85%

Overall score

Jump to conclusion

The Sigma BF is a minimalist 24MP full-frame mirrorless camera that offers distinctive design and an unconventional user interface.

Key specifications

• 24MP full-frame CMOS sensor
• Phase detection AF with human and animal detection
• Full-time HDR capture embedded in JPEGs
• No mechanical shutter
• 3.2" 2.1M dot rear touchscreen
• Pressure-sensitive buttons with haptic feedback
• 6K video up to 30p, 4K up to 30p
• 1080 up to 120p
• Leica L-Log profile
• Zebras and False Color exposure displays
• 230GB of internal memory
• 10Gbps USB-C port, external mic compatible

The Sigma BF is available in Black or Silver at a cost of $2000. Sigma has also made versions of all its i-series primes to match the silver version of the camera.

Index:

• What is it?
• Body and controls
• Initial impressions
• Shooting experience
• Image quality
• Autofocus
• Video
• Sample gallery
• Specifications

What is it?

The Sigma BF is explicitly not trying to be a do-everything, Swiss Army Knife of a camera. Sony's a7C II already exists, bringing an EVF, multiple dials, a mechanical second-curtain shutter mechanism and in-body image stabilization, for a list price just 10% higher than the BF's.

But if Sigma was trying to go head-to-head with Sony in the mass market, it probably wouldn't be spending seven hours milling each camera out of blocks of aluminium, nor doing so in Japan: neither of which is the approach you take if you're primarily driven to hit a specific price point.

Similarly, just looking at the specs, the BF might be mistaken for an unstabilized Panasonic S9 in a fancier body, but despite sharing a sensor, the two cameras couldn't be more different.

Instead Sigma explicitly says the BF is designed for 'everyday' photography. An elegant object designed to be carried with you, rather than a utilitarian device you take when you're taking photos. It's absolutely not optimized for rapid operation, it's not teeming with clever features. Instead it includes only the bare essentials for photography (or, arguably, slightly less than that, given its lack of mechanical shutter).

Think of it like a Moleskine notebook: in many respects it's not as practical for taking notes and recording ideas as the smartphone you're already carrying, but the very process of carrying it with you acts as a prompt to look at the world and capture the thoughts you were having. The BF is trying to do the same.

It's the difference between a camera that you'd grab when you want to go and take photos of something, vs a tool that encourages you to look for things to photograph.

Body and controls

User interface

The best way to understand the BF is to note the dedicated settings display towards the top right-hand corner on the back of the camera. This displays one of ten parameters:

These are also the ten parameters that appear on the main screen if you press the center button on the back of the camera, in the pattern shown in the table above.

You can navigate between them by pressing the cardinal points on the rear dial, then scroll the dial to change the current setting.

Pressing the center button lets you see and edit the camera's core ten parameters, but the chosen setting is also shown in the dedicated settings display to the top right of the screen. In this instance the aperture value is shown in dark grey because it's being controlled from the lens.

But you don't have to press the center button and bring them up on the main screen: once you've learned their relative positions (and chances are it's the ones in the bottom row you'll change regularly), you can navigate around them just using the settings display. And, for me, that's the key to understanding the BF: it's designed so that the core settings can be adjusted without looking at the main screen. You can set the camera to show all the settings on the main screen,

In keeping with this idea, the touchscreen is almost solely used for positioning the AF point or selecting a subject to track: even if you summon-up the settings on the main screen, you can't tap to change settings, just choose what to focus on.

Exposure modes

The BF has no mode dial, so exposure mode is set by selecting which parameters you want to be controlled by the camera. This is done via the main screen. Press the center button to bring up the settings then press it again to edit them, and the ISO, aperture value and shutter speed indicators show 'Auto' options above them, letting you engage and disengage automated control of each parameter.

Any of the exposure parameters that can't be changed by spinning the dial, either because they're set to Auto or because aperture value is being set by an aperture ring, is rendered in darker grey, both in the settings display and on the main screen display.

Other settings

Ten further settings, including the level gauge and options to display information such as focal length and focus distance are accessed via the three-dot button. Navigating down to the word 'System' takes you to the menu where fundamental settings such as date and time are edited.

Another ten settings, six of which relate to how much detail appears on the main screen (exposure parameters, guides, virtual horizon, etc), can be accessed by pressing the 'three dots' settings button. At the bottom of this settings menu is the word 'System' which gives you access to a ten-option-long list of fundamental camera settings, including firmware information, copyright information, menu language and date/time.

That's the extent of the BF's interface: ten top-level parameters, ten settings and ten menu options. But what this doesn't fully convey is the degree to which it's a camera in which Shutter speed, Aperture value, Exposure compensation and ISO can all be set using just the settings display, leaving the monitor solely for focus and composition.

Handling

The BF is a very solid-feeling camera, as you might expect from something hewn from a solid block of metal. The body itself is relatively light but the weight adds up as soon as you mount a lens of any appreciable size on it.

Despite it's minimalist appearance, it's quite easy to hold. The textured front-plate and raised thumb rest at the back mean you can get a pretty solid grip on the camera, and you can cradle the weight of the lens in your left hand if you're working with anything larger than one of the compact primes offered by Sigma or Panasonic.

However, we found that it was common for our ring finger to wrap around to the base of the camera as we held it, which quickly makes apparent how sharply angled the edge of the BF is. It's not hard to imagine users adding a little tape to the lower edge of the camera or being tempted to chamfer the edge with a fine file, once they come to live with the camera.

I've primarily used it with the Sigma 35mm F2 prime and the Panasonic 20-60mm F3.5-5.6 lenses, both of which are small and light enough that it's been comfortable to use.

Electronic shutter

The BF has no mechanical shutter and a sensor that takes 24.8ms to read out. Having seen this sensor in other cameras, this suggests its stills are being captured with 12-bit precision, which will slightly blunt the dynamic range at base ISO.

This readout speed (corresponding to 1/40 sec) also means the camera couldn't sync with a flash at shutter speeds faster than this rate. It also introduces the possibility of rolling shutter distortion of fast-moving subjects and means you're likely to encounter banding when shooting under artificial lights.

It's better news on the video side of things, where a rolling shutter rate of 20.9ms for its 24, 25 and 30p modes (6K, 4K or 1080) isn't too terrible. Things speed up to deliver the 1080/60 mode (10.4ms) and 1080/120 modes (7.8ms), suggesting line-skipping is being used.

Battery

The BF uses a new 11.88Wh BP-81 battery. This will power the camera to a CIPA rating of 260 shots per charge. As always, the CIPA figure will tend to under-represent how many shots you're likely to get, and we found it's the camera's propensity to show its charge percentage on its settings display that caused us to worry a little disproportionately.

Still, a rating of 260 is pretty low and means you may want to consider carrying a power bank if you plan to do more than occasional shots each day. Putting it on to charge overnight, just as you might do with your phone will probably be sufficient for everyday casual use, though.

A gentle press of the power button puts the camera into standby mode, but the battery will continue to drain at an appreciable rate. The BF starts up from cold quickly enough that this is usually a better approach.

Initial impressions

By Richard Butler

Even the body cap is an over-engineered delight.

The Sigma BF is one of the most unusual cameras we've ever encountered. On paper it looks like an under-specced rival to the Panasonic DC-S9 or even the Sony a7C II. Or, perhaps even a slightly re-purposed Sigma fp. But, even though it shares components and a small rectangular body, the BF is quite unlike any of these cameras.

Sigma's CEO, Kazuto Yamaki talked about completely re-thinking the camera's interface to pare it back to the fundamental things a camera needs to offer, in an attempt to make it simple to use, with the aim of making a camera for everyday use. And the more I use the BF, the more I think I understand this intent.

The idea of a dedicated settings display, leaving the main screen as a means of composing your image and positioning the focus point is a refreshingly simple one, undermined only by the challenge of viewing a fixed LCD in bright light. The decision to display only one setting, rather than a full array of settings and icons makes it very quick to interpret and I did find it made me consider what changes I wanted to make, shot-to-shot, in a way I don't on a more conventional twin-dial camera.

Playback mode has three levels of information that can be displayed, this is the most detailed, but you can also opt just to see the top two rows of information, or just the first. Touching, rather than pressing, the playback button lets you review the last image you shot, without entering the full playback mode, for as long as your finger remains on the button.

This really hit home when I realized I prefer to set aperture from the camera, rather than using an aperture ring; I think the camera works best with everything controlled from the settings display, rather than trying to increase the number of control points.

Another surprise was how good the BF's autofocus appears to be. Its subject tracking is very simple to use and impressively tenacious, while its eye detection works well and can be left turned on without minimal risk of the camera prioritizing nearby faces ahead of a different subject you've selected.

There are distinct downsides, though. The lack of mechanical shutter not only means there's a risk of rolling shutter and that the camera can't be used with flash, it also means it's quite prone to banding caused by the inherent flicker of artificial lights. This can be fairly subtle at longer shutter speeds but becomes increasingly apparent in short exposures, limiting its use as an indoor camera, despite a sensor that works well in low light.

