Here are the top 10 most used Nikon cameras on Flickr:
Source: Flickr, via NikonRumors
The post The top 10 most used Nikon cameras on Flickr appeared first on Photo Rumors.
Here is a recap of the latest Fujifilm X‑Pro 4 camera rumors (the Fujifilm X-Pro3 was officially discontinued in 2023):
The post The latest Fujifilm X‑Pro 4 camera rumors appeared first on Photo Rumors.
Here is what else is new:
The Pentax 17 camera is on Time’s Best Inventions list for 2025
Ricoh released firmware update version 1.11 for the GR IV camera
New Tilta NP-W126S Forest Green and Ash Green Battery Accessories
Here are the latest Nikon news and rumors:
Deal of the day: the Nikon FTZ II adapter is currently 35% off in the UK
The new Viltrox AF 50mm f/1.4 Pro full-frame lens for Nikon Z-mount is now available for pre-order
Meike is rumored to release more new lenses for Nikon F-mount
The post What else is new? appeared first on Photo Rumors.
Additional information on the upcoming Tamron 35-100mm f/2.8 DI III VXD lens (Z/E):
software for individual settingsAdditional information on the upcoming Tamron 35-100mm f/2.8 DI III VXD lens for Nikon Z-mount
Additional information on the Otus ML 35mm f/1.4 lens for E/Z/RF mount (see also the current Zeiss 1.4/35 and 1.4/50 lenses):
Additional information on the upcoming Otus ML 35mm f/1.4 lens for Nikon Z-mount
The post Additional information on the upcoming Otus ML 35mm f/1.4 and Tamron 35-100mm f/2.8 DI III VXD lenses appeared first on Photo Rumors.
The new TTartisan AF 35mm f/1.8 II orange “Pop-Limited” edition lens for E/X mount is now available at:
Additional information on the TTArtisan 35mm f/1.8 II lens can be found here:
Just announced: TTArtisan AF 35mm f/1.8 II Orange “Pop-Limited” edition lens (E/X)
TTartisan already had an orange 27mm f/2.8 lens in 2024:
The new TTartisan 27mm f/2.8 yellow/orange limited edition lens is now available
Here is an updated list of photo gear promo codes you can use during this holiday shopping season
Via FujiAddict
The post Now available: TTArtisan AF 35mm f/1.8 II orange “Pop-Limited” edition lens (E/X) appeared first on Photo Rumors.
I received the following (unconfirmed) Canon EOS R3 Mark II camera rumors (replacement for the current EOS R3 model):
The Canon EOS R3 Mark II has already made its mark at the Winter Olympics. It is not a high-resolution variant of the EOS R1, but rather an entirely new and more experimental product. It features an industry-first dual native-resolution back-illuminated stacked CMOS image sensor that supports switching between 54-megapixel and 24-megapixel native resolutions. The 24-megapixel, 90 fps, and 54-megapixel, 40 fps continuous shooting modes are extremely convenient. EOS R3 Mark II employs a unique Enhanced Sensitivity Bayer array:
R R G
G G B
G G B
In 24-megapixel native resolution, adjacent pixels of the same colour are merged:
R-Binned Green
G-Binned B-Binned
The binned green pixel dominates the SNR of the decoded image. It achieves approx. 80% increase in sensitivity compared to the single green pixel found in the EOS R3. Combined with triple native ISO, EOS R3 Mark II delivers the industry’s finest high-sensitivity performance among full-frame cameras.
The Quad Pixel CMOS AF system employs four photodiodes per pixel, facilitating dual cross-type autofocus across all 54 megapixels. This innovative feature enables phase detection across four distinct directions: horizontal, vertical, diagonal, and opposite diagonal.
RAW video recording in-camera up to 9K at 60fps and 6K at 120fps, with full-pixel autofocus capability.
Canon was recently rumored to have registered a new high-end EOS camera:
The post Canon EOS R3 Mark II camera rumors? appeared first on Photo Rumors.
Related posts:
Rescue Soft and Noisy Images in Real-World Workflows with Aiarty Image Enhancer (Holiday Special Offer)
Every professional archive has them: those “near-miss” frames where the composition is perfect, but the technical execution hits a wall. Perhaps it was a handheld shot that suffered from slight motion blur , or a low-light wedding scene where high-ISO grain began to erode the fine micro-textures of the bride’s lace. Traditionally, these compromises were accepted as the physical limits of our equipment.
My recent testing of Aiarty Image Enhancer, however, has made me reconsider what truly qualifies as a “discarded” file. Instead of the aggressive, “waxy” smoothing often associated with conventional noise reduction, this software applies a more nuanced, data-driven approach – reconstructing detail rather than simply blurring it away.
