Vue normale

The 90-year history of the binoculars bolted to scenic overlooks

Tower Optical’s coin-operated binocular viewers have stood at American overlooks since the 1930s, built by a company almost nobody can name. For the first time, it’s selling some of them off.

Coin-operated binocular viewer facing toward a mountain landscape at sunset, with trees and the Half Dome rock formation in the background.Tower Optical

If you’ve ever stood on an observation platform at Niagara Falls, at the edge of the Grand Canyon, or overlooking the Golden Gate Bridge, chances are pretty good you’ve seen a Tower Optical binocular viewer, and maybe even dropped a quarter into one, even if you’ve never heard of the company that made it.

These heavy, chrome-plated viewers are bolted to observation decks and overlooks across the US and Canada. But somewhere along the way, the viewers themselves became icons. And, for the first time in its history, the company is selling a small number of them to private buyers.

Tower Optical began in a Norwalk, Connecticut, machine shop in 1933, and remained in the same family until 2025. Between the 1930s and 1980s, it manufactured roughly 2,000 of the machines, with every component hand-assembled in the company’s factory in Norwalk, where the original machinery from the 1930s and 40s still stands. Today, the company has about 1,800 machines spread across roughly 400 locations in North America.

Coin-operated binocular viewer with a metallic finish mounted on a wooden deck, facing a marsh with tall brown grass, water, and green trees beneath a cloudy sky.
Tower Optics binocular viewfinders have been deployed to all corners of North America, in all types of environments.
Tower Optical

In many places, these viewers have become part of the landscape as much as a means of viewing it. As someone with an interest in optics, what’s always fascinated me are the conditions these devices endure: freezing winters, blistering summers, rain, snow, ice, sand and every other environmental hazard you can throw at them. Yet the 10×42 binoculars inside keep delivering a sharp image, decade after decade.

Adam Rice, one of the company’s current owners, says the location and history of every viewer has been meticulously tracked by hand, decade after decade, as they moved around the continent.

Cluttered desk with scattered papers and photos beneath a large, pinned map of the United States in a molded frame with small pins representing the locations of Tower Optical binocular viewfinders; a sign above the map displays the phrase "It is what it is."
For decades, Tower Optical used a pair of push-pin maps at its headquarters — color-coded by site — to monitor where each viewer was deployed.
Tower Optical / Adam Rice

“There are two push-pin maps at headquarters that are pretty outdated now, but they were used to track all the different sites, color-coded by location. Beyond that, we have a physical card for every single machine detailing its maintenance and whereabouts. I scanned thousands of these cards with a high-speed scanner to digitize the company’s historical records.”

Looking at one of these cards can be like a walk through history, Rice tells us. “If someone’s interested in the history of a machine, we’ll look at the maintenance cards… For example, machine #507 was manufactured in the 1950s. Our records show it went to the Staten Island Ferry in 1961, Battery Park in New York City in the ’80s, the North Carolina Zoo in the ’90s, and, most recently, Coit Tower in San Francisco.”

Vintage cream-colored index card with green lines, featuring handwritten dates, locations, and numbers in blue and black ink for recording dates and locations where Tower Optical binocular viewers were deployed. Holes are punched along the left edge.
The company maintained physical index cards for every machine, detailing its maintenance history and locations over the decades. This viewer appears to have spent a portion of the ’90s at the Empire State Building in New York.
Tower Optical

One thing the company isn’t doing today is building new units, and the original manufacturing process may be lost to time.

“I’ve tried to understand the original manufacturing process, but no one is really left who knows how they were originally made. In our warehouse, there’s about 5,000 square feet of space filled with lathes and grinders from the ’30s and ’40s with overhead shafts to operate the pulleys. Our machinist estimated that if you had to make one of these domestically today, it would probably cost $15,000 to $20,000. The viewer heads are cast bronze and chrome-plated, and the rest of the components are iron.”

The glass inside has a pedigree of its own. “Interestingly, the metal plates on the viewers used to say ‘Bausch & Lomb Optical Viewer,'” he continues, “because the internal binoculars were manufactured by Bausch & Lomb. Many units still have the original Bausch & Lomb optics inside. At one point, they had a partnership where if binoculars needed to be serviced or replaced, we would send them directly to Bausch & Lomb, and they would fix them.”

Not much has changed over the years. The price crept up from a nickel, and the coin mechanisms were revised and hardened against people who tried sawing or drilling their way to the quarters inside.

Rows of shiny metal binocular optical viewers are arranged in a dimly lit, cluttered storage room with wooden shelves and assorted industrial equipment.
Tower Optical assembled every machine by hand at its Norwalk factory, which still houses the original manufacturing equipment from the 1930s and ’40s.
Tower Optical

The biggest challenge the company faces today is one the founders probably never saw coming: “No one carries quarters anymore, but people still love using these machines, so our goal from day one was to retrofit them with tap-to-pay,” says Rice.

