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Aujourd’hui — 4 juin 2024Photo

New Sony WW751104 camera registered with overseas certification agency

Par : PR admin
4 juin 2024 à 19:15


DCclife reports that today (June 4th) Sony registered a new WW751104 camera overseas:


FYI: Sony has not announced a new camera in 8 months.

Sony already registered another new camera a few months ago (we now have a total of two not yet announced cameras):

Sony registered a new camera in China

The post New Sony WW751104 camera registered with overseas certification agency appeared first on Photo Rumors.

Samyang AF 35-150mm f/2-2.8 lens for L mount officially announced

Par : PR admin
4 juin 2024 à 15:24


The previously rumored Samyang AF 35-150mm f/2-2.8 lens for L mount is now officially announced and available to pre-order only in the UK for now:


As an all-in-one zoom, Samyang’s latest L-Mount lens combines a large f2-f2.8 maximum aperture with premium optics and a versatile 35-150mm focal range to deliver outstanding resolution in any shooting scenario. Perfect for everything from candid street portraits to night-time cityscapes and beyond, this lens is a valuable investment for photographers needing to adapt quickly to get ‘the shot’.

Ѕаmуаng АF 35-150mm f2-2.8 Lеnѕ fоr L-mоunt Кеу Fеаturеѕ:

  • Versatile Samyang lens аvаіlаblе іn Ѕоnу-Е аnd L-Моunt
  • Covers the five-main focal ranges from wide-angle to telephoto
  • Fast f2-2.8 aperture for soft bokeh across the entire zoom range
  • 9-blade rounded diaphragm for naturally circular bokeh
  • Samyang’s high-quality optics deliver edge-to-edge sharpness
  • Premium construction featuring 21 elements in 18 groups
  • 2 ASP, 1 HB, 3 HR, and 6 ED lens elements for correcting aberrations
  • Get closer thanks to the 0.32m-0.85m minimum focusing distance
  • Ultra Multi-Coating technology minimises flare and ghosting
  • Fast and accurate AF performance with Samyang’s Linear STM
  • Intuitive handling with dedicated controls on the lens barrel
  • Веnеfіtѕ frоm thе 'Ніddеn Rеd Rіng' аnd rеd dоt lеnѕ mоunt іndех
  • Customisable functions using the Samyang Lens Manager
  • Optimised for video shooting with automatic features
  • Advanced weather sealing fоr grеаtеr рrоtесtіоn оutdооrѕ

The First L-Mount Samyang Lens, The Fast All-Rounder Zoom

The newly released AF 35-150mm F2-2.8 L is the fast all-rounder zoom lens many L-mount camera users eagerly await. This lens features a versatile zoom range, fast F2-2.8 aperture, premium and solid design, outstanding resolution, fast and accurate AF performance, and convenient functionality. Thanks to its versatility, L-mount camera users can now unleash their limitless creativity. With its unparalleled versatility and performance, the AF 35-150mm F2-2.8 L is a must-have lens for L-mount camera users. Experience the ultimate creativity and convenience with this essential addition to your photography kit.

Versatile Zoom Range from 35mm to 150mm 

The AF 35-150mm F2-2.8 L stands out with its maximum aperture of F2 at its widest and F2.8 at the telephoto end, covering the five main focal lengths (35/50/85/135/150). Its wide zoom range makes it a versatile tool, designed to excel in various shooting scenarios, from portraits to travel photography.

Gorgeous Bokeh with a Fast F2-2.8 Aperture

A large aperture starting from F2 presents an attractive background blur to the image's out-of-focus areas. The lens effectively separates the subject from the background, using a shallow depth of field to capture a unique image in which the background is compressed. The clear and natural bokeh created by the 9 diaphragm blades makes capturing beautiful day and night cityscapes possible.

Short Minimum Focusing Distance of 0.32m (1.05ft)

The AF 35-150mm F2-2.8 L offers excellent close-up performance for an all-rounder zoom. With a MOD (Minimum Focusing Distance) of 0.32m(1.05ft) at 35mm and 0.85m(2.79ft) at 150mm, you can easily get close-ups with sharp details. Combined with the fast aperture of the lens, the background is beautifully blurred when close to the subject, making the lens even more versatile.

