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Aujourd’hui — 19 février 2025Photo

Leica to announce a new Summilux-M 50 f/1.4 silver lens for M-mount

Par : PR admin
18 février 2025 à 18:30



Leica is rumored to announce a new Summilux-M 50 f/1.4 silver lens for M-mount. Here are the details:

  • Product No. 11714
  • Non-ASPH
  • Filter size: 46mm
  • Modern take on a classic design (new lens in the Leica Classic Line)
  • Based on the optical calculation of Leica Summilux-M 50 Version II
  • Unique bokeh and soft rendering at open aperture, highest sharpness when stopped down
  • Made of brass with chrome-plated surface finish
  • Weight: 417g
  • Minimum focusing distance: 0.7m
  • Limited production (limited edition?)
  • Price: €3,850 (around $4,000)
  • Made in Germany

What’s next for Leica? (updated rumors recap)

Via LeicaRumors

The post Leica to announce a new Summilux-M 50 f/1.4 silver lens for M-mount appeared first on Photo Rumors.

GoPro quietly announces a refresh of its Max 360 action camera

GoPro News MAX-new-mount
Photo: GoPro

Rumors have been swirling for quite some time, but GoPro has finally officially (and quietly) announced an update to the Max 360, its 360-degree action camera. It first released the original GoPro Max 360 in 2019, so it was quite overdue for an update. Unfortunately for fans of the camera, a five-year wait didn't result in any groundbreaking changes and the updates are very minor. The fact that it shares the exact same name as the previous model is perhaps a hint that there isn't much new going on.

GoPro's blog post announcing the news only dedicated two sentences to the actual camera: "The 5.6K spherical camera now comes with a MAX Enduro Battery and an upgraded mounting system, making it compatible with all standard ¼-20 tripod mounts. All for only $349.99 MSRP." That's it.

The new Max 360 will feature the folding mounting fingers found on recent GoPro Hero Black cameras and a standard tripod mount. It will also use the larger-capacity Enduro Battery, though GoPro doesn't provide any details as to the expected battery life. The rest of the hardware, including its 5.6 K resolution, remains the same as the 2019 model.

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A post shared by GoPro (@gopro)

Instead of focusing on hardware, GoPro prioritized software changes via the GoPro Quik app. One of the benefits of shooting 360-degree video is greater editing flexibility; indeed, GoPro is leaning on that. The Quik app will offer AI-Powered Object Tracking. You will be able to pick a subject, and then the app will use AI to keep that subject in view and in focus for the entirety of the clip. It should make editing footage from the camera much faster and easier than manually adjusting framing as a subject moves around the 360-degree field of view.

The Quick app will also take advantage of all the data the camera captures to create new camera effects, such as backflips, barrel rolls and more, with only a tap. Plus, you can set your view where you want it using Reframe if you want manual control over the 360-degree footage. Those who prefer desktop editing will also be able to take advantage of the "magic of Reframe" with a new GoPro Reframe plugin for Adobe Premiere Pro and After Effects.

gopro-max-360-in-hands
Photo: GoPro

"MAX never misses—and that’s why it’s the go-to 360 camera for the world’s most creative athletes, adventurers and content creators. Getting ‘the shot’ has never been this easy," says GoPro Founder and CEO, Nicholas Woodman. "And with the Quik App’s new 360 editing experience, featuring AI-powered Object Tracking and simplified but powerful editing tools, it’s never been this easy or fun to edit your 360 content into amazing sharable moments."

GoPro added that more 360-degree editing tools are in the works. "And this is just the beginning,” Woodman adds. “We’re excited to launch powerful new app features on an ongoing basis to keep taking the GoPro 360 experience further and further this year." Hopefully, that investment in 360 will eventually turn into a truly updated camera, though at least GoPro is catching up with editing tools already available for Insta360 users.

gopro-max-360-on-car
Photo: GoPro

It isn't clear whether these software updates will benefit existing Max 360 users. Given that the changes are in the GoPro Quik app, it seems likely they will, though GoPro hasn't specified.

Perhaps the biggest change for the Max 360 is the price. It originally sold for $500. Luckily, GoPro is dropping the price of the 2025 model to $350. It is available for purchase as of today through GoPro's website.


Buy now:

$350 at GoPro

Hier — 18 février 2025Photo

Insta360's new accessory unlocks the Flow 2 Pro gimbal for Android users

insta360-flow-2-pro-ai-tracker-for-android
Image: Insta360

Insta360 released its highly popular Flow 2 Pro smartphone gimbal a month ago with an impressive list of features and tools. Unfortunately for Android users, though, those features were specific to iPhone users, leaving them unable to take advantage of the powerful stabilizer. Now, though, Insta360 has announced a new accessory, dubbed the AI Tracker, that unlocks the Flow 2 Pro for Android phones.

insta360-flow-2-pro-ai-tracker

The Insta360 AI Tracker uses a dedicated camera to enable tracking no matter the operating system or app.

Image: Insta360

Insta360 calls the Flow 2 Pro AI Tracker "the ultimate add-on to take your mobile content to the next level." The company designed the device to enable support across Android phones along with a greater number of apps. That means that even iPhone users benefit from this little accessory. To accomplish greater compatibility, the AI Tracker features a dedicated camera. It connects to the gimbal using a USB-C connection, allowing it to track subjects independently no matter what phone is attached to it or what app is being used to record.

The AI Tracker relies on Insta360's AI tracking algorithms. As the product's name suggests, it uses AI recognition to keep subjects framed, even if there are obstructions or multiple subjects. The AI system also works on cats and dogs. Plus, it enables hand gestures to activate tracking, just like iPhone users have access to on the Flow 2 Pro.

insta360-flow-2-pro-ai-tracker-light

The Insta360 AI Tracker also features an integrated light with adjustable brightness and color temperature.

Image: Insta360

This little accessory also has a built-in LED light, offering three brightness levels and three color temperature settings for greater control over how you light your subject. It is a simple plug-and-play device that can be used without adjusting any settings.

The Flow 2 Pro AI Tracker is available as of February 17. If you already own the Flow 2 Pro, you can purchase the AI tracker as a standalone accessory for $40. If you want to buy the AI tracker with the Flow 2 Pro, you'll have to wait a little longer. Insta360 says that the AI Tracker Bundle is "soon-to-launch" for $179, though didn't provide a specific date.


Buy now:

$40 at Insta360

B&H Photo and Payboo are running a special 5% off deal on select Panasonic gear (MFT + L-mount)

Par : PR admin
18 février 2025 à 19:50


B&H Photo and Payboo are running a special deal on Panasonic gear where you can get an extra 5% off (see the list of qualifying gear here):



Main Payboo Benefits - your choice of exclusive benefits when you use the Payboo Credit Card:

  • Save Instantly (on qualifying purchases shipped to eligible states)

OR

  • Use Special Financing§  up to 12 months (on minimum purchases of $199 for 6 months or $599 for 12 months)

PLUS

  • Use your new account right away
  • No annual fee
  • Shop in-store, online or by phone

Disclosures (click for larger view):


The post B&H Photo and Payboo are running a special 5% off deal on select Panasonic gear (MFT + L-mount) appeared first on Photo Rumors.

DJI's latest gimbal comes in two flavors for casual users and pros

Mobile-7-Series Product-KV 8k
Image: DJI

DJI has announced its latest smartphone gimbal, which is available in two varieties. The Osmo Mobile 7 is the more affordable option for casual users, while DJI designed the Osmo Mobile 7P for pro-level users. Both models are compact and lightweight and offer one-step unfolding, Apple Watch control, an integrated extension rod and a built-in tripod, just like their predecessor. However, there are some noteworthy changes as well.

Osmo-mobile-7 Low-angle-shooting
Image: DJI

Interestingly, DJI did away with the side wheel on the Osmo Mobile 7, even though it was a new feature on the Osmo Mobile 6. In its place is what appears to be a more simple rocker. DJI kept the side wheel on the Osmo Mobile 7P, however. It promises more cinematic control, offering the ability to adjust focal length, smooth zoom control, and manual focus. Additionally, a long press of the side wheel enables control over the fill light, including brightness and color temperature.

Both models of the new gimbal feature DJI's seventh-generation three-axis stabilization and ActiveTrack 7.0, which DJI calls its "most advanced tracking technology." When paired with the DJI Mimo app, the Osmo Mobile 7 and 7P will automatically adjust to track subjects, even in crowds or when working with active subjects. It can also detect multiple subjects, allowing users to lock onto one or switch between subjects with a tap.

Osmo-mobile-7P AI-Module-Fill-in-Sound

The new Multifunctional Module adds a fill light and extra controls.

