Moment is running a closeout sale this weekend – use code EXTRA10 at checkout for 10% off (mainly Fuji gear). This offer ends on February 22nd at midnight.
The post Deal of the day: 10% off closeout sale at Moment (mainly Fuji gear) appeared first on Photo Rumors.
This month, DxO Labs released new DxO camera and lens modules for the Sony A7 V camera and the latest lenses from Sigma, Viltrox, and Samyang.
You can get 10% off DxO products with code RUMORS.
Here is the full list of new profiles:
Cameras:
Lenses:
The new DxO Modules can be found in the following DxO software:
Additional information:
With this month’s update, DxO expands its industry-leading library of DxO Camera and Lens Modules to 111,475 supported camera and lens combinations, adding 1,245 new Modules tested and optimized in DxO’s laboratories.
February’s release brings full DxO Modules support for Sony’s highly anticipated A7 V, enabling photographers to take full advantage of the camera’s latest sensor and imaging pipeline with precise optical corrections applied directly at the RAW level.
This update also delivers optimized performance for a selection of standout lenses from Sigma, Viltrox, and Samyang. Highlights include Sigma’s fast primes and versatile zooms, such as the Sigma 135mm F1.4 DG A, renowned for its exceptional sharpness, and the Sigma 35mm F1.2 DG II A, prized for its impressive light-gathering power and distinctive rendering. Also included is the Sigma 20–200mm F3.5–6.3 DG C, a compact all-in-one zoom designed for everyday flexibility.
Photographers using third-party autofocus lenses will also benefit from bespoke DxO corrections for the Viltrox AF 35mm F1.2 LAB FE, a high-resolution fast prime built for Sony full-frame cameras and designed to deliver striking subject separation.
As always, every DxO Module is created using DxO’s exclusive laboratory-based measurement process, correcting distortion, vignetting, softness, and chromatic aberrations with unrivaled precision. With each monthly update, DxO continues to ensure photographers get the very best image quality from both the latest releases and their existing gear.
The post DxO released new lens modules for the Sony A7 V camera and the latest lenses from Sigma, Viltrox, and Samyang appeared first on Photo Rumors.
For the 2026 CP+ show in Japan, 7Artisans will soon announce a new AF 135mm f/1.8 lens for Nikon Z, Sony E, and Leica L mount:
Here is the translation:
The 7Artisans 135mm F1.8 AF is a large-aperture prime lens compatible with full-frame sensors. Planned mounts include Sony E, Nikon Z, and L, making it compatible with mirrorless cameras of all these systems. The combination of a 135mm focal length and an F1.8 aperture maximizes the subject’s focus with a shallow depth of field and a compression effect that accentuates the subject. It’s ideal for portraits and other scenes where you want to highlight the subject. The minimum focusing distance of 0.68m, relatively short for a 135mm lens, allows for close-up shots. The aperture ring allows for intuitive aperture control. The AF/MF switch allows for smooth focus control depending on the shooting situation. Furthermore, the camera’s function button can be assigned to various functions, allowing for customization to suit your shooting style. This lens combines the expressive power of a large-aperture prime lens with a practical operation system.
My guess is that this lens is based on the existing Viltrox AF 135mm f/1.8 lens ($899):
Viltrox AF 135mm f/1.8 LAB lens for Nikon Z-mount now available
The Viltrox AF 135mm f/1.8 LAB FE lens for Sony E-mount is now available for pre-order
Via Asobinet
The post Coming soon: new 7Artisans AF 135mm f/1.8 lens (E/Z/L) appeared first on Photo Rumors.
You can now get a free Panasonic Lumix S 85mm f/1.8 or 50mm f/1.8 lens with the purchase of a Panasonic Lumix S5IIX/S5II/S9 camera:
The post Deal of the day: get a free Panasonic Lumix S 85mm or 50mm f/1.8 lens with the purchase of a Panasonic Lumix S5IIX/S5II/S9 camera appeared first on Photo Rumors.
The previously reported Tamron 35-100mm f/2.8 DI III VXD lens for Nikon Z and Sony E-mount cameras is now officially announced, along with a new Tamron Link accessory for wireless lens control.
The post New Tamron 35-100mm f/2.8 DI III VXD lens announced (Z/E) appeared first on Photo Rumors.
WANDRD launched two brand-new camera backpacks: PRVKE Zip and PRVKE Pocket. Both models are available in 21L & 31L and are available in Black & Wasatch Green:
Here are the details:
PRVKE Pocket
PRVKE Zip
The post WANDRD released new PRVKE camera backpacks appeared first on Photo Rumors.
Mandler opened their online store, where you can now buy the Mandler 35mm f/2 “Seven Elements” lens for Leica M-mount (previously reported here):
They also sell accessories for the new lens:
The Mandler 35mm f/2 lens for Leica M-mount is a replica and a complete reproduction of the optical formula of the original Leica Summicron 35mm f/2 seven-element lens. The name “Mandler” is a tribute to Walter Mandler, who designed many legendary Leica lenses.