What makes this particularly relevant in a professional workflow is how effectively it extends the practical reach of existing lenses and sensors. I found it especially useful in situations where getting closer to the subject wasn’t possible and a heavy crop was unavoidable. In many cases, crops in the 50% or 70% range would normally strip away fine-frequency details, but here the AI-generated data helps reserve depth and structure. The result feels less like digital interpolation and more like I’m shooting with a higher-resolution sensor, allowing me to refine my composition after the fact without sacrificing the “raw-like” depth of the shot.
At the time of writing, Aiarty Image Enhancer is available as part of a limited-time Buy 1 Get 2 Free promotion, offering 36% off the lifetime license along with two additional image and video processing tools at no extra cost.
With a full lifetime license, you’ll enjoy:
Aiarty Image Enhancer: A Must-Have Tool for Photographers
For photographers, a perfect shot is about preserving the soul of a moment in every pixel. Whether it’s the micro-textures of a landscape or the delicate tones of a portrait, image integrity is non-negotiable. Aiarty Image Enhancer is engineered to bridge the gap between raw capture and professional vision, offering an AI-driven toolset that respects the optics of your gear while pushing technical boundaries.
Unlike basic sharpening tools, Aiarty performs a deep-tissue analysis of your files. It intelligently reconstructs lost data – neutralizing high-ISO sensor noise, smoothing tonal gradations in sunsets, and restoring clarity to soft frames. By supporting high-fidelity RAW workflows, it ensures your high-end sensors perform at their absolute peak, delivering results that traditional interpolation simply cannot match.
For pros, Aiarty Image Enhancer is a force multiplier that slashes hours of tedious cleanup, allowing you to focus on creativity. For enthusiasts, it provides an intuitive path to gallery-quality results without the steep learning curve. From refining a single masterpiece to batch-processing an entire event, Aiarty ensures every export meets the highest standards of professional excellence.
Why Aiarty Image Enhancer is a Game-Changer for Photographers
Clean High-ISO Grain While Preserving Sensor-Level Micro-Textures
In low-light environments – be it a dimly lit wedding venue or a moonless landscape – high ISO settings often introduce aggressive luminance and chroma noise. Unlike traditional noise reduction that “smears” details into a waxy mess, Aiarty Image Enhancer utilizes the Smooth-diffuse model. It intelligently distinguishes between noise artifacts and actual image data, neutralizing grain while reconstructing the micro-textures of skin pores, fabric fibers, and architectural surfaces. The result is a clean, “film-like” finish that looks natural even at 100% zoom.
Restore “Tack-Sharp” Precision to Soft Focus and Shaken Frames
Even the best AF systems can miss by a hair, and hand-held shooting at slow shutter speeds often results in “soft” images. Aiarty’s Deblur engine analyzes the pixel-spread caused by motion or lens diffraction. By utilizing deep convolutional neural networks, it “tightens” the blurry edges and re-aligns the visual information. For wildlife or sports photographers, this means the difference between a discarded frame and a sharp, portfolio-ready masterpiece.
Ultra-High-Res Upsampling for Gallery-Scale Fine Art Prints
Photographers often need to crop heavily to achieve the perfect composition, which can leave the final image with insufficient resolution for printing. Aiarty’s Upscale feature allows for up to 800% (8X) enlargement, reaching resolutions up to 32K. This isn’t just simple interpolation; the AI generates new, high-frequency details to fill the gaps, ensuring that even a 12MP legacy file can be transformed into a high-density print suitable for gallery exhibitions or billboard-scale commercial use.
Enhance Dynamic Range and Color Fidelity for a True-to-Life Render
The Enhance Color feature acts as a sophisticated digital restorer. It addresses common digital pitfalls like color banding in gradients (such as sunsets) and loss of shadow detail. By analyzing the dynamic range of the scene, it smoothes out tonal transitions and restores the natural saturation that can be lost during heavy exposure recovery. It brings a “raw-like” depth to compressed images, making the final output feel more vibrant and lifelike.
(New) AI Eraser: Professional Cleanup Without the Manual Labor
The AI Eraser is an essential tool for perfecting composition after the shutter has clicked. Whether it’s a stray tourist in a landscape or a distracting power line cutting through a street scene, the AI doesn’t just “blur” the area. It interprets the surrounding lighting, perspective, and texture to intelligently reconstruct the background. For the meticulous photographer, this provides a professional-grade cleanup that preserves the continuity of the shot without the tedious manual labor of the Clone Stamp tool.
