The Topaz May update is now available with a new SDR-to-HDR video upscale model, expanded access to recently released models on both desktop (Gigapixel) and web (Topaz Image Web), and a new streamlined experience for using video enhancement models in Adobe Premiere. This is the first time the latest image models, like Wonder 3 and Denoise Max, are available in a web browser via an all-new web app. Topaz also started a new sale (details at the bottom of this post).

Here are the details:

New Models in Topaz Gigapixel: Wonder 2, Wonder 3, High Fidelity 3

Recently released models, now available in Gigapixel.

Three of our newest and most popular models are now fully integrated into Topaz Gigapixel:

Wonder 2

Wonder 2 is our newest image enhancement model that denoises, sharpens, and upscales in a single step, with no sliders or tuning required. It is a giant, powerful model that now runs locally thanks to our proprietary NeuroStream technology, which dramatically reduces VRAM usage and allows powerful AI to run on standard creator hardware.

Wonder 3

Wonder 3 is a powerful, one-click sharpen, upscale, and denoise model. Unlike Wonder 2—which was built for ultra-low-resolution upscaling—Wonder 3 handles both high-quality inputs and heavily degraded images with consistent results.

High Fidelity 3

Built for technical precision. Optimized for clean, noise-free upscaling of high-fidelity images where accuracy matters most—especially for RAW files.

New App: Topaz Image for Web

All your favorite Topaz image models, now in the browser.

Bring the power of Topaz image enhancement directly to your browser—no download required. Upload your images, choose from workflows like Autopilot, Creative Upscale, Photo Restoration, Sharpen, and more, then process everything in just a few clicks. Batch processing and side-by-side comparison make it easy to review your results, and all of your favorite Topaz image models are available in one place for the same high-quality enhancements you know from our desktop apps.

Premiere Panel v1 – Cloud Rendering UXP Panel

Topaz Video, now inside Premiere.

Topaz Labs for Premiere brings Topaz Video enhancement directly into your Premiere workflow. Process footage using cloud rendering without ever leaving your timeline—no export/import round trips needed.

Hyperion 2 – SDR to HDR Model

Unlock HDR depth from SDR footage.

Hyperion 2 converts standard dynamic range video (SDR) to high dynamic range (HDR) by expanding luminance, bit depth, and contrast. It supports both PQ (cinematic/mastering) and HLG (broadcast) transfer functions, so it fits into a wide range of modern HDR pipelines. Hyperion 2 is now available in Topaz Video, and will be coming to Astra next week.

New Topaz sale

30% off all monthly plans (applied automatically in cart):

• Studio — $69/mo → $48/mo
• Studio Pro — $75/mo → $52/mo
• Topaz Video — $59/mo → $41/mo
• Topaz Video Pro — $59/mo → $47/mo
• Topaz Gigapixel — $29/mo → $20/mo
• Topaz Gigapixel Pro — $50/mo → $35/mo
• Topaz Photo — $39/mo → $27/mo
• Topaz Photo Pro — $58/mo → $40/mo
• Bloom — $39/mo → $27/mo
• Bloom Pro — $49/mo → $34/mo

50% off web plans (applied automatically in cart)

• Astra (400 credits/mo) — $39/mo → $19/mo
• Topaz Image Web Personal — $19/mo → $9/mo
• Topaz Image Web Pro — $59/mo → $29/mo

The post Topaz May update is now available with a new 50% off flash sale appeared first on Photo Rumors.

What Fujifilm Patent D1122332 Means for Future X-Series Controls

Fujinon XF18mm f/2 MKII Patent Spotted: A Modern Update to a Classic?

Fujinon 51mm f/1.45, 54mm f/1.48, 56mm f/1.25, and 74mm f/1.46 Patent Found

The post The latest Fujifilm patents appeared first on Photo Rumors.

The “I’m Back Roll” digital back sensor for film cameras has now raised over $1,016,820 on Kickstarter by 1,667 backers, with 5 more days to go:

Additional information on this project can be found here and here:

“I’m back” is back with a new “I’m Back Roll” APS-C digital back sensor for film cameras

The “I’m Back Roll” digital back sensor for film cameras has a special solution for Leica M film cameras

“I’m Back Roll” offers APS-C digital back sensor for Pentax film cameras

Here are the latest photography-related Kickstarter crowdfunding projects:

Viperpod full-size tripod that doesn’t rely on the ground.

ProWrapp Impact+ gear wrapper with max shock resistance.