Image: DJI

The Osmo Mobile 7P gets the added benefit of the new Multifunctional Module. With this new tool, users can access robust tracking with their phone's native camera, live streaming apps or another camera app. It attaches to the gimbal with a magnetic clip and enables hand gestures to take photos, start or stop recording, activate tracking or stop intelligent tracking. Additionally, the Multifunctional Module includes integrated light control, allowing users to change color temperature and brightness. It can also function as a microphone receiver through its USB-C port while providing extra power to your phone.

While the Osmo Mobile 7 doesn't come with the Multifunctional Module, it is compatible with the new accessory and is available for purchase separately.

Both the Osmo Mobile 7P and 7 promise up to 10 hours of battery life. That is quite the boost from the 6 hours and 24 minutes of battery life promised by the Osmo Mobile 6.

The DJI Osmo Mobile 7 and 7P are available for purchase starting today for $89 and $149, respectively.


Buy now:

$89 at DJI

Press release:

DJI Delivers Next-Level Intelligent Smartphone Photography with Osmo Mobile 7 Series

New Flagship Phone Gimbal Features Seventh Generation DJI Stabilization Technology and ActiveTrack 7.0 Technology

February 18, 2025 - DJI, the global leader in civilian drones and creative camera technology, today launches the Osmo Mobile 7 Series. This new generation of phone gimbal takes three-axis stabilization and intelligent tracking to new heights. Both the Osmo Mobile 7P and Osmo Mobile 7 feature DJI’s seventh-generation stabilization, ActiveTrack 7.0 technology¹, and a range of intelligent features for capturing cinematic-quality footage on a smartphone.

“From award-winning filmmakers to short-form content creators, DJI continues to expand our ecosystem of creative camera technologies and push the industry forward,” said Ferdinand Wolf, Product Experience Director at DJI. “With the Osmo Mobile 7 Series’ latest advances in intelligent tracking and camera stabilization, capturing beautiful, professional content with a smartphone has never been easier.”

The Osmo Mobile 7P features a more powerful three-axis smartphone stabilizer that maintains the lightweight, portable, and robust tracking capabilities of the Osmo Mobile 6. With the new Multifunctional Module¹, creators can easily track subjects and it includes integrated light control with multiple color temperature and brightness levels. When the Multifunctional Module functions as a microphone receiver, its USB-C port can be connected to your phone to deliver high-quality audio transmission while also providing extra power. It is also easy to set up thanks to the quick one-step unfolding, integrated extension rod, and built-in tripod.

The Osmo Mobile 7 is the lightest gimbal in its class, weighing about 10 ounces (approximately 300 g). Like the Osmo Mobile 7P, it features a compact design and is easy to use, but at a more entry-level price. It also allows for quick unfolding, a built-in tripod, one-step storage, and can support the Multifunctional Module (sold separately).

Power of the Multifunctional Module

The Multifunctional Module allows creators to easily track subjects using their smartphone’s native camera, live streaming apps, and other camera apps. It can accurately maintain focus in a crowd or reacquire a subject if they re-enter the frame after leaving briefly. The module can be easily attached to the gimbal with a simple magnetic clip and controlled using hand gestures1 to take photos, start or stop recording, activate tracking, or adjust a composition.

  • Showing your palm to the module starts or stops intelligent tracking.
  • Making a “V” gesture takes a photo. It can also start or stop video recording.
  • Making a “Double L” gesture with two hands adjusts a subject’s framing.

ActiveTrack 7.0: Smarter Than Ever

When paired with the DJI Mimo app1, the Osmo Mobile 7 Series can use ActiveTrack 7.0. As DJI’s most advanced tracking technology, ActiveTrack 7.0 enables the gimbal to adjust to track subjects and follow their movements automatically, even in a crowded or active environment. Smart Capture allows the gimbal to detect multiple subjects, and users can direct the gimbal to lock onto one subject or switch to a different subject with a simple tap. Smooth tracking enables the gimbal to pinpoint the shooter’s preferred focus accurately and maintains continuous tracking even if the subject is obscured or moving rapidly.

Other Standout Features

  • Side Wheel for More Cinematic Control: Creators can adjust the focal length for a more flexible composition and a smoother zoom or switch to a manual focus. Additionally, a long press enables control over the fill light, making it easy to adjust brightness and color temperature, thus simplifying your shooting experience.
  • Compatible with Apple Watch1: Using the DJI Mimo app, creators can use their Apple Watch as a smart remote for the gimbal, remotely controlling their shoot and camera feed.
  • Up to 10 hours of operational time¹.

Price and Availability

DJI Osmo Mobile 7 Series is available to order from store.dji.com and authorized retail partners, with shipping starting today, in the following configurations:

Osmo Mobile 7P retails for $149.

Osmo Mobile 7 retails for $89.

Accessories available include:

  • DJI OM Magnetic Quick-Release Mount
  • DJI Mic Mini Transmitter
  • DJI OM 7 Series Tracking Kit
  • DJI OM Grip Tripod

DJI Care Refresh

DJI Care Refresh, the comprehensive protection plan for DJI products, is now available for Osmo Mobile 7P and Osmo Mobile 7. Accidental damage is covered by the replacement service, including natural wear, collisions, and water damage. For a small additional charge, you can have your damaged product replaced if an accident occurs.

DJI Care Refresh (1-Year Plan) includes up to 2 replacements in 1 year. DJI Care Refresh (2-Year Plan) includes up to 4 replacements in 2 years. Other services of DJI Care Refresh include official warranty, international warranty service and free shipping. For a full list of details, please visit https://www.dji.com/support/service/djicare-refresh.

For more information, please refer to https://www.dji.com/osmo-mobile-7-series.

1 All data was tested in controlled conditions. Actual experience may vary. For more details, please refer to https://www.dji.com/osmo-mobile-7-series.

Viltrox to display/announce three new lenses at the 2025 CP+ show

Par : PR admin
18 février 2025 à 03:31



Viltrox will display/announce the following three new lenses at the 2025 CP+ show in Japan:

  • Viltrox AF 50mm f/2.0 FE/Z
  • Viltrox AF 85mm f/1.4 Pro FE
  • Viltrox AF 35mm f/1.2 LAB FE

Here is the full list of upcoming (rumored) Viltrox lenses:

Upcoming/rumored Viltrox lenses for Nikon Z-mount

Additional information on the upcoming Viltrox AF 35mm f/1.2 LAB lens for Sony E and Nikon Z cameras

Updated list of upcoming Viltrox lenses

What to expect at the 2025 CP+ show? (an updated list of upcoming/rumored cameras and lenses)

In the US, Viltrox lenses are sold at AdoramaB&H, and Amazon. International shipping is available at Pergear and at the official Viltrox website (you can get 8% off at the online store with code NIKONRUMORS):

Viltrox lenses you can eat https://t.co/OKbzYugyC8 pic.twitter.com/wIxcHCtgxw

— Photo Rumors (@photorumors) January 31, 2025

The post Viltrox to display/announce three new lenses at the 2025 CP+ show appeared first on Photo Rumors.

À partir d’avant-hierPhoto

Fujifilm is already teasing the GFX100RF fixed lens medium format camera for Fujikina Prague 2025 (March 22-23)

Par : PR admin
17 février 2025 à 20:45

First pictures of the upcoming Zeiss (Otus?) mirrorless lens(es)

Par : PR admin
17 février 2025 à 18:18


Zeiss released more teasers and sent emails about the upcoming Zeiss (Otus?) mirrorless lens(es):

"Exciting news is on the horizon! On February 25th, we’ll reveal something designed to elevate your photography to the next level. It’s built for those who see the world differently – crafted with precision, innovation, and passion."


👀 Have you noticed something different in our recent posts? Any guesses? 🤔 We’ve got big news coming your way—mark your calendars for February 25! 📅 #ZEISSCameraLenses pic.twitter.com/1ZvCbCyN2C

— ZEISS Camera Lenses (@ZEISSLenses) February 17, 2025

Based on the previous teasers, the new lens is probably a tele lens:

Zeiss to announce new lens(es) on February 25th (new mirrorless versions of the Otus line?)

After 6 years, Zeiss is teasing a new photography lens

See the currently available Zeiss lenses

Join the Zeiss Facebook Group

The post First pictures of the upcoming Zeiss (Otus?) mirrorless lens(es) appeared first on Photo Rumors.

Zeiss to announce new lens(es) on February 25th (new mirrorless versions of the Otus line?)

Par : PR admin
16 février 2025 à 18:58

Zeiss published a second teaser indicating that their new lens (or something else?) will be announced on February 25th - right before the start of the 2025 CP+ show in Japan:



There were already rumors of Zeiss exiting the photography business after the company did not announce any photography lenses in 6 years. As I already noted, my uneducated guess is that we will see new mirrorless versions of the existing Otus line. I do not think Zeiss will introduce anything completely new, but I could be wrong. They are looking for an easy revenue stream without spending money on research and development - just like OM System: re-house, promote with influencers, and sell at ridiculous prices.

