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Celebrating the DPReview community: A mid-2026 update

From DPReview’s Community Manager, we take a quick look at the state of the community in mid-2026, and where we’re headed next.

Blurred crowd of people holding up their forumsnick10

As we enter the second half of this year, I wanted to take a moment to say thank you for all your fantastic contributions in the forums and elsewhere, and to consider where we go next together on a community level.

One of the great things about our community is that every day I see photographers talking about their exciting new G.A.S. purchases (my own “needs” list keeps expanding, too), sharing unique photos like the above and reminding each other that we truly have a special place that supports both gear and photography interests.

So far this year, you’ve started so many fantastic discussions, several of which are still ongoing as of several weeks ago.

One of the community’s great strengths is when you engage with each other and constructively answer questions from both new and old members. Thank you for inviting those new members into our community.

Ab S
Baby birds with snow on their heads.
Ab S

Showcasing your content

One of the most exciting initiatives you’ve continued to proudly coordinate for years now are the weekly photo threads. I love these because every day brings a new opportunity to give you a reason to share your photography on a fresh topic.

For those who are not aware, various community members (often from camera-specific forums) coordinate weekly photo showcase threads that encourage everyone to post a photo on the week’s topic. Topics range from nature to indoor decorations to photos taken with a specific camera brand, and sometimes it’s completely open-ended. They are usually more informal and less rules-based than structured photo challenges, which you may have also heard about. Everyone is welcome to participate. Feel free to include a short story along with the photo.

If you are a new member and need a way to “break the ice” on getting involved, sharing your photography wherever you can is a great start.

If you are new to photography itself, don’t feel like you’re “not professional enough” because there is no such thing. Our community is not some elites-only club, even if it feels intimidating at first upon seeing a technical-heavy discussion in forums like Studio and Lighting Technique.

cezirkle
Biker on crowded street with reflective helmet.
cezirkle

What’s next for our community

I’ve seen some great ideas about how to make the forums an even more valuable and enjoyable place to share your gear choices and photography. I’m committed to giving all the content you create the support it deserves, even if it takes a little while to develop support programs for it. Please keep those great ideas coming.

Here are a few of the projects I’m looking forward to collaborating on with you all over the rest of the year and into the next:

  • Create more activities across the forums, including within the photo and album system itself, to maximize opportunities to share your photography. This includes expanding on the per-forum section photo albums we created just a couple of months ago.
  • Explore better ways to showcase your gear and photography how-to guides and community reviews – a place that would keep them more in the spotlight than an endless ongoing forum of posts that would otherwise eventually bury the guide.
  • Ensure the rest of our community outside the forums has more opportunities to become aware of and contribute to your discussions and activities. This includes us reaching out more on places like reddit to bring them to the forums. Do you know about a photography group that we could invite to our community? Please let us know! 
wouterv
Onlooking a music festival crowd – black and white.
wouterv

Whether you’ve been part of the community for more than 25 years, or this is the first DPReview article you’ve read, I hope you will stop by the forums and say hello. While you’re there, feel free to share your photography. We can’t wait to hear from you!

Special thanks to community members, nick10, cezirkle, Ab S and wouterv for their photos being spotlighted in this article. You can find these photos and more in the weekly photo threads.

About the Author: Mathew Anderson is a proud Community Manager for the technology industry and a past visitor to DPReview.com for all his camera needs. He is currently the lead of DPReview’s community and primary communication link between the community and DPReview’s team.

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NiSi released a new 16mm f/2.8 ASPH lens for Hasselblad XCD & Fujifilm GFX mount

Par : PR admin
19 juillet 2026 à 01:42


NiSi released a new 16mm f/2.8 ASPH ultra-wide prime lens for Fujifilm GFX-mount and Hasselblad XCD mount. The lens is equivalent to 12.6mm and has a field of view beyond 118 degrees. Orders are now open at B&H Photo and at the official NiSi online store (GFX | XCD):


Here are the details:

  • Ultra-Wide 16mm Field of View: With a full-frame equivalent of approximately 12.6mm, it delivers an expansive field of view exceeding 118 degrees for dramatic medium format compositions.
  • Bright f/2.8 Maximum Aperture: A fast f/2.8 aperture lets you work at lower ISO for cleaner night skies, astrophotography, and dim interiors on high-resolution sensors.
  • Built for 100MP Medium Format Sensors: The advanced optical design resolves fine detail from center to edge across the entire image circle, matching today’s highest-resolution medium format cameras.
  • Native Fujifilm G-Mount Fit: This version mounts directly to Fujifilm GFX medium format bodies with no adapter, in a compact 108mm barrel that balances well in the field.
  • 12-Group, 16-Element Optical Design: Three glass aspherical elements and four ultra-low dispersion elements work together to deliver outstanding sharpness, contrast, and color accuracy.
  • APO-Level Chromatic Aberration Control: Axial and lateral color fringing is held to a minimum even wide open, resulting in clean edge definition and true-to-life color across the frame.
  • Clean 8-Point Sunstars: A specially designed 8-blade aperture creates crisp, defined 8-point sunstars from f/4 to f/22 for striking starburst effects in cityscapes and night scenes.
  • 0.25m Close-Focus Capability: A minimum focusing distance of just 0.25m enables close-up compositions with strong foreground impact and an exaggerated ultra-wide perspective.
  • Weather-Sealed Metal Body: A durable metal barrel with a weather-sealing ring helps resist moisture and dust, staying compact and lightweight at approximately 835g.
  • 82mm Filter Thread with SA+ Coating: An 82mm front thread accepts screw-in filters, while SA+ anti-reflection and ultra-hard surface coatings deliver low flare and lasting protection.

Designed for Fujifilm GFX Medium Format Cameras

This Fujifilm GFX (G-Mount) version mounts natively to Fujifilm GFX medium format bodies with no adapter required. It brings genuine ultra-wide coverage to a system that has long lacked an affordable, fast wide prime, unlocking sweeping landscapes, tight interiors, and night-sky work for high-resolution shooters who want maximum angle without compromise.

16mm Ultra-Wide Coverage

With a full-frame equivalent focal length of approximately 12.6mm, the NiSi 16mm f/2.8 delivers an ultra-wide field of view exceeding 118 degrees. That sweeping angle captures vast scenes, expansive skies, and exaggerated foreground perspective that longer lenses simply cannot reach, making it a natural choice for grand vistas and confined interior spaces alike.

Advanced Optical Design

A 12-group, 16-element optical formula includes three glass aspherical elements and four ultra-low dispersion elements. Together they suppress distortion, control aberrations, and keep lines straight even at the edges, delivering excellent image quality and resolving power across the large medium format image circle for architecture and symmetrical compositions.

Resolving Power for 100-Megapixel Sensors

The optical design delivers outstanding resolution from center to edge across the entire image circle, perfectly matched to high-resolution medium format cameras. Fine textures, distant detail, and subtle tonal transitions are rendered cleanly on today’s 100MP sensors, with peak performance reached around f/5.6 for the most demanding studio and landscape work.

Stays Sharp Wide Open at f/2.8

Even wide open at f/2.8, the NiSi 16mm f/2.8 holds sharp detail from the center to the edge. Three aspherical elements help control coma, rendering point light sources cleanly, which makes it a strong performer for Milky Way and astrophotography. The bright aperture also lets you shoot at lower ISO for cleaner, less noisy night-sky frames.

Minimal Chromatic Aberration

The lens delivers APO-level control of chromatic aberration across the entire image circle. Axial and lateral color fringing is kept to a minimum even wide open, resulting in clean edge definition and true-to-life color in high-contrast scenes such as backlit horizons, city lights, and bright winter skies, so files need less correction in post.

Clean 8-Point Sunstars and Close Focus

A specially designed 8-blade aperture produces clean, defined 8-point sunstars from f/4 to f/22, balancing image quality with a strong starburst effect and a small, tidy center spot. A close 0.25m minimum focusing distance and 0.12x magnification let you push in on foreground subjects for added depth, scale, and dramatic wide-angle storytelling.

Precision Handling and Durable Build

The manual focus ring moves smoothly across a 180-degree rotation, while the clicked aperture ring gives accurate, tactile stop control. A weather-sealed metal body, cinema-inspired painted markings, SA+ anti-reflection coating, and an ultra-hard surface coating that resists water, oil, and fingerprints round out a lens built for serious, repeatable work in tough conditions.

Whether you are capturing the Milky Way, expansive landscapes, or dramatic architecture, the NiSi 16mm f/2.8 ASPH. delivers a rare combination of ultra-wide coverage, a bright f/2.8 aperture, and ultra-high resolution. Its 82mm filter thread also pairs with the JetMag Pro 95MAG magnetic system using a dedicated adapter. Built for the Fujifilm GFX (G-Mount) medium format system, it stands among the highest image quality ultra-wide medium format lenses available today, ready for ambitious work in the studio and the field.

Via FujiAddict

The post NiSi released a new 16mm f/2.8 ASPH lens for Hasselblad XCD & Fujifilm GFX mount appeared first on Photo Rumors.

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