Sigma 35mm F2.0 | F4.0 | 1/500 sec | ISO 400 Photo: Richard Butler

Sigma's sometimes quite dramatic color modes may not be to everyone's tastes, and I'm not wholly convinced by the 'Light Source Priority' auto white balance mode, that tries to maintain some of the character of the detected light source. But even when the results are unexpected, they're often interesting.

The BF's battery life is also quite short. An external charger is available, if you want to keep a second battery topped-up, but mainly it's a case of remembering to put the camera on to charge regularly, just as you might for your smartphone.

Other than a slight concern about the sharp lower front edge, I'm really looking forward to spending more time with the BF. It's not a camera that lets you respond quickly to the unexpected; instead it's one that makes you slow down and look for the photos you might otherwise not notice.

Shooting experience

We took the time to spend a couple of weeks shooting with the BF the way it was designed to be used: as a daily companion whose presence would hopefully encourage us to look for photographic opportunities we might not otherwise recognize.

It constantly asked "what are you trying to photograph, and how do you want to capture it?"

It turns out to be surprisingly capable, if seen and used this way, with its unusual but highly focused interface making us think about what we were trying to achieve, with each shot. Find out more in our shooting experience article:

What's the Sigma BF really like to live with?

Image quality

We'll be conducting our full studio tests soon. We'll be testing a series of cameras alongside one another and will add the images to this review and revisit the score as necessary.

In our general use we've found the camera's standard color mode to be pretty good and its slightly more idiosyncratic 'Rich' color mode gives distinctive, and often attractive, results. We've encountered this sensor often enough that we're confident in the Raw results.

Base ISO and HDR

The JPEGs do contain a surprise though: the BF has a base ISO of 320 and an Auto ISO system that likes to use ISO 400 as its lowest setting. This is done to prompt lower exposure levels, capturing more highlight information. This extra highlight information is then used to give highlights with a more gentle roll-off and to allow the camera's undocumented HDR capabilities.

The JPEGs look normal on most displays but they also include a gain map that can be used by devices with high dynamic range displays to make the very bright highlights glow brighter. You don't have to do anything, an HDR version of your image is created within the standard JPEGs.

The downside of this is that, unless you override it by setting the camera to a lower ISO, all your shots with be a bit noisier than they could be, because you're capturing less light for your midtones and shadows, in order to capture more highlights.

There are a few odd quirks beyond this: at present DNGs shot below ISO 320 can sometimes be rendered at the wrong lightness if you try to re-process in-camera, and minor adjustments of the 'Look Effect' of each mode can have an unexpectedly large and unpredictable impact. But generally, we found the Sigma produces interesting-looking images and gives you a good amount of scope to adjust them in-camera.

Autofocus

The BF's autofocus system is very simple: you can either select all-area or specify a single point. You can decide whether subject detection is engaged and whether it is looking for people, animals or both.

The BF's AF is simple but effective, and its eye detection is very reliable. Sigma 35mm F2 DG | F2.8 | 1/100 sec | ISO 100 Photo: Richard Butler

There's also a choice about whether manual focus for fine-tuning is available any time you turn the focus ring or just when the shutter is half-pressed. With focus precision in mind, there's a focus peaking option, with a choice of color and intensity and, in AF-S mode, the option for the camera to show you a zoomed-in view of the selected AF point when focus is achieved.

Generally we'd leave the camera in AF-C mode and all-area focus with subject detection engaged. This way the camera would focus on people's eyes if there's a human in the frame but leaving the option to tap on the screen if there's a specific point we wanted to focus on instead. For the kinds of photos the BF is designed for, this worked 99% of the time (with one instance of having to use manual focus override for a very backlit shot).

The camera's eye detection proved very fast and precise, letting us focus on composition and capturing a good expression, in social situations. It's not a complex system that would be well suited for sports or wildlife shooting, but for casual and social photography, it does exactly what you want, without you really having to think about it.

Video

The Sigma BF has a surprisingly strong video feature set, can accept external mics via USB and is easy to balance on a gimbal.

The Sigma BF has a surprisingly extensive video feature set for such a seemingly minimalist camera. But perhaps it shouldn't be a surprise, given the same sensor underpinned Panasonic's S1H video flagship.

You have the option to shoot 6K (or UHD 4K derived from that same capture) at up to 30fps. Alternatively it can capture 1080 video at up to 120p. Unlike the fp, though, the BF can happily save 10-bit footage as H.265 files, and gains the ability to shoot Log footage using Leica's Log profile (meaning conversion LUTs are available).

The Sigma includes video features that are still relatively unusual on hybrid cameras, including a false color display that applies a colored tint to different brightness regions, to let you quickly assess exposure even when working in hard-to-interpret color modes. It can also let you adjust exposure time in terms of shutter angle, making it easy to maintain correct exposure when switching frame rates.

"Its compact form, low body weight and built-in storage means it's a surprisingly good choice for gimbal work"

It can accept external mics or headphones via its USB socket. We weren't able to test whether its 'Headset' mode, that expects both a mic and headphone connection works with a USB splitter/adapter. The BF is also compatible with the UVC/UAC standards, so can be used as a webcam.

Its lack of stabilization weighs heavily against it for handheld use, but its compact form, low body weight and built-in storage means it's a surprisingly good choice for gimbal work. The single dial interface is likely to be a little fiddly to adjust, once mounted, but if you set the shutter speed (or shutter angle, that's an option) to your chosen value, use a lens with an aperture ring and either leave ISO locked or on Auto, you shouldn't need to change too many settings.

Conclusion

On paper the Sigma BF sounds worryingly like a rebodied Sigma fp: the company's modular hybrid camera that was received as much more of a video rig than they'd intended. Encountered in-person and it risks looking like a design exercise, with all the attendant concerns that it might be style over substance. Actually using the camera dismisses both concerns.

The BF's user interface is perhaps its strongest feature, giving a refreshingly uncluttered shooting experience. There aren't indecipherable icons or pages of menus, just a settings display for your shooting parameters and a rear LCD for composition. It's about as back-to-basics as you can get but, critically, without its minimalism making things awkward.

The Sigma BF doesn't have a large, protruding grip, but the textured metal front means it's easy enough to grip, fairly comfortably (unless your fingers extend around the sharp lower edge of the camera).

It's not an all-rounder by any means. Its lack of viewfinder limits its usability in bright light, its lack of mechanical shutter rules out the use of flash and means you have to pay attention to artificial lighting. Its interface and operation prioritizes considered shooting ahead of the ability to respond quickly. If you're looking for a camera that can do a bit of everything, there are plenty of better alternatives.

However, as a device for capturing moments, and encouraging you to capture moments, it's really rather good. Its interface is genuinely radical and well thought out and I was constantly surprised by how simple but effective its autofocus is.

The Sigma is a lovely device for capturing the world around you. Sigma 35mm F2.0 DG | F7.1 | 1/160 sec | ISO 125 Photo: Richard Butler

Overall I've enjoyed my time with the BF tremendously, and I suspect plenty of other people will, too. I found the experience both fascinating and refreshing: paring photography back to its very essence. It was this focus and simplicity – which shouldn't be mistaken for minimalism for its own sake – that makes the BF so unfamiliar and so compelling. The allegation that it's style over substance is misguided, I believe, as it's the substance, rather than the style that I found most enjoyable. It certainly has some style to it – I don't remember the last time so many friends and strangers asked me what I was shooting with – but it's not something that evoked much of a response, personally.

That's probably too niche a prospect for us to be able to give the BF one of our awards. Those are framed in terms of whether a camera should be on your shortlist. And if there's any other camera on your shortlist, then the BF shouldn't be there, because it's a dreadful substitute for anything else. But that's not its intent and that's not its appeal.

I don't feel we can give it an award, but it's going to take a lot for it not to be my Gear of the Year.

Scoring

Scoring is relative only to the other cameras in the same category. Click here to learn about what these numbers mean.

Compared to its peers

As I've tried to argue throughout most of this review, the Sigma BF doesn't really have any direct peers, because it's not really trying to be the same thing as other cameras. If judged on their terms, it's limited and limiting. You can look at the list of what it lacks, by comparison, and write it off. And if you're considering other cameras, then you'd probably be right to do so.

It's barely appropriate to even think of it as a camera. At the most fundamental level a car and a bicycle are both devices to get you from A to B, and yet thinking of a bike as a car that's missing an engine and two of its wheels would be to completely miss the point. The BF and most other cameras are both devices for capturing images, but the way they do it and the experience that you get from them means direct comparison doesn't necessarily make sense.

The BF costs more than Panasonic's S9 because it features much more solid (and expensive) construction and is made in Japan by a company that can't compete with the economies-of-scale larger camera companies can achieve. There's little sign of any significant Leica-esque 'luxury goods' markup, though.

If you want to be needlessly reductive, you could compare it to Panasonic's vlogging-focused Lumix DC-S9. They're both small, single dial cameras with no viewfinders, based around the same sensor and same lens mount. The Panasonic has a flip-out screen, in-body image stabilization and a list price $500 lower. For taking photos I'd choose the Sigma every time.