See the currently available Zeiss lenses

Join the Zeiss Facebook Group

After 6 years, Zeiss is teasing a new photography lens

What to expect at the 2025 CP+ show? (an updated list of upcoming/rumored cameras and lenses)

The post Zeiss to announce new lens(es) on February 25th (new mirrorless versions of the Otus line?) appeared first on Photo Rumors.

What to expect at the 2025 CP+ show? (an updated list of upcoming/rumored cameras and lenses)

Par : PR admin
17 février 2025 à 02:30

What to expect at the 2025 CP+ show - an updated list of upcoming/rumored cameras and lenses:


New Sony lenses (Sony 400-800mm f/6.3-8.0 G lens already leaked)


New Sigma lenses (3 different lenses possible). See the Sigma scheduled at CP+ here.


Panasonic Lumix S1R II camera (more than one camera possible). See the dedicated CP+ page here.

   
Fujifilm GFX 100RF camera (coming in March after the CP+ show).


Canon PowerShot V1 compact camera.


New Zeiss Otus mirrorless lens(es)

 
Thypoch to release a new Simera 75mm f/1.4 lens and a 21mm f/1.4 lens (the 21mm will come later this year).


7Artisans is expected to announce a new 85mm f/1.8 AF lens for L-mount.


Two new Meike lenses: Meike AF 85mm f/1.8 Pro for Fuji X & Meike AF 35mm f/1.8 Pro.



Viltrox is preparing to launch several new lenses (additional information). See the latest list of upcoming Viltrox lenses here.

TTartisan is teasing a “mysterious new product” to be revealed at the 2025 CP+ show in Japan (TTartisan’s first camera?)

Tamron partners with... Godzilla for the 2025 CP+ show in Japan - expect a big zoom lens.


DJI camera (very low chance)


New Ricoh GR camera (debunked?)
Pentax K-3 III replacement (low chance to be announced for CP+)

What to expect next from Nikon and Leica:

What to expect next from Nikon: an updated list of upcoming/rumored Nikon cameras and Nikkor lenses

What’s next for Leica? (updated rumors recap)

2025 CP+ show confirmed for February 27th – March 2nd (list of exhibitors)

Some pictures form the 2024 CP+ show:

Pictures from the 2024 CP+ show

The post What to expect at the 2025 CP+ show? (an updated list of upcoming/rumored cameras and lenses) appeared first on Photo Rumors.

Winter Games: Our February Photo Challenge is open for submissions

Snowshoers trek through Washington s Cascade Mountains in winter

I shot this photo back in 2006 during a snowshoe trip sponsored by The Mountaineers, a Seattle-based outdoor organization that I've been a member of for many years, using my first DSLR, the Canon EOS 20D, along with my brand new Sigma 18-50mm F2.8 EX DC lens. It was the first time I had either out in winter conditions, and they both passed the test with flying colors.

Photo: Dale Baskin

Our February Editors' photo challenge is now open for submissions.

The theme for February is 'Winter Games', so show us your winter photos! Whether it's classic winter sports, building a snowman, or just enjoying the year's coldest season, we want to see what winter fun looks like through your lens.

Our favorite images will be featured on the DPReview homepage later this month.

Are you in the southern hemisphere? No worries – this challenge is open to photos taken at any time.

Important: Images MUST include a title and a caption of at least 25 words to be eligible. Viewers want to know the story behind your photo. We will consider both photos and captions when selecting our winners, so make sure to tell us that story! (Hint: the caption for the photo above is a good example.)

Photos can be submitted between Sunday, February 16, and Saturday, February 22 (GMT).

Visit the challenge page to read the full rules and to submit your photos for consideration.

Enter the February Photo Challenge

Accessory Roundup: lights, camera, action

Viltrox-K90-ssd-nanlux-lights
Images: Viltrox, Seagate, Nanlux

Welcome to the weekend everyone! For this accessory roundup, we're going to look at some new lights, especially small SSDs, and more. But first, as always, the deals.

High performance, low(er) prices

EOS R3 against a red background

If you want a Canon camera that's extremely competent at shooting sports, but that's not quite as expensive as the sports/action flagship EOS R1, the EOS R3 can now be had for $500 off its MSRP.

Nikon z8 on grey background
Photo: Richard Butler

If you prefer single-grip cameras that are still about as capable as they come, the venerable Nikon Z8 is on sale again for $600 off.


Viltrox's lightsaber

Viltrox-K90-lights
Image: Viltrox

Many readers will be familiar with Viltrox's lenses, but the company is also active in the lighting space. It recently announced the K90 RGB light stick, which is more or less exactly what its name implies: a 97cm tube that can output up to 30W of light in a wide variety of colors. While the lights – which come in a two pack – can be used in a traditional lighting setup, they're also interesting as practicals that you can see in the photo or video itself.

The K90 has a built-in battery that charges via USB-C, which Viltrox says should be able to run the lights at full power for around 70 minutes. It features on-body controls, as well as compatibility with the company's app.

Buy at Amazon

For the tablet fans

Wacom-intuos-pro-2025
Image: Wacom

Pen tablets can be a great tool for editing your photos, and giving your wrists a break from using a mouse. And, in case you missed it, Wacom has just updated its flagship Intuos Pro tablets to improve the controls, pen, and aspect ratio – the new version is a better match for today's 16x9 displays. If you want a deeper drive, we covered the launch in its own article, which you can read here.

$380 at B&H

Small SSDs

Seagate-ultra-compact-ssd-with-iphone
Image: Seagate

High-performance, portable SSDs are nothing new, but the latest generation is taking the concept even further. Seagate's new "Ultra Compact SSD" lives up to its name by being about the size of an old-fashioned flash drive. However, it can store up to 2TB of data, and will let you access it at up to 1,000MBps via its USB-C 10Gbps interface. It's also compatible with Android and iOS devices, which could be useful for those looking to record using the iPhone's highest-end codecs and frame rates, which require an external drive.

Buy at B&H
Planck-SSD-attached-to-iphone
Image: Planck

Phone recording is top of mind for the Planck SSD, which is designed to sit flush against the bottom of your phone, instead of protruding popsicle stick-style like the Seagate. The specs are similar to the Ultra Compact SSD, but the Planck does come with a bit of a caveat. It's currently being sold via a Kickstarter campaign, which means there's no guarantees that you'll actually get one should you decide to back the project. We always advise exercising caution around crowdfunded products, especially ones from less established brands.

Light Rain

Godox-p1200r-splashed-with-water
Image: Godox

If you want to be able to light a scene no matter what the conditions, you now have more options than ever – provided you work at a movie studio, or have the same funding as one. Both Nanlux and Godox have released new lights that promise to put out a ton of light while also being weatherproof.

Besides its IP65 weather resistance rating, the Godox P1200R Hard Pro is a relatively standard 1200W RGB light panel. It promises flicker-free light, controllability via a variety of standards, including an app, and a relatively compact build given the amount of light it's designed to put out.

nanlux-in-rain
Image: Nanlux

The Nanlux Evoke 5000B, is a 5200W spotlight that also supports a weather resistance rating – IP66, this time – but it has a new trick up its sleeve. The company claims that it's the only light in its class that supports adjusting both its color temperature and its green/magenta values.

Neither light is aimed towards photographers, or priced for anyone other than serious professionals – the Godox is around $5300, while the Nanlux will run you $14,800 – but they do show what's possible with today's technology. With any luck, we'll start to see similar features start to trickle down to more consumer-focused lights.

Pro Kit

We sometimes like to include videos or essays that aren't necessarily accessories, but that offer some insights or knowledge about the art of photography. This week's entry is a YouTube video by Kym Illman, where he goes over what gear he uses to professionally shoot F1 races.

Getting a look at someone's camera bag is always a fun experience, and can help inspire some changes to your own setup. However, it becomes even more interesting when that person is a working pro – it's a perspective we don't always get to see, so cheers to Illman for sharing his knowledge and gear.

Read last week's accessory roundup

Sony Q3 FY2024 financial results

Par : PR admin
15 février 2025 à 02:50


Sony released their Q3 FY2024 financial results - here is the recap from SonyAddict:


Entertainment, Technology & Service Segment:

  • Next is the ET&S segment.
  • Sales for the quarter decreased 4% year-on-year to 704.5 billion yen, primarily due to a decrease in unit sales of televisions, while operating income remained essentially flat at 77.1 billion yen.
  • The full-year forecast is unchanged from the previous forecast.


