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Laowa’s pair of new macro lenses goes ten times beyond life-size

Laowa has unveiled a new lens series dedicated to extreme close-ups.

Two Laowa camera lenses with black bodies and blue accents stand side by side on a reflective surface. Both are labeled: FF 25mm F2.8 Ultra Macro 5x-10x and FF 25mm F2.8 Ultra Macro 1-5x.Laowa

Laowa has announced the Aksen, a new series of full-frame “ultra macro” lenses that together cover a 1–10x magnification range. The lineup consists of two offerings: the Aksen 45mm F2.8 1-5x Ultra Macro APO and the Aksen 17.5mm F1.7 5-10x Ultra Macro APO, each offered in both photo and cine versions.

One of the key features of both lenses is the parfocal magnification zoom design. The lenses behave like primes in terms of focal length (the 45mm and 17.5mm focal lengths don’t change), but they incorporate an internal mechanism that changes the magnification. This parfocal magnification system allows photographers to move through the 1-5x or 5-10x range without refocusing or changing the working distance. Additionally, because the zoom is internal, the barrel doesn’t extend and won’t interfere with flash diffusion or subjects.

Another distinguishing feature of the Aksen 5-10x is the option for a version with a coaxial lighting block built into the lens. It delivers high-contrast shadowless illumination, a technique borrowed from machine vision that Laowa says it is now making more accessible. It’s also similar to some of Laowa’s probe lenses, which feature built-in lights. The 5-10x lens is also available without coaxial lighting for $100 less.

Both lenses use an apochromatic (APO) design to reduce chromatic aberrations, which can be exaggerated at such high levels of magnification. Laowa says the Aksen series eliminates fringing for greater clarity. The 45mm 1-5x lens features 13 elements in 9 groups, while the 17.5mm 5-10x lens comprises 17 elements in 12 groups. Both feature an 11-blade aperture diaphragm. The 45mm 1-5x accepts 65mm filters, while the 17.5mm 5-10x uses 42mm filters.

The photo versions of the lenses come in Sony E, Nikon Z, Canon RF and EF, L mount, Fujifilm X and MFT mounts and cost $749, or you can buy both in a bundle to save $100. Laowa is also making video-focused versions with focus and zoom rings geared to work with cine equipment, though those versions are substantially more expensive.

Press release:

Laowa’s Aksen Series: Pushing the Boundary of High Magnification Macro with a Parfocal Zoom Design.

Anhui, China – July 31, 2026 – Laowa introduces Aksen — a new Full-frame Parfocal Zoom Ultra Macro lens series comprising the Aksen 45mm f/2.8 1–5x Ultra Macro APO and the Aksen 17.5mm f/1.7 5–10x Ultra Macro APO, each available in both photo and cine variants. The series will be available for purchase through Laowa’s official site and authorised resellers starting July 31, 2026.

First Ever Commercial 5-10x in the Market

The Aksen series fills a long-standing gap in the 1–10x Ultra Macro category, offering a compelling option for serious macro photographers, professional scientific users, and hobbyists who have long depended on high-cost, complicated DIY solutions.

Award-Winning Innovation: Named “Best Ultra Macro Lenses” by TIPA

Validating its groundbreaking optical engineering, the Aksen series has already received industry-wide acclaim, winning the prestigious Best Ultra Macro Lens category at the TIPA (Technical Image Press Association) World Awards. (Previously named “Axon”).

Re-explore the 1-10x Magnification Range:

Beyond the headline 1–5x & 5–10x ultra-high magnification, the lens set distinguishes itself with its parfocal zoom design. Unlike traditional macro lenses, the Aksen maintains focus as the magnification ratio changes — no refocusing needed when zooming in or out. No more
readjusting the entire setup, including camera position, working distance, and lighting placement. This avoids interrupting the workflow and reduces setup time. The Aksen series maintains a fixed working distance of 40.35mm (1–5x) and 22.48mm (5–10x), while its internal zoom mechanism keeps the lens barrel completely stationary throughout the entire magnification range. No more extended barrel interrupting the flash diffusion setup — or potentially damaging the subject.