Premium and Solid Design 

The 'Hidden Red Ring', which upgraded Samyang's premium design to the next level, makes the lens even more attractive. As it is the L-mount lens, it adopts the red dot lens mount index. In addition, by applying a metal barrel, the build quality was improved and the lens was made more robust. A zoom lock switch helps users keep the lens set at its shortest 35mm position, making it more convenient and safe to carry.

Outstanding Resolution

With the latest optical design using special lenses for 12 of the 21 total elements (in 18 groups), this lens demonstrates excellent optical performance throughout the zoom ranges from wide-angle to telephoto on the L-mount cameras. In addition, 'UMC (Ultra Multi-Coating)' technology is applied to minimize flare and ghosting, helping to produce natural and clear images.

Fast and Accurate AF Performance 

The Linear Stepping Motor provides high responsiveness and accuracy when shooting photos and videos and is excellent for tracking fast-moving subjects. 

Convenient Functionality

If you set the custom switch to MODE 2 in the AF mode, the focusing ring operates with the aperture adjustment function. Switching to MODE 3 enables a unique video feature called 'Dolly Shot' in MF mode. Two Focus Hold Buttons are equipped on the side, which can be used as focus hold buttons in AF mode and as focus save buttons in MF mode.

Optimized Features for Video Shooting

The AF 35-150mm F2-2.8 L is also optimized for videography, helping you shoot more professional and creative content.

1) Dolly Shot (Mode 3, MF): A professional dolly can be expensive and challenging to operate, however, this lens allows you to easily recreate the dolly shot effects - identical subject scale but variable background scales - of using one by rotating the zoom ring while tracking the subject. 

2) Digital Par-Focal (Mode 1&2, MF): After focusing on the subject in MF mode, the focus doesn’t require adjusting again, even when zoomed in or out. This allows filmmakers to reduce shooting time and enable accurate and stable shooting.

Weather-sealed Design

Considering the users’ shooting environment, the lens is weather-sealed to prevent damage or contamination from dust, light rain, and snow.

Samyang is getting ready to announce their first AF 35-150mm f/2-2.8 lens for Leica L-mount

The post Samyang AF 35-150mm f/2-2.8 lens for L mount officially announced appeared first on Photo Rumors.

Hier — 3 juin 2024Photo

Sigma 28-45mm f/1.8 DG DN Art lens for E and L mount officially announced

Par : PR admin
3 juin 2024 à 15:28



The previously rumored Sigma 28-45mm f/1.8 DG DN Art lens is now officially announced:

SIGMA 28-45mm F1.8 DG DN | Art full-frame zoom lens. a fast, portable and versatile large aperture zoom lens with the sharpness and and clarity of a prime lens. Thanks to its f1,8 aperture you can produce unprecedented brightness across the zoom range, plus its advance optical performance and quick AF allow for extensive creative options unique to the history of zoom lenses. This lens can generate incredible versatility to still photographers and to full-frame filmmakers.

Features:

  • The world's first full-frame, F1.8 maximum aperture zoom lens
  • Practical & stable inner zoom
  • Consistent close focus
  • Premium build at lighter weight (less than 1 Kg)
  • 18 elements in 15 groups (5 SLD, 3 aspherical elements)
  • High Speed AF
  • HLA (High-response Linear Actuator)
  • Compatible with Lens Aberration Correction^
  • Supports DMF and AF+MF
  • Compatible with AF assist (for Sony E-mount only)
  • Nano Porous Coating
  • Super Multi-Layer Coating
  • Water-and Oil-Repellent Coating (front element)
  • Aperture ring with click switch & ring lock switch

The post Sigma 28-45mm f/1.8 DG DN Art lens for E and L mount officially announced appeared first on Photo Rumors.

Sigma 28-45mm F1.8 DG DN sample gallery

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Sample gallery
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The Sigma 28-45mm F1.8 DG DN is a wide-to-medium zoom lens for E-mount and L-mount cameras. According to Sigma, it's the spiritual successor to its popular 18-35mm F1.8 DC HSM lens for APS-C DSLRs and the first constant aperture F1.8 lens for full-frame mirrorless cameras.

