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Fix Grainy, Blurry, Low-Resolution Videos Effortlessly with Aiarty Video Enhancer (Lowest Price for Christmas)

Par : PR admin
24 décembre 2025 à 21:48

Fix Grainy, Blurry, Low-Resolution Videos Effortlessly with Aiarty Video Enhancer (Lowest Price for Christmas)

Many photographers today shoot video alongside stills, but video quality doesn’t always meet expectations. Low-light footage often suffers from visible grain, while clips from older cameras and early DSLRs can look soft and outdated on modern displays.

Improving this kind of footage traditionally means complex workflows and inconsistent results. Aiarty Video Enhancer aims to simplify that process.

Designed for photographers and editors, Aiarty Video Enhancer is an all-in-one solution for cleaning up and improving video quality. It combines intelligent upscaling, noise reduction, deblurring, restoration, color correction, and frame interpolation into a streamlined workflow, while still giving users enough control to maintain a natural, photographic look.

Christmas Deal: Aiarty Video Enhancer at the Lowest Price of the Year

To coincide with the holiday season, Aiarty is currently running a Christmas promotion that may be of interest to photographers who want to improve the quality of their videos without committing to a subscription-based tool.

What the Christmas offer includes:

  • 36% off the regular price (lifetime license)
  • Extra $5 coupon: use code XMASSAVE at checkout

The full lifetime license provides full access to all features, includes lifetime free updates, and can be installed on up to 3 Windows or Mac computers.

For users who prefer a one-time purchase with no recurring fees, this seasonal offer makes Aiarty Video Enhancer a relatively low-risk option to try, especially with a 30-day money-back guarantee in place.

How Aiarty Video Enhancer Fits into Real-World Video Workflows

At its core, Aiarty Video Enhancer is built for photographers who want to improve video quality without turning their footage into something artificial or over-processed.

Instead of relying on a single “one-click” AI approach, it combines multiple optimized AI models with practical user controls, allowing creators to balance quality, speed, and visual realism based on real-world needs.

Optimized AI Models with Performance and Control in Mind

Aiarty uses three specialized AI models, each optimized for different scenarios such as fine-detail restoration and extreme low-light denoising. These models are deeply optimized for modern GPUs, pushing utilization as high as 95%, which translates into noticeably faster processing compared to many similar tools that leave much of the GPU idle.

Equally important, Aiarty does not force users to fully surrender creative control to AI. Features like the Strength slider, Turbo Mode, and Step Mode give photographers the flexibility to decide whether they prioritize speed, maximum quality, or a natural, film-like result.

This balance—powerful automation with meaningful control—is what makes Aiarty particularly well-suited to photographers who occasionally work with video but still care deeply about image integrity.

All processing is done locally and offline, which means better privacy and no cloud uploads or data reuse.

Upscale: Making Camera Footage Fit Modern Workflows

Upscaling is not only about improving old videos. For photographers and editors, it often solves very practical problems in real-world workflows.

In mixed timelines, footage may come from different cameras—for example, a main 4K camera combined with 1080p clips from drones, action cameras, or older DSLRs. High-frame-rate slow-motion footage is also often limited to lower resolutions. Reframing or post-stabilization also inevitably reduces resolution.

Aiarty allows users to upscale videos using common targets such as 1080p, 2K, or 4K, as well as fixed scaling options like 2× or 4×. Instead of simply enlarging pixels, its AI models analyze edges, textures, and patterns to reconstruct missing detail, helping low-resolution clips appear cleaner and more consistent with today’s viewing standards.

Denoise: Reducing Grain in Video and Cleaning Up Audio

Noise is one of the most common problems in camera video, particularly when shooting in low light or at high ISO. Traditional noise reduction often requires adjusting multiple technical parameters and can come at the cost of lost detail.

Aiarty integrates video denoising directly into its enhancement process, automatically reducing noise while preserving edge detail and texture. If the auto enhancement removes too much grain, users can adjust the strength slider to find the optimal balance between cleaner footage and a natural, film-like look.