Imaging & Sensing Solutions Segment:

  • Next is the I&SS segment.
  • Sales for the quarter were essentially flat year-on-year at 500.9 billion yen, primarily due to a decrease in sales of mobile image sensors offsetting the impact of foreign exchange rates.
  • Despite the positive impact of foreign exchange rates, operating income decreased 2% year-on-year to 97.5 billion yen primarily due to increased manufacturing costs and the impact of the decreased sales.
  • We have slightly increased the full-year sales forecast from the previous forecast to 1 trillion 790 billion yen, while the forecast for operating income is unchanged.

Other finacial resutls:

The post Sony Q3 FY2024 financial results appeared first on Photo Rumors.

This lens from a classic brand brings retro looks to M-mount

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voigtlander-color-skopar-VM-35 3p5 pair
Image: Cosina

Cosina's latest offering is shrinking things down for M-mount. The Voigtländer Color-Skopar 35mm F3.5 Aspherical VM manual focus lens is just 14mm (0.5in) thick, meaning it barely sticks out from the lens mount. It also only weighs 99g (3.5oz). The slim, lightweight design design combined with the 35mm focal length makes it an ideal option for street or travel photography.

While such a thin design allows for a discreet shooting experience, it does limit room for both a focusing and aperture ring. As a manual-focus lens, it is important to have an easy way to change focus. As a result, Cosina opted for a focusing lever instead of a ring, making it easier to adjust focus despite the limited real estate.

voigtlander-color-skopar-VM-35 3p5 screenshot

A screenshot from the announcement video shows how to use the focusing lever.

Image: Cosina

Cosina still managed to include a filter thread, making the lens compatible with 34mm filters. It also comes with a dedicated hood. The retro-looking lens is made of brass and is available in either black or silver finishes. Its optical design comprises six elements in four groups. It features 10 aperture blades.

Cosina didn't provide an exact date for availability but says it will arrive in March 2025. The expected retail price is listed at ¥102,000 ($670 at the time of writing) for silver and ¥105,000 ($689) for black.

Tokina's super wide-angle mirrorless lens is coming to Fujifilm X-mount

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tokina-at-x-m-11-18mm-lens-on-gimbal
Photo: Tokina

Tokina has announced that its first super wide-angle zoom lens designed exclusively for mirrorless cameras will be coming to Fujifilm X-mount. The company initially released the atx-m 11-18mm F2.8 for Sony APS-C cameras in 2022. The Fujifilm version is identical in all but subtle ways to the E-mount model, though it will result in a 16.5-27mm equivalent field of view on Fujifilm cameras.

Beyond the distinct equivalent fields of view, the differences between the two mounts are extremely small. The X-mount model weighs ever so slightly less, at 320g (11.3oz) versus the 335g (11.8oz) E-mount version. The only other change is that the Tokina text is blue on the new mount, as opposed to the white text found on the E-mount model.

tokina-at-x-m-11-18mm-lens-on-white
Image: Tokina

Otherwise, the lenses share the same optical design and features. Like the original, Tokina promises "impressive resolution" across the zoom range, along with high contrast and low distortion. It designed the compact zoom as a hybrid lens, offering precise autofocus in both still and video modes. It provides a minimum focusing distance of 0.19m (7.5in), making dramatic wide-angle images possible.

The new model offers full compatibility with Fujifilm cameras. That includes image stabilization, MF Assist mode, eye detection and optical corrections. It will be available for $599 beginning on March 14.

Press release:

Tokina atx-m 11-18mm F2.8 X worldwide sales date announcement

Feb 14, 2025

Kenko Tokina Co., Ltd. is proud to announce the sales release of the Tokina atx-m 11-18mm F2.8 X lens for Fujifilm APS-C size mirrorless cameras.

Sales will commence on March 14, 2025.

Overview

The Tokina atx-m 11-18mm F2.8 X is the first super wide angle zoom lens in Tokina's product line-up designed exclusively for mirrorless cameras. It features a fast f/2.8 aperture throughout the zoom range, and a 11-18mm (17-27mm in 35mm equivalent) zoom stored in a compact and lightweight body for hybrid users who shoot stills and video.

The atx-m 11-18mm F2.8 X performs impressive resolution from the wide to tele end of the zoom. This lens boasts high contrast and low distortion, and quick and precise AF response in still and video modes. It is fully compatible with Fujifilm camera functions.

With its compact design, versatile focal length and optical quality, the Tokina atx-m 11-18mm F2.8 X is the perfect gear for shooting landscape, group photos, environmental portraits, architecture, astrophotography, automobile photography, street snaps, documentary videos and vlogging.

Highlighted Features

  • 11-18mm super wide angle zoom for dynamic video or landscape, architecture and astrophotography genres.
  • Fast f/2.8 aperture throughout the zoom range for shallower depth-of-field, and 9 blades rounded diaphragm for soft bokeh background.
  • Compact and lightweight design to carry while traveling, or attaching to gimbals.
  • 2 aspherical and 2 super low-dispersion glass elements suppress chromatic aberrations.
  • Superb resolution with rich color reproduction, low distortion and low light fall-off.
  • Short minimum focusing distance to create unique wide-angle images with perspective effect.
  • Full compatibility with Fujifilm cameras, including Image Stabilization, AF+MF, MF Assist mode, Eye Detection and optical corrections.
  • Micro USB port (Type B) for firmware updates.

Harman is sharing some film love this Valentine's Day

harman-red-film-table
Photo: Harman Photo

Harman has announced a new 35mm film, expanding the options for analog photographers looking for unique colors. The United Kingdom-based company produces film under the Harman Photo, Ilford Photo and Kentemere brands, making a range of products for analog photographers. The company's latest film, Red 125, takes things to the more unique end of the spectrum, much like Lomography's Redscale offering. It says this release builds on the 2023 launch of Phoenix 200 and is "part of the company's long-term colour journey."

Red 125 is a professionally finished ISO 125 redscale film. Redscale is the effect of shooting through the back of color film, exposing the red-sensitive layer first. “By doing this you are exposing your image through the film’s base and the red sensitive layer first, creating amazing results primarily consisting of reds, oranges and yellows," explains Giles Branthwaite, Sales & Marketing Director. It's not a look for everyone or every situation, but can be a fun option to play with. “The high red sensitivity and lack of anti-halation layer make our Phoenix emulsion the perfect candidate for converting into a redscale film,” adds Branthwaite.

Harman Technology explains that the film is "backed by the recent announcement of significant capital investment in both operational and research & development functions, sales from this film will continue to be reinvested to support a roadmap of future colour films." It's exciting to hear that more new emulsions could be in the works.

harman-red-125-iso-comparison
Photo: Sue Evans / Harman Photo

Harman made Red 125 to offer a fair amount of flexibility. It says it has a usable exposure range of EI 50-400, but suggests shooting between EI 100-200. The look can change depending on the exposure and colors in a scene, ranging from "strong 'apocalyptic' looking bright orange and red tones to more subtle orange and green tones with delicate shadows."

The company explains that under-exposure results in coarser grain with more prominent shadows and deeper reds. In comparison, over-exposure produces fine grain, brighter, more contrast-heavy images with varying tones. Normal exposure results in more consistent orange tones with softer shadows.

Harman Red 125 uses a DX-coded cassette, so capable cameras can read relevant information about the film automatically. It also uses standard C41 processing, making it easy to develop.

The new film is available today through a range of retailers. You can find out more and find retailers at the Harman Photo website.


Buy now:

$14 at B&H

Sample photos

harman-red-film-sample-alex-doran 1
Photo: Alex Doran / Harman Photo
harman-red-film-sample-michelle-parr 1
Photo: Michelle Parr / Harman Photo
harman-red-film-sample-sue-evans 1
Photo: Sue Evans / Harman Photo

The best cameras around $2000 in 2025

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Graphic with the text DPReview Buying Guide: best cameras around $2,000, with images of two cameras

Updated: February 14, 2025

These days, $2000 gets you a lot of camera. The picks on our list are high-spec options that are excellent for stills and video, and many have autofocus systems that come close to the performance of professional sports cameras.

Choosing a camera means committing to the ecosystem of lenses that are available for it, so we advise looking into the price and availability of the types of lenses you'd like to shoot with. It's also worth noting that some camera manufacturers are more restrictive of what options third-party lens makers can provide, so be sure to look at that during your lens research.

Speaking of lenses, it's also worth considering that the latest lens designs for mirrorless cameras regularly out-perform their older DSLR counterparts. If you have any lenses already, you may want to think about whether they're worth keeping around and adapting to a new system, or whether you'd be better off selling them and using the proceeds to buy modern equivalents of your most-used lenses. This option also gives you a path to switching brands, if you feel there's a compelling reason to do so.

