Steven Spielberg grants that his 1977 UFO film Close Encounters was "speculative," writes the Associated Press, but "Disclosure Day, he insists, is the real deal." "It's my first film that will be considered science fiction that I do not consider to be science fiction," Spielberg said in a recent interview. "It's much more reflective of the world as it is evolving and discoveries that are being made as we speak." Spielberg, at 79, is trying to revive and reconsider the alien wonder that's long lingered in his mind, from "E.T." to "War of the Worlds." "Disclosure Day," Spielberg's first summer movie in a decade, is already being hailed as one of his best in years. But this time, Spielberg is testing whether he can conjure some of his trademark movie magic less with imagination than with conviction. "I've been a believer since I made 'Close Encounters' 50 years ago," Spielberg says. "But I would always say: Until I've seen a UAP or a UFO with my own eyes, I'm not going to categorically state that life from out there has come here. But I've changed that," he adds. "I'm now willing to change my mind because of the circumstantial evidence which is overwhelming..." Spielberg, having long followed reports of alleged alien encounters, was inspired by the 2023 House Subcommittee on National Security hearing on UAPs: Unidentified Anomalous Phenomena. Among the witnesses was whistleblower and former Air Force intelligence officer David Grusch, who testified that the government concealed a program investigating UAPs. The Pentagon then denied it... Those 2023 testimonies and others so fueled Spielberg that he produced a 50-page treatment on what would become "Disclosure Day." During the writing process with Koepp, he texted him more notes, he says, "than I've ever sent to anyone in my life." "There was a period in there where I believe he re-read the script every single day for a year," Koepp says. "We'd be in different time zones and I would wake up to 30 or 35 texts from his most current reading of the script. When the leader of the project has that level of commitment, it tends to bring along everyone. You up your game." The article calls it "a grand bookend for one of the most cosmically-minded moviemakers of our time." But the man who filmed some of the world's first summer blockbusters also shared his thoughts on the future of movies. "Even though the numbers are still not pre-COVID level numbers for any films being released now, it's more robust than it has been for many years. The audience gives me belief that people still want to congregate in a dark space in the company of strangers to share an experience of a film made by storytellers. And that gives me faith to continue making films." Rolling Stone wrote that "There's a lot to love in Disclosure Day." Though they also offer this pithy summary of its plot. "Remember when Steven Spielberg digitally replaced the guns in the hands of government agents for the 20th anniversary of E.T., then expressed regret about the decision? Imagine that he not only restored the weapons but crafted an entire two-and-a-half-hour feature around that one sequence as a mea culpa. That's Disclosure Day." The filmmaker may be staging a pulpy campaign with this sci-fi throwback, but he sincerely seems to believe the truth is out there — and will set us free... [W]hile the quality of his output can vary wildly when you look at the big picture of his career, there's still a baseline of love — for filmmaking, for storytelling through images, for giving people an experience that pushes emotional buttons and taps adrenal glands — that gives his work a sense of vitality and displays the sensibility of an artist at work... There's also a weird full-circle feel to it, and not just because he's returning to the fertile ground of Close Encounters and his other science fiction spectacles. You can see traces of everything from Duel to Minority Report show up, to the point where this almost doubles as a career retrospective in miniature... Yes, Spielberg does believe that we are not the only game running in the cosmos. But he also believes that our better angels have not left the building, and that movies still have the power to communally blow minds and open hearts. The Associated Press calls it "a grand bookend for one of the most cosmically-minded moviemakers of our time" and "a distant answer to the final notes of Close Encounters."

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The Trump administration released another large batch of government UAP records, including videos of glowing orb-like objects appearing to split and rejoin, witness accounts, illustrations, and decades-old investigative documents. Axios reports: The documents indicate that government agents have spent years monitoring, investigating and documenting suspected UAP incidents. At lease some of the sightings took place near sensitive government facilities, according to the reports. Videos showing red and yellow light-emitting orbs, some of which appear to split apart and then reattach as they fly across the sky. The videos were taken by witnesses whom the government deemed "credible." Illustrations and videos showing reenactments of what observers saw, and the positions they were in when they viewed them. Memos from government agents describing their experiences seeing flying objects. An illustration of a grayish-white balloon-like object hovering above an area near Colorado Springs, Colo. An illustration depicting a series of incidents that took place in the "western United States" where government officials reported seeing UAPs in 2023. There also are decades-old records documenting the government's involvement in investigating UAPs, including a 1949 letter then-FBI Director J. Edgar Hoover wrote federal agents after receiving a message from an American citizen expressing their belief they'd seen a non-human-made flying object. The records released by the administration do not express any conclusions as to whether the government believes the UAPs represent the existence of alien life. They also do not indicate any conclusions as to whether UAPs represent a national security threat to the U.S.

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Amazon has reportedly killed its planned new Stargate series despite giving it a series order in 2025. According to Variety, studio executives were worried it would only appeal to longtime fans. ScreenRant reports: Reports of what became Gero's Stargate series started in 2022, after Amazon acquired MGM Studios. Dean Devlin, who co-wrote the 1994 Stargate movie with Emmerich, was another executive producer for the Amazon show, as were Joby Harold and Tory Tunnell via Safehouse Pictures. The project also had Brad Wright and Joe Mallozzi as consulting producers, with both having had extensive history working within the Stargate franchise. On X, Michael Shanks, who played Daniel Jackson in Stargate SG-1, posted in response to the news that: "Yep. They did that." Mallozzi was resistant to the idea that the series was being geared toward diehard fans: "Nope. No. Sorry. Gonna have to push back on this. We were ever mindful of creating a show that would have broad appeal." In an additional post, Mallozzi went into further detail about why the cancellation is so disappointing: Before the new series was canceled by Amazon, Stargate began with Emmerich and Devlin's movie starring Kurt Russell and James Spader. This paved the way for 10 seasons of Stargate SG-1, followed by five seasons of Stargate Atlantis. There has also been the two-season Stargate Universe, the one-season animated show Stargate Infinity, the web miniseries Stargate Origins, and the 2008 direct-to-video movies Stargate: The Ark of Truth and Stargate Continuum, along with numerous games.

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The Pentagon released a second batch of UAP files, including 50 videos and documents showing unexplained objects over the Middle East, Syria, Iran, and in NASA recordings. Despite the reports, the agency stresses that it has found no evidence of extraterrestrial origin. The Guardian reports: In one video from the Middle East in 2019, taken "likely from an infrared sensor aboard a US military platform operating within the US Central Command area of responsibility," according to the Pentagon, three UAP are captured flying in formation over the Persian Gulf. Another formation of four unidentified objects is seen flying past vessels on the water off Iran in a video from 2022. Footage taken over Syria in 2021 shows a mysterious object racing away at speed akin to instantaneous warp-speed acceleration from science fiction movies. Few of the objects seem to resemble flying saucers, discs or other traditionally perceived forms for UAP, although one October 2022 clip taken at an undisclosed location shows a cigar-shaped entity racing over what appears to be a residential area. None of the videos are accompanied by explanations, and the Pentagon's all-domain anomaly resolution office (AARO) has previously stated it has no evidence to suggest any of the thousands of objects seen on video, or described in written testimony, is of extraterrestrial origin. In its May 8 release, a statement from the defense department said the public "can ultimately make up their own minds about the information contained in these files." Additionally, the information is collated from a diverse range of sources, including government agencies including several military branches, the FBI, the state department and Nasa. "Many of these materials lack a substantiated chain-of-custody," the Pentagon notes

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