Reeflex 300–600mm telephoto lens for smartphones.

Rewindpix non-disposable digital “Film” camera.

CamCast turns your camera into a smart, connected system (late pledge available).

Yashica pocket camcorder (late pledge available).

The post The “I’m Back Roll” digital back sensor for film cameras raised over $1,000,000 on Kickstarter appeared first on Photo Rumors.

Here is an updated list of what to expect next from Nikon (see previous reports):

Cameras

• Nikon Z9II: now coming in 2027 with heavy RED integration, which I think is the reason for the delay (see rumored specifications).
• Nikon mirrorless camera without a viewfinder: designed for photography (similar to, or based on the ZR). This could also be a new Nikon compact full-frame fixed lens camera.
• Nikon APS-C camera: most likely a new top-of-the-line/high-end DX model. The Z30 is already up for replacement – it was first announced in June 2022. There were some unconfirmed reports that this could be a mini-Nikon ZR model with some RED tech inside. The RED Komodo, for example, features a Super 35mm sensor, commonly regarded as an APS-C equivalent (it’s slightly larger than a typical APS-C sensor).

Lenses

• New/cheaper 14-24mm, 14mm, or similar wide-angle lens as a companion to the new 24-105mm – to be paired with the Z5II (not a replacement for the Nikkor Z 14-24mm f/2.8 S lens).
• New Nikon 16-35mm lens or a similar lens designed for vloggers.
• Nikon Nikkor Z 120-300 f/2.8 TC VR S lens expected in the second half of 2026 (development announcement).
• Nikkor Z 85mm f/1.4 (to match/complete the 35mm/50mm f/1.4 lenses) expected later (may not arrive in 2026).
• More Nikkor Z cinema lenses – this has been reported for months.

Here is the latest Nikon news:

New photos from the Artemis II mission released, and how NASA is testing cameras for flight

The upcoming Nikon Nikkor Z 120-300mm f/2.8 TC VR S 1.4x lens is rumored to be priced around $8,000+

The Nikon R1C1 wireless close-up Speedlight system is now on sale (up to $300 off)

Nikon USA rebates for May remain unchanged

New Nikon rebates started in Europe: up to € 1,000 off

Nikon Reflex Nikkor 2000mm f/11 lens review by Jo Geier

Nikon Hong Kong is implementing a hefty administration fee for Nikon grey market repairs

New Nikon camera N2527 registered overseas

There is no Nikon Z9 camera shortage; the Z9II will most likely not come in 2026

The next Nikon ZR firmware to include those four upgrades

Via NikonRumors

The post The latest Nikon news and rumors appeared first on Photo Rumors.

Here is an updated list/recap of expected/rumored Leica cameras and lenses (see all previous reports here):

• No new Leica M or Leica Q models expected in 2026, only a few limited editions
• Leica M11-P, Q3, D-Lux 8, and APO-M 50 f/2 in Metal Gray coming soon (may not be released together)
• New Leica SL 44MP camera – probably will be called SL3-P (expected in May-June 2026)
• Leica M12 (rumored for 2027)
• Leica mirrorless medium format camera
• Leica M-mount lens rumors:
  • Leica APO-Summicron M 50mm f/2 with close focusing
• Leica L-mount lens rumors:
  • Leica SL APO 135mm
  • Leica SL 85mm f/1.4 (probably based on Sigma design)
  • Leica SL 105mm
  • Leica SL 50mm f/1.4 (new version)
  • Leica SL 18-50mm
  • Leica SL APO-Summicron-SL 24mm f/2 ASPH
  • Leica SL 28-105mm or 24-105mm f/4

Here is the latest Leica news:

Light Lens Lab announced a new 50mm f/1.9 “Rigid-ZS6” (Super Six) lens for Leica M-mount (coupon code included)

Mr. Ding Studio is working on a new M-mount rehousing/conversion kit for the Schneider Componon 50mm f/2.8 lens

Funleader released a new Black Edition of their Contax G35 Leica M non-destructive conversion v2.0 Helicoid kit (Contax Planar 35/2 T* lens conversion for Leica M-mount)

Mr. Ding Studio Contax G35 Planar 35/2 T* lens to Leica M-mount conversion kit V2.1 now available

The Mandler 35mm f/2 “Seven Elements” lens is back in stock (limited quantities)

New 7Artisans 35mm f/2.8 lens for Leica M/L39 mount announced and available for order for $428

The new Thypoch Ksana 35mm f/2 ASPH lens for Leica M-mount is now available to order

Owlkrown’s latest accessories for Leica cameras

Leica partners with Gpixel for the development of the next-generation camera sensors

Leica announced a new M-A Hammertone limited edition camera for the Ginza Store 20th anniversary

New Leica Store Chicago is coming soon with a new M11-P Chicago Edition 17 camera

The Artralab 28mm f/2.8 M-mount lens is now available in glossy black paint and brass finishes

Voigtlander Apo-Skopar 75mm f/2.8 VM lens (M-mount) additional product information released

New Leica cufflinks now available for pre-order

Via LeicaRumors

The post The latest Leica news and rumors appeared first on Photo Rumors.