Our Recommendations

Best camera around $2,000: Nikon Z6III

25MP full-frame 'Partially Stacked' CMOS sensor | 6K/60p N-Raw video | 5.76M dot OLED 0.8x EVF

Image of the Nikon Z6III with a 26mm prime lens
Photo: Richard Butler

What we like:

  • Very good image quality
  • Good autofocus tracking with auto subject recognition mode
  • Extensive choice of video resolutions and codecs

What we don't:

  • Peak dynamic range lower than peers
  • N-Raw video format has limited support
  • Nikon controls 3rd-party lens options
The Nikon Z6III is Nikon's third-generation full-frame enthusiast mirrorless camera, with a 'partially stacked' 25MP CMOS sensor.
The Z6III has an ample grip and easy-to-use control scheme. Nikon's menus and touchscreen layout are also well-refined, but the camera lacks the company's traditional AF mode button or front-corner switch.
Autofocus is generally reliable, and the camera includes Nikon's 3D-tracking system and plenty of subject recognition modes. It can shoot 20 raws per second, or 60fps in JPEG mode.
The Z6III is a genuine do-anything camera with excellent video and photo capabilities.
Image quality is very good, with lots of detail and acceptable amounts of noise. There is a slight dynamic range tradeoff for speed, but it's only noticeable in extreme situations.
The Z6III shoots many video formats, including Raw, and has dependable subject-tracking autofocus and a waveform display. Its 4K and 5.4K modes produce excellent detail, even in 60p, and its rolling shutter performance is outstanding.
The Z6III is a significant step-up from its predecessor and is to-date the most all-round capable camera in its class. It excels in both stills and video.

Read our full review of the Nikon Z6III


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A close second: Canon EOS R6 II

24MP Dual Pixel AF CMOS sensor | 40fps burst shooting | 4K/60 from 6K capture

Picture of someone holding the Canon EOS R6 II
Photo: Dale Baskin

What we like:

  • Simple, powerful AF for stills
  • Fast 40fps shooting with continuous AF
  • Excellent battery life

What we don't:

  • AF less reliable in video mode
  • SD cards limit burst duration
  • E-shutter can distort fast-moving subject
The EOS R6 Mark II is Canon's second-generation full-frame enthusiast mirrorless camera, and is based around a stabilized 24MP Dual Pixel CMOS sensor.

It's hard to overstate how evenly matched the EOS R6 II and our overall winner, the Z6III, are. Nikon's latest beat the Canon by a hair on the strengths of its video specs – including its better autofocus performance when shooting video – and its slightly nicer viewfinder. If you don't shoot video, your choice between the two should purely be dictated by the two companies' lens lineups and how they match your preferences... with the knowledge that they both tightly control which lenses third parties like Sigma and Tamron can produce for their systems.

The R6 II has a substantial hand grip and well spaced controls that pair with a simple touchscreen interface and logically-arranged menu system. It fits comfortably in the hand even with larger lenses.
Autofocus performance is consistently reliable, even when capturing images at 40fps. A wide variety of subject detection modes and a surprisingly clever 'Auto' detection mode allow the camera to choose appropriate AF areas and algorithms for many commonly-photographed subjects.
The EOS R6 Mark II is a great stills and video camera, with fast burst shooting being its standout feature.
Rolling shutter is surprisingly well controlled in 40fps electronic shutter mode, though like most of its peers, the R6 Mark II drops to 12-bit capture, reducing dynamic range. In the less fast modes, the image quality is excellent.
Video is substantially improved over the original R6, with full width oversampled 4K up to 60p, and greatly improved thermal management. Video autofocus still has a tendency to jump to the background, requiring the user to continually redirect the camera to your chosen subject while filming.
Aside from the maximum burst rate, the Canon R6 Mark II might look like a minor upgrade from its 2020 Camera of the Year precursor, but the impressive number of small improvements add up to one of the most well-rounded full-frame cameras in its price range.

Read our full review of the Canon EOS R6 II


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Best camera under $2,000: Nikon Zf

24MP full-frame BSI CMOS sensor | Full-width 4K/30 video, cropped 4K/60 | Stabilization rated to 8EV

Picture of the Nikon Zf
Photo: Richard Butler

What we like:

  • Distinctive design with direct controls
  • Effective subject recognition
  • Strong stills and video features

What we don't:

  • Weight and minimal grip can become uncomfortable
  • Slow MicroSD second slot
  • Few custom buttons
The Nikon Zf is a retro-styled camera built around an image-stabilized 24MP full-frame BSI CMOS sensor.
The Zf gives the choice of using the dedicated control dials or customizable command dials. In most respects it copies its well-polished control system from other recent Nikons. Not everyone will enjoy the angular early 80's handling but it handles just as well as the cameras it resembles.
The Zf's autofocus is impressive, with both subject recognition and AF tracking both working well. It's perhaps not quite as confidence-inspiring as the latest Sony cameras, but it's not far off. It'd be nice to have an AF joystick but the rear control pad does a decent job.
"The Zf's looks may date from 1981, but its performance is completely contemporary"
The Zf uses a very familiar 24MP BSI sensor that has underpinned numerous cameras in recent years, and the results are predictably good. There's plenty of dynamic range and enough detail capture for all but the most demanding applications.
The Zf has a very solid video feature set. Oversampled 4K/30 and cropped 4K/60 is standard for this sensor, but the Zf also adds a waveform display that's especially useful for exposing its 10-bit Log footage.
The Nikon Zf's performance lives up to its looks. It's not as comfortable to hold for long periods as more modern designs, but it's also distinctive and engaging in a way they're arguably not. We're still completing our testing, but it hasn't disappointed yet.

Read our full review of the Nikon Zf


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The compact option: Sony a7C II

33MP BSI CMOS sensor | 4K/60p video with 10-bit color | Dedicated ‘AI’ processor for AF system

Picture of the Sony A7C 2
Photo: Richard Butler

What we like:

  • Big camera features in a small body
  • Outstanding AF performance
  • Auto Framing video mode

What we don't:

  • No joystick control
  • No fully mechanical shutter

The Sony a7C II is a compact, full-frame mirrorless camera with a 33MP BSI CMOS sensor.

The a7C II's viewfinder is a little small and rather low resolution for this price, but it's part of what helps the camera stay so compact. Modern full-frame lenses are often so large as to make the difference in camera size fairly trivial but Sony's E-mount has the widest range of lenses available, so there are some relatively compact options.

The a7C II is impressively small for a full-frame camera. The addition of a front control dial improves handling significantly and brings it closer to its peers. A fully articulating screen anchors the back and features an extremely responsive touch interface. Unlike many cameras at this price, there’s no joystick control.
Autofocus performance on the a7C II is fantastic and is helped by having a processor dedicated to handling machine learning-derived algorithms. Subject recognition is quick, and the AF system tracks subjects tenaciously around the frame in both stills or video. 10 fps burst shooting with continuous AF results in a dependably high hit rate.
“The a7C II is a surprisingly capable camera for its size.”
The a7C II's 4K/30p video is downsampled from 7K, but with fairly high rolling shutter. There's also 4K/60p from an APS-C crop, all in 10-bit color. S-Log3 and S-Cinetone profiles provide flexibility in post, and the camera supports internal LUTs. Auto Framing mode punches in on subjects, keeping them framed and in focus. The camera includes mic and headphone jacks.
The a7C II is a surprisingly capable camera for its size. It essentially provides the same level of image quality, video capabilities, and AF performance as Sony’s a7 IV, but in a smaller package. In exchange for the small size, you make a few tradeoffs, like no AF joystick, but if compact size is a priority the a7C II will get you there with few compromises.

Read our full review of the Sony a7C II


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Should I buy the Sony a7 IV, a7 III or a7C?

The Sony a7 IV is tough to recommend in 2025. Its viewfinder, ergonomics, and full mechanical shutter, are improvements over the a7C II, but it's also larger, heavier and offers less effective image stabilization than the newer, generally less expensive model. If you're sure you don't care about compactness, it might be worth paying a little extra for the a7 IV's larger, higher-resolution viewfinder, but only if the price difference is small.

It's a similar story with the a7 III and a7C. These are from an older generation of products with less sophisticated autofocus, video and image stabilization. They also use an older, more awkward-to-navigate menu system, which we'd happily pay to avoid ever having to use again. The a7C lacks the version II's front control dial and features an even smaller viewfinder, so we'd be inclined to save up for one of the newer models.


What about APS-C?

There are a couple of high-end APS-C cameras priced around $2000 that are certainly worth a look. The smaller APS-C sensor format generally gives the Canon EOS R7 and Fujifilm X-T5 an image quality disadvantage compared to full-frame models, but also let you have much smaller lens/camera combinations. They're also markedly less expensive than the other cameras we'd recommend.