Sigma is making big claims about the quality of this lens, stating that the image quality is comparable to prime lenses and that it exceeds the performance of its own 24mm F1.4 and 50mm F1.4 DG DN primes. We took the lens to the UK as a travel companion and captured images from the bustle of downtown London to the serene countryside. Check out our gallery, and let us know if you think this lens lives up to expectations.

Click here to see our Sigma 28-45mm F1.8 sample gallery

Sigma announces 28-45mm F1.8 Art lens for full-frame cameras

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Image: Sigma

Sigma has announced its newest optic, the 28-45mm F1.8 DG DN Art lens for E-mount and L-mount cameras. The lens covers a wide-to-standard focal range, and Sigma claims it's the first constant aperture F1.8 zoom lens for full-frame mirrorless cameras.

Sigma is setting high expectations for this lens, claiming that it achieves image quality comparable to prime lenses and that it exceeds the performance of its own 24mm F1.4 DG DN and 50mm F1.4 DG DN Art lenses.

To do this, the 28-45mm F1.8 has an optical formula that includes three aspherical and five SLD (super-low dispersion) elements in front of an 11-bladed aperture. Sigma says the lens will deliver excellent performance wide open and is specifically designed to suppress longitudinal chromatic aberration.

The tradeoff for the fast aperture is size and weight: The lens is 151mm (6") long with a diameter of 88mm (3.5") and weighs 960g (33.9 oz).

Image: Sigma

Sigma is targeting video users in addition to still photographers. The lens's autofocus is driven by an HLA (high-response linear actuator) motor to provide quick and fast AF, and Sigma says the optics are designed to minimize breathing when focusing. An internal zoom design should make it easier to use on gimbals.

Other features include a lockable aperture ring, a click/de-click switch allowing for clickless aperture changes and two customizable buttons. The minimum focus distance is 30cm (11.8") across the entire zoom range, and the lens has a maximum magnification of 1:4. It uses an 82mm filter thread, and Sigma says the lens is dust and splash-resistant.

Pricing and availability

The Sigma 28-45mm F1.8 DG DN Art lens has a suggested retail price of $1349, which includes a case and lens hood. It's expected to be available for purchase on June 20.

Click to see our 28-45mm F1.8 DN DG Art sample gallery

Press release:

Introducing the SIGMA 28-45mm F1.8 DG DN | Art, the First Full-Frame F1.8 Zoom Lens for Mirrorless Camera Systems

Ronkonkoma, NY – June 3, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 28-45mm F1.8 DG DN | Art lens. This is the world's first zoom lens with a constant F1.8 aperture for full-frame mirrorless camera systems. Available for Sony E-mount and L-Mount, this new wide-to-standard zoom spans several popular focal lengths from 28mm to 45mm, with image quality comparable to prime lenses.

The SIGMA 28-45mm F1.8 DG DN | Art was developed as a full-frame successor to the SIGMA 18-35mm F1.8 DC HSM | Art (for APS-C DSLR cameras), which in 2013 became the first lens in the world to achieve F1.8 throughout the entire zoom range.

While offering the convenience of a zoom, this new lens does not compromise on optical performance. By effectively arranging 3 aspherical lens elements and 5 SLD glass elements, this lens suppresses various aberrations and achieves performance comparable to single focal length lenses, even surpassing the SIGMA 24mm F1.4 DG DN | Art and SIGMA 50mm F1.4 DG DN | Art, which have an established reputation for their optical quality.

In particular, the 28-45mm F1.8 DG DN | Art focuses on suppressing axial chromatic aberration, which is often noticeable in large-aperture lenses, to achieve images with minimal coloration on both the focus plane and bokeh, and to demonstrate high optical performance from open aperture. The minimum focusing distance is 30cm (11.8 inches) throughout the entire range, and the maximum magnification ratio of 1:4 is achieved at the 45mm focal length.

Featuring internal zoom and HLA (High-response Linear Actuator) autofocus, and an optical design that minimizes focus breathing, the SIGMA 28-45mm F1.8 DG DN | Art is well-suited for video work, including gimbal setups, thanks to its balanced design. The click/de-click switch and lockable aperture ring are designed to suit a variety of personal capture preferences, and the dust- and splash-resistant design also makes it suitable for shooting stills and video out in the elements.