The S9 has a single control dial but uses the same interface as Panasonic's three-dial S-series cameras. This isn't necessarily a drawback for the vlogging for which it's designed, but having used both for photography, the BF feels pleasantly focused, while the S9 feels maddeningly lacking. If you've never used either, it might look like the S9 lets you get just as much camera, plus IBIS and a lens for the same money. That's a cynical assumption, duly evoking Wilde's line about knowing "the price of everything and the value of nothing".

Sigma BF sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

One photo a day with the Sigma BF

A photo day in London

  
   
The previously reported Viltrox Z1 retro camera flash is now officially announced and available for pre-order at:

• B&H Photo
• Amazon
• Viltrox store (international shipping)
• Additional information:

• MSRP: 49.99 USD,  56.99 EUR, 47.99 GBP
• 0.2s-3.5s Recycle Time
• 1/5000s-1/50000s Flash Duration
• S1 Sync & S2 Anti-Preflash Modes
• Extended Battery Life for 10,000 Flashes
• Matte Silver & Litchi-Grain Leather
• Guide number: GN 12 (ISO 100, in meters)
• Flash output adjustment: 7 levels: 1/1 ~ 1/64
• Flash energy (full power 1/1): 23 W/s
• Charging time: 3.5 seconds
• Beam angle: covering the field of view equivalent to a 28mm lens on a full frame
• Color temperature: 6500 ± 200 K
• Flash mode: M (manual mode)
• Flash trigger modes:
  • S1 (flash sync)
  • S2 (pre-flash avoidance)
• Battery capacity: 3.7V / 1100mAh
• Number of flashes per charge:  >400
• Battery charging time (USB-C 5V/2A): about 50 minutes
• Sleep mode: Automatic
• Dimensions: 68.5 × 50.2 × 74 mm
• Weight:  approx. 116 g

The post Viltrox Z1 retro camera flash officially announced appeared first on Photo Rumors.

Image: Skylum Software

Today, Skylum Software released version 1.24.0 of Luminar Neo, its AI-powered photo editing application. Dubbed its "Spring Upgrade," four new features have been added to streamline editing and improve photographers' workflows. This upgrade includes Auto Adjust tools, a Catalog Cache Cleaning option, an update to Atmosphere AI and a cleaner Export Menu that now supports DNG file formats.

Screenshot: Kara Murphy

Auto Adjust is a new addition to the Developer and Developer Raw tools. Powered by AI, it analyzes your image and automatically adjusts the Exposure, Highlights and Shadows sliders. It may also change the tone curve if necessary. These are minor tweaks, but they're meant to provide a stronger starting point for editing an image.

Catalog Cache Cleaning has been added to the Preferences menu. It offers a simple way to manually clear out cached data stored by the Luminar Neo catalog. Over time, cached files can build up and slow down an operating system's performance, especially if you're working with an extensive library of images. Clearing it should help speed things up.

Image: Skylum Software

The Atmosphere AI tool, designed to add fog, mist or haze to an image, has gotten a revamp to one of its components. Users were dissatisfied with the fog slider, so the company tweaked the depth map handling to give it a more realistic look when applied to images.

The Export Menu has been redesigned with a cleaner layout. Most importantly, it now includes support for exporting DNG files, making it possible to transfer Raw files edited in Neo to other editing software tools for further adjustments.

Screenshot: Kara Murphy

Luminar Neo is available on MacOS and Windows and as a plug-in for Adobe's Photoshop and Lightroom Classic software. Updates rolled out today and can be accessed by annual and lifetime subscribers.

It's not a secret that many people are frustrated with the direction of Instagram. Its list of infractions is long: its default algorithmic feed isn't chronological and pushes content from people you don't follow, the content is over-commercialized, it can't accommodate certain crops, there are too many ads, too many videos and so on. But for so long, Instagram has been the primary platform for photographers and creatives to share their work and build a community. So, where does that leave us?

For those interested in staying involved with social media, Instagram's shifted focus has resulted in anything but a vacuum of options for photographers. Plenty of apps have popped up, and there's even been something of a resurgence of some old-school platforms.

Foto app

Images: Foto

The Foto app is one of the newest kids on the block that has popped up as an alternative to Instagram. It doesn't crop your photos or support videos, it's completely ad-free and the feed is chronological. Photos have the option for captions, and you can add and respond to comments on each post. Unlike other alternatives, you can publicly see the like count on each image, though some may consider that a negative. There are no public-facing follower counts, however.

Foto partly stands out from other Instagram alternatives because you can use it for free. In fact, at the time of writing, it is entirely free. There will be a paid "Pro" subscriber plan in the future with features like a portfolio, shop and more. However, the website says that there will always be "a high-quality free tier so anyone can freely use Foto." The app is available on Android and iOS devices, but there is no web-based version at the time of writing.

I've been using Foto a little bit, and I have been impressed by the clean user interface. There isn't a long list of things to check when posting, so it's much simpler and straightforward compared to Instagram. You're also limited to three preset tags on posts, which helps reduce the noise when looking for certain types of content. It's a simple, easy-to-navigate platform that feels refreshing compared to Instagram.

Of course, Foto is quite new, so there will be growing pains as they continue developing the app. That also means lots of opportunities for exciting new features as it improves; you just need to be patient for those. Additionally, while Foto makes it clear that the app is for everyone, even non-photographers, it is inherently going to attract those interested in photography, thereby limiting your audience.

VSCO

Images: VSCO

VSCO is perhaps best known as an editing platform with its expansive list of presets and editing tools. However, it also functions as a social media platform that fosters creativity and expression over social metrics. It doesn't display likes, follows or repost metrics publicly, aiming to keep competition and comparison out of the experience. In fact, unless you manually count each like or repost, you can't even see a total on your own images.

There are no ads of any sort and no promoted posts getting pushed to your feed. Put simply, VSCO pared things down to keep the focus on the photos. There aren't even comments on VSCO, so the only text that exists is in the caption field. One of the platform's unique features is the ability to reshare work from others to your profile, allowing you to create your own curated gallery of sorts.

There is a completely free version of VSCO, which allows users to access basic editing tools and share on the platform. However, memberships, at either $30 per year or $60 per year, unlock more features and tools. It's available on Android and iOS devices and there's also a web version.

I've been a VSCO user for years, and one of the things I appreciate is the way the company works to foster creativity and community. Monthly photo prompts and various open calls get you to try new things or share your work. These prompts are an opportunity to gain visibility or even get paid for your work, with VSCO selecting some to promote and license for upcoming campaigns. There's also lots of educational and inspirational content available through the app, making it a place to learn and grow. Plus, the web version of VSCO serves as a platform for people to hire photographers, so it could be a way to connect with clients.

Glass

Images: Glass

Glass officially launched in August 2021, shortly after Instagram lead Adam Mosseri said the platform was "no longer just a square photo-sharing app". It initially launched exclusively for iPhones, but is now available for any iOS device, Android, Windows and web. Glass is unique because it is focused on features that appeal to serious photographers, including full EXIF data, camera and lens insights, minimal image compression and support for P3 wide color. Whereas Foto is meant as an app for anyone, Glass is geared toward dedicated photographers.

Like Foto, Glass is ad-free and algorithm-free. Instead, it shows your feed in chronological order. As with VSCO, there are no public likes, shares or follower counts, helping photographers keep comparison and competition out of the equation. It also highlights the work of its members and hosts monthly challenges based around categories.

The downside to Glass is that you can't use it without a subscription. You can sign up for a 14-day free trial, but will need to input credit card information right out of the gate, even if you just want to test it out. Then, the basic membership costs $40 per year. You can also opt for the Patron level, which provides additional support to the team in return for exclusive perks for $131 per year. The founders of Glass explain that because they charge for the platform, they can keep it free of ads and data tracking.

Flickr

Image: Flickr

Flickr is one of the original social media platforms for photographers. It was popular when I was just starting out in photography back in the early 2000s. Of course, at the time, it was exclusively a website (the only app I had on my phone was the Snake game). Times have changed, though, and a Flickr app is now available for just about any device.

The feed of work you follow on Flickr is chronological, with no algorithm dictating what you see. You can see stats on images, including views, favorites and comments, so Flickr won't be the place for you if you're trying to avoid those things.

When you favorite an image, it shows up in a gallery on your profile, much like VSCO's Republish feature. You can also create galleries of more specific categories from work you like. In terms of your photographs, they all show up on your Photostream, which is like your Instagram grid. You can break it into Albums as well to categorize things if you like. Flickr can also serve as a backup for storing your work, and it even offers a plugin for Lightroom.

You can use Flickr for free, but it will be somewhat limited. The free version also features ads. FlickrPro lets you see more stats on your work, removes the ads and gives you unlimited storage space. The Pro membership also gives you the option to change the privacy settings of your photos, unlocks 6K display options and unlocks discounts for various companies.

What made Flickr stand out in its heyday was the ability to build community and connections.

What made Flickr stand out in its heyday was the ability to build community and connections. I met two of my good friends through the site as a result of regularly interacting with their work. Those two friends also met through Flickr, coming together from different parts of the country and eventually getting married.

