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Aujourd’hui — 20 mai 2024Photo

Deal of the day: the Blackmagic Cinema Camera 6K for L-mount is now 40% off (now only $1,575)

Par : PR admin
20 mai 2024 à 04:30


The Blackmagic Cinema Camera 6K for L-mount is now 40%/$1,020 off - you can get it now for $1,575:

This is a limited-time offer. Additional information on the Blackmagic Cinema Camera 6K for L-mount:

  • Full-Frame 6K HDR Sensor
  • Up to 6K 36 fps Open Gate/4K Anamorphic
  • Active Leica L Mount, OLPF Filter
  • 13 Stops Dynamic Range
  • Dual 400/3200 Native ISOs
  • Focus & Iris Control for Select Lenses
  • 5" Tilting LCD Touchscreen
  • CFexpress Type-B Card Recording
  • 3D LUT & L-Mount Metadata Support
  • HDMI, USB-C, 2 x Mini-XLR Audio Ports

Blackmagic announced new 6k full-frame cinema camera with L-mount and CFexpress

The post Deal of the day: the Blackmagic Cinema Camera 6K for L-mount is now 40% off (now only $1,575) appeared first on Photo Rumors.

The end of an era: the Sigma APO 200-500mm f/2.8 (Bigma) lens is already discontinued

Par : PR admin
19 mai 2024 à 23:56


It seems that the Sigma APO 200-500mm f/2.8 (Bigma) lens is already discontinued:

The lens was initially announced in April 2008. The end of an era (the DSLR era).





Via Asobinet

The post The end of an era: the Sigma APO 200-500mm f/2.8 (Bigma) lens is already discontinued appeared first on Photo Rumors.

Hier — 19 mai 2024Photo

Canon EOS R1 additional information

Par : PR admin
19 mai 2024 à 17:11


Here is some additional information on the upcoming Canon EOS R1 flagship camera:

The camera combines cutting-edge technology with durability and reliability to exceed the high expectations of professionals in sports, news reporting, and video production. It uses a newly developed DIGIC Accelerator image processor in addition to DIGIC X and, at the heart of it, Canon's newest CMOS sensor. The EOS R1 is capable of high-speed processing and delivers never-before-seen Auto Focus (AF) capability with high-speed and high-accuracy subject recognition. The new image processing system further boosts image quality by using deep learning technology.

  • Dual Image Processors - DIGIC Accelerator and DIGIC X
  • Newly Canon Developed CMOS Sensor
  • Deep Learning Technology & AF Action Priority


Powerful Image Processing System

The EOS R1 is powered by two advanced image processors, DIGIC X and the latest DIGIC Accelerator. Combined with Canon's newly self-developed and produced CMOS sensor, the EOS R1 can process large volumes of data at high speed and deliver never-been-seen advancements in Auto Focus (AF) performance.


Deep Learning Technology

Get exceptional image quality through deep learning technology and the new image processing system. The noise reduction feature, originally developed and improved as part of computer software, is now integrated into the camera. This further improves image quality and allows more creative expression.


High-Speed & High-Accuracy

Experience high-speed and high-accuracy subject recognition made possible with the new image processing system and deep learning technology. Subject tracking will be a breeze with the new AF Action Priority function that recognises subject movement by rapidly analysing the subject's status to help you capture decisive moments.

More Canon EOS R1 flagship camera specifications from Adorama

The upcoming Canon EOS R1 flagship camera: everything you need to know

The post Canon EOS R1 additional information appeared first on Photo Rumors.

Fujifilm XF16-50mm F2.8-4.8 R LM WR sample gallery

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The Fujinon XF16-50mm F2.8-4.8 R LM WR is Fujifilm's second-generation premium kit zoom, swapping a bit of reach for a wider range at the opposite end. It loses image stabilization but shifts to a lighter, weather-resistant internal zoom design. And, while it loses about half a stop of brightness at the long end, it gains faster focus and the promise of better performance in front of the the 40MP sensor that's now in wide use across the X series.

We got a chance to take a preproduction sample of the lens when Jeff Carlson visited Stockholm, Sweden. Take a look at the performance, shot across a variety of subjects and lighting conditions.

