This month, DxO Labs released 326 new DxO camera and lens modules for the latest releases, expanding support to more than 110,000 camera and lens combinations in total. It includes compatibility with some of the latest and most notable equipment from Canon, Nikon, Sony, Fujifilm, Hasselblad, Leica, and others — all precisely measured in DxO’s independent laboratories to deliver the highest possible image quality. All DxO Modules are engineered through an exclusive, laboratory-based measurement process that corrects optical flaws

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Here is the full list of new profiles:

Cameras

• Hasselblad X2D II 100C

Lenses

• Canon RF 45mm F1.2 STM
• Fujifilm GF 500mm F5.6 R LM OIS WR
• Fujifilm GF 500mm F5.6 R LM OIS WR with GF1.4x
• Hasselblad XCD 35-100mm F2.8-4 E
• Leica APO-Summicron-R 180mm F2
• Leica Elmarit-M 24mm F2.8 ASPH.
• Leica Elmar-M 28mm F2 ASPH.
• Leica Elmar-M 50mm F2.8
• Leica Summicron-M 35mm F2 ASPH. II
• Leica Summicron-M 50mm F2
• Leica Summilux-M 75mm F1.4
• Meike AF 85mm F1.8 Pro
• Nikon Z DX 16-50mm F2.8 VR
• Nikon Z DX MC 35mm F1.7
• Pentax HD-DA fisheye 10-17mm F3.5-4.5 ED
• Sony FE 100mm F2.8 Macro GM OSS

The new DxO Modules can be found in the following DxO software:

• DxO PhotoLab
• DxO PureRAW
• DxO FilmPack
• DxO ViewPoint
• DxO NikCollection

Why DxO Modules matter

Incorporating DxO Modules into their workflow allows photographers to achieve sharper, clearer, and more accurate images — whether they’re shooting with the latest high-end gear or trusted older equipment.

Developed in DxO’s independent laboratories, each Module is a unique mathematical profile that characterizes a specific camera–lens pairing. Every profile is measured across the full range of focal lengths, focus distances, and apertures, enabling DxO software to automatically correct optical flaws and extract every ounce of detail and performance from the equipment. DxO Modules are integral to DxO PhotoLab, DxO PureRAW, DxO ViewPoint, and DxO FilmPack.

A library without equal

Over two decades, DxO’s experts have built a library of more than 110,000 camera–lens combinations, covering every major manufacturer in the industry. This unmatched body of optical research continues to set DxO apart, reinforcing its position as the leader in precision image processing and optical correction.

The post DxO January 2026 update: 326 new DxO Modules for the latest cameras & lenses appeared first on Photo Rumors.

Image: Adobe

Adobe has announced Premiere 26, the latest version of its video editing software that brings a useful feature out of beta, adds support for the R3D NE Raw files that Nikon introduced with the video-focused ZR and comes with a subtle change to the program's name.

The flagship new feature of Premiere 26 is Object Masks, which the company started publicly beta testing late last year. It updates the editor's built-in masking tools to make it much easier to select a specific subject in your video, such as a person or object, and cut it out so you can apply effects to it independently from the background (a process video editors will know as "rotoscoping"). Like Final Cut's similar "Magnetic Mask" feature, Premiere can then track the mask forwards and backwards through the footage, so it follows the subject and adapts its shape as it or the camera moves. Of course, the program allows you to tweak the mask it generates, if the AI behind it doesn't create a perfect cut out.

While it took a long time for Premiere to get support for Nikon's proprietary NRaw video codec, things have moved a little faster with the company's latest format, R3D NE. Just a few months after the camera that debuted the format launched, Adobe has added native support for it to Premiere, letting you edit and color grade R3D NE footage.

The updated Adobe Stock panel. Image: Adobe

The update also brings updated versions of the Frame.io and Adobe Stock panels, making it easier to pull media from your own projects and elsewhere into your edit. However, perhaps the most interesting (though most superficial) is that Adobe seems to have taken a cue from The Social Network and Final Cut by dropping a word from the program's name: the app, formerly known as Premiere Pro, is now simply Premiere. During a briefing, Adobe representatives said this subtle rebranding doesn't signal a move away from it being a tool for professionals; instead, it seems to be Adobe just accepting that most editors were already just referring to it as "Premiere" anyways.

Premiere 26 is available for Creative Cloud subscribers to download starting today.