While today's Flickr isn't quite the same as it was back then (what is?), it has seen a resurgence lately, thanks to the frustration with Instagram. That community aspect is still there, and, thanks to the endless groups based on any photographic interest you may have, it is easy to find like-minded people. A quick glance at the groups I am still part of shows that they are very much still active in terms of photos being shared and comments being made.

What are you using social media for?

Earlier this year, a photographer I follow on Instagram shared some posts to their Stories about why they aren't moving to an app dedicated to photographers. They explained that they want their work to be seen by a broader audience and not only exist within a bubble of people who are highly invested in photography. Unfortunately, I can't recall who this was or what type of work they make, but it made me pause and reflect. Their posts raised a valuable question: Why do we share our work on social media?

Of course, the answer to that question will be different for everyone. But it's worth considering, no matter who you are. That's especially true if you're debating moving to a different social media platform since each may cater to a slightly different audience or provide unique tools. Reflecting on why you share your work and what you hope to get out of doing so can help you better understand which type of platform(s) may make the most sense for you.

If your goal is to join a community of (relatively speaking) like-minded photographers, then something like the Glass app, Flickr or VSCO may be the right answer. But if you, like the person on Instagram mentioned above, want to reach a broader audience of non-photographers, apps that cater specifically to photographers likely aren't the best place for you. After all, something like the Glass app could be intimidating for non-photographers, while the subscription adds an extra hurdle, so it likely isn't going to attract those without at least some interest in the medium.

Sharing on a platform designed for photographers is a bit like preaching to the choir or sharing your work only with close friends. There can certainly be benefits to getting validation and speaking the same language as others. After all, sometimes it's just nice to have your work appreciated by those who understand photography. But it will inevitably be a bit limiting in terms of broadening your audience.

It's firmware Friday. Once again, Sony and Nikon lead the charge with firmware updates. Nikon even surprised us with an update to a discontinued model. The Coolpix P1000, which has become a meme in photography circles for its insane zooming capabilities, may have been discontinued in March 2024, but that doesn't mean it's been forgotten.

We've rounded up the latest firmware changes for Sony's a7CR, a7S III and a7C II, along with updates for Nikon's Z50 and Zfc cameras. Lenses from Chinese manufacturers TTArtisan and 7Artisans also received improvements. Here's what came out this week.

Sony

a7CR Ver. 2.00 and a7S III Ver. 4.00 firmware updates are identical

You can download the software update using the Creators' App, which is available for iOS and Google Play.

Benefits and improvements

Shooting & Playback functions:

• Allows you to set Recognition Target to Auto, enabling the camera to automatically select subjects such as humans and animals.
• Introduces support for the Framing Stabilizer feature, which automatically adjusts the composition to keep the tracked subject in the same frame position during movie recording mode.
• Adds Dynamic Active mode to SteadyShot for movie recording.
• Allows you to add OK/NG/KEEP flags to clips during or after movie recording.
• Adds a function that automatically creates still images with Shot Marks from movie frames after recordings.
• You can add a Shot Mark while shooting or playing a movie and use it as a mark for selecting, transferring, or editing the movie.
• Improves image quality when applying user LUTs.
• Allows the use of Focus Magnifier and Auto Magnifier in MF while using the Bright Monitoring feature.
• Adds a function that allows you to narrow down played-back images using multiple filters (e.g. Rating).
• Adds the Golden Ratio Grid option to the Grid Line Type setting menu.
• Adds support for the Custom Grid Line feature.
• The Custom Grid Line feature is available as a paid license. Availability depends on country and region.
• Increases the maximum number of images that can be recorded in one folder to 9,999.
• Adds support for importing/switching multiple IPTC Presets.

FTP Transfer & Network functions:

• Allows scheduling of FTP transfers while writing data to the camera's storage media.
• You can now automatically schedule FTP transfer of protected movies and still images.
• Movies/still images transferred via FTP transfer can now be automatically protected.
• You can now continue shooting while transferring captured photos and videos to a smartphone or tablet.
• Transfer to smartphones and tablets can now be resumed even if interrupted in the middle of a transfer.
• You can now transfer only the differences that have not yet been transferred to your smartphone or tablet, or add videos to be transferred during the transfer process.
• Adds support for the Network Streaming function.
• Allows you to upload camera images directly to the Creators' Cloud.
• Displays the Wi-Fi signal strength when the Wi-Fi function is On.

Please note that Ver. 2.9.0 or later of the Creators’ App is necessary for some of the above FTP Transfer & Network functions. The Creators’ App may not be available in some countries or regions. For more information, visit the Creators’ Cloud support website.

Others:

• Allows notifications to be displayed when the latest software is available for your camera.
• WPA and WEP functionalities are no longer supported.
• You will no longer be able to select WPA or WEP when connecting to Wi-Fi.
• Please use the more secure WPA2 or WPA3 moving forward.
• Fixes an issue where the camera operation may become unstable when Pixel Mapping is performed.
• Improves the operational stability of the camera.

The a7C II also got a Ver 2.00 update, with a difference in the benefits and improvements.

Shooting & Playback functions:

• Allows you to set Recognition Target to Auto, enabling the camera to automatically select subjects such as humans and animals.
• Introduces support for the Framing Stabilizer feature, which automatically adjusts the composition to keep the tracked subject in the same frame position during movie recording mode.
• Adds Dynamic Active mode to SteadyShot for movie recording.
• Allows you to add OK/NG/KEEP flags to clips during or after movie recording.
• Adds a function that automatically creates still images with Shot Marks from movie frames after recordings.
• You can add a Shot Mark while shooting or playing a movie and use it as a mark for selecting, transferring, or editing the movie.
• Improves image quality when applying user LUTs.
• Allows the use of Focus Magnifier and Auto Magnifier in MF while using the Bright Monitoring feature.
• Adds a function that allows you to narrow down played-back images using multiple filters (e.g. Rating).
• Adds the Golden Ratio Grid option to the Grid Line Type setting menu.
• Adds support for the Custom Grid Line feature.
• The Custom Grid Line feature is available as a paid license. Availability depends on country and region.
• Increases the maximum number of images that can be recorded in one folder to 9,999.
• Adds support for importing/switching multiple IPTC Presets.

Nikon

Image: Nikon

Z 50 updates for Version 2.60 (Mac) and (Windows)

• Fixed an issue where browsing other pictures would not function as expected after using a stretch gesture to zoom in on a picture taken in portrait orientation.

Z fc updates for Version 1.80 (Mac) and (Windows)

Fixed the following issues:

• The values on the control panel would remain on even after the camera was turned off and the lens was removed if [On] was selected for [Connect to smart device] > [Upload while off] in the [SETUP MENU] while the camera was connected to SnapBridge via Wi-Fi.
• The viewfinder display would sometimes be disrupted if the shutter-release button was pressed halfway right before entering playback mode by pressing the playback button while looking through the viewfinder with the monitor closed.
• The viewfinder display would sometimes be disrupted when Picture Control settings were displayed in the i menu.

Coolpix P1000 updates for Version 1.8 (Mac) and (Windows)

• Fixed an issue where the camera would in rare circumstances stop responding after burst shooting.

Lens firmware updates

TTArtisan FUJI-X AF 35mm F1.8 Mark II V1.0.2 update

Image: TTArtisan

• Improved corner vignetting performance.
• Fixed firmware version display errors and focus reset issues on some cameras.
• Improved slow or abnormal autofocus performance on some cameras.
• Must be upgraded with Windows system.
• Do not update this firmware on the AF 35mm F1.8 Mark I.

7Artisans AF50mm f1.8 Z V1.01 update

• Added a feature where switching to full-time AF (AF-F) allows direct transition to manual focus (MF) by rotating the focus ring.
• Reduced power consumption and minimized heat generation.
• Enhanced system stability.

That's all for this week. Make sure you check in every Friday for the latest news on firmware updates for cameras and lenses. Happy updating!

Read last week's firmware roundup

The Sony FE 400-800mm f/6.3-8 G OSS lens is no longer available for order at B&H Photo and Adorama, and the Amazon listing is now $700 more expensive (from $2,898 to 3,599):

I did check, and the seller on Amazon (AVC Photo Store & Studio) is an authorized Sony dealer, not a third-party reseller known to inflate prices.

Leica, Fuji, and Blackmagic have already announced price increases, and Canon will follow soon:

Here we go: Blackmagic Design increased prices in the US only

Coming next: Fujifilm price increase in the US

Breaking: Canon to increase prices in the US as a result of the new Trump tariffs

Leica US price increase officially announced for May 1st

Nikon, rebates, and tariffs

The post The first Sony price increase is already here: the Sony FE 400-800mm f/6.3-8 G OSS lens is now $700 more expensive appeared first on Photo Rumors.

7Artisans officially released the 35mm f/1.4 AF APS-C lens for Fujifilm X-mount (previously reported here):

• Orders: B&H Photo | Amazon | Foto Erhardt
• Product page
• Additional informtion:

Additional information on the upcoming 7Artisans AF 35mm f/1.4 XF lens for Fuji X-mount

The post New: 7Artisans 35mm f/1.4 AF APS-C lens for Fujifilm X-mount appeared first on Photo Rumors.