Click here for our Fujinon XF16-50mm F2.8-4.8 R LM WR sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

Nikon dominates the 2024 Camera Grand Prix awards

Par : PR admin
18 mai 2024 à 21:54





Here are the 2024 Camera Grand Prix award winners:

Camera scores for top 5 models:

  1. Sony α9 III: 307 points
  2. Nikon Z8: 126 points
  3. Nikon Zf: 49 points
  4. Fujifilm X100VI: 38 points
  5. Canon EOS R8: 37 points

Lens scores for top 5 models:

  1. Nikon NIKKOR Z 135mm f/1.8 S Plena: 169 points
  2. Sony FE 300mm f/2.8 GM OSS: 92 points
  3. Canon RF 10-20mm f/4 L IS STM: 65 points
  4. Sigma 500mm f/5.6 DG DN OS | Sports: 58 points
  5. Panasonic LUMIX S 100mm f/2.8 MACRO: 53 points

Top 5 awards by brand:

  1. Nikon: 3 awards
  2. Sony: 2 awards
  3. Canon: 2 awards
  4. Fuji, Sigma, and Panasonic: 1 award each

More awards and best-selling listings:

Best selling cameras for 2023 at MAP Camera Japan

The best-selling cameras in the top 5 Japanese stores (March 2024)

The 2024 TIPA World Photographer’s Choice Awards are out

The post Nikon dominates the 2024 Camera Grand Prix awards appeared first on Photo Rumors.

À partir d’avant-hierPhoto

New Panasonic Lumix camera announcement next week

Par : PR admin
18 mai 2024 à 18:02


A reader sent me this picture of what appears to be a new Panasonic camera (Lumix S9?) - the only problem with the image is the label "DUMMY" present on several spots - maybe this is not the final version or perhaps this is just a prototype:


See also this very similar compact Panasonic full-frame mirrorless camera with L-mount mockup found on Weibo:

Compact Panasonic full-frame mirrorless camera with L-mount mockup
Panasonic already has teasers for a new Lumix camera announcement on May 23:

Update: Panasonic to announce a new Lumix camera on May 22

Both Leica and Panasonic to announce new L-mount cameras in the next few months

Two additional Panasonic cameras registered in Asia


The post New Panasonic Lumix camera announcement next week appeared first on Photo Rumors.

A nature photography tour of Madagascar, Part 3: Kirindy Forest

In the last two articles in this series, I wrote about my visits to Andasibe National Park, where I photographed lemurs and chameleons, and Tsingy Rouge National Park, where I saw beautiful erosion-formed formations. This time, I'd like to write about my visit to Kirindy Forest.

A Verreaux's Sifaka, my favorite lemur species in Kirindy, feeding in a tree. The eyes on some of these lemur species are incredible.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
150mm, 1/1000 sec, F6.3, ISO 800

Kirindy Forest (or Kirindy Private Reserve) is a private nature reserve located in the west of Madagascar. The forest is home to a wide variety of animals, from many species of lemurs to fossas (a very weird-looking predator) to geckos and chameleons. Numerous species of plants and trees are also found in the region, the most famous and iconic of which is the baobab tree.

Baobab trees under post-sunset glow. The gaps between the trees made it easier to compose without creating overlap.

Canon EOS 5D Mark IV, Canon 70-300mm F4-5.6
83mm, 13 sec, F11, ISO 200

From a photographic point of view, Kirindy is nothing less than a paradise and was one of my favorite locations on my month-long Madagascar trip. The wildlife is surprisingly easy to find and photograph (with many highly skilled and cheerful guides available on the premises), the baobabs are easy to get to, and there are comfortable accommodation options close by. The only bad thing is the Wi-Fi connection.

Lemurs are one family of primates Kirindy has no shortage of. There are no less than eight lemur species here, from the tiny Madame Berthe’s Mouse Lemur (the smallest primate in the world, weighing 30 grams) to red-fronted lemurs, sportive lemurs and sifakas. I photographed all of Kirindy's diurnal species in three days, which shows how easy they are to find with a good guide. As to being easy to photograph, that's a different story.

Red-fronted lemur

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
347mm, 1/125 sec, F5.6, ISO 400

The easiest species to find in Kirindy is the red-fronted lemur. They are small and relatively common, so one could say they're also the least exciting of the local lemur species, but I found them to be very cute and expressive subjects.

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Unfortunately due to massive deforestation and climate change, Madagascar's lemurs are losing their ability to migrate and access water. Authorities are trying to help them by giving them water. The red-fronted lemurs are, therefore, much less averse to getting close to humans. I really hope this doesn't hurt them in the long run.