This approach avoids the hassle of traditional noise reduction while also preventing the overly smooth, plastic appearance that some AI tools often introduce.

In addition to video denoising, Aiarty also includes basic audio noise reduction, helping reduce background hiss or ambient noise in casual recordings and older clips. While not intended to replace dedicated audio software, it provides a practical improvement that makes clips easier to use and more presentable overall.

Deblur and Restore: Improving Clarity When Reshooting Isn’t an Option

Slight blur and softness are common in real-world video, especially with early-generation sensors or less-than-ideal shutter speeds. When reshooting is impossible, restoration becomes the only option.

Aiarty’s deblurring and restoration capabilities focus on recovering perceived clarity rather than aggressively sharpening. By reconstructing edge definition and fine detail where possible, it improves overall sharpness while avoiding halos or harsh artifacts.

The results won’t turn heavily blurred footage into perfectly sharp video, but they can noticeably improve clarity in many real-world scenarios.

Strength Slider: Why Control Matters for Photographers

One of the more important design choices in Aiarty Video Enhancer is the inclusion of a strength slider that controls how strongly the AI enhancement is applied. This may seem like a minor feature, but it plays a significant role in achieving natural-looking results.

AI enhancement is not always a case of “more is better”. Applying too much sharpening or denoising can lead to an artificial look, something photographers are particularly sensitive to. The ability to dial back the effect allows users to find a balance between improved clarity and visual realism.

Color Correction: Fine-Tuning After Enhancement

Basic color correction tools, such as controls for exposure, contrast, highlights, shadows, and color temperature, are included to help refine the final output after AI enhancement.

These tools are not meant to replace full-fledged color grading software. Instead, they allow photographers to make subtle adjustments to ensure that enhanced footage looks balanced and consistent, especially after noise reduction or restoration has altered the image slightly.

When used conservatively, these controls help maintain a natural photographic look while polishing the final result.

Frame Interpolation and Slow Motion: Smoother Motion for Creative Control

Aiarty includes frame interpolation, allowing users to increase frame rates up to 120 fps, and a slow-motion option with adjustable speeds such as 1/2 or 1/4. While not every photographer will need this daily, it can be extremely useful when working with action footage, fast-moving subjects, or older clips originally captured at low frame rates.

By smoothing motion and creating slow-motion effects, this feature gives photographers more creative flexibility, whether for short films, travel videos, or simply making casual clips look more polished and professional.

SDR to HDR: Giving Footage More Depth

For older 8-bit SDR footage, Aiarty offers an optional SDR-to-HDR conversion that outputs 10-bit HDR video. This process can improve color transitions and reduce banding, resulting in smoother gradients and a more refined visual appearance.

When combined with basic color adjustments, this feature can add depth and richness to older clips. It can noticeably enhance the viewing experience on modern HDR-capable displays.

Final Words: Get the Holiday Treat Before It Goes Away!

If you’ve been thinking about improving your video quality, it’s worth trying out Aiarty Video Enhancer to see the results for yourself.

And if you like what you see, take advantage of the Christmas offer and grab Aiarty Video Enhancer and more powerful tools at the lowest price. All licenses work on 3 computers permanently and include lifetime free updates. Act fast—this seasonal promotion is only available for a limited time.

The post Fix Grainy, Blurry, Low-Resolution Videos Effortlessly with Aiarty Video Enhancer (Lowest Price for Christmas) appeared first on Photo Rumors.

2025 by the numbers: what DPReview got up to this year

2025 by the numbers

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As 2025 comes to a close, we're looking back at what happened this past year. We've already shared our favorite gear and photos, but now let's zoom out and look at the bigger picture: the numbers and stats for 2025. We think it provides a fun overview of the status of the camera industry and what happened here at DPReview over the course of the year.

Cameras released: 26

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2025 brought the release of 26 stills and hybrid-focused cameras. We saw a vast range of models from the major players, from pocketable compacts like the Ricoh GR IV to the medium format Hasselblad X2D II 100C and everything in between. The count doesn't include cinema cameras like the Sony FX2. It also doesn't include action cameras, of which there were quite a few, including the GoPro Max2 and DJI Osmo Nano.