There's always an epic amount of work that goes on behind the scenes with any movie, far beyond just the filming portion. In a recent video shared on Kodak's YouTube, director Ryan Coogler (Creed, Black Panther) provides unique insight into some of that process, breaking down the different film formats and aspect ratios in conjunction with the release of his new movie, Sinners.

It's been an incredibly popular video on social media, with people saying it's like "a masterclass" in filmmaking and even making them want to go to film school. One Instagram user, redbikebluebike, even said, "Straight up film school for the public. Free tuition." On YouTube, TheUltimateKawai1 said, "I love this. This didn't feel like a throwaway thing where he was forced to do anything he wasn't comfortable with, this is a guy nerding out over film, educating people about the different formats and then explaining how they apply to his movie."

Indeed, Coogler covers a lot of ground in the video, offering information that goes well beyond this movie in particular. He shows off film strips representing each of the different film formats, from the tiny Super8 film used for home movies all the way up to large format (65mm) film. He even touches on the importance of perforations, explaining that they filmed with two different camera systems for the movie and that this is the first time a movie combines 2.76:1 "Ultra Panavision 70" and 1.43:1 "IMAX" aspect ratios.

Impressively, he also details the different ways the movie will be exhibited, with some theaters showing it in different aspect ratios, different projection methods, and even with different experiences, like 4DX. You can tell that Coogler is incredibly passionate and knowledgeable about what he's talking about, and it's both fascinating and inspirational to watch him explain all of this information.

Remembering Wildlife reveals winning images for its 10th Anniversary book

Copyright: © Tristan Dicks/Remembering Wildlife

Remembering Wildlife, a book series focused on conservation, has revealed the 20 winning photos that will be featured in its forthcoming 10th anniversary edition, 10 Years of Remembering Wildlife. The new book, set for release on October 6th, will be the series' most ambitious project yet. It'll bring together images spanning a decade of photographers' work to raise awareness for endangered species.

For the first time, the project will spotlight multiple species rather than focusing on one. This book will showcase not only the winning competition entries but also standout images from the previous nine titles. It will also feature a dedicated section highlighting the plight of the world's most trafficked mammal, the pangolin. The cover image of a pangolin was captured by Tristan Dicks.

All profits from the sale of the book will fund pangolin conservation efforts. Since launching in 2016 with Remembering Elephants, the entire series has sold over 55,000 copies and donated over $1.5 million to 79 conservation projects across 34 countries. This competition drew over 4,500 entries from photographers worldwide, with winners representing Australia, Brazil, the United States, Kenya and Namibia, to name a few.

Founded by British wildlife photographer Margot Raggett MBE, Remembering Wildlife was created in response to a personal encounter with a poached elephant in North Kenya. For more information and to browse books and prints, check out the organization's website.

"Clash of the Titans" by Alessandro Marena (Italy)

Copyright: © Alessandro Marena/Remembering Wildlife

Subject: Rhino, Solio Game Reserve, Laikipia, Kenya

About the image: Illegal poaching of rhinos for their horns means they remain under huge threat. Remembering Wildlife has donated funds to several rhino protection units and conservation projects, helping to provide smartphones fitted with cameras and GPS systems, fuel for patrol vehicles and clothing for rangers.

"A touching moment" by Jagdeep Rajput (India)

Copyright: © Jagdeep Rajput/Remembering Wildlife

Subject: Elephant, Corbett National Park, India

About the image: “A young Asian Elephant calf asking for a drink, as mother drinks water from Ramganga river, during hot summer afternoon.”

"Age of Innocence" by Julie Oldroyd (UK)

Copyright: © Julie Oldroyd/Remembering Wildlife

Subject: Polar bears, Baffin Island, Canada

About the image: “Baffin Island is one of the most majestic and pristine environments in the world to see polar bears, especially in March and April when the sea ice has frozen. However, with temperatures between -30 to -40 it is also one of the most challenging to ensure you keep your hands warm to press the shutter. We had spent most of the morning and part of the afternoon with this mother and her COYS (Cubs of the year) which were likely a week or so out of their den.

However, just as they were settled the mother got spooked and she and the cubs ran off towards a nearby iceberg. We set off to see if we could spot them and when we got to this iceberg I couldn’t believe my eyes. The mother and cubs were huddled together on top of the iceberg. To witness such intimate moments, such as this one, between the cubs whilst their mother sleeps is something that is a once in a lifetime sighting.”

"Monkey business" by Pedro Amaral (Portugal)

Copyright: © Pedro Amaral/Remembering Wildlife

Subject: Gorillas, Bwindi Impenetrable Forest, Uganda

About the Image: “High in the canopy of Bwindi Impenetrable Forest, two young mountain gorillas dangle from the branches, locked in a playful game of chase. Their world is one of curiosity and mischief—tugging, teasing, and tumbling through the treetops as they learn the skills they'll need to navigate life in the wild. But this lighthearted moment is also a testament to a serious conservation success.

Once critically endangered, mountain gorillas are now the only great ape species whose population is increasing, thanks to anti-poaching efforts, habitat protection, and responsible eco-tourism in Uganda, Rwanda, and the Democratic Republic of Congo. In a world where every life counts, these two remind us that the future of their species isn’t just about survival—it’s about thriving, playing, and living wild and free.”

"Bengal Tiger reflection" by Bircan Harper (UK)

Copyright: © Bircan Harper/Remembering Wildlife

Subject: Tiger, Bandhavgarh National Park, India

About the image: Weighing up to 260kg and measuring up to 3 metres in length, the tiger is the largest of the big cats. It is found in Asia, from India – where two-thirds of all wild tigers live – through to the Russian Far East and into China.

"African Black Bellied Pangolin" by Alessandra Sikand (USA)

Copyright: © Alessandra Sikand/Remembering Wildlife

Subject: Black bellied pangolin, Sangha Lodge, Dzanga-Sangha

About the image: National Park, Central African Republic. The landmark book 10 Years of Remembering Wildlife has a special focus on pangolins – also called scaly anteaters because of their preferred diet.

"5 at blue hour" by Johann du Toit (Kenya)

Copyright: © Johann du Toit/Remembering Wildlife

Subject: Cheetahs, Shompole Hide, Kenya

About the image: “Five cheetahs at the Shompole Hide at blue hour.”

"Carried away" by Vicki Jauron (USA)

Copyright: © Vicki Jauron/Remembering Wildlife

Subject: Lioness and her cub, Maasai Mara, Kenya

About the image: “A lioness carries one of her two little ones to a new hiding spot in early morning. Taken in 2021 when vehicle traffic was light and we were able to follow without impacting her movements.”

"Leopard enjoying morning sun break" by Ifham Raji (Sri Lanka)

Copyright: © Ifham Raji/Remembering Wildlife

Subject: Leopard, Wilpattu National Park, Sri Lanka

About the image: “After three days of heavy downpour this leopard took the opportunity to enjoy the first morning sun break.”

"Puppy love" by Marcus Westberg (Portugal)

Copyright: © Marcus Westberg/Remembering Wildlife

Subject: African Wild Dog puppies, Tswalu Kalahari Nature Reserve, South Africa

About the image: Projects that Remembering Wildlife supports include vaccinating domestic dogs to help prevent the spread of rabies to African wild dogs; GPS collars to track their movements and even helped facilitate the translocation of 14 African wild dogs from South Africa and Mozambique to Liwonde National Park and Majete Wildlife Reserve, in a historic project to reintroduce this endangered species to Malawi. Since the successful translocation, pups have been born.

"Enjoying the sunrise" by Mark Meth-Cohn (UK)

Copyright: © Mark Meth-Cohn/Remembering Wildlife

Subject: Tigers, Ranthambore Tiger Reserve, India

About the image: “Two sub-adult tiger brothers enjoying the early morning sunrise” Margot Raggett MBE, founder and producer of Remembering Wildlife, said: “It’s an oft-quoted fact that there are more tigers in captivity in the U.S. than there are left in the world, a stark reminder of how the future of tigers might end if conservationists do not continue their focus and their fight. Tigers are a bellwether for the health of an ecosystem. For every tiger protected in the forest, there are plants, trees, insects, birds and other mammals who thrive.”

"In the arms of eternity" by Kim Paffen (Netherlands)

Copyright: © Kim Paffen/Remembering Wildlife

Subject: Mountain Gorilla and her baby, Volcanoes National Park, Rwanda

About the image: “A mountain gorilla mother cradles her infant – a portrait of tenderness etched in shadows and light. Here, where Dian Fossey’s legacy still whispers through the bamboo, every touch is a lesson, every gaze a vow. Her quiet strength shields not just her child, but the fragile future of species reborn from the brink.”

"Cold callers welcome" by Mark Meth-Cohn (UK)

Copyright: © Mark Meth-Cohn/Remembering Wildlife

Subject: Sloth bear, Ranthambore Tiger Reserve, India

About the image: “Sloth Bear making use of an abandoned building.”