A red-fronted lemur is feeding in a tree. Its interaction with its environment is what makes this image. These animals are cathemeral, meaning that they are active during the day and at night, especially during the full moon.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
403mm, 1/250 sec, F6.3, ISO 800

The interestingly named sportive lemurs appear not to be sportive at all. Most of the time, they rest in the trees to digest the plants they have eaten. But during the mating season, male sportive lemurs have been observed to box with each other, which gave them their unusual name.

This sportive lemur looked like it had one too many drinks the previous night!

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
516 mm, 1/500 sec, F6.3, ISO 1600

The crown jewel of Kirindy's wildlife selection (in my opinion) is the Verreaux's sifaka, a beautiful, medium-sized lemur. Its thick and silky fur is mostly white, other than dark brown patches on the top of the head, face and arms. Like all sifakas, it has a long tail that it uses as a balance when leaping from tree to tree, where they are capable of making remarkable leaps. Distances of 9–10m (30ft) are not uncommon.

A Verreaux's sifaka lemur, beautifully framed between tree branches. Those eyes are to die for!

Canon EOS 5D Mark IV, , Sigma 150-600mm F5-6.3
531mm, 1/320 sec, F6.3, ISO 800

As a rule, the better composed the jumping shots I got, the worse the sharpness was on them. These guys are notoriously hard to catch when jumping. Here's an effort, with the sifaka showing its trademark Superman-style jump.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
150mm, 1/2500 sec, F5.6, ISO 800

Unfortunately, sifakas are very hard to photograph. They tend to stay very high up in the trees, which keeps them both far away and at awkward angles. This forces the photographer to use longer lenses, which becomes surprisingly tiresome when hand-holding the camera. I wanted to shoot at eye level but ended up shooting upward the vast majority of the time. They also just love hopping from tree to tree exactly when a photographer has finally found a good composition.

This sifaka looked like something out of a Dr. Seuss book. Note the shooting angle is less than optimal here, due to the height of the tree it was sitting on.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
302mm, 1/800 sec, F5.6, ISO 400

As beautiful as they are shy. A lucky eye-level shot.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
421mm, 1/1000 sec, F6.3, ISO 800

My visit to Madagascar was during baby season for lemurs, which was wonderful. I ended up seeing many species carrying very young and impossibly cute baby lemurs, and the sifakas were no different.

Again, the challenge was the distance and their tendency to move around all the time, probably even more so when carrying babies. Unfortunately, about 30% of infants are lost to predators like the fossa, a cat-like mammal, and a smaller number to raptors such as the Madagascar harrier-hawk.

For the first 6-8 weeks, the infant clings to the mother's stomach, but for the following 19 weeks, it clings to her back. During my trip, I saw infants up to 8 weeks old. I guess the signature eyes are there from birth!

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
600mm, 1/500 sec, F6.3, ISO 800

A lucky closer-range, eye-level shot of a baby sifaka in its mother's fur.

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
600mm, 1/125 sec, F6.3, ISO 800

I'm not much of a bird photographer, but several beautiful owl species are in Kirindy, and they were relatively easy to find.

Madagascar scops owl

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
516mm, 1/250 sec, F6.3, ISO 400

White-browed owl

Canon EOS 5D Mark IV, Sigma 150-600mm F5-6.3
283mm, 1/160 sec, F5.6, ISO 400

Finally, the Kirindy area was once home to a huge forest of baobabs. Not many remain, but those that are still there are huge and impressive. It was fun photographing a group of baobabs in the late afternoon and early evening, under direct light and during post-sunset glow.

The more baobabs close together in one location, the harder they are to compose, but if you manage to combine multiple elements into one shot in a satisfying way, then perhaps you've achieved something.

Canon EOS 5D Mark IV, Canon 11-24mm
19mm, 1/100 sec, F14, ISO 100

Here, I used the gaps between the foreground trees to frame the background trees.

Canon EOS 5D Mark IV, Canon 70-300mm F4-5.6
84mm, 0.8 sec, F14, ISO 100

I highly recommend visiting Kirindy Forest if you're interested in Madagascar's wildlife. The concentration of fascinating species and relaxed atmosphere are unmatched.

In the next article in this series, I will write about my journey from Tsingy De Bemaraha National Park to Isalo.


Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez's work on Instagram and Facebook, and subscribe to his mailing list for updates and to his YouTube channel.

If you'd like to experience and shoot some of the world's most fascinating landscapes with Erez as your guide, take a look at his unique photography workshops in Madagascar, Greenland, the Lofoten Islands, Namibia and Vietnam.

Erez also offers video tutorials discussing his images and explaining how he achieved them.