The Fujifilm X-T5 gives you access to a wide range of lenses, including some value options and a healthy selection of fun prime lenses. It also has a retro style with a refined shooting experience, which is helped by Fujifilm's habit of including aperture rings on many of its lenses. Its autofocus and video aren't up with the best cameras in this guide, but it's a camera we really like if you want a compact kit.

The do-anything traveler: OM System OM-3

20MP Four Thirds Stacked CMOS sensor | 2.36M dot EVF 0.69x magnification | IP53-rated weather sealing

OMSystem-Om3
Photo: Mitchell Clark

What we like:

  • Very fast shooting with low rolling shutter
  • Controls put best features front-and-center
  • Excellent battery life

{RoundupContent:omsystem_om3 section=cons}

The OM System OM-3 is a 20MP Micro Four Thirds camera with a Stacked sensor capable of shooting up to 50fps with continuous autofocus.

The OM-3 is well-suited to traveling, as the Micro Four Thirds system lets you use especially compact lenses, and its Stacked sensor gives it fast autofocus, incredible burst rates for shooting even the fastest subjects, and the ability to use computational modes to adapt to a wide variety of situations. It also sports an IP53 rating for dust and water resistance, so you won't have to worry if it starts raining.

It has plenty of customizable buttons, though no AF joystick or grip. Its color dial and computational photography button put key features front-and-center.
The OM-3 is a great little camera that packs a lot of technology and features into a classic-looking body.
The subject recognition and tracking autofocus modes work well, though it can struggle to predict a subject's movement. It supports pre-capture, has very little rolling shutter, and can shoot up to 50fps with continuous autofocus when paired with specific lenses.
Image quality is good, and can be improved with easily accessible computational multi-shot modes. The JPEG colors are good and can be customized extensively, and the Raws are relatively flexible.
The OM-3 is a stylish camera that can go anywhere, and is fast enough to shoot almost any subject. Its autofocus is reliable, though not class-leading, and its viewfinder is on the small side, but its compact design and lenses make it appealing for travel.

Read our full review of the OM System OM-3


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Other Four Thirds cameras

The OM-3 shares most of its DNA with the OM System OM-1 II, though the latter is a little larger thanks to its inclusion of a better viewfinder and handgrip. Both are similar to the Panasonic G9II, though it's substantially larger, sharing its body with the full-frame S5II. All are Micro Four Thirds, which could be a tough sell given the sensor sizes people usually expect at this price. However, they may be worth considering if you're excited by computational photography features like handheld high-resolution multishot, are looking to get the most reach out of the smallest lenses, or are going on adventures that require the most compact kit available.


Best for vlogging: Sony ZV-E1

Full-width 4K/60p, 120p with minor crop | Auto cropping/framing modes | Subject recognition AF

Picture of the Sony ZV-E1
Photo: Richard Butler

What we like:

  • 4K footage up to 120p
  • Auto-cropped modes aid one-person operation
  • Effective autofocus

What we don't:

  • Recording times can be short in warm conditions
  • 12MP resolution not optimal for stills
  • Cropped footage is upscaled to 4K

The Sony ZV-E1 is a full-frame E-mount mirrorless camera aimed at vloggers and ambitious content creators.

The ZV-E1 is a specialist tool designed for vlogging. It shares many of its capabilities with the more expensive FX3 and a7S III but adds a series of modes that automatically frame and follow a presenter around the scene, if you're trying to shoot video single-handed. The lack of fan and single card slot significantly dent its recording endurance, so it's unlikely to work as a cheaper alternative to the FX3 for serious video work.

The ZV-E1 has two command dials, both on the back of the camera, which makes manual video control a little fiddly, there's a touchscreen-led interface to encourage more automated presenter/operator working, though.
The ZV-E1's subject recognition system is highly reliable. The lack of a fan means it's much more susceptible to overheating than the otherwise similar FX3. It adds automated modes that crop and follow a recognized subject around the frame, adding dynamism to single-operator footage.
"The ZV-E1 has some clever automated modes but can be a bit fiddly to operate. It's hard to match the power for the price, though"
The camera's 4K footage (up to 120p) is detailed with relatively little rolling shutter, but you'll want to use the strongest level of image stabilization (with crop) for hand-held shooting as it's a little juddery in less intensive modes.
The camera's 12MP sensor takes perfectly attractive images with plenty of dynamic range and pleasant JPEG color but the low resolution means it wouldn't be our choice if stills shooting is important to your work.
The ZV-E1 tries to marry the capability of the FX3 cinema camera with automated ease-of-use, but can end up being quite confusing in the auto modes and quite fiddly if you try to take a more hands-on approach. It's hard to match the power for the price, though.

Read our initial review of the Sony ZV-E1


What if I want to shoot videos, not vlogs?

Realistically, all of our picks above have very capable video modes that should give you the flexibility to work on the occasional video project. If you're mainly buying a camera for video work, though, it's worth considering something like the Sony FX30, which is designed to be flown on gimbals and to produce 4K/60p video without having to crop in. Sony's more video-focused camera also has excellent rolling shutter rates, helping avoid a jello-like effect in fast-moving footage, as well as best-in-class autofocus.

The FX30 does have the downside of having an APS-C sensor, meaning it can't take in as much light as full-frame options. Its full-frame counterpart, the FX3, is priced way above $2,000. If you really value full-frame and video performance, the Panasonic S5 IIX has some serious video chops, including features like waveform displays and shutter angle settings. However, its autofocus is decidedly a tier below Sony's, as is its rolling shutter performance.


A fixed-lens option: Fujifilm X100VI

40MP BSI CMOS APS-C X-Trans sensor | 35mm equiv F2 lens | Hybrid viewfinder

Picture of the Fujifilm X100 VI on a green background

The Fujifilm X100VI is a refinement of everything that made the X100V great, but it's still difficult to buy.

Photo: Richard Butler

What we like:

  • Excellent build quality
  • Subject-detection autofocus
  • Now with in-body image stabilization

What we don't:

  • Lens not especially fast to focus
  • Hard to find in stock

While the rest of our selections from this guide have interchangeable lenses, a feature you might demand at this price point, the incredibly hyped-up Fujifilm X100VI also sits just under the $2,000 price range at a (new, higher-than-its-predecessor) price of $1,600 and is worth considering.

A fixed-lens camera with a 35mm equivalent F2 lens, the X100VI is in active production following its 2024 launch, and so should be somewhat easier to buy than its constantly out-of-stock forebear. The reality, at the moment, is that it's also quite hard to find.

Updated with in-body image stabilization rated at up to 6EV of correction and a 40MP BSI CMOS APS-C X-Trans sensor, the X100VI is a significant upgrade over its predecessor despite looking virtually identical. And those improvements in part explain the X100VI's $200 increase in list price to $1,600.

The addition of subject-detection autofocus has given the X100VI the ability to recognize animals, birds, automobiles, motorcycles and bikes, airplanes, and trains though human (face/eye) detection is a separate mode. However, the lens the X100VI shares with the X100V is not the fastest to autofocus, prioritizing sharpness over speed.

If you're looking to make an investment in a camera with a ton of versatility, the X100VI doesn't compete with cameras that support dozens or hundreds of lenses. But for the price point, it's the best at what it does.

Read our Fujifilm X100VI review


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Why you should trust us

This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.

Portraits at F1.2: we've added to our Nikkor Z 35mm F1.2 S gallery

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DSC 7787

Nikkor Z 35mm F1.2 | F1.2 | 1/2000 sec | ISO 64

Photo: Richard Butler

We've had a chance to get our hands back on Nikon's new Nikkor Z 35mm F1.2 S, in better weather this time.

Nikon promotes 'environmental portraits' as one of the key uses for the lens, so we took the opportunity to shoot some, in a variety of lighting conditions. We shot at wider apertures than we'd typically use, to make it easier to see what the F1.2 maximum aperture allows the lens to do.

The lens is a pre-production sample, so we've only been allowed to publish out-of-camera JPEGs. We turned all the camera corrections off and confirmed that the camera wasn't correcting distortion or vignetting behind the scenes, so we can be confident they give a realistic impression of how the lens behaves.

We've added 20 new samples to the end of the gallery.

Nikon Nikkor Z 35mm F1.2 S pre-production sample gallery

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

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Tokina atx-m 11-18mm f/2.8 X lens for Fujifilm cameras (X-mount) now officially announced

Par : PR admin
14 février 2025 à 05:02




The previously reported Tokina atx-m 11-18mm f/2.8 X lens for Fujifilm cameras (X-mount) is now officially announced:


OVERVIEW

The Tokina atx-m 11-18mm F2.8 X is the first super wide angle zoom lens in Tokina’s product line-up designed exclusively for mirrorless cameras. It features a fast f/2.8 aperture throughout the zoom range, and a 11-18mm (17-27mm in 35mm equivalent) zoom stored in a compact and lightweight body for hybrid users who shoot stils and video.