Mandler is expected to launch another new lens in July. In the future, they are planning to release 3-4 new lenses per year.
Additional information can be found here:
Additional pictures:
Via LeicaRumors
The post New Mandler online store: you can now buy the Mandler 35mm f/2 “Seven Elements” lens for Leica M-mount appeared first on Photo Rumors.
The new Ricoh GR IV Monochrome camera is now in stock at B&H Photo.
Additional information on the Ricoh GR IV Monochrome camera can be found here:
Announcement of the launch of multilingual support service for Ricoh GR IV Monochrome camera
Comparing the Ricoh GR IV vs. GR IV HDF vs. GR IV Monochrome cameras
Poll: would you buy the new Ricoh GR IV Monochrome camera for $2,200?
The post The new Ricoh GR IV Monochrome camera is now in stock appeared first on Photo Rumors.
Here are the top 10 most used Nikon cameras on Flickr:
Source: Flickr, via NikonRumors
The post The top 10 most used Nikon cameras on Flickr appeared first on Photo Rumors.
Here is a recap of the latest Fujifilm X‑Pro 4 camera rumors (the Fujifilm X-Pro3 was officially discontinued in 2023):
The post The latest Fujifilm X‑Pro 4 camera rumors appeared first on Photo Rumors.
Here is what else is new:
The Pentax 17 camera is on Time’s Best Inventions list for 2025
Ricoh released firmware update version 1.11 for the GR IV camera
New Tilta NP-W126S Forest Green and Ash Green Battery Accessories
Here are the latest Nikon news and rumors:
Deal of the day: the Nikon FTZ II adapter is currently 35% off in the UK
The new Viltrox AF 50mm f/1.4 Pro full-frame lens for Nikon Z-mount is now available for pre-order
Meike is rumored to release more new lenses for Nikon F-mount
The post What else is new? appeared first on Photo Rumors.
Additional information on the upcoming Tamron 35-100mm f/2.8 DI III VXD lens (Z/E):
software for individual settingsAdditional information on the upcoming Tamron 35-100mm f/2.8 DI III VXD lens for Nikon Z-mount
Additional information on the Otus ML 35mm f/1.4 lens for E/Z/RF mount (see also the current Zeiss 1.4/35 and 1.4/50 lenses):
Additional information on the upcoming Otus ML 35mm f/1.4 lens for Nikon Z-mount
The post Additional information on the upcoming Otus ML 35mm f/1.4 and Tamron 35-100mm f/2.8 DI III VXD lenses appeared first on Photo Rumors.
The new TTartisan AF 35mm f/1.8 II orange “Pop-Limited” edition lens for E/X mount is now available at:
Additional information on the TTArtisan 35mm f/1.8 II lens can be found here:
Just announced: TTArtisan AF 35mm f/1.8 II Orange “Pop-Limited” edition lens (E/X)
TTartisan already had an orange 27mm f/2.8 lens in 2024:
The new TTartisan 27mm f/2.8 yellow/orange limited edition lens is now available
Here is an updated list of photo gear promo codes you can use during this holiday shopping season
Via FujiAddict
The post Now available: TTArtisan AF 35mm f/1.8 II orange “Pop-Limited” edition lens (E/X) appeared first on Photo Rumors.
I received the following (unconfirmed) Canon EOS R3 Mark II camera rumors (replacement for the current EOS R3 model):
The Canon EOS R3 Mark II has already made its mark at the Winter Olympics. It is not a high-resolution variant of the EOS R1, but rather an entirely new and more experimental product. It features an industry-first dual native-resolution back-illuminated stacked CMOS image sensor that supports switching between 54-megapixel and 24-megapixel native resolutions. The 24-megapixel, 90 fps, and 54-megapixel, 40 fps continuous shooting modes are extremely convenient. EOS R3 Mark II employs a unique Enhanced Sensitivity Bayer array:
R R G
G G B
G G B
In 24-megapixel native resolution, adjacent pixels of the same colour are merged:
R-Binned Green
G-Binned B-Binned
The binned green pixel dominates the SNR of the decoded image. It achieves approx. 80% increase in sensitivity compared to the single green pixel found in the EOS R3. Combined with triple native ISO, EOS R3 Mark II delivers the industry’s finest high-sensitivity performance among full-frame cameras.
The Quad Pixel CMOS AF system employs four photodiodes per pixel, facilitating dual cross-type autofocus across all 54 megapixels. This innovative feature enables phase detection across four distinct directions: horizontal, vertical, diagonal, and opposite diagonal.
RAW video recording in-camera up to 9K at 60fps and 6K at 120fps, with full-pixel autofocus capability.