More in this Series:

Selected Articles by Erez Marom:

The AstrHori 85mm f/1.8 autofocus full-frame lens for Nikon Z mount will be announced on Monday (May 20th)

Par : PR admin
18 mai 2024 à 01:58


The previously reported AstrHori 85mm f/1.8 autofocus full-frame lens for Nikon Z-mount will be officially announced on Monday, May 20th. Here are the details (check the official website for updates):

  • Focal length: 85mm
  • Aperture range: f/1.8 - f/16
  • Field of view: 28.4°
  • Minimum focusing distance: 790mm
  • 
Lens configuration: 9 elements in 8 groups
  • Filter Size: 72mm
  • Weight: 626g
  • Mount: Nikon Z
  • Price:$249
  • Eye focus support
  • STM stepper motor for quiet autofocus

AstrHori lenses are sold at Amazon, B&H Photo, and the official online store.

AstrHori also has a new 120mm f/2.8 MACRO 2X lens:

Three new products coming soon from AstrHori

The post The AstrHori 85mm f/1.8 autofocus full-frame lens for Nikon Z mount will be announced on Monday (May 20th) appeared first on Photo Rumors.

The latest rumored Canon EOS R5 Mark II camera specifications

Par : PR admin
17 mai 2024 à 14:59


The latest rumored Canon EOS R5 Mark II camera specifications:

  • 45MP stacked CMOS sensor
  • Daster sensor readout speed
  • Fully electronic shutter
  • 30fps continuous shooting
  • RAW pre-burst shooting
  • 8-stops in-body image stabilization system
  • Dual Pixel AF II with AI-powered autofocus
  • New Digic X family processor
  • 8K 60p / 4K 120p video
  • 400MP IBIS Hi-res shot
  • Improved heat management
  • Updated body design
  • Expected announcement date: July 2024

The post The latest rumored Canon EOS R5 Mark II camera specifications appeared first on Photo Rumors.

DPReview Rewind: the birth of the Canon EOS D30, its first 'home grown' DSLR

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In the early days of digital, cameras were big, bulky, expensive and mostly out of reach for people unwilling to shell out professional-level MSRPs. Then came the Canon EOS D30, a landmark camera that introduced a slew of film photographers to digital, inspiring photojournalists to give up high-end film cameras and a new generation of wedding photographers, portraits and landscape artists to dip into the DSLR pool.

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At $3000, it was not cheap, but it was within reach of a new category of camera buyer, the 'prosumer.'

During our 25th anniversary year, we're looking back at some of the milestones in camera history. On this day in history, on May 17, way back in the year 2000, the D30 was announced as Canon's first built-from-the-ground-up in-house DSLR. Up to this point, Canon's DSLRs (the EOS D2000 and EOS D6000) were joint ventures with Kodak. These cameras married Kodak internals with Canon bodies.

With the new camera, Canon was doing it all themselves, including designing a new body, its own sensors and processors and the introduction of its own RAW and JPEG engines. It would also become the first DSLR with an APS-C format CMOS sensor, a blistering 3.25MP beast capable of 3 Raw image bursts (or 9 Fine JPEG) and a full day of shooting on a single charge. It was pretty cutting-edge for the time.

The camera would arrive on store shelves in time for the holidays. In our review, dated Oct 10, 2000, we noted the monumental task that Canon had taken on. They had not only taken on building a camera on their own and decided to use a relatively new high-resolution CMOS sensor at a time when CMOS struggled with high megapixel builds, but they also had to know consumers would be comparing their camera to the previously announced, although not yet released, Nikon D1.

But Canon had pulled it off, and we were impressed, writing: "Canon's engineers, designers and developers haven't let them down, the D30 WILL go down in history books as a very important camera, breaking a price barrier and opening up the digital SLR market (more so than Fujifilm's S1 Pro) to a new wave of users, both new and old. From the minute you pick up the D30 ... you get a feeling of quality you weren't expecting."

Revisit our Canon EOS D30 review

Get used to the new marketing trick of camera companies: lottery system to allow you to buy the latest and greatest camera

Par : PR admin
17 mai 2024 à 04:12


Fujifilm was the first to implement this with the X1000VI if I am not mistaken, and now Ricoh is doing it as well with the new GR III HDF and GR IIIx HDF cameras:

"Sales will start from April 12th (Friday). RICOH GR III HDF/ RICOH GR IIIx HDF will be sold only at the official online store. However, access was concentrated on the day of delivery, making it difficult to connect, causing inconvenience to customers. Based on this, we regret to inform you that we will be selling items by lottery starting from the sale of items that arrive after Friday, May 17, 2024."