It was certainly an interesting year for camera releases, with bold models like the Sony RX1R III, Sigma BF and Fujifilm X half. Of course, there were also plenty of expected announcements, including the Canon EOS R6 Mark III, Nikon Z5II and Panasonic Lumix S1II.

26 is only one shy of the number of releases we saw last year, though that depends in part on how you count them. Both 2024 and 2025 included models that could be considered duplicates, such as the Ricoh GR IV / GR IV HDF from this year. It's also maybe a bit generous to call the Nikon Coolpix P1100 a new release, since it was primarily updated with a USB-C port. Still, it's nice seeing the number so high after a few stagnant years, and we hope 2026 continues the trend.

Zoom lenses released: 21

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2025 was a rather exciting year for zoom lenses, even if there weren't quite as many new ones as 2024. Many of the zoom lenses we saw were updates on standard, bread-and-butter focal lengths. Although that may not sound very exciting, those new offerings often came with some impressive features or innovations.

For example, Nikon's 24-70mm F2.8 S II featured a fully internal zoom design, which we hadn't seen before. Hasselblad's XCD 35-100mm F2.8-4 E offered a standard range in a surprisingly compact body for medium format cameras. We were also excited about Sigma's commitment to APS-C with the 17-40mm F1.8 DC Art, so much so that it earned it a spot on our Product of the Year shortlist.

The zoom releases didn't entirely focus on standard focal lengths, though. This year also brought the standout Sony 50-150mm F2 GM, with its wide telephoto zoom range, fast and constant aperture, excellent sharpness and reasonable size. The price may be eye-watering, but the optical engineering impressed us, earning it the honors of best zoom lens of the year in our annual awards.

Prime lenses released: 37

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First, a disclaimer: this number does not include all prime lenses that came out this year. Just as we pointed out last year, prime lenses, especially manual focus ones without electrical contacts, are increasingly easier to manufacture. We would have to spend days trying to come up with a complete list if we included all of those. Instead, we've only counted lenses we covered at DPReview or added to our database.

Even with that in mind, we saw a healthy number of new prime lenses in 2025. There were plenty of rather expected offerings, but there were also some pleasant surprises, especially from Sigma. In fact, Sigma achieved a few firsts, such as the first full frame mirrorless 200mm F2 and the first full frame autofocus 135mm F1.4. 2025 also marked the return of Zeiss to the camera lens manufacturing world, with the company releasing two prime manual focus lenses for E, RF and Z mounts.

Interviews with major manufacturers: 11

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Over the course of the year, DPReview staff spoke with many of the major camera and lens manufacturers. Those interviews covered a variety of topics, including the state of the camera industry, future plans, design inspiration and more. We've linked to every 2025 interview below, so you can check out what each had to say.

  1. "We're here, we understand our position in the industry," Zeiss discusses its new lenses and new approach
  2. New Pen not yet on the drawing board, says OM System
  3. Shades of gray: did Ricoh just hint at a Monochrome GR?
  4. "Our plan hasn't changed," says Fujifilm of X-Pro, but X-E may have snapshot future
  5. Fujifilm weighs in: "There's a lot of potential in compact cameras"
  6. We interviewed Fujifilm's executives about the GFX100RF and Content Credentials
  7. Sigma CEO Kazuto Yamaki reveals the connection between the Sigma BF and Chanel No. 5 perfume
  8. A conversation with Sigma CEO Kazuto Yamaki: Still committed to Foveon
  9. Canon talks compact camera comeback, third-party lenses and new users
  10. How Leica balances tradition and innovation after 100 years
  11. Inside Canon's HQ: we found out why Canon wants to build the Porsche 911 of photography

Images in sample galleries: 5016

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It was a busy year for the DPReview team in terms of taking gear out for sample gallery purposes. In total, we uploaded 5016 images to sample galleries, which is to say we took a lot of images this year. After all, that number only includes a small selection of what we actually take while testing gear.