"Sunset scales" by Armand Grobler (South Africa)

Copyright: © Armand Grobler/Remembering Wildlife

Subject: Pangolin, Manyeleti Game Reserve, Greater Kruger, South Africa

About the image: “The vibrant colours of a winter dusk highlight the gentle spark of life in our planet’s most trafficked mammal.”

"Mbili bora in the rain' by Xavier Ortega (Spain)

Copyright: © Xavier Ortega/Remembering Wildlife

Subject: Cheetahs, Masai Mara, Kenya

About the image: “The famous coalition of 5 cheetahs that ruled the Masai Mara, during a storm.”

The new Nikon Z5II camera is now shipping

The Nikon Z5II is now in stock

Nikon, rebates, and tariffs

Leica Camera celebrates 100 years of the Leica I camera with special events in New York City on Saturday, May 3

Another OM SYSTEM CP+ interview

Another Panasonic CP+ interview: “we will develop and evolve the latest technologies common to both systems (L-mount and MFT)”

The latest OM SYSTEM offers and deals (DE+UK+USA)

Sigma 300-600mm F4 DG OS | Sports for Sony E-mount Coming May 15th, 2025

The post What else is new? appeared first on Photo Rumors.

Canon released their Q1/2025 financial report:

Canon Imaging Business Unit financial results recap:

In the Imaging Business Unit, sales of interchangeable-lens digital cameras increased substantially thanks to the healthy inventory levels and continued to experience strong sales of the EOS R5 Mark II, which was launched in the second half of the previous year. Sales of network cameras also increased as the market grew steadily. As a result, sales for the first quarter of the Imaging Business Unit increased by 20.8% compared with the same period of the previous year to ¥212.1 billion, while income before income taxes for the first quarter increased by 116.8% compared with the same period of the previous year to ¥32.3 billion.

Canon also released a separate Q&A document regarding the upcoming/proposed tariffs and confirmed the previously rumored price increase:

Q: If you look at the impact of U.S. tariffs by segment, what is the order of magnitude?

A: The order of magnitude of tariff impact by segment is proportional to the sales volume in the United States. A rough breakdown of sales shows that Printing accounts for about 60%, Medical for about 10%, and Imaging for about 25%.

Q: Please talk about the status of the price increase. If additional tariffs are passed on to product prices, how much of a price increase will we see in the end market?

A: We have notified major dealers that we will raise prices and are in the process of estimating the timing and amount of the increase. Since tariffs are borne against the cost of goods, the higher the cost ratio is, the higher the price rate increases. We will conduct a detailed analysis, including the cost of each product and where it is produced, and will determine the rate of price increase for each product.

Here is the recap of the Canon Q1/2025 financial report:

• Market Performance: The Imaging Business Unit, which includes cameras and lenses, accounted for approximately 25% of Canon's U.S. sales, making it a significant segment affected by U.S. tariffs.
• Price Increases: The unit is implementing price increases due to rising production costs, inflation, supply chain challenges, and additional tariffs, with the exact rate varying by product based on cost ratios and production location.
• Tariff Impact: Canon expects a competitive advantage in the camera market due to its higher production in Japan compared to competitors who rely more on China, where tariffs are higher (e.g., 145% on Chinese exports).
• Sales Volume Strategy: Despite potential sales volume declines due to price increases, Canon believes it can redirect backordered products like cameras to other regions if U.S. shipments are impacted, minimizing overall sales loss.
• Inventory Management: The U.S. sales subsidiary holds 1-2 months of inventory, which was factored into tariff cost projections, with the main tariff impact expected in the latter half of 2025 as inventory depletes.
• Competitive Landscape: Canon faces intense competition from Sony and Nikon in the mirrorless market but aims to maintain its edge through strengths in autofocus technology and its lens ecosystem.

Breaking: Canon to increase prices in the US as a result of the new Trump tariffs

Source: Canon

The post Canon released their Q1/2025 financial report: price increase confirmed appeared first on Photo Rumors.

A new Luminar Neo Spring update is now available with new AI-powered enhancements:

Auto Adjust – Effortless Image Enhancement
A new addition to the Develop / Develop RAW tool, Auto Adjust automatically enhances images by intelligently adjusting key sliders to achieve optimal exposure, light and shadow balance, and black & white levels. Available for Pro subscribers and Upgrade Pass owners.

Catalog Cache Cleaning – Optimized Performance
To improve app efficiency, Luminar Neo now includes a new Catalog Cache Cleaning feature within Preferences. We received countless requests from our users related to optimizing disk space when working with large catalogs, which is why this tool was developed. It helps users clear cache files, significantly enhancing speed and performance.

Depth Models Update – Even More Realistic Fog Effect
The Atmosphere AI tool receives a quality upgrade, delivering an even more natural and immersive Fog Creation effect for those moody landscape images. The refined model enhances photos with a cinematic atmosphere, providing photographers with an even greater level of control and realism.

Improved Export Menu – Enhanced Customization
The new export window offers advanced customization options for format, quality, size, resolution, and file name, as well as a new export format—DNG—helping users prepare files for print faster and more easily.

Luminar Neo Spring Sale (April 4 - 28, 2025) - up to 75% discount for new users:

• Luminar Neo 1 year subscription + free 100 creative add-ons + free Neo video course worth $79 (75% off): $69
• Luminar Neo lifetime + free 100 creative add-ons + free Neo video course worth $79 (75% off): $119
• Upgrade Pass for existing users: $33

The post Luminar Neo Spring update available now with new AI-powered enhancements appeared first on Photo Rumors.

Here is some additional information on the upcoming 7Artisans AF 24mm f/1.8 lens for E/L/Z mount (check the official website for updates):

1. F1.8 Aperture: Creativity Unlocked

The F1.8 maximum aperture delivers striking shallow depth of field for dramatic foreground-background separation, while excelling in dimly lit environments. Ideal for astrophotography, environmental portraits, or capturing bustling cityscapes with minimal noise.

2. Full-Frame Autofocus: Fast and Reliable

7Artisans’ debut AF system prioritizes speed and accuracy, leveraging a stepping motor for near-silent, responsive focus transitions—perfect for hybrid shooters balancing stills and video.

3. Multi-Mount Versatility

Available in E, L and Z systems, the lens caters to a broad range of full-frame mirrorless users.

4. Optical Prowess

While full specs remain under wraps, 7Artisans promises edge-to-edge sharpness and minimized distortion—critical for architectural and landscape work—along with robust flare resistance for backlit scenes.

Ten new 7Artisans autofocus lenses (Z/E/L/X) displayed at the IBC show in Amsterdam #IBC2024

The post 7Artisans AF 24mm f/1.8 lens additional information (E/L/Z) appeared first on Photo Rumors.

Photos: Sissi Lu, PortKeys, Peak Design, Viltrox

Welcome to the accessory roundup! This week, we have a lot to go over, including a graphic novel about a famous photographer, a phone case that'll survive whatever conditions you find yourself in and a stylish on-camera flash. First, though, let's look at the deals

Deals of the week

Photo: Canon

The Canon EOS R6 II is one of our favorite cameras at its price point, and this week it's on sale for $200 off its MSRP putting it right at $2000.

Image: Sony

If you find yourself wanting a bit – okay, a lot – more resolution, Sony's a7R V is also on sale to the tune of $400 off.

A flash with retro style

Image:Viltrox

Viltrox's latest on-camera flash, the Vintage Z1, is designed to fit in with retro-style cameras like the Nikon Zf or Fujifilm X-T series. It has a silver and leatherete finish and its power knob offers a pop of brass-color. Its manual control knob, which gives you access to its seven power levles, also has a bit of retro flaire. It has a single-contact hotshoe interface, giving it wide compatability.

The light comes with a defuser, has a recycle time of 0.2 to 3.5 seconds and can get "up to 10,000 flashes on a full charge," though that number is based on its minimum power output. However, recharging it shouldn't take long: plug in a USB-C lead, and it'll be fully powered within an hour.

A graphic novel for photography nerds

Image: Drawn and Quarterly

Even if you don't know the name Eadweard Muybridge, you're almost certainly familiar with his work. He spent the 1800s photographing some of the grandest places in the American West, before casually helping invent the motion picture with his work The Horse In Motion. Now, his story is enshrined in a graphic novel by Guy Delisle called Muybridge, which the publisher says "brings this historical figure and those around him to life through an uncompromising lens."

According to an article in The Guardian about Muybridge, the book doesn't try to turn a complicated, real-life person into a comic book hero. We don't want to spoil too much if you're not familiar with his life – or his criminal trial – but this book probably isn't one to share with younger kids. But if you're interested in the history of photography, it seems like it'll be well worth a read.

A tougher case

Image: Peak Design

I've long been a fan of Peak Design's Mobile cases, because the SlimLink system lets you securely mount your phone to various camera mounts and tripods, as well as onto bike handles and car dashboards. However, I'm also really tough on phone cases, and the (frankly, beautiful) textile-backed cases haven't lasted long under my "care."

Peak Design's new GNAR case promises an alternative. The company says it has "all the protection, ruggedness, and connect-ability that you could ever want," and it features a TPU bumper and a bezel to keep your cameras safe. The edge is also knurled to make it easier to grip your phone in less than ideal conditions. Despite its extra thickness and the SlimLink connector, the company says it should still work with Apple's MagSafe wireless chargers.