Ricoh Japan temporarily suspends orders for the new GR III HDF and GR IIIx HDF cameras, implements lottery system

A simple notice of a delay because of high demand is no longer good enough to show how superior a product is - now, we need a lottery system. Somebody in the marketing department got a promotion and a bonus for sure!

Check the Ricoh GR III HDF & GR IIIx HDF cameras availability at:

Via PentaxRumors

The post Get used to the new marketing trick of camera companies: lottery system to allow you to buy the latest and greatest camera appeared first on Photo Rumors.

Panasonic’s patent for a new box style camera

Par : PR admin
17 mai 2024 à 03:26

Panasonic has a new patent for a box-style camera with a grip similar to the existing LUMIX BGH1 (MFT mount) and LUMIX BS1H (full frame) models (JP2024-065694):

Problem: To provide an imaging device that can easily realize two shooting styles.
Solution: The imaging device includes a camera body having a housing, an imaging sensor placed inside the housing that converts light into an electrical signal, a grip part that is detachable from the housing, and a camera body that converts light into an electrical signal based on the electrical signal. An output unit that outputs the captured image. An image sensor is arranged at the center of the housing in the direction in which the grip section is attached and detached.

Announced: Panasonic BGH1 mirrorless box-style cinema camera featuring C4K/4K 60/50p and 10-bit video recording

Announced: Panasonic 6K Lumix BS1H mirrorless full-frame box-style cinema camera (L-mount)

The post Panasonic’s patent for a new box style camera appeared first on Photo Rumors.

Fujifilm joins the Content Authenticity Initiative

Par : PR admin
17 mai 2024 à 00:14

After Nikon, Leica, and Sony, Fujifilm also joined the Content Authenticity Initiative:

Membership in C2PA and CAI and efforts to develop a system to provide context and history for digital media

In recent years, it has become an important global objective to work to rebuild trust online by proving the authenticity of photographs, videos and other online content. To further this effort and enable creative and business activities to continue to flourish, Fujifilm has joined two organizations, the Coalition for Content Provenance and Authenticity (C2PA) and the Content Authenticity Initiative (CAI). Fujifilm is collaborating with these organizations in their efforts to ensure that the originator of digital content can be verified online through Content Credentials.[9] Through its association with C2PA and CAI, Fujifilm will assist efforts to develop a system to provide context and history of digital content by providing valuable information, such as the origin and record of content, to the digital file. Fujifilm is committed to ultimately applying this verification solution to its GFX and X series line-up.

Announced: Fuji X-T50 and GFX 100S II cameras, Fujinon GF 500mm f/5.6 and XF 16-50mm f/2.8-4.8 lenses

After Nikon and Leica, Sony will also be getting content authenticity technology

What is the Content Authenticity Initiative and how does it work with the new Leica M11-P camera?

Adobe announced partnership with Nikon to add provenance and content authenticity at the point of capture for the Z9 camera

The post Fujifilm joins the Content Authenticity Initiative appeared first on Photo Rumors.

Sigma 24-70mm f/2.8 DG DN II Art lens for E/L mount officially announced

Par : PR admin
16 mai 2024 à 13:21



The previously rumored Sigma 24-70mm f/2.8 DG DN II Art lens for E/L mount is now officially announced:

  • High optical performance across the entire image and zoom range
  • Incorporating 5 aspherical lenses
  • Excellent close-up capability
  • Designed to minimize flare and ghosting
  • Minimal focus breathing
  • Highly portable lens body
  • Excellent build quality
  • Equipped with an aperture ring
  • Equipped with two AFL buttons
  • Incorporating a linear motor HLA (High-response Linear Actuator)
  • Dust and splash resistant structure and water and oil repellent coating
  • Equipped with a zoom lock switch at the wide end
  • Includes a petal-type hood with lock
  • Compatible with AF assist (for Sony E only)

The SIGMA 24-70mm F2.8 DG DN II | Art is SIGMA's flagship lens that has evolved significantly from the previous model by incorporating the most advanced technologies available to SIGMA from design to production. Compared to the previous SIGMA 24-70mm F2.8 DG DN | Art, the SIGMA 24-70mm F2.8 DG DN II | Art has improved resolving power throughout the entire zoom range, and also benefits from functional enhancements such as the addition of an aperture ring and high-speed AF with a redesigned AF motor, HLA (High-response Linear Actuator). The lens is also approximately 7% smaller and 10% lighter. This 24-70mm F2.8 Art zoom is a versatile and high-performance tool that will help photographers and filmmakers unlock their creative potential.