The SIGMA 28-45mm F1.8 DG DN | Art lens will be available for $1,349 through authorized retailers in the US in late June 2024.

Learn more at the SIGMA America website:

https://www.sigmaphoto.com/28-45mm-f1-8-dg-dn-a

Sigma 28-45mm F1.8 DG DN Art specifications

Principal specifications
Lens typeZoom lens
Max Format size35mm FF
Focal length28–45 mm
Image stabilizationNo
Lens mountL-Mount, Sony E, Sony FE
Aperture
Maximum apertureF1.8
Minimum apertureF16
Aperture ringYes
Number of diaphragm blades11
Optics
Elements18
Groups15
Special elements / coatings3 aspherical, 5 SLD
Focus
Minimum focus0.30 m (11.81)
Maximum magnification0.25×
Motor typeLinear Motor
Full time manualYes
Focus methodInternal
Distance scaleNo
DoF scaleNo
Physical
Weight960 g (2.12 lb)
Diameter88 mm (3.46)
Length151 mm (5.96)
SealingYes
Zoom methodRotary (internal)
Zoom lockYes
Filter thread82 mm
Hood suppliedYes
Tripod collarNo

Here are the first Leica M12 camera rumors (leaked prototype pictures)

Par : PR admin
3 juin 2024 à 03:59

Here are the first Leica M12 camera rumors - the new M12 will be 3mm shorter compared to the M11:


The ISO dial on the top left could be completely removed (first picture). A new dial could be introduced behind the shutter button that can be controlled with the thumb (first picture). A new large 3.9″ screen could be introduced (the M11 has a 2.95″ screen):


The large screen also means removing all buttons from the back of the camera – it seems that the controls will now be on the touchscreen, similar to the Leica TL:


I am still getting conflicting reports on the viewfinder: we may get a new Leica M smart hybrid vision rangefinder (classic rangefinder experience + EVF benefits, similar to the Fuji X100 camera):



We may even get a 100% electronic viewfinder (EVF):



The Leica M12 trademark has already been registered (all Leica trademarks can be found here):

Breaking: first Leica M12 camera rumors

The next digital Leica M camera (M12?) could be 3mm shorter

Leica M12 camera mockups/leaks

Here are the different viewfinder options Leica is considering for the next generation of M cameras (Leica M12?)


The post Here are the first Leica M12 camera rumors (leaked prototype pictures) appeared first on Photo Rumors.

À partir d’avant-hierPhoto

Panasonic S9 gallery update: Raw conversions and LUT examples

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Sample gallery
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Now that we've had some more time with the Panasonic S9, we've updated our sample gallery to include examples of Panasonic's Real Time LUTs as well as some Raw conversions, including one image designed to push the camera's dynamic range.

View the updated Panasonic S9 sample gallery

Note: Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

Opinion: let me get my hands on the goodies

Image: Leica

I found it interesting to see Leica launch a new D-Lux camera last week, as I'd been thinking about a previous model (or, at least, about its Panasonic sister model) just recently.

Panasonic's LX series taught me two important lessons about cameras and how to review them. The first, which I've written about before, was how much difference a larger sensor and a brighter lens can make. The other was that the value of a feature can be greatly enhanced by making it easy to access. And there's no easier way to change a setting than with a dedicated, marked control point.

The main line of LX cameras and their Leica variants have dedicated switches on the top of their lenses, which not only make it easy to switch between the different framing modes but also serve as a constant reminder that the feature is available.

This makes sense: from the LX3 onwards, the cameras have had multi-aspect sensors, i.e. sensors that are larger than the lens' coverage. This means the different crops push all the way out to the limit of the imaging circle projected by the lens so that they maintain the same diagonal angle of view. This is a big difference from most cameras, which simply crop in further and further from their sensor's native shape, meaning 16:9 isn't really as wide as you might hope.

The Panasonic LX3 was the first Panasonic model to include an aspect ratio switch on top of the lens. It not only made it easy to switch between modes, but served as a constant reminder that this feature was available.

It's a stand-out feature (albeit one where you never get to use the full sensor size you've paid for), and it makes sense to literally put it front and center on the camera. That prominent, dedicated switch reminds you to play with image format every time you look down at the camera, meaning you're more likely to take advantage of the multi-aspect design.