“Another challenge was that every machine was built by hand, so the dimensions aren’t exact CAD measurements. The engineering firm we worked with did an outstanding job engineering retrofit brackets that fit regardless of slight variations in screw hole placement between a machine built in the ’30s versus one built in the ’50s.”

What the company was unwilling to change was the viewers’ nostalgic appearance.

“Our mandate to the engineering firm from day one was that we did not want the look of the machines to change beyond the payment terminal itself. The terminal is very minimal, just a small black box, and we’re even considering putting a chrome foil on it to blend in further. The only other physical modification was drilling a small hole in the top shell for a cellular antenna,” Rice explains.

While many have encountered Tower viewers in their travels, it’s never been possible to own one. Tower Optical’s viewers are placed through revenue-share arrangements with host venues, but for the first time, the company has decided to sell a small number of the historic units.

Multiple coin-operated binocular viewers with metallic finish are installed along a waterfront promenade, facing blue water and distant land beneath a partly cloudy sky.
Tower Optical currently has about 1,800 machines operating across roughly 400 locations in North America.
Tower Optical

“It allows us to finance the engineering work and expand our network, since retrofitting and deploying machines isn’t cheap. We receive a ton of inbound interest from people who want to own one. It makes sense to pull the lever on sales for units we can’t retrofit,” says Rice.

“In an ideal world, we probably don’t want to sell more than 50 to 100 of them.”

Owning a piece of history won’t be cheap. According to the company’s website, they start at around $9500. “That includes full refurbishment, the original historical maintenance card, and a new pair of optics,” Rice tells us. “We work with OM Digital to supply those binoculars. Prices may carry a premium for units originating from iconic locations like the Empire State Building, Rockefeller Center, or the Statue of Liberty.”

So next time you’re at a scenic overlook in the US or Canada, look out for a Tower viewer. Rice envisions a future in which they might even get more upgrades than its founders could have imagined.

“Moving forward, we’re exploring ways to layer in digital experiences, like augmented reality at high-traffic sites like Rockefeller Center, while keeping the core viewing experience intact.”

About the Author: Dale Baskin is a professional photographer, writer, and filmmaker based in the Pacific Northwest. He is the Managing Editor of DPReview.com.

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Polaroid turns Pokémon’s 30th anniversary into a full instant-photography ecosystem

Polaroid has released a nine-piece collection in collaboration with Pokémon, encompassing cameras, film and accessories.

A yellow Pikachu-themed Polaroid camera and a round Poké Ball case are held in a hand, with part of a white shirt in the background.Polaroid

Our guess yesterday about what Polaroid was gearing up to release was correct, but we didn’t expect just how big this launch would be. As we surmised, Polaroid has released a Pokémon-themed Go Gen 3 camera, but the launch also includes two additional cameras, three special packs of film and three accessories. Polaroid calls it its biggest collaboration yet, timed to coincide with the 30th anniversary of Pokémon, the hugely popular franchise that spans video games, anime and trading cards.

Red and white instant camera with Poké Ball design printing an instant photo, with a Poké Ball icon displayed to the right.
The Polaroid Now Gen 3 Pokémon edition takes its styling from a Poké Ball, with bold red, white and black colors.
Polaroid

The core of the launch is three limited-edition cameras, which cover both the full-size Polaroid Now Gen 3 and the tiny Go Gen 3, which was released earlier this summer. The Now Gen 3 version, which takes full-size i-Type film, takes the styling of a Poké Ball, with bold red, white and black colors. 

Pink instant camera featuring a Sylveon design and yellow instant camera with a Pikachu design, both printing photos. Sylveon and Pikachu stickers are placed beside their matching cameras.
The Go Gen 3 editions are more character-focused, with one version for Pikachu and the other for Sylveon.
Polaroid

For those who want something a bit more character-focused, the Go Gen 3 is available in a Pikachu-styled version with a bold yellow body and a hand strap shaped like Pikachu’s lightning-bolt tail. Or you can go for the Sylveon Edition, which features that Pokémon’s soft pink, blue and white colors. All three cameras also feature Poké Ball-shaped shutter buttons for an added thematic touch. 