The post Sigma 24-70mm f/2.8 DG DN II Art lens for E/L mount officially announced appeared first on Photo Rumors.

Sigma announces 24-70mm F2.8 DG DN II for Sony E and Leica L mounts

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Image: Sigma

Sigma has announced the 24-70mm F2.8 DG DN II, a second-generation, mirrorless-only fast standard zoom lens as part of its Art series of premium optics.

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The new lens is a fraction smaller and around 10% lighter than the existing lens. And while a 19 element, 15 group design with 6 fluorite-like FLD elements and 2 SLD elements might sound familiar, the use of five aspheric elements, rather than three, shows it to be a new optical formula.

The new lens, which arrives five years on from the original, uses a "High-Response" linear motor to drive autofocus, rather than the stepper motor that was used before.

Sigma says the sharpness and contrast performance outdoes the existing lens, with a combination of modern design techniques, new glass materials and improved manufacturing capabilities coming together to deliver a lens with less coma and better optical qualities.

Image: Sigma

The minimum focus distance drops by 1cm to 17cm (6.7") which also means the maximum reproduction ratio nudges up from 0.34x to 0.37x. It retains its 82mm filter thread diameter.

In terms of handling, the 24-70mm gains a second AFL button, so that one is within reach whether the lens is being held in the portrait or landscape orientation. In addition to its AF/MF switch and zoom lock, the version II adds a switch to lock the aperture ring in or out of the 'A' position, and a switch to de-click the ring's movement.

The Sigma 24-70mm F2.8 DG DN II | Art will be available from the end of May at a recommended price of $1,199, representing a $100 increase since the 2019 version's launch.

Sample images

We had prepared a sample gallery with the 24-70mm F2.8 DG DN II but on close examination found the results didn't reach the quality we expected. We have decided not to publish the results as we do not believe they accurately represent the product's performance. We hope to get the opportunity to shoot another gallery in the coming days.

Press Release:

SIGMA Announces 24-70mm F2.8 DG DN II | Art Lens, an Upgraded Follow-Up to its Popular Standard Zoom for Full-Frame Mirrorless Cameras

Ronkonkoma, NY – May 16, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 24-70mm F2.8 DG DN II | Art lens. This is the second generation of the highly successful SIGMA 24-70mm F2.8 DG DN | Art. The new lens has undergone a significant evolution, including enhanced optical performance, AF speed and operability, while also achieving a more compact size than the original.

The advancement of optical design has shortened the total optical length, and the lens barrel has been made slimmer by thoroughly downsizing the zoom mechanism. In addition, the lens barrel has been downsized by placing buttons and switches directly on the lens barrel. The weight has been reduced by approximately 10% compared to the SIGMA 24-70mm F2.8 DG DN | Art. By driving the lightweight focus group with the high-thrust HLA, autofocus is significantly swifter than the original version.

6 FLD glass elements, 2 SLD glass elements, and 5 double-sided aspheric lenses are used. Aberrations are highly corrected through advanced optical design made possible by advanced basic technologies in both design and manufacturing, including the use of new glass materials and aspherical lenses with thin walls and high degrees of asphericity. In particular, sagittal coma flare is heavily corrected to achieve MTF characteristics surpassing those of the highly-acclaimed 24-70mm F2.8 DG DN | Art. The high level of flare resistance also results in point images, such as stars, at the periphery of the image being closer to ideal points.

A close-focusing distance of 6.7 inches (17cm) at the wide end at 1:2.7 magnification*1 adds to the versatility of this lens, and the addition of a click/de-click and lockable aperture ring, along with an additional AF-L button for vertical orientation still or video capture, are additional enhancements of this second-generation lens. The zoom lock switch, which disengages when zooming, is inherited from the SIGMA 24-70mm F2.8 DG DN | Art. Manual focus can be switched between Linear and Non-linear response (L-Mount only.) A splash- and dust-resistant structure, plus water and oil-repellent coating on the front element, add to durability.

The new SIGMA 24-70mm F2.8 DG DN II | Art lens builds on the success and popularity of the original 24-70mm F2.8 DG DN | Art, and offers an impressive upgrade with added features and performance in a more compact package that is perfect for working pros in both still and video applications. Offered in Sony E-mount and L-Mount, the lens will be available through authorized retailers in late May 2024 and will sell for $1,199.