Canon was recently rumored to have registered a new high-end EOS camera:
The post Canon EOS R3 Mark II camera rumors? appeared first on Photo Rumors.
Related posts:
Rescue Soft and Noisy Images in Real-World Workflows with Aiarty Image Enhancer (Holiday Special Offer)
Every professional archive has them: those “near-miss” frames where the composition is perfect, but the technical execution hits a wall. Perhaps it was a handheld shot that suffered from slight motion blur , or a low-light wedding scene where high-ISO grain began to erode the fine micro-textures of the bride’s lace. Traditionally, these compromises were accepted as the physical limits of our equipment.
My recent testing of Aiarty Image Enhancer, however, has made me reconsider what truly qualifies as a “discarded” file. Instead of the aggressive, “waxy” smoothing often associated with conventional noise reduction, this software applies a more nuanced, data-driven approach – reconstructing detail rather than simply blurring it away.
What makes this particularly relevant in a professional workflow is how effectively it extends the practical reach of existing lenses and sensors. I found it especially useful in situations where getting closer to the subject wasn’t possible and a heavy crop was unavoidable. In many cases, crops in the 50% or 70% range would normally strip away fine-frequency details, but here the AI-generated data helps reserve depth and structure. The result feels less like digital interpolation and more like I’m shooting with a higher-resolution sensor, allowing me to refine my composition after the fact without sacrificing the “raw-like” depth of the shot.
At the time of writing, Aiarty Image Enhancer is available as part of a limited-time Buy 1 Get 2 Free promotion, offering 36% off the lifetime license along with two additional image and video processing tools at no extra cost.
With a full lifetime license, you’ll enjoy:
Aiarty Image Enhancer: A Must-Have Tool for Photographers
For photographers, a perfect shot is about preserving the soul of a moment in every pixel. Whether it’s the micro-textures of a landscape or the delicate tones of a portrait, image integrity is non-negotiable. Aiarty Image Enhancer is engineered to bridge the gap between raw capture and professional vision, offering an AI-driven toolset that respects the optics of your gear while pushing technical boundaries.
Unlike basic sharpening tools, Aiarty performs a deep-tissue analysis of your files. It intelligently reconstructs lost data – neutralizing high-ISO sensor noise, smoothing tonal gradations in sunsets, and restoring clarity to soft frames. By supporting high-fidelity RAW workflows, it ensures your high-end sensors perform at their absolute peak, delivering results that traditional interpolation simply cannot match.
For pros, Aiarty Image Enhancer is a force multiplier that slashes hours of tedious cleanup, allowing you to focus on creativity. For enthusiasts, it provides an intuitive path to gallery-quality results without the steep learning curve. From refining a single masterpiece to batch-processing an entire event, Aiarty ensures every export meets the highest standards of professional excellence.
Why Aiarty Image Enhancer is a Game-Changer for Photographers
Clean High-ISO Grain While Preserving Sensor-Level Micro-Textures
In low-light environments – be it a dimly lit wedding venue or a moonless landscape – high ISO settings often introduce aggressive luminance and chroma noise. Unlike traditional noise reduction that “smears” details into a waxy mess, Aiarty Image Enhancer utilizes the Smooth-diffuse model. It intelligently distinguishes between noise artifacts and actual image data, neutralizing grain while reconstructing the micro-textures of skin pores, fabric fibers, and architectural surfaces. The result is a clean, “film-like” finish that looks natural even at 100% zoom.
Restore “Tack-Sharp” Precision to Soft Focus and Shaken Frames
Even the best AF systems can miss by a hair, and hand-held shooting at slow shutter speeds often results in “soft” images. Aiarty’s Deblur engine analyzes the pixel-spread caused by motion or lens diffraction. By utilizing deep convolutional neural networks, it “tightens” the blurry edges and re-aligns the visual information. For wildlife or sports photographers, this means the difference between a discarded frame and a sharp, portfolio-ready masterpiece.
Ultra-High-Res Upsampling for Gallery-Scale Fine Art Prints
Photographers often need to crop heavily to achieve the perfect composition, which can leave the final image with insufficient resolution for printing. Aiarty’s Upscale feature allows for up to 800% (8X) enlargement, reaching resolutions up to 32K. This isn’t just simple interpolation; the AI generates new, high-frequency details to fill the gaps, ensuring that even a 12MP legacy file can be transformed into a high-density print suitable for gallery exhibitions or billboard-scale commercial use.
Enhance Dynamic Range and Color Fidelity for a True-to-Life Render
The Enhance Color feature acts as a sophisticated digital restorer. It addresses common digital pitfalls like color banding in gradients (such as sunsets) and loss of shadow detail. By analyzing the dynamic range of the scene, it smoothes out tonal transitions and restores the natural saturation that can be lost during heavy exposure recovery. It brings a “raw-like” depth to compressed images, making the final output feel more vibrant and lifelike.