High-Volume Batch Processing and Secure Local Workflow
Efficiency is the backbone of a successful photography business. Aiarty allows you to import hundreds of images and apply consistent enhancement parameters across the entire set via Batch Processing. Crucially, all AI computations happen locally on your machine. Your unreleased work is never uploaded to a server, ensuring total copyright privacy and a workflow that remains functional even in remote locations without an internet connection.
Lightning-Fast Performance via Full GPU Optimization
Time spent watching a progress bar is time away from the lens. Aiarty Image Enhancer is meticulously optimized for NVIDIA, AMD, and Intel GPUs. By leveraging hardware acceleration, it handles high-resolution RAW exports and massive upscaling tasks in seconds rather than minutes. This speed ensures that AI enhancement becomes a seamless, non-disruptive part of your standard post-processing routine.
Availability and Pricing
If you are interested in adding Aiarty Image Enhancer to your workflow, a limited-time promotion is currently available, offering up to 36% on the lifetime license. The license provides unlimited access to all features, including free lifetime upgrades and technical support – with no recurring subscription fees.
The lifetime license allows installation on up to three Windows or Mac computers, making it suitable for multi-device setups. In addition, the current promotion includes two bonus tools at no extra cost, effectively a “buy one, get two free” offer.
Final Verdict: Is Aiarty Image Enhancer Worth It?
In an era where AI tools are becoming commonplace, Aiarty Image Enhancer distinguishes itself by staying true to photographic integrity. Rather than inventing detail, it focuses on recovering the image quality that real-world shooting conditions or hardware limitations can sometimes compromise.
For professional photographers, it works as a reliable “insurance policy” for soft or under-resolved shots, and a capable engine for preparing images for large-format output. For enthusiasts, it offers a straightforward way to elevate images to a clean, polished look—without spending hours inside complex editing workflows.
If your archive includes photos you’ve always wished were sharper, cleaner, or better suited for large prints, Aiarty Image Enhancer is well worth considering.
The post Rescue soft and noisy images in real-world workflows with Aiarty Image Enhancer (holiday special offer included) appeared first on Photo Rumors.
Related posts:
Here is what’s new on Kickstarter:
CamCast – turn your camera into a smart, connected system.
Shargeek 300 – the next-gen power beast.
The post What’s new on Kickstarter? appeared first on Photo Rumors.
I received the following Sony FX3 II camera rumors (see the current FX3 models):
Sony registered a new WW847606 camera overseas (Sony a7R VI?)
The post Sony FX3 II camera rumors? appeared first on Photo Rumors.
Songraw will release new 50mm & 85mm f/1.2 full-frame autofocus lenses for Nikon Z and Sony E mount (previously reported here). The new lens series is marketed as “light” and “affordable” in China, featuring significant weight reduction, numerous optimizations, and a titanium gray lens body.
In the US, Songraw lenses are sold at Amazon.
Here is the teaser video:
The post Songraw to release new 50mm & 85mm f/1.2 full-frame autofocus lenses for Nikon Z and Sony E mount appeared first on Photo Rumors.
Zeiss will announce a new Otus ML 35mm f/1.4 Apo Distagon lens for Nikon Z, Sony E, and Canon RF mounts on February 23rd or 24th for the CP+ show in Japan. This will be the third Zeiss Otus mirrorless lens after the 1.4/35 and 1.4/50.
Additional pictures:
Cosina to display new lens prototypes at the 2026 CP+ show in Japan
Via NikonRumors
The post First leaked pictures of the upcoming Zeiss Otus ML 35mm f/1.4 lens (Z/E/RF) appeared first on Photo Rumors.
The Tamron booth at the 2026 CP+ show in Japan
The previously rumored Tamron 35-100mm f/2.8 DI III VXD lens for Nikon Z and Sony E mount leaked online:
The new lens will be priced similarly to the Tamron 16-30mm f/2.8 Di III VXD G2 lens: $900 for the Sony version and $930 for the Nikon version. Shipping will start in late March or early April.
Update – here are two additional pictures of the new lens:
First leaked picture of the upcoming Tamron 35-100mm f/2.8 DI III VXD lens for Nikon Z-mount
Via NikonRumors
The post The rumored Tamron 35-100mm f/2.8 DI III VXD lens (Z/E) leaked online appeared first on Photo Rumors.
The SG-Image AF 25mm f/1.8 APS-C lenses are now available for order on Amazon (see all listings).
SG-Image lenses are also sold at eBay, AliExpress, and Amazon Japan.