This experience was front-of-mind when I unpacked the Fujifilm X-T50 and saw its dedicated Film Simulation dial. I think it's a very smart move on Fujifilm's part. Film Simulations, along with a broad selection of lenses designed for APS-C, are one of the distinctive benefits of its X-series cameras. It makes sense to draw attention to it and encourage its use.

"That prominent, dedicated switch reminds you to play with image format every time you look down at the camera"

It also sends out a strong signal about who the camera is for. The double-digit X-T models have always been aimed at people getting into photography, not existing enthusiasts. These are often people who buy a camera for an event or because they want to try their hand at photography and are perhaps most at risk of falling back to the ease of use and sharability of smartphone images, leaving their cameras to accumulate dust. Providing a constant reminder and easy access to one of the key features that sets the camera apart could be a really powerful way to maintain their engagement.

The Fujifilm X-T50 includes a dedicated dial for switching between film simulations.

On such a small camera, each control comes at the expense of another, and to me, it makes a lot of sense to privilege Film Sims over the drive mode dial. Which control will the target user want to change most often? To me, it seems self-evident that Film Simulation is a setting you might wish to change literally every other shot, whereas drive mode is something to change each time you go out to shoot a different subject type. And every camera has drive modes: it makes sense for Fujifilm to pull its differentiating feature to the fore.

I agree with the commenters who point out that it would be better if the custom positions on the dial could be modified to have parameters such as highlights, shadows and color chrome effect baked in as recipes, and I'd love to see this in future firmware.

"On such a small camera, each control comes at the expense of another, and to me, it makes a lot of sense to privilege Film Sims over the drive mode dial."

But to those people objecting to the change, saying, "Without the mode dial, I'd be better off buying an X-T5," I'd suggest this isn't the criticism they might think it is. The X-T50 isn't supposed to be a smaller, less expensive X-T5; it's meant to be tailored to a different type of user, not enthusiasts on a tighter budget.

So, to my eye, the Film Simulation dial isn't a dumbing-down but an astute move to encourage the target user to discover and use one of its most compelling features. Other than the Film Sim dial, a lot else has changed between the X-T30 II and X-T50, including the addition of image stabilization, a higher resolution sensor and an eye-watering 55% price hike. But in terms of the Film Simulation control, I think the series has taken a turn for the better.

We want to see your best nature photos: DPReview Editors' Challenge

June is packed with multiple days celebrating Mother Nature. Get out there and touch grass; we want to see your best nature photos.

Image credit: Shaminder Dulai

June is packed with multiple days devoted to celebrating nature. We kick it off on June 5 with World Environment Day, continue on June 8 with World Oceans Day and June 22 brings us World Rainforest Day. So let's get outside. We want to see your best nature images! Take part in the official DPReview Editor's Challenges for your chance to have your work featured on our homepage, in articles and galleries. We may even reach out to interview you about your work!

You don't need to take your pictures on the world recognition days. Anytime starting today is okay. Just be sure to submit your best work by June 13.

DPReview editors will review every photo you upload to an Editors' Challenge. We'll publish our favorites in a gallery and celebrate your work with our peers.

If you miss participating in this one, please look out for our next editors' challenge.

How to submit your photos

Submissions are now open; you have until Thursday, June 13, 2024, to submit. User voting will begin thereafter and will help inform DPReview Editors' Picks, but will not select them. They are one factor in our evaluation of submissions.

Enter your photos and read all the rules

Processing rules:

  • This is a photo contest, not a post-processing contest. Please, no composite, altered or fabricated images.
  • Light post-processing is allowed (white balance, toning, color, etc), but you must tell us in detail what edits were made.
Capture date rules:
  • Images must be captured after the announcement date of the challenge.
Additional rules:
  • Share what gear was used and your OOC shooting specs.
  • In the notes field, list all edits you made during post-processing.
  • Include a caption that tells us where and when the photo was taken (e.g., city and time).
  • Please ensure your account's contact information is current; we can contact you if your photo is selected as an Editors' Pick.
  • Our standard copyright and privacy terms and conditions policy applies.

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