The one downside is its limited compatability: it's currently only available for the iPhone 16 Pro and Pro Max, which is a bummer if you're not rocking the latest from Apple. However, if you are, the case is already on sale – you can snag it for $35.97, instead of its eventual $59.95 MSRP.

Keep your film safe

Image: Sissi Lu

While common wisdom says that 800 ISO film and below can safely go through X-ray machines at the airport, it seems like the new CT scanners that have been popping up may be – to borrow a phrase – unsafe for any speed. Photographer and TikToker Sissi Lu is putting out a new bag that you can put your film in that warns security personel not to send it through the machine in seven different languages. It also comes with a card with a message about the sensitive contents of the bag in 21 additional languages, as well as some cute film-themed stickers.

The bag won't keep your film safe if a security guard puts it through the machine anyways, either because they refused to do a hand-check or if you forgot to dig it out of your luggage, but it should at least help a bit with language barriers that pop up – assuming you're lucky enough to get an agent that still knows what film.

Monitor on a budget

Image: PortKeys

External monitors that can mount to your camera have always been a great tool for filmmakers and videographers, and over the past few years they've been becoming more and more affordable. The Portkeys PT5 III, though, takes it to a new level – it's only $169, but still includes a 5.4" screen that with an 800 nit max brightness as well as assistance tools like waveforms, a histogram, focus peaking and False Color. You can also use it to preview what your Log footage will look like once it has a LUT applied.

The PT5 III can take a 4K30P signal via HDMI, though the display only runs at 1080p at 60fps. At that size, though, that'll be enough for most users. You can run it off a Sony NP-F-style battery, or USB-C, and while it doesn't include a battery, it does come with a sunshade, full-size HDMI cable, micro-to-full-size HDMI cable and a mount.

In case you missed it

There have been some accessory news this week that warranted dedicated articles here on DPReview, but we'd be remiss not to tell you about them here:

• Profoto Spot Small offers precision lighting in a compact package
• This new accessory keeps the unique aesthetic of the Sigma BF intact
• Logitech's MX Creative console now supports even more essential editing apps

Read last week's roundup

Shooting with the Sigma BF in London Photo: Al Power

Editor Richard Butler took the Sigma BF as a travel companion on his recent vacation to the UK. He wrote about the experience of using the camera, but we also wanted to highlight the sample images he shot.

Click here to read Richard's real-world shooting experience with the Sigma BF

The gallery includes a mixture of out-of-camera JPEGs, shot primarily in the Mono and Rich color modes, along with a handful of images reprocessed from Raw in the camera, with adjustments made to highlight or shadow response.

One photo per day with the Sigma BF

In addition to his attempts to shoot one 'good' photo per day, Richard also spent a day on a photo walk around London with a friend from his earliest days of digital photography. These shots include more extensive use of the camera's black-and-white mode, again with some examples re-processed in-camera.

A photo walk in London

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

DxO Labs added support for the latest cameras and lenses:

Cameras

• DJI Air 3S
• OM System OM-3
• Panasonic Lumix DC-G97
• Panasonic Lumix DC-ZS99/TZ99

Lenses

• Canon RF 16-28mm F2.8 IS STM
• DJI Air 3S Lens
• Fuji XF 16-55mm F2.8 R LM WR II
• Leica Noctilux-M 50mm F1.0
• Leica APO Telyt 135mm F3.4
• Leica Elmarit-M 21mm F2.8 ASPH
• Leica Summicron M 90mm F2
• Leica Vario-Elmarit-SL 70-200mm F2.8 ASPH
• Sony FE 28-70mm F2 GM
• Tamron 11-20mm F2.8 Di III-A RXD
• Viltrox AF 16mm F1.8 Z

The new DxO Modules can be found in the following DxO software:

• DxO PhotoLab
• DxO PureRAW
• DxO FilmPack
• DxO ViewPoint
• DxO NikCollection

The post DxO Labs released new Optics Modules for the latest cameras and lenses appeared first on Photo Rumors.

TTartisan announced a new 35mm T2.1 dual-bokeh cine lens:

• Pre-order: B&H Photo | Foto Erhardt | International
• Price: US$380
• Full Frame
• Unique Dual-Bokeh Design (Bubble / Soft)
• T2.1–T22 Declicked Aperture
• 0.8 Mod Gear Pitch – Ready for Follow Focus
• Durable All-Metal Construction
• Compatible Mounts: E / X / Z / RF / L
• Additioonal info0rmtion:

The post New: TTartisan 35mm T2.1 dual-bokeh cine lens (E/X/Z/RF/L) appeared first on Photo Rumors.

April Editor's photo challenge: RGB

In this month's Editor's photo challenge, we asked you to share your photos featuring a red, green and blue color palette. At this point, it's no surprise that the DPReview community delivered – far from leaving us blue or red with anger, the images we've featured here made us green with envy.

Our top picks on the following pages are presented in random order. You can see all the photos submitted here.

Girl With Llama

Photographer: JeffryzPhoto

Photographer's description: High up in the Andes Mountains of Peru near the Sacred Valley a girl walks with her pet llama. Even the llama is wearing red, green, blue, and white.

Equipment: Fujifilm X-T4 + Fujifilm XF 16-55mm F2.8 R LM WR

Athens in full spring

Photographer: xenofon

Photographer's description: At the heart of Athens, a metropolis of 3.5 million people, nature can still be present with all its beauty and grandeur. Provided you have the will and the patience to look closely enough.

Equipment: Canon EOS R10 + Canon RF-S 18-150mm F3.5-6.3 IS STM

Cadillac #40

Photographer: Sergio Image

Photographer's description: Going to see a race at the Sebring Raceway had been in my bucket list for many years. So to celebrate my retirement, my wife and I got the tickets and drove to this legendary track. For the first time, I experienced photographing what is now my favorite subject: race cars.

Equipment: Nikon Z9 + Nikon Nikkor Z 24-200mm F4-6.3 VR

RGB - Ryan, Gurcharan and Bhangra Smash Up

Photographer: Peter Freeth

Photographer's description: The band Bhangra Smash Up performing at a charity event, Ryan, one of the band members, captured from the side of the stage with the colourful lighting emphasising the high energy performance that always has everyone on their feet. Band leader Gurcharan looks on, a little too out of focus.

Equipment: Sony a7 IV + Tamron 70-180mm F2.8 Di III VC VXD G2

Busy Bazaar

Photographer: LokeshS

Photographer's description: During the Ramadan festival, the streets around the Shivaji Nagar locality of Bangalore turn into a virtual street fest. Food is the most popular item on sale and street vendors flourish. This picture was taken from behind one such vendor as wraps some kebab for a customer.

Equipment: Fujifilm X-E4 + Fujifilm XF 27mm F2.8 R WR

After The Harvest

Photographer: OCDavo

Photographer's description: A retired International A-160, quietly resting in the tallgrass, its weathered wooden bed and rust-warmed steel telling the story of a bygone era in the soft glow of early morning light.

Equipment: Olympus OM-D E-M5 + Olympus M.Zuiko Digital ED 12-40mm F2.8 Pro

Cap Fréhel

Photographer: Brecht_BE

Photographer's description: The first summer things opened up again. We stood at the edge of Brittany, wind in our faces, the sea loud and endless. Everything felt sharply, undeniably alive.

Equipment: Olympus PEN-F + Olympus M.Zuiko Digital ED 12-40mm F2.8 Pro

Chlorophyll fluorescence

Photographer: iso rivolta

Photographer's description: Chlorophyll fluorescence shown in a test tube. When excited with UV light, chlorophyll emits red light. The shadow of the tube is both green and blue, the latter from paper's fluorescence.

Equipment: Pentax KP + SMC Pentax-FA 50mm F2.8 Macro

Velvet dresses

Photographer: lei945ca

Photographer's description: In the Swiss Canton of Appenzell, they celebrate an old end-of-year tradition, called «Sylvesterchläuse». Participants wear red, blue, green and yellow velvet dresses, they shake cowbells and jodel during hours going from farmhouse to farmhouse. This is exhausting, so they need a break every now and then to rest and drink. In such a moment I took the picture.

Equipment: Sony Cyber-shot DSC-RX100 VII

Yorkshire phone booth

Photographer: rkny

Photographer's description: Taken in Elsack, Skipton, Yorkshire UK. 2012. My first extended time with the Cannon 50 mm 1.2 L. I was blown away by the Canon 5D with this lens at the time. But looking back at the files, they haven’t aged quite so well when compared with current camera.

Equipment: Canon EOS 5D Mark II + Canon EF 50mm F1.2 L USM

Colors, canal, cloud

Photographer: Anders A

Photographer's description: Mum spoke enthusiastically about the vivid colors of the tulip fields in Holland. I started to wonder what they might look like from above, from a drone. This was in 2015 and drone tech was still very new and far from something everyone had. So, me and my tulip loving friend Ulf drove the 1000 km down to Holland a chilly day in April 2015 and started criss crossing the landscape. And my god, it looked fantastic! This is probably the best shot from the trip, from outside Sassenheim. The canals are used to flood the fields after harvest, to kill off germs and parasites.