(New) AI Eraser: Professional Cleanup Without the Manual Labor
The AI Eraser is an essential tool for perfecting composition after the shutter has clicked. Whether it’s a stray tourist in a landscape or a distracting power line cutting through a street scene, the AI doesn’t just “blur” the area. It interprets the surrounding lighting, perspective, and texture to intelligently reconstruct the background. For the meticulous photographer, this provides a professional-grade cleanup that preserves the continuity of the shot without the tedious manual labor of the Clone Stamp tool.
High-Volume Batch Processing and Secure Local Workflow
Efficiency is the backbone of a successful photography business. Aiarty allows you to import hundreds of images and apply consistent enhancement parameters across the entire set via Batch Processing. Crucially, all AI computations happen locally on your machine. Your unreleased work is never uploaded to a server, ensuring total copyright privacy and a workflow that remains functional even in remote locations without an internet connection.
Lightning-Fast Performance via Full GPU Optimization
Time spent watching a progress bar is time away from the lens. Aiarty Image Enhancer is meticulously optimized for NVIDIA, AMD, and Intel GPUs. By leveraging hardware acceleration, it handles high-resolution RAW exports and massive upscaling tasks in seconds rather than minutes. This speed ensures that AI enhancement becomes a seamless, non-disruptive part of your standard post-processing routine.
Availability and Pricing
If you are interested in adding Aiarty Image Enhancer to your workflow, a limited-time promotion is currently available, offering up to 36% on the lifetime license. The license provides unlimited access to all features, including free lifetime upgrades and technical support – with no recurring subscription fees.
The lifetime license allows installation on up to three Windows or Mac computers, making it suitable for multi-device setups. In addition, the current promotion includes two bonus tools at no extra cost, effectively a “buy one, get two free” offer.
Final Verdict: Is Aiarty Image Enhancer Worth It?
In an era where AI tools are becoming commonplace, Aiarty Image Enhancer distinguishes itself by staying true to photographic integrity. Rather than inventing detail, it focuses on recovering the image quality that real-world shooting conditions or hardware limitations can sometimes compromise.
For professional photographers, it works as a reliable “insurance policy” for soft or under-resolved shots, and a capable engine for preparing images for large-format output. For enthusiasts, it offers a straightforward way to elevate images to a clean, polished look—without spending hours inside complex editing workflows.
If your archive includes photos you’ve always wished were sharper, cleaner, or better suited for large prints, Aiarty Image Enhancer is well worth considering.
The post Rescue soft and noisy images in real-world workflows with Aiarty Image Enhancer (holiday special offer included) appeared first on Photo Rumors.
Related posts:
Here is what’s new on Kickstarter:
CamCast – turn your camera into a smart, connected system.
Shargeek 300 – the next-gen power beast.
The post What’s new on Kickstarter? appeared first on Photo Rumors.
I received the following Sony FX3 II camera rumors (see the current FX3 models):
Sony registered a new WW847606 camera overseas (Sony a7R VI?)
The post Sony FX3 II camera rumors? appeared first on Photo Rumors.
Songraw will release new 50mm & 85mm f/1.2 full-frame autofocus lenses for Nikon Z and Sony E mount (previously reported here). The new lens series is marketed as “light” and “affordable” in China, featuring significant weight reduction, numerous optimizations, and a titanium gray lens body.
In the US, Songraw lenses are sold at Amazon.
Here is the teaser video:
The post Songraw to release new 50mm & 85mm f/1.2 full-frame autofocus lenses for Nikon Z and Sony E mount appeared first on Photo Rumors.
Zeiss will announce a new Otus ML 35mm f/1.4 Apo Distagon lens for Nikon Z, Sony E, and Canon RF mounts on February 23rd or 24th for the CP+ show in Japan. This will be the third Zeiss Otus mirrorless lens after the 1.4/35 and 1.4/50.
Additional pictures:
Cosina to display new lens prototypes at the 2026 CP+ show in Japan
Via NikonRumors
The post First leaked pictures of the upcoming Zeiss Otus ML 35mm f/1.4 lens (Z/E/RF) appeared first on Photo Rumors.
The Tamron booth at the 2026 CP+ show in Japan
The previously rumored Tamron 35-100mm f/2.8 DI III VXD lens for Nikon Z and Sony E mount leaked online:
The new lens will be priced similarly to the Tamron 16-30mm f/2.8 Di III VXD G2 lens: $900 for the Sony version and $930 for the Nikon version. Shipping will start in late March or early April.
Update – here are two additional pictures of the new lens:
First leaked picture of the upcoming Tamron 35-100mm f/2.8 DI III VXD lens for Nikon Z-mount
Via NikonRumors
The post The rumored Tamron 35-100mm f/2.8 DI III VXD lens (Z/E) leaked online appeared first on Photo Rumors.
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