A | Art
SIGMA 24-70mm F2.8 DG DN II

A classic, evolved.

  • Rendering performance worthy of the flagship name
  • Improved portability and expanded feature set
  • A wealth of professional functions including high-speed autofocus

Supplied accessories: CASE, LENS HOOD LH878-05, FRONT CAP LCF-82 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: May 30, 2024

The SIGMA 24-70mm F2.8 DG DN II | Art is SIGMA's flagship lens that has evolved significantly from the previous model by incorporating the most advanced technologies available to SIGMA from design to production. Compared to the previous SIGMA 24-70mm F2.8 DG DN | Art, the SIGMA 24-70mm F2.8 DG DN II | Art has improved resolving power throughout the entire zoom range, and also benefits from functional enhancements such as the addition of an aperture ring and high-speed AF with a redesigned AF motor, HLA (High-response Linear Actuator). The lens is also approximately 7% smaller and 10% lighter. This 24-70mm F2.8 Art zoom is a versatile and high-performance tool that will help photographers and filmmakers unlock their creative potential.

[Key Features]

1. Rendering performance worthy of the flagship name

The SIGMA 24-70mm F2.8 DG DN II | Art is the successor to the SIGMA 24-70mm F2.8 DG DN | Art, which is known for its high optical performance, and has further improved resolution throughout the zoom range. The lens has high sharpness throughout the entire image from its maximum aperture, even on high-resolution cameras. Focusing on enhancing its rendering performance, the brightness of F2.8 produces a large, beautiful bokeh effect, and allows users to experience the power of a flagship lens in all types of visual expression. In addition to its advanced close-up capability and resistance to flare and ghosting, the lens is designed to minimize focus breathing.

High optical performance across the entire image and zoom range

The optical design of the lens includes 6 FLD glass elements, 2 SLD glass elements, and 5 aspherical lens elements to thoroughly suppress various aberrations throughout the entire zoom range. In particular, sagittal coma flare has been well controlled to achieve consistently high resolution all the way to the periphery of the image. By also effectively correcting lateral chromatic aberration, high resolution, beautifully rendered images can be achieved, free from color fringing can be achieved.

Incorporating 5 aspherical lenses

The use of 5 high-precision aspherical lenses enables both high optical performance with minimal aberration correction and a compact optical design. The SIGMA's only manufacturing base, the Aizu factory’s ultra-high-precision aspherical molding technology makes it possible to produce the thin, highly polarized aspherical lenses that are essential for the construction of this lens. This has brought about a higher degree of freedom in optical design.

Excellent close-up capability*2

The lens has excellent close-up capability with a minimum focusing distance of 17cm / 6.7in. at the wide end and a maximum magnification ratio of 1:2.7. This is useful when composing close-up shots of a subject, or when shooting in tight spaces where it is difficult to get a good distance from the subject.

Designed to minimize flare and ghosting

Flare and ghosting, which reduce image quality, have been largely eliminated using advanced simulation technology, ensuring the lens renders rich, high-contrast results in all conditions. In addition, Nano Porous Coating and Super Multi-layer Coating have been applied to help suppress flare and ghosting to the utmost degree. High backlight resistance enables clear and sharp images under any lighting conditions.

Minimal focus breathing

The lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift across the entire zoom range is minimized, creating a natural-looking focus pulls when recording video.

2. Improved portability and expanded feature set

The body of the SIGMA 24-70mm F2.8 DG DN II | Art is approximately 7% smaller in size and 10% lighter in weight than the previous model, while improving usability by adding an aperture ring and two AFL buttons. Despite the reduction in size and added features, the lens maintains SIGMA’s renowned excellent build quality, with the uncompromisingly precise and robust construction expected of a professional photographic tool.

Highly portable lens body

While the number of lens elements used in its construction is the same as that of the previous model, the overall length has been shortened owing to an advanced optical design. In addition, the more efficient mechanical design has resulted in a highly portable lens body with a maximum diameter of 87.8mm / 3.5in., length of 120.2mm / 4.7in., and weight of 745g / 26.3oz.*3

Excellent build quality

Simultaneously focusing on reducing the size and weight of the lens body, the use of metal parts for the zoom extension unit and other parts, as well as the robust internal structure ensure rigidity during use, such as when operating the ring, pressing buttons, and carrying the lens. The design emphasizes the lens’ longevity and reliability as a tool, which cannot be achieved by solely pursuing a compact and lightweight body.