Additional informtion on the lens can be found here:
Product Overview
This wide-angle lens for APS-C cameras combines an easy-to-use angle of view equivalent to approximately 37.5mm in 35mm format with a large aperture of F1.8. It weighs only about 145g and is a thin and lightweight design with a total length of 32mm, yet it is equipped with a silent and high-speed AF using an STM (stepping motor). From street snapshots to video shooting, it is an “Everywhere Prime” that you can carry around in your pocket at all times.
Main Features
Specification
The post The SG-Image AF 25mm f/1.8 APS-C lenses are now available for order at Amazon US appeared first on Photo Rumors.
Cosina announced a new Voigtlander SEPTON 40mm f/2 Aspherical lens for Nikon Z and Sony E mount:
Via NikonRumors
The post Cosine announced a new Voigtlander SEPTON 40mm f/2 Aspherical lens for Nikon Z and Sony E cameras appeared first on Photo Rumors.
As I already reported, the Shenzhen Sonida Digital Technology company joined the Micro Four Thirds System Standard Group today under the brand Songdian (some of their cameras are sold on Amazon), and they are expected to announce a new MFT camera for the 2026 CP+ show in Japan:
The Chinese company Songdian is teasing a new Micro Four Thirds camera
The company claims to have 17 years of experience:
The full press release can be found here:
Shenzhen Sonida Digital Technology joins the Micro Four Thirds System Standard Group
The post Shenzhen Sonida Digital Technology joins the Micro Four Thirds System Standard Group under the brand “Songdian” appeared first on Photo Rumors.
Here is what else is new:
The Contax Planar 35/2 T* lens v2.0 for Leica M-mount by Mr. Ding is now available in black
Panasonic LUMIX G 20mm f/1.7 II ASPH lens listed as discontinued in Japan
Ricoh released firmware update version 1.11 for the GR IV camera
GR World app v1.3.0 released with support for the Ricoh GR IV Monochrome camera
The post What else is new? appeared first on Photo Rumors.
Here are the latest financial results from Tamron, Nikon, Fujifilm, Sony, Ricoh, and Panasonic:
Tamron FY2025 financial results (source) for the Photographic Products segment:
FY2025 highlights (consolidated):
Photography business:
Tamron interchangeable lens market share:
Tamron plans to announce a total of ten new lenses this FY26, according to their latest financial disclosures:
Tamron’s FY2025 Results: Sony E-Mount Is Still the Core, and “10 New Models” Are Coming in FY2026
Nikon Q3 financial results for the Imaging Business:
Units to date:
Nikon share compared to CIPA for the same period:
Full year projection:
DCIL: 900,000 (down from previous projection of 950,000)
Lenses: 1.3 million (down from previous projection of 1.4 million).
Additional information can be found here.
Fujifilm Q3 FY2025 Imaging segment highlights:
Breakdown:
Additional information:
Sony Q3 FY2025 fincnial results recap for their camerra/sensor divisio:
Additional details (source):
Ricoh Q3 financial report: “Cameras continued to perform well, primarily on the strength of the Ricoh GR series”:
Panasonic Q3 financial results recap for their camera business, which falls under the “Lifestyle” segment, specifically within the Living Appliances and Solutions Company (LAS) division (source):
The post The latest financial results from Tamron, Nikon, Fujifilm, Sony, Ricoh, and Panasonic appeared first on Photo Rumors.
Next week, on February 19th, Tamron will announce a new 35-100mm f/2.8 lens (see mockup above). This will be a small, lightweight zoom lens (around 560g) that will pair well with the existing Tamron 16-30mm f/2.8.
Tamron plans to announce a total of ten new lenses this FY26, according to their latest financial disclosures:
Via NikonRumors
The post Tamron to announce a new 35-100mm f/2.8 lens next week appeared first on Photo Rumors.
Zeiss introduced a new Aatma line of cinema lenses at BSC EXPO in London (previously reported here) priced beetween $20-$25k. The new Aatma line of nine T1.5 full-frame cinema prime lenses (18mm, 25mm, 35mm, 40mm, 50mm, 65mm, 85mm, 100mm, and 135mm):
Cosina to display new lens prototypes at the 2026 CP+ show in Japan
The post Zeiss introduced a new Aatma line of cinema lenses appeared first on Photo Rumors.
Schneider Kreuznach × LK Samyang is rumored to announce a new 20-50mm f/2 lens at the 2026 CP+ show, which takes place at the end of February in Japan.
Schneider Kreuznach × LK Samyang still has few lenses on their roadmap that are not yet officially announced:
Via dcinside
The post Schneider Kreuznach × LK Samyang rumored to announce a new 20-50mm f/2 lens at the 2026 CP+ show appeared first on Photo Rumors.
Connexion