Optical Excellence With APO Design:

The sophisticated APO design delivers exceptional optical performance. Since chromatic issues typically escalate at extreme magnification levels, the Aksen effectively eliminates fringing. Providing the unmatched clarity and sharpness that the creative community demands from their optical solutions.

Coaxial Light Ready:

The Aksen 5–10x features a coaxial block built directly into the lens — a technology traditionally reserved for machine vision, now made accessible to all photographers by Laowa.
This optical configuration heightens contrast at the target’s edges and provides shadowless
illumination, opening up a new dimension of creative lighting possibilities. It can be used on its
own or combined with other techniques to create a truly unique piece of art.

Accessories:

The Aksen features a specially designed tripod collar* that attaches directly to any Arca-Swiss
compatible tripod. Via the 15mm rods, users can mount a variety of accessories — including a
follow focus. All 5–10x lenses also include a Ø8mm Coaxial Light Adapter for secure and
convenient coaxial light attachment.

*Cine version included. Photo version sold separately.

Pricing & Availability:

The Aksen Ultra Macro Series will be available for purchase starting July 31, 2026, through
the Laowa official website (https://www.venuslens.net/) and authorised resellers.

About the Author: Abby Ferguson holds an MFA in photography and blends a fine-art background with extensive editorial and commercial experience. She built and led an in-house imaging program for a large vacation rental company and has served as an associate editor at Popular Photography. She also teaches at a local community college and serves on its Photographic Technology Program Advisory Board, sharing her knowledge and enthusiasm for the medium.

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Nikon may be losing its fight against third-party Z mount lenses

Reports suggest one of Nikon’s Z-mount patents has been nullified in China

Nikon z6iii with sensor exposedRichard Butler

Reports are emerging that Nikon has had one of its Z-mount patents invalidated in China, opening the door a little further to third-party access.

Nikon Rumors reports that one of Nikon’s fundamental patents relating to the Z-mount has been invalidated in China, having been challenged by Viltrox’s parent company.

The report, based on AI translations of court documents, suggests that the patent in question is one that sets out the basic physical description and behavior of the mount, constructed in a way that tries to make well-established features, such as the design to prevent incorrect mounting of the lens and a method for preventing damage to the electrical contacts sound original and novel. Patents are only supposed to protect original inventions that would not be obvious to someone working in that field.

Nikon took Viltrox to court in China earlier this year in a separate case, ostensibly to recover license fees but also, we suspect, in the hope that a Chinese court would establish a precedent of its patents being enforceable. As Professor Robert Newman explained in Amateur Photographer magazine at the time, there are at least 13 patents covering various aspects of the Z-mount’s design and operation, including one he described as relating to “a detail of the physical design of the mount, and I would be surprised if that would withstand court scrutiny.”

This description corresponds well with the details being reported by Nikon Rumors, right down to Prof. Newman’s assessment of its likely fate.

There are at least 13 patents covering various aspects of the Z-mount.

The invalidation of this patent doesn’t, in itself, clear the way to third parties being able to produce Z-mount lenses, as there are multiple other patents that describe the communication methods used by the Z-mount. Those would not be affected by this specific patent being invalidated.

It’s notable, though, that Viltrox has added to its range of autofocus Z-mount lenses since the original court case was meant to be heard. Other third-party makers, such as Meike, which briefly removed reference to Z-mount lenses from its website, also have a range of Z-mount options available again.

If, as seems to be the case, non-licensed third-party makers are feeling emboldened to produce AF Z-mount lenses, it puts Nikon in an awkward position with the companies that have been formally licensed to make lenses for the system. Those companies are presumably paying license fees and have to seek approval on a lens-by-lens basis, while their competitors undercut them without any such restrictions.

We have approached Nikon for a statement on this story.

About the Author: Richard graduated as a scientist but had a lot more fun writing and shooting for his university magazine. A number of years spent variously as a reporter, writer and editor on science and engineering titles combined his knowledge of science with his interest in images and words. But it was spotting the connections between emission spectra, white balance and all the nonsense he’d taught himself playing around in Photoshop that helped kindle an interest in digital photography. Searching for a camera led to him discovering DPReview and Richard was recruited by Phil Askey in 2007. He’s been combining his love of photography, communication and attention to detail (pedantry?) ever since. He has unusually strong opinions about lenses for the APS-C format.

