Thypoch will officially release/display their new 24-50mm f/2.8 lens at the 2026 NAB show (the first Chinese full-frame autofocus constant-aperture zoom lens).

Thypoch will also announce the previously reported Ksana 35mm f/2 ASPH lens for Leica M-mount – here is the pre-order link (not live yet).

Here is what we know so far about the new Typoch 24-50mm f/2.8 lens:

• Full-frame compatible
• AF zoom lens
• 24-50mm F2.8 (constant maximum aperture)
• Aperture ring equipped (F2.8–F22)
• Sony E, Nikon Z, and Leica L mount support
• Internal zoom design (barrel does not extend)
• Dedicated AF/MF switch, manual focus ring, and customizable function button
• Compact, lightweight, and modern plastic construction with diagonal-grip rubber rings

New lens teasers from Viltrox, TTartisan, and 7artisans for the 2026 NAB show

Thypoch 24-50mm f/2.8 full-frame autofocus zoom lens officially announced

Thypoch will soon announce a new Ksana 35mm f/2 ASPH lens for Leica M-mount

The post Additional information on the Typoch 24-50mm f/2.8 – the first Chinese full-frame autofocus constant-aperture zoom lens appeared first on Photo Rumors.

Last year, I reported that the German manufacturer of professional motion picture cameras, lenses, and lighting, ARRI, was up for sale. Today, the company has a new owner, Thomas Riedel, the owner of Riedel Communications and the Riedel Group.

Additional information:

Thomas Riedel, founder and owner of Riedel Communications and the Riedel Group, has acquired ARRI, the Munich-based premium manufacturer of camera and lighting technology for motion picture and live entertainment. The entrepreneur from Wuppertal was chosen in a competitive international process with his concept for a new home for ARRI, marking the largest acquisition of his career to date.

The Riedel Group is a globally recognized specialist in advanced audio, video, and data technology, delivering infrastructure solutions for many of the world’s most demanding broadcast, live event, and sports productions. Through the acquisition of ARRI, Thomas Riedel establishes a close strategic alignment between ARRI and the Riedel Group, expanding its expertise across the entire production chain — from camera optics to distribution. ARRI’s ecosystem of camera, lighting, and systems technology perfectly complements the Riedel Group’s existing portfolio and opens up new technological and strategic market opportunities for both companies.

Founded in 1917, ARRI has been family-owned ever since and is regarded as a global leader in professional film technology, having been recognized with 20 scientific and technical awards from the Academy of Motion Picture Arts and Sciences. “For more than a century, ARRI has stood for engineering excellence, innovation, and the highest quality. This success story will now continue and remain in German ownership,” said Dr. Walter Stahl, Managing Director of ARRI GmbH and member of the founding family.

Through close collaboration, ARRI and Riedel aim to unlock new areas of growth, especially in live entertainment and sports. By combining their respective technologies, the companies plan to develop integrated solutions that open new creative and technical possibilities for customers. As the first joint milestone of this collaboration, ARRI will debut its camera technology at the Eurovision Song Contest, where Riedel serves as the technology provider and NEP oversees production.

Under the new ownership of Thomas Riedel, ARRI’s existing management team will continue to lead the company and further advance its ongoing transformation. The company will retain independent operations and remain headquartered in Munich.

ARRI is cutting jobs and closing two locations in Germany

Who is going to buy ARRI?

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