Equipment: Sony a7 + Sony FE 35mm F2.8 ZA Carl Zeiss Sonnar T* + HAB Paparazzo heavy lift drone

Woman In Red

Photographer: dasting

Photographer's description: Sunday morning on the bluffs of El Matador State Beach in Malibu, CA, while traveling for work. Taken with my Leica M9 and Canon 50mm f1.8 LTM lens circa 1960 or so.

Equipment: Leica M9 + Canon 50mm f1.8 LTM

Hội An Night Market

Photographer: skitraveler

Photographer's description: On a trip to Vietnam, I spent afternoon and evening in Hội An. I started with a cooking class and then moved onto the night market where the colors are as vibrant as the flavors in Vietnamese cooking. Really liked this row of stalls selling lanterns of all colors.

Equipment: Sony a7R IV + Sony FE 35mm F1.4 GM

Old scary red brick bridge

Photographer: Valery Seregin

Photographer's description: This old bridge was probably useful for pedestrians at one time, but today it is a real challenge. The thing is that its covering is made of oval-shaped stone, so it is easy to stumble and fall. There is nothing to grab onto, there are no railings. Just imagine what it is like to use it in winter when the stones are covered with ice. Climbing onto it is not a problem, the problem is getting down. Dozens of people use it every day. Yes, it is old and beautiful, but it is scary and dangerous at the same time.

Equipment: Fujifilm X20

Kiberg Kitywakes

Photographer: Jon-Sverre

Photographer's description: Kitywakes (3-toed sea gulls) on the harbor of Kiberg (70 degrees north x 30 degrees east - east of Istanbul!), Varanger, Norway this winter. Occupying fishing nets and smelling of Guano.

Equipment: Nikon Z8 + Nikon Nikkor Z 24-200mm F4-6.3 VR

Rainbow Lorikeet

Photographer: SigmaChrome

Photographer's description: These beautiful native parakeets are quite common where I live and they are approachable if you are careful and don't make any sudden moves. This one was feeding on my front lawn.

Equipment: Fujifilm GFX 50R + TTArtisan 90mm F1.25

Candy Factory

Photographer: GrantsImages

Photographer's description: I'm not certain what they make at this factory, but I always imagine that it is fruit flavored life savors. Like the rolls we used to get at the 5 & 10 store when we were children.

Equipment: Nikon D800 + Nikkor AF-S 300mm F4E PF ED VR

Good afternoon Mr. Station Master.

Photographer: Cambrian Coast

Photographer's description: Carrog Station is located on the Llangollen to Corwen heritage railway. Here we see the Station Master Platt saying good afternoon to the resident of the station house.

Equipment: Sony a7R IV + Sony Vario-Tessar T* FE 16-35mm F4 ZA OSS

Moonlight Star Trail Over a Wild Tulips Field - Blufi - Sicily

Photographer: astrodariogiannobile

Photographer's description: What is happening in Holland on this “day”? Nothing except that...we are not in the daytime and we are not in Holland!!! Strange? absolutely yes. We are in Sicily of course and what you see is a real field of wild tulips growing near the village of Blufi.

Equipment: Canon EOS 6D + Canon EF 8-15mm F4L Fisheye USM

Looking for more?

We're already gearing up for our next monthly challenge, but in the meantime, why not check out some of our community challenges? User REHS is hosting a challenge called "Through a door, window or gate," which is now open for submissions, and DrLex is looking for the best non-bird photo you've taken since April 14th. Voting is open for REHS' Sunrise or Sunset challenge and for DrLex's bird photos of 2025 challenge.

At Adobe MAX in London, Adobe unveiled the latest Adobe Creative Cloud, packed with new AI tools in Firefly, time-saving features, and performance boosts. Adobe also introduced new resources and programs to support and empower the global creative community, helping the next generation launch and grow their careers, and providing tools for attribution and context around your creative work.

• Fixed issues in Adobe Lightroom
• What’s new in Lightroom
• What's new in CC
• List of the latest camera support added
• List of the latest lens support added
• More coverage at the Adobe Blog
• Adobe Express + Photoshop updates:

Adobe Photoshop

• Select Details capability in Object Selection tool: quickly select people and their details – like hair, facial features, clothing and accessories with complex edges, reducing manual selection time and effort. Simply click on the details you want to select in your image or choose from a labelled list of details.
• Improved Actions in Photoshop desktop app (Beta): lets you work faster with smart suggestions in the new Action panel. You can apply recommended multi-step edits in a click from the reimagined Actions panel. Photoshop analyzes your image and curates a dynamic list of suggestions from thousands of workflows, which you can also search through using everyday language.
• Adjust Colors capability & Improved Hue Saturation Adjustments Panel: make your images pop with instant in-context color adjustments. With direct color controls now in the Contextual Task Bar, you can experiment with color faster than ever, right from the canvas. And the redesigned Hue and Saturation Adjustments Panel now has larger sliders and swatches, making it easier to modify color with precision.
• Improved Select Subject and Remove Background with Cloud processing: improved capability to detect subjects and make selections more quickly and precisely.
• Improved Remove Tool (beta) desktop app: new Gen AI model will enhance the quality, accuracy and speed when removing, generating new content and blending specific areas.

Adobe Express

• Make your creative content stand out even more with one-click animations, quick social clips, and effortless on-brand designs in Adobe Express.
• With Clip Maker, upload podcasts, interviews, and demo videos and have Express spin the highlights into social clips. Plus, you can add captions automatically, reframe clips for different social channels, and easily remove distracting background noise to make high-quality videos for social.
• We introduced other new video editing tools in Adobe Express to help you polish videos quicker — you can add and arrange content and edit clips in bulk, including mute, transition, and duration controls. You can also fast-track sharing your content with direct export and publishing to Vimeo.
• You can also use Adobe Express to animate Illustrator and Photoshop designs in a click. Add stunning movement to your designs with just a few clicks using Dynamic Animation presets and generate commercially safe video for custom background footage.
• Lastly, Adobe Express enables you to make sure your teams can create on-brand content with brand kits and maintain a cohesive aesthetic with Generate Similar, which helps you go from a single image to a signature collection in seconds. And you can refine designs to get your look just right with 30+ new image filters, powered by Photoshop.

Adobe MAX recap

• Adobe Firefly Advancements:
  • Launched a redesigned Firefly app, serving as a centralized hub for AI-assisted ideation, creation, and production of images, videos, audio, and vector graphics.
  • Introduced Firefly Image Model 4, enhancing generative AI for realistic photo generation, trained on Adobe Stock for commercial safety.
  • Firefly Boards, a new AI-first feature in public beta, designed for moodboarding and concept exploration.
  • Integration of third-party AI models (e.g., OpenAI, Google Cloud’s Imagen 3 and Veo 2, Flux), with plans to add more providers like Pika, Luma, and Runway.
• Creative Cloud Updates:
  • Over 100 new AI-driven features across Creative Cloud apps, focusing on speed, control, and precision.
  • Photoshop: New AI-powered tools like Composition Reference in Text to Image, improved selection tools, refined background removal, and an Actions Panel for workflow suggestions.
  • Illustrator: Added pattern generation tools.
  • Premiere Pro: Introduced Generative Extend, Caption Translation, and Media Intelligence for object recognition and clip search via text commands.
  • InDesign: New PDF-to-InDesign conversion and math expression support.
  • Lightroom: Enhanced landscape-editing tools with automatic detection for easy masking.
  • Adobe Express: Added Generate Video (powered by Firefly Video) for creating commercially safe video content from text prompts, and Generate Similar for consistent aesthetic content creation.
• Adobe Fonts Expansion:
  • Added over 1,500 popular fonts (e.g., Arial, Gotham, Helvetica, Times New Roman) to Creative Cloud via Adobe Fonts.
• Content Authenticity and Creator Support:
  • Launched the Content Authenticity app, allowing creators to add verified credentials, verify identity via LinkedIn, and opt out of AI training for their work.
  • Content Credentials automatically attached to AI-generated content to indicate the model used (Adobe Firefly or partner models).
  • Continued emphasis on the Creative Apprenticeship initiative to support creators.
• AI Integration and Transparency:
  • Adobe emphasized a creator-first approach, prioritizing rights, transparency, and responsible AI development.
  • Users can switch between Adobe and partner AI models with full transparency.

The latest Adobe CC subscription plan rates can be found here. The different Adobe  Creative Cloud options are described here. Additional information on  Photoshop and Lightroom is available on this page. Adobe Creative Cloud subscription can be purchased directly from B&H Photo or Amazon.

The post Adobe Max London product updates appeared first on Photo Rumors.

Here are the first pictures of the upcoming Viltrox AF 50mm f/1.4 Pro lens:

In the US, Viltrox lenses are sold at B&H and Amazon. International shipping is available at Pergear and at the official Viltrox website (you can get 8% off at the online store with code NIKONRUMORS):

The post This is the upcoming Viltrox AF 50mm f/1.4 Pro lens appeared first on Photo Rumors.