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Bambins = radins !

Par : Perco
3 août 2026 à 09:52
On n'arrête plus l'exploitation du travail des enfants : au deuxième trimestre 2026, Roblox affiche un chiffre d'affaires de 1,5 milliard de dollars (+36 %). Une performance qui s'accompagne tout de même de 185 millions de pertes nettes, parce qu'il faut bien payer les serveurs qui hébergent le contenu pondu gratuitement par des mômes de dix ans. Pourtant, la direction tire la tronche. La faute aux bambins nord-américains qui rapportent moins à l'heure : au lieu de vider la carte bleue de maman dans les pièges à Robux habituels, ces ingrats préfèrent jouer à des titres captivants mais moins agressifs sur les microtransactions. Un ajustement d'algorithme favorisant la rétention des joueurs au détriment du passage immédiat à la caisse a provoqué ce drame financier. Les petits cons ! Pour se consoler, le PDG David Baszucki peut compter sur le déblocage du jeu en Russie et l'explosion des joueurs majeurs (+32 %). L'avenir appartient donc aux adultes, qui ne sont jamais que des enfants avec du pouvoir d'achat. P.

Annonce de Profaned, un rétro-FPS hommage à Exhumed/Powerslave

Par : Estyaah
3 août 2026 à 07:39

Fin juillet, le studio Frechou Games (Hands of Necromancy 1 et 2), récemment renommé en Rising Fire Games, a annoncé son nouveau projet : Profaned. Le studio délaisse le moteur GZDoom et l’ambiance à la Heretic pour rendre hommage à Exhumed (Powerslave aux US) avec le DarkPlaces engine, un dérivé du moteur de Quake. Et on ne va pas se mentir, ça a l’air plutôt sympa (sauf le FOV, ridiculement étroit).

Pour ce nouveau jeu, le studio français se fait épauler par des membres de la communauté Quake et l’un des devs et artistes de WRATH: Aeon of Ruin, ce qui est plutôt prometteur. Aucune date de sortie n’a pour l’instant été évoquée, mais le jeu passera d’abord par une phase d’accès anticipé. On nous promet six cartes, auxquelles s’ajoutera une arène dédiée à un boss. Deux autres chapitres sont d’ores et déjà prévus pour la suite.

En attendant plus d’informations, si vous êtes intéressés par Profaned, vous pouvez déjà l’ajouter à votre liste de souhaits depuis sa page Steam.

Au passage, on nous indique qu’un spin-off de Hands of Necromancy, nommé Hordes of Necromancy, est également en préparation et s’inspirera du gameplay de Painkiller.

Une démo pour IVOR, un rétro-FPS qui déchire

Par : Estyaah
3 août 2026 à 07:38

Il y a quelques jours, l’éditeur Hellforge Studios, réputé pour ses rétro-FPS qui tâchent (DISDAIN, Coven, Divine Frequency…), a inondé sa bulle de fans de boomer shooters sur les réseaux sociaux à l’occasion de la sortie de la démo d’IVOR. On ne vous surprendra donc pas trop si on vous dit que c’est aussi un fast-FPS avec de gros pixels et une débauche d’hémoglobine.

Ne vous fiez pas à la miniature dégueulasse de la vidéo YouTube, c’est absolument excellent. On pense immédiatement à Dusk pour la maniabilité, et on se demande même si le feeling n’est pas encore meilleur. Si vous êtes un tant soit peu intéressés par le genre, courez vite essayer la démo. Il y a quatre niveaux et quelques armes à tester.

Pour l’instant, la date de sortie de la version complète n’a pas été annoncée. Mais on a hâte, maintenant qu’on a tâté la bête. Si IVOR vous intéresse (qui ne le serait pas ?), vous pouvez l’ajouter à votre liste de souhaits depuis sa page Steam.

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