As usual, our sample galleries were centered around cameras and lenses, with a few smartphone galleries as well. Our editors had some personal favorites in terms of images they took, including the Sigma BF and Sony RX1R III galleries for Richard, and the Sony 50-150mm F2 GM and pre-production Fujifilm GFX100RF galleries for Mitchell.

Episodes of the DPReview discussions show: 16

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This year marked the beginning of our DPReview discussions show, where members of the team regularly sit down to chat about various topics. Most of these conversations centered on new releases, such as the Fujifilm X half, Sigma's 17-40mm F1.8 DC Art lens, the latest iPhone, the Hasselblad X2D II and more. But we also took time to help our community manager pick a new camera, share gift ideas and, of course, discuss our annual awards.

You can watch all of the existing videos on our YouTube channel. The discussion format is one we will be continuing into 2026, and we look forward to seeing where it takes us.

Number of photos submitted to Editors' photo challenges: 2939

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We continued our monthly Editor's photo challenges in 2025, with themes covering a broad range of topics. Over the course of the year, we asked you all to submit your favorite images of winter sports, water, human-powered travel, summer adventure, landscapes, road trips and more. We even had a few camera-specific challenges, such as one dedicated to smartphone photography and one for images taken with compact cameras.

You all answered the call each time, submitting 2939 images over the course of the year. It was a consistent reminder of just how talented our community is, and we can't wait to see what you share in 2026.

Number of forum posts: 468,425 (and counting)

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Our forum community is at the heart of what makes DPReview all that it is, largely because of the wide breadth of discussions. From thought-provoking questions and problem-solving tips to providing feedback on work and more, we love seeing what is going on in our forums. And this year, you all kept busy there. At the time of writing, you've created a total of 468,425 forum posts. Of course, that number grows each day, and it's likely to exceed half a million by the end of this year.

Number of sustainable, modern forum systems transitioned to: 1

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Of course, we'd be remiss if we didn't mention one of the most significant moves for DPReview this year: the new forum system. We'd been operating on a proprietary, custom-built software system since the site's inception 25 years ago. That wasn't viable anymore, so, in order to make the forums easier to maintain, improve and access on all devices, we transitioned our forums to new, modern forum platform in October of this year. To oversimplify things, it was a massive undertaking. But all legacy forum content successfully transitioned to the new platform, and new features were (and will continue to be) unlocked.

We greatly appreciate our community's patience and support during the transition and look forward to exciting improvements coming in 2026.

Issues of our newsletter: 48

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Lastly, we sent 48 issues of our newsletter this year, two more than last year. If you weren't aware that we even had a newsletter, you may want to consider signing up! It highlights some of our best stories each week, so you can stay up-to-date on what's happening at the site.

Sign up for the DPReview Newsletter

Here are some of the new Laowa lenses Venus Optics will announce next year (2026)

Par : PR admin
24 décembre 2025 à 00:16


Here are some of the new Laowa lenses Venus Optics will announce next year (2026):

  • Laowa FF 45mm f/2.8 ultra macro full-frame 1-5X APO (11 elements in 9 groups)
  • Laowa FF 17.5mm f/1.7 ultra macro full-frame 5-10X APO (17 elements in 12 groups)


Specifications:

  • Full-range parfocal design throughout zooming (means the focus will not change as you increase magnification)
  • Coaxial illumination (means light goes through the lens, hits the surface, and comes back; the lens acts as a condenser and an objective – suitable for inspection)
  • Covers high magnification zoom from 1:1 to 10:1, filling the gap between a traditional macro lens and a microscope
  • Longer working distance (40.35mm/22.5mm) facilitates lighting setup
  • Adopts apochromatic (APO) optical design to effectively eliminate chromatic aberration, resulting in sharp images and accurate colors
  • Full-frame lenses compatible with multiple mounts (E/Z/L/F/RF/EF)
  • Meets the image needs of scientific research and commercial applications

Laowa FF 14-60mm T3.6 stereo zoom lens:

 

The post Here are some of the new Laowa lenses Venus Optics will announce next year (2026) appeared first on Photo Rumors.

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