The atx-m 11-18mm F2.8 X performs impressive resolution from the wide to tele end of the zoom. This lens boasts high contrast and low distortion, and quick and precise AF response in stil and video modes. It is fuly compatible with Fujifilm camera functions.

With its compact design, versatile focal length and optical quality, the Tokina atx-m 11-18mm F2.8 X is the perfect gear for shooting landscape, group photos, environmental portraits, architecture, astrophotography, automobile photography, street snaps, documentary videos and vlogging.

FEATURES:

  • 11-18mm super wide angle zoom for dynamic video or landscape, architecture and astrophotography genres
  • Fast f/2.8 aperture throughout the zoom range for shalower depth-of-field, and 9 blades rounded diaphragm for soft bokeh background
  • Compact and lightweight design to carry while traveling, or attaching to gimbals
  • 2 aspherical and 2 super low-dispersion glass elements suppress chromatic aberrations
  • Superb resolution with rich color reproduction, low distortion and low light fal-off
  • Short minimum focusing distance to create unique wide-angle images with perspective effect
  • Ful compatibility with Fujifilm cameras, including Image Stabilization, AF+MF, MF Assist mode, Eye Detection and optical corrections.
  • Micro USB port (Type B) for firmware updates





Another Tokina teaser: “Something new |X|”

The post Tokina atx-m 11-18mm f/2.8 X lens for Fujifilm cameras (X-mount) now officially announced appeared first on Photo Rumors.

2025 Bild Expo by B&H Photo: June 17-18 in Javits Center, NYC

Par : PR admin
14 février 2025 à 03:45


The 2025 Bild Expo by B&H Photo will take place in Javits Center, NYC, from June 17 until June 18, 2025.

The full schedule of events and list of participating companies will be available in upcoming weeks. Stay tuned for updates!

See the 2023 Build Expo coverage here.

The post 2025 Bild Expo by B&H Photo: June 17-18 in Javits Center, NYC appeared first on Photo Rumors.

Zeiss is back in the picture with a teaser for a new product

owl-in-tree-Getty-Images-1263452714
Photo: MriyaWildlife / iStock / Getty Images Plus via Getty Images

To the delight of many, Zeiss posted an exciting teaser to its dedicated camera lens Instagram account. The post promises some "owlsome news" with a note that something is landing soon, suggesting a new lens is likely coming soon.

Click here to see the post on Instagram

This teaser comes as welcome news, as there was speculation in 2023 that the company had left the photography industry. After all, it last released a lens (the Zeiss Otus 100mm F1.4) in 2019. Six years is ages in the photography and tech worlds, so it is reasonable to question the company's dedication to photography. Zeiss denied the report, saying it "has not withdrawn from the photo lens market. But we have to face the facts. In the first months of the pandemic, the global market declined significantly and irreversibly. And companies have to adapt."

A statement to DPReview in June 2023 clarified what it meant by adapting, explaining that "this means that the overall market situation after the pandemic led to lower sales. Nevertheless, this does not change our commitment to our photo products." Even still, no product announcements came, and Zeiss fans were left without anything new.

Now, though, the Instagram post, which was spotted by Mirrorless Rumors, shows that Zeiss may have meant what it said in 2023, and it will be returning to the photography lens market. Of course, as expected for a teaser, details are incredibly slim. The photo in the post showcases an owl (likely in the Otus genus if we connect the dots), and the caption says it was captured with the Otus 85mm F1.4, a decade-old offering. The "owlsome news" furthers the owl theme.

Given all the owl mentions, it seems safe to guess that the new lens will join the Otus lineup. The existing Otus lenses – 55mm F1.4, 85mm F1.4, 28mm F1.4 and 100mm F1.4 – were all made for DSLR cameras, so it also seems likely that this will be the first Otus mirrorless lens. CP+ in Japan – which is usually ripe with product announcements – begins in just two weeks, so we may not have long to wait for additional details.

The Wacom Intuos Pro drawing tablets get their biggest update since 2013

Wacom-Intuos-Pro-med-Straight-Grip-In-Use-Wired-JoyceLiu
Photo: Wacom
Wacom's Intuos Pro drawing tablets are a staple for many creatives, but they haven't had much of a design refresh for over a decade. The last model was even getting a bit long in the tooth, as it was released in 2017. That's no longer the case, though, as Wacom has introduced a completely redesigned Intuos Pro lineup. The company went for a full refresh, both inside and out.

The most obvious change is the updated button structure. On past Intuos Pro tablets, the buttons and touch-sensitive wheel were on the side of the device, which could lead to accidental button presses. It also meant left-handed folks had to adjust settings. Now, Wacom has moved those buttons to the top of the tablet, putting them out of the way and making it easier for left-handed and ambidextrous users.

Wacom-Intuos-Pro-med-Dial-In-Use-Wireless-JoyceLiu
Photo: Wacom

Wacom also did away with the touch wheel, replacing it with mechanical dials. The medium and large sizes provide two dials, while the small size features one. These dials offer tactile control, which means greater precision when scrolling through tools and actions. Like the buttons, they are customizable, so you can set them to whatever settings or tools you use most frequently. The buttons also got a refreshed look with a round design.

The rearrangement of physical controls allowed Wacom to increase the active drawing area and adjust to a 16:9 aspect ratio. On the medium size, the active area is increased from 224 x 148 mm (8.7 x 5.8 in) on the 2017 model to 263 x 148 mm (10.4 x 5.8) on the 2025 version.

Despite the increased drawing area, all three sizes are smaller and slimmer than past models. For comparison, the 2017 medium measures 338 x 219 x 8 mm (13.2 x 8.5 x 0.3 in), while the 2025 medium is 291 x 206 x 4-7 mm (11.5 x 8.1 x 0.16-0.28 in). The new model features a sloping design (hence the range provided for thickness), which is intended to provide be more ergonomic.

Wacom-Intuos-Pro-med-Flair-Grip-In-Use-Wired-Sef-McCullough
Photo: Wacom

Finally, Wacom updated the included stylus, moving to the Wacom Pro Pen 3. This is the same stylus that ships with the Wacom Cintiq Pro and Movink display tablets. It is a highly customizable option, thanks to the inclusion of different grip and button configurations and adjustable weight. Should the Stylus Pen 3 not be to your liking, this is the first time Wacom has used "dual pen technology." That means users can utilize older Wacom Pro Pens (such as the Pro Pen 2) or a stylus that uses EMR technology from Pilot, Lamy or Staedtler.

Wacom-Intuos-Pro-Family-Overhead-FlareGripPen-OnStand

The Intuos Pro comes in three sizes.

Image: Wacom

The new Intuos Pro tablets will be available sometime in the spring. Wacom didn't provide a specific date, but they are available for pre-order now. They are priced at $250 for the small, $380 for the medium and $500 for the large.


Pre-order now:

$380 at B&H

Press release:

Wacom Redesigns its Flagship Intuos Pro Pen Tablet to Deliver an Exceptional Workflow

The new Intuos Pro brings Wacom's most accurate pen performance and all new levels of efficiency to the latest creative workflows.

Portland, OR February 12, 2025 The premium digital tablet familiar to the desks of the world’s top illustrators, photo editors, videographers and 3D sculptors is now in perfect harmony with today’s high end creative applications thanks to its updated design featuring tactile controls and the industry defining Pro Pen 3.

Less Work, More Flow

Creative workflows are part work and part flow. The work requires a combination of operating complex software controls and processes. The flow is the act of creation. The new Intuos Pro is designed to help artists accomplish their work as quickly and intuitively as possible so they can immerse themselves in the creative flow. The newest Wacom Intuos Pro remains true to its heritage as the preeminent tablet for anyone accustomed to professional workflows. In fact, it has been the industry standard for so long, its precursor, the Intuos 3, was sent to space to support astronauts on the space station as they adjusted to microgravity.

The new Intuos Pro integrates Wacom’s exceptional Pro Pen 3 technology, the same technology in the Cintiq Pro displays. Because each artist’s workflow is as unique as their style, the Pro Pen 3 is designed to be customizable to each artist’s preferences from the grip with programmable buttons for shortcuts, and, because this is Wacom’s pro line of products, it includes interchangeable grips and buttons that can be reconfigured depending on the user’s ergonomic needs. Like all Wacom pens, the Pro Pen 3 needs no charging or batteries. Featuring two different nibs, including a rubber nib which is slip-resistant to optimize precision and, when combined with the improved textured surface, decreases wear.