Three sets of instant film photo paper and packaging: one with yellow Pokémon-themed designs, one with rainbow and pink heart borders, and one featuring black cards with white Pokémon silhouettes. Each set displays sample photo prints alongside its box.
Polaroid also released a limited-edition i-Type pack of film and two themed Go sets, all of which also feature custom dark slides.
Polaroid

The cameras aren’t all, either. If you already own a Polaroid camera, you don’t have to miss out on the fun, as the company also released three limited-edition packs of film, one full-sized i-Type and two packs of the smaller Go film. The i-Type film, like the camera, is more broadly Pokémon themed, with frames that feature iconic characters like Charmander, Clefairy and Squirtle. The Go film matches the theme of each of the Go cameras, with one pack focused on Sylveon and the other for Pikachu. Each pack comes with custom dark slides designed around the collaboration as well. 

Poké Ball-themed zip case containing a camera, next to another Poké Ball case holding a small photo album with printed photos; includes a black lanyard featuring a Poké Ball pattern.
The limited-edition release also includes a Polaroid Go Poké Ball camera case and photo album, along with a strap that works with both cameras.
Polaroid

Finally, Polaroid also has three accessories for Pokémon fans. There’s a Polaroid Go Poké Ball camera case and Poké Ball photo album for photos from the Go, along with a Pokémon edition camera strap, which is compatible with both the Now Gen 3 and Go Gen 3.

A yellow Pokédex toy held in a hand, near tall grass by a lakeside on a sunny day; the person is wearing blue jeans and a white shirt.Polaroid

The Polaroid Now Gen 3 Pokémon costs $140, while the Go Gen 3 Pikachu and Sylveon editions are $100, all of which represent a $10 premium over the standard versions. Likewise, the limited-edition film is slightly more expensive, with the i-Type coming in at $23 and the Go film at $25 for a double pack. 

The Polaroid x Pokémon collection is only available in limited quantities, though Polaroid didn’t provide any specifics about how many are available. Pre-orders open August 25, with a full release on October 5. 

About the Author: Abby Ferguson holds an MFA in photography and blends a fine-art background with extensive editorial and commercial experience. She built and led an in-house imaging program for a large vacation rental company and has served as an associate editor at Popular Photography. She also teaches at a local community college and serves on its Photographic Technology Program Advisory Board, sharing her knowledge and enthusiasm for the medium.

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L’angoissant Total Chaos sortira prochainement en VR

Par : Mathmoite
18 août 2026 à 11:54

À l’occasion du VR Games Showcase, le survival-horror Total Chaos développé par Trigger Happy Interactive a été officiellement annoncé en réalité virtuelle. Déjà enrichi par l’ajout récent d’un New Game+ et plus récemment d’un mode rétro pour les nostalgiques du mod DOOM II d’origine, on aura prochainement l’occasion de souiller notre slip directement en immersion 360° dans Fort Oasis.

Comme on peut lire dans la note Steam, l’expérience a été repensée pour le support de la réalité virtuelle avec une refonte de l’emplacement des objets et un rééquilibrage des ennemis. Certains passages environnementaux du jeu et le gameplay ont été optimisés afin de rendre l’immersion plus optimale. Pour  le moment, aucune date de sortie n’a été annoncé. On sait simplement que Total Chaos: VR sera gratuit pour les possesseurs du jeu de base sur Steam. Une version autonome pour Meta Quest est également dans les tuyaux.

En attendant de découvrir le cauchemar en VR, Total Chaos est disponible pour 24,50 € sur Steam. Si ça vous intéresse, la démo est toujours disponible.

Télex

18 août 2026 à 08:28
Cinq ans après avoir fait l’acquisition de Night School Studio (à l'origine d'Afterparty et de la merveilleuse série Oxenfree), Netflix a annoncé fermer les portes du studio indépendant, seulement six semaines après la sortie de leur jeu Unhinged. Même sort pour le studio Moonloot, dont le premier titre n'a même pas eu l'occasion de voir le jour. Dans cette industrie cruelle et absurde, on appelle ça un lundi. ER. 

Partenaire particulier

18 août 2026 à 08:19
La suite de l’excellent Thimbleweed Park a été annoncée pour 2028, et Ron Gilbert s’est un peu étendu sur son financement, à l’heure où plus personne ne souhaite investir dans des point & click en pixel art. Dans une interview avec Bloomberg, il explique ne plus vouloir collaborer avec des éditeurs traditionnels, lesquels proposent selon lui des conditions de moins en moins avantageuses : « On nous fait parfois des propositions vraiment ridicules, comme le fait de ne pas nous refiler d'argent à moins que le jeu soit un immense succès. J’ai toujours trouvé ça injuste. » Thimbleweed Park 2 sera donc partiellement financé par un pote de pote de Ron Gilbert, un mécène richissime qui a tenu à préserver son anonymat, et je pense que tous les multimillionnaires inutiles (c'est un pléonasme) de ce monde devraient prendre exemple sur lui. ER.
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