Equipped with an aperture ring

The lens is equipped with an aperture ring as well as an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suitable for various shooing situations.

Equipped with two AFL buttons

The lens is equipped with two AFL buttons*4, to which a range of functions can be assigned via the menu on selected cameras, one more than the previous model. In addition to the side, the additional button has been positioned on the top to facilitate button operation when the camera is held in vertical orientation.

3. A wealth of functions including high-speed autofocus

In addition to high-speed AF with HLA (High-response Linear Actuator), the SIGMA 24-70mm F2.8 DG DN II | Art has a full range of features including weather resistance such as a dust and splash resistant structure*5 and water and oil repellent coating, as well as a zoom lock switch. The lens delivers the best possible results in every shooting situation.

Incorporating a linear motor HLA

The lens incorporates a linear motor HLA (High-response Linear Actuator) for the AF actuator. The high output HLA makes the maximum drive speed more than three times faster than the previous model*6, ensuring responsive AF shooting.

Dust and splash resistant structure and water and oil repellent coating

In addition to a dust and splash resistant structure, the front element of the lens features a water and oil repellent coating, allowing users to shoot without concerns even in harsh outdoor environments.

Equipped with a zoom lock switch at the wide end

The lens is equipped with a zoom lock switch that locks the lens at the wide end and prevents the barrel from extending unintentionally under its own weight. The lock can be released not only by the switch but also via zoom operation, allowing for flexible handling of even impromptu shooting.

Includes petal-type hood with lock

A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

[ Additional Features ]

  • Lens construction: 19 elements in 15 groups (6 FLD, 2 SLD, 5 aspherical elements)
  • Inner focus system
  • Compatible with high-speed autofocus
  • HLA (High-response Linear Actuator)
  • Compatible with Lens Aberration Correction

    * Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.

    * On cameras where lens aberration correction is controlled with "ON" or "OFF" in the camera menu, please set all aberration correction functions to "ON" (AUTO).
  • Supports DMF and AF+MF
  • Compatible with AF assist (for Sony E-mount only)
  • Nano Porous Coating
  • Super Multi-Layer Coating
  • Water- and Oil-Repellent Coating (front element)
  • Aperture ring
  • Aperture ring click switch
  • Aperture ring lock switch
  • AFL button (2 buttons)
    
* Function can be assigned on supported cameras only. Available functions may vary depending on the camera used.
  • Focus Mode switch
  • Support for switching between linear and non-linear focus ring settings (for L-Mount only)
    
* Function available on supported cameras only.
  • Dust- and Splash-Resistant Structure
  • Petal-type hood with lock LH875-05
  • Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
  • Designed to minimize flare and ghosting
  • Every single lens undergoes SIGMA's proprietary MTF measuring system
  • 11-blade rounded diaphragm
  • High-precision, durable brass bayonet mount
  • Mount Conversion Service available
  • "Made in Aizu, Japan" craftsmanship

*1 close-focusing distance of 13.4 inches (34cm) with 1:4 magnification at 70mm
*2 Be extremely careful that the front lens element does not hit the subject when photographing. Remove the lens hood when photographing at the minimum focusing distance at the wide-angle end.
*3 These figures are for L-Mount.
*4 Functions can be assigned on supported cameras only. Available functions may vary depending on the camera used.
*5 The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.
*6 Compared by the maximum drive speed of the SIGMA 24-70mm F2.8 DG DN II | Art with that of the SIGMA 24-70mm F2.8 DG DN | Art (It is different from the actual time for AF to focus).

Sigma 24-70mm F2.8 DG DN II specifications

Principal specifications
Lens typeZoom lens
Max Format size35mm FF
Focal length24–70 mm
Image stabilizationNo
Lens mountL-Mount, Sony E, Sony FE
Aperture
Maximum apertureF2.8
Minimum apertureF22
Aperture ringYes
Number of diaphragm blades11
Aperture notesRounded blades
Optics
Elements19
Groups15
Special elements / coatings6 FLD, 2 SLD, 5 Aspherics
Focus
Maximum magnification0.37×
AutofocusYes
Motor typeLinear Motor
Full time manualYes
Focus methodInternal
Distance scaleNo
DoF scaleNo
Physical
Weight745 g (1.64 lb)
Diameter88 mm (3.46)
Length120 mm (4.72)
Zoom methodRotary (extending)
Filter thread82 mm
Hood suppliedYes
Hood product codeLH875-05
Tripod collarNo

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