“As software evolves, the need for precision increases. When we started to redesign our flagship product, we began with the foundation of precision,” said Koji Yano, Senior Vice President, Wacom Branded Business. A new chip set boosts performance while slimming down its form factor. To satisfy the precision needs of 3D sculptors, photo and video editors, and ensure accuracy in the work by minimizing the chance for unintentional movements and input, Wacom moved the ExpressKeys and touch buttons to the top of the tablet and added two dials to the medium and large Intuos Pro, and one dial to the small size. These dials offer artists tactile feedback and can be used by left-handed and right-handed people without adjustment. The tablet’s dials and ExpressKeys come pre-configured and are easily customized to the preferred shortcuts specific to the creative applications in each artist’s workflow. This new form factor has been designed to better facilitate flow while ensuring accuracy in the work.

Working Where the Creativity Leads

Because professional artists need flexibility, the new Intuos Pro is designed to be portable and work seamlessly with the software and operating system of individual artists. The Intuos Pro comes in three sizes, all of which have a larger drawing area at a 16:9 ratio to match today’s display sizes. Despite the increased active area, all three sizes are smaller and slimmer than past generations of the Intuos Pro, making it easy to bring along when traveling between remote work locations or offices, and taking up less desk space while the thinner profile enables the most fluid hand and wrist motions to date. The small size is perfect for the artist on-the-move, it weighs approximately 8 ounces (about 240 g) with a dimension of 215 mm (about 8.5 in) x 163 mm (about 6.4 in) and active area of 187mm (about 7.4 in) x 105 mm (about 4.1 in). The medium and large are designed for artists who enjoy a larger canvas or who manage workflows across several monitors.

All models are Bluetooth enabled with a wireless operating time of up to 16 hours. Artists can connect up to three devices, one wired device using a USB, and two wireless devices, and they can toggle between devices using a mechanical switch on the tablet. The Intuos Pro works with both Windows and Mac operating systems and with nearly all creative applications, so artists can both create their art, and navigate through their daily tasks. For those who prefer a pencil-like feel or thicker barrel, Wacom has partnered with several pen manufacturers, such as Staedtler, Lamy and Dr. Grip, for a broad range of styluses that will work without additional set up.

In addition to the Intuos Pro tablet and Pro Pen 3, artists will receive free trials of Clip Studio Paint, MASV and Capture One software. Wacom will also include access to Wacom’s own software Yuify, which is designed to secure authorship for artists. Yuify works with popular software, including Clip Studio Paint, Adobe Photoshop and Rebelle 7, and allows artists to embed a micromark in their work. This micromark is persistent through screenshotting or downloading, maintaining the link between the artist and their art. The Intuos Pro, like all of Wacom’s pro products, also grants access to Wacom Bridge, which facilitates pen and touch input between local and remote machines for improved professional collaboration.

The Intuos Pro will be available in spring of 2025 at the Wacom eStore, Amazon, Best Buy and B&H. The three sizes will cost $249.95 for the small, $379.95 for the medium and $499.95 for the large.

For more information and the full technical specifications, please visit wacom.com.

Nikon's new power zoom lens is made for video

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nikon power zoom on gimbal
Images: Nikon

Nikon has announced the Nikkor 28-135mm F4 PZ, a lens geared toward professional video shooters, and the company's first full-frame power zoom lens. It's the latest result of Nikon's increased focus on video, best exemplified by its purchase of Red Digital Cinema in March of 2024.

The lens comprises 18 elements in 13 groups, with three ED elements, four aspherical elements and one aspherical ED element. It has a "Meso Amorphous" coating to reduce ghosting and flaring and a fluorine coating to repel oil and water from the front element. Its aperture has nine blades. It's not optically parfocal but can use the autofocus system to maintain focus while zooming. The focus ring on the lens is also compatible with follow-focuses if you prefer to pull focus manually.

The 28-135mm can accept 95mm screw-on filters, though given its target audience, it seems just as likely its users will opt for matte box-mounted filters. It weighs 1210g (2.67lb) with the removable tripod foot, and Nikon says its center of gravity won't move around much while zooming, which will be a big plus to those using it on a gimbal. It has a matched pair of programmable buttons.

nikon 1495 delivery
Photo: Nikon

The lens has a power zoom lever, which can be used to adjust its focal length. Nikon says you'll be able to adjust the lens' zoom speed depending on the effect you're going for. You'll also be able to use a physical ring on the lens to control the focal length, and you can customize its rotation direction.

The video-first design is a first for Nikon's Z-mount lenses. Nikon is pitching the lens to people who shoot documentaries, sports, news and commercial video, and it's likely not a coincidence that it's being announced alongside the introduction of Z-mount Red cameras. While the company's cinema-focused bodies aren't generally used for most of those genres, it's another clear signal that Nikon is taking video very seriously right now – with the Z9 getting the ability to shoot using shutter angle instead of speed, it'll likely be just a good a match for this lens as a Z-mount V-Raptor.

The 28-135mm F4 PZ will be available in April and will retail for $2599.

Buy at B&H
Buy at Adorama

Press Release:

One lens, infinite possibilities: Nikon releases the NIKKOR Z 28-135mm f/4 PZ power zoom lens for professional videographers

Cinematic NIKKOR Quality Plus All of Your Most Commonly Used Focal Lengths in a Single Versatile Lens

MELVILLE, NY (February 12, 2025)- Today Nikon Inc. announced the release of the NIKKOR Z 28-135mm f/4 PZ, a full-frame power zoom lens for the Nikon Z mount made especially for video professionals. Featuring a truly versatile focal range, a customizable power zoom function1, precise manual controls and agile handling, this is the first dedicated NIKKOR Z lens that is designed to empower small-footprint productions and solo videographers with a lightweight cinematic tool that fulfills numerous roles.

The first thing that grabs your attention is the appearance of this lens– the pronounced yellow ring around the bayonet and the bold typography on the barrel stand out, indicating its rightful place in a production environment. The NIKKOR Z 28-135mm f/4 PZ looks different than other NIKKOR Z lenses, incorporating an updated design and precise controls made to augment the workflow of cinematographers and videographers, with maximum flexibility.

“There is a long history of professional cinematographers in Hollywood and beyond using NIKKOR lenses to bring their vision to life, and the new NIKKOR Z 28-135mm f/4 PZ builds upon this legacy, going a step further to provide exceptional versatility meeting the needs for today’s solo filmmakers,” said Fumiko Kawabata, Sr. Vice President of Marketing and Planning, Nikon Inc.

The NIKKOR Z 28-135mm f/4 PZ is a power zoom lens that spans many of the most commonly used focal lengths, from a wide 28mm for establishing shots, to 135mm for close-up/telephoto coverage. It also covers everything in between, from interviews to events, live or spot news, sports and more. The NIKKOR Z 28-135mm f/4 PZ gives videographers superior operability and functionality in situations that require agility, such as when shooting corporate content, documentaries, or on-location coverage, when reshoots just aren’t an option.

The NIKKOR Z 28-135mm f/4 PZ offers precise control, letting the user smoothly zoom throughout the focal range, but also offers a choice of 11 different zoom speeds2 to match a specific creative style and vision. The lens is superbly balanced, minimizing shifts in the center of gravity that occur with zooming. This lets the user shoot with confidence, even when constantly using the power zoom feature on a gimbal. The NIKKOR Z 28-135mm f/4 PZ also supports a variety of video accessories such as follow-focus controllers, matte boxes and more to help videographers capture the footage they want on location, as well as offering remote control capabilities using a computer or smartphone.

Thanks to the superior NIKKOR Z optical performance, this lens enables users to capture beautiful full-frame, high-resolution 8K video. The lens uses Nikon’s best anti-reflection coating, a Meso Amorphous Coat, to significantly reduce ghosting and flares, while the optical formula is optimized for video with a design that minimizes focus breathing. Additionally, the inclusion of a stepping motor (STM) ensures fast and accurate autofocusing.

Primary Features of the NIKKOR Z 28-135mm f/4 PZ

  • The NIKKOR Z 28-135mm f/4 PZ supports a convenient 28-135mm range of focal lengths, allowing for a variety of compositions without changing lenses.
  • When used with the Nikon Z8/Z9, Hi-Res Zoom can be used for an angle of view equivalent to that of the 270mm focal length with 4K video recording. Additionally, from 135mm-270mm, the zoom is effectively parfocal.
  • The lens supports dynamic close-ups with a minimum focus distance of just 13.3 in (0.34 m) in the 28mm to 50mm range and 22.4 in (0.57 m) in the telephoto range.
  • Zooming speed can be selected from 11 speeds and assigned to the zoom lever or one of the camera’s Fn buