while (Sony FX4 or Sony FX5?) and has already been registered in Asia:

More Sony FX camera rumors (Sony FX4?)

The official announcement is rumored to be on July 22nd – here is what to expect from the new FX model that will be positioned between the FX3/FX3A and the FX6:

Sensor & Processor

• 16.6MP full-frame back-illuminated fully stacked CMOS sensor
• BIONZ XR 2 processor with built-in AI AF (same as A7R VI)

Video Recording

• Open Gate 5K 3:2: 4992 × 3328
• Full-frame 16:9: 4992 × 2808
• Full-frame 17:9: 4992 × 2632
• Super 35 16:9: 3264 × 1836
• Full-frame crop modes (e.g., 4552 × 2560 and 3840 × 2160)
• Internal 16-bit RAW in X-OCN LT
• New higher-compression X-OCN C1 and C2 formats
• Additional support for XAVC HS / XAVC S-I / XAVC S formats

ISO & Dynamic Range

• Triple Base ISO: 800 / 4,000 / 12,800
• Approximately 16 stops of dynamic range

Monitoring & Interface

• Venice-style menu system and button layout
• Dedicated False Color button
• 3.5-inch fully articulating touchscreen (larger than the FX3)
• Optional removable tilting external EVF
• Optional XLR top handle with 32-bit float audio support

Body & Build

• Dual card slots: CFexpress Type A + SD
• In-body image stabilization (IBIS)
• Weight: 750g
• Same batteries as the A7R VI

Pricing

• Body only: over €5,000

The post New Sony FX camera rumored to be announced this week appeared first on Photo Rumors.

NiSi released a new 16mm f/2.8 ASPH ultra-wide prime lens for Fujifilm GFX-mount and Hasselblad XCD mount. The lens is equivalent to 12.6mm and has a field of view beyond 118 degrees. Orders are now open at B&H Photo and at the official NiSi online store (GFX | XCD):

Here are the details:

• Ultra-Wide 16mm Field of View: With a full-frame equivalent of approximately 12.6mm, it delivers an expansive field of view exceeding 118 degrees for dramatic medium format compositions.
• Bright f/2.8 Maximum Aperture: A fast f/2.8 aperture lets you work at lower ISO for cleaner night skies, astrophotography, and dim interiors on high-resolution sensors.
• Built for 100MP Medium Format Sensors: The advanced optical design resolves fine detail from center to edge across the entire image circle, matching today’s highest-resolution medium format cameras.
• Native Fujifilm G-Mount Fit: This version mounts directly to Fujifilm GFX medium format bodies with no adapter, in a compact 108mm barrel that balances well in the field.
• 12-Group, 16-Element Optical Design: Three glass aspherical elements and four ultra-low dispersion elements work together to deliver outstanding sharpness, contrast, and color accuracy.
• APO-Level Chromatic Aberration Control: Axial and lateral color fringing is held to a minimum even wide open, resulting in clean edge definition and true-to-life color across the frame.
• Clean 8-Point Sunstars: A specially designed 8-blade aperture creates crisp, defined 8-point sunstars from f/4 to f/22 for striking starburst effects in cityscapes and night scenes.
• 0.25m Close-Focus Capability: A minimum focusing distance of just 0.25m enables close-up compositions with strong foreground impact and an exaggerated ultra-wide perspective.
• Weather-Sealed Metal Body: A durable metal barrel with a weather-sealing ring helps resist moisture and dust, staying compact and lightweight at approximately 835g.
• 82mm Filter Thread with SA+ Coating: An 82mm front thread accepts screw-in filters, while SA+ anti-reflection and ultra-hard surface coatings deliver low flare and lasting protection.

Designed for Fujifilm GFX Medium Format Cameras

This Fujifilm GFX (G-Mount) version mounts natively to Fujifilm GFX medium format bodies with no adapter required. It brings genuine ultra-wide coverage to a system that has long lacked an affordable, fast wide prime, unlocking sweeping landscapes, tight interiors, and night-sky work for high-resolution shooters who want maximum angle without compromise.

16mm Ultra-Wide Coverage

With a full-frame equivalent focal length of approximately 12.6mm, the NiSi 16mm f/2.8 delivers an ultra-wide field of view exceeding 118 degrees. That sweeping angle captures vast scenes, expansive skies, and exaggerated foreground perspective that longer lenses simply cannot reach, making it a natural choice for grand vistas and confined interior spaces alike.

Advanced Optical Design

A 12-group, 16-element optical formula includes three glass aspherical elements and four ultra-low dispersion elements. Together they suppress distortion, control aberrations, and keep lines straight even at the edges, delivering excellent image quality and resolving power across the large medium format image circle for architecture and symmetrical compositions.

Resolving Power for 100-Megapixel Sensors

The optical design delivers outstanding resolution from center to edge across the entire image circle, perfectly matched to high-resolution medium format cameras. Fine textures, distant detail, and subtle tonal transitions are rendered cleanly on today’s 100MP sensors, with peak performance reached around f/5.6 for the most demanding studio and landscape work.

Stays Sharp Wide Open at f/2.8

Even wide open at f/2.8, the NiSi 16mm f/2.8 holds sharp detail from the center to the edge. Three aspherical elements help control coma, rendering point light sources cleanly, which makes it a strong performer for Milky Way and astrophotography. The bright aperture also lets you shoot at lower ISO for cleaner, less noisy night-sky frames.

Minimal Chromatic Aberration

The lens delivers APO-level control of chromatic aberration across the entire image circle. Axial and lateral color fringing is kept to a minimum even wide open, resulting in clean edge definition and true-to-life color in high-contrast scenes such as backlit horizons, city lights, and bright winter skies, so files need less correction in post.

Clean 8-Point Sunstars and Close Focus

A specially designed 8-blade aperture produces clean, defined 8-point sunstars from f/4 to f/22, balancing image quality with a strong starburst effect and a small, tidy center spot. A close 0.25m minimum focusing distance and 0.12x magnification let you push in on foreground subjects for added depth, scale, and dramatic wide-angle storytelling.

Precision Handling and Durable Build

The manual focus ring moves smoothly across a 180-degree rotation, while the clicked aperture ring gives accurate, tactile stop control. A weather-sealed metal body, cinema-inspired painted markings, SA+ anti-reflection coating, and an ultra-hard surface coating that resists water, oil, and fingerprints round out a lens built for serious, repeatable work in tough conditions.

Whether you are capturing the Milky Way, expansive landscapes, or dramatic architecture, the NiSi 16mm f/2.8 ASPH. delivers a rare combination of ultra-wide coverage, a bright f/2.8 aperture, and ultra-high resolution. Its 82mm filter thread also pairs with the JetMag Pro 95MAG magnetic system using a dedicated adapter. Built for the Fujifilm GFX (G-Mount) medium format system, it stands among the highest image quality ultra-wide medium format lenses available today, ready for ambitious work in the studio and the field.

Via FujiAddict

The post NiSi released a new 16mm f/2.8 ASPH lens for Hasselblad XCD & Fujifilm GFX mount appeared first on Photo Rumors.

Light Lens Lab is working on a new film camera – this is a long-term future project, different from the previously reported LTM rangefinder film camera (see also this post):

Light Lens Lab future long-term film camera project rumors

More pictures of the Light Lens Lab Barnack replica film camera

Light Lens Lab is also working on a black-and-white photographic film project:

Update on the Light Lens Lab black-and-white photographic film project

Exclusive first-ever interview with Mr. Zhou – founder of Light Lens Lab: “Resurrecting the $50,000 Leica lens”

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DxO released new modules for the latest releases from Canon, Sony, Sigma, Panasonic, and Smayang. A total of 1,515 new DxO Modules were released. Some of the newest camera modules have already been delivered automatically – here is the complete list:

Cameras:

• Canon EOS R6V
• Sony A7R VI

Lenses:

• Canon RF 20-50mm F4L IS USM PZ
• Panasonic Lumix S 40mm F2
• Samyang AF 35mm F1.8 P FE (Sony FE)
• Samyang AF 14-24mm F2.8 L (L-mount)
• Sigma 60-600mm F4.5-6.3 DG DN OS S (Sony FE)
• Sony FE 100-400mm F4.5 GM OSS

Get a DxO discount with the promo code RUMORS (for new customers only).

The post DxO released new modules for the latest releases from Canon, Sony, Sigma, Panasonic, and Smayang appeared first on Photo Rumors.

Here are the latest Leica news:

Leica Q3 Metal Gray camera now in stock

The Metal Gray Leica Q3 and D-Lux 8 cameras are now available for pre-order

The original Leica wooden toy camera is back in stock

New Kamerakraft LQGRIP universal camera grip released for Leica Q/Q2/Q3 cameras

You can now buy brand new batteries for Leica M9, M240, and M10 cameras (plus third-party battery options)

Voigtlander Apo-Lanthar 90mm f/4 close focus VM lens officially announced (Leica M-mount)

Lidong Camera Spring 2026 auction results

Additional information on the upcoming new Brightin Star APO M 35mm f/1.7 ASPH lens for Leica M-mount

The latest Leica watch news and updates #2

Leica digest #241

The post The latest Leica news appeared first on Photo Rumors.

Both Fujifilm and Canon registered new cameras in Asia. Canon registered a new DS126965 camera on July 1st. It features dual-band Wi-Fi. This brings Canon’s total registrations for fiscal year 2026 to three new devices: DS126947, DS126973, and DS126965, none of which have corresponding existing models:

  
Fujifilm now has two registered and not yet announced cameras:

• Fujifilm FF260001: registered on April 7, 2026, featuring the X-Processor 6 APS-C interface, tri-band Wi-Fi 6, NP-W255 battery, and CMOS Image Sensor.
• Fujifilm FF260002: registered on July 3, 2026, featuring the X-Processor 6 interface, tri-band Wi-Fi 6, and CMOS Image Sensor – this will probably be the rumored Fujifilm X-T6:

Fujifilm F260001 Found: Likely Fujifilm X-T6

Updated list of upcoming/rumored Fujifilm cameras and lenses

Source: E8M_8888

The post Fuji and Canon registered new cameras appeared first on Photo Rumors.

Meike officially launched the AF 85mm f/1.4 MIX Ⅱ full-frame lens for L/E/Z mount:

• Orders: Meike store | Amazon (coming soon to B&H Photo)
• Previously reported here
• Additional information
• For L/E/Z mount
• Price is $569
• Available in black, white, and white/black colors:

 
Here is the list of lens updates:

• Sharper. Faster. Lighter.
• 67MP Ready – Image quality capable of 10K resolution
• APO Optics – Minimized chromatic aberration for cleaner color
• Three Colors Available – Black, Panda, and White
• Edge-to-Edge Sharpness – Exceptional detail across the frame
• Hyperb STM AF – Fast, precise, and whisper-quiet autofocus
• Lightweight Design – Only around 650g
• Click/De-click Aperture Ring, Aperture Lock & Fn Button

The new Meike AF 85mm f/1.8 lens for GFX mount will be announced on July 20th:

The post Officially launched: Meike AF 85mm f/1.4 MIX Ⅱ full-frame lens (L/E/Z) appeared first on Photo Rumors.