If you've ever switched your camera from stills to video mode with Log enabled, you may have noticed that it seems you can no longer use the base ISO setting. But shooting video in Log doesn't arbitrarily force you to shoot at higher ISO, despite what the camera's settings might suggest.

In a two-part video explainer totaling less than two minutes, DPReview’s Richard Butler succinctly breaks down why ISO isn't quite what it seems in Log. In part one, which you can watch at the top of the article, Richard briefly walks through some of the very basics of ISO. Part two (the video below) gets into the details of why Log is different, and how that impacts ISO.

The videos do a great job of simplifying a complex topic, so be sure to give them both a watch. Should you want something more in-depth, you can read Richard's articles about what ISO is and what makes it so complex.

Foto Erhardt already lets you put down a deposit for the upcoming Sony a7R VI and Canon EOS R6 V cameras:

Sony a7R VI camera:

Canon EOS R6 V camera:

Previous coverage:

Canon and Sony to announce new products on May 13 – here is what to expect

The Sony a7R VI camera and FE 100-400mm f/4.5 GM lens could be announced on or around May 13th

A new Canon EOS R6 V camera is coming soon – here are the rumored specifications

The post Foto Erhardt already lets you put a deposit for the upcoming Sony a7R VI and Canon EOS R6 V cameras appeared first on Photo Rumors.

Today, DJI lifted the press embargo for the upcoming Osmo Pocket 4P camera (previously reported here). The new teaser reveals the previously reported camera/lens configuration:

Here is what we know so far about the upcoming DJI Osmo Pocket 4P camera:

• The faceplate on the DJI Osmo Pocket 4P can be removed, as on their drones.
• Dual-lens design officially teased by DJI: The Pocket 4P features a vertically stacked dual-camera system (a first for the Pocket series) with a 1-inch main wide-angle sensor paired with a dedicated 3x optical telephoto lens (telephoto uses a ~1/1.5-inch CMOS sensor, roughly 60-70mm equivalent).
• Zoom capabilities: 3x optical + 6x lossless (via in-sensor crop) + up to 12x digital zoom. Early review samples highlight natural face rendering and impressive background blur at telephoto settings.
• Video specs: 4K/240fps slow-motion (matching or building on the standard Pocket 4), possible 6K support, 10-bit D-Log (or D-Log 2), HDR, and Hasselblad-style color tuning. Dynamic range is expected at ~14 stops on the main sensor.
• Storage and build upgrades: 128GB built-in storage (vs. 107GB on the standard Pocket 4), more flexible/rotatable flip-out touchscreen, and enhanced ergonomics with a textured grip.
• Stabilization and tracking: 3-axis mechanical gimbal + improved ActiveTrack 7.0 (works reliably at 3x/6x zoom). Some early hands-on notes mention slightly more micro-vibrations at telephoto and a top-heavy feel.
• Other features: Better low-light performance, 4-channel audio hints in some leaks, and creator-focused tools. It’s positioned as a premium vlogging/pro option above the standard Pocket 4.
• Trade-offs noted in leaks: Heavier and bulkier than the single-lens Pocket 4, potentially shorter battery life, and higher gimbal motor demands at zoom.
• Pricing: Expected ~$699–$749
• Many new preview videos were published on bilibili today
• Here is the first unboxing video:

Here’s the unboxing of the Osmo Pocket 4P pic.twitter.com/0Ljtt01CEs

— Igor Bogdanov (@Quadro_News) May 8, 2026

DJI Osmo Pocket 4P coming next: pic.twitter.com/s5ruqxYwgw

— Photo Rumors (@photorumors) April 17, 2026

DJI will release the new Pocket 4P camera on May 7th

DJI Osmo Pocket 4P coming next

The post New DJI Osmo Pocket 4P camera teaser and additional information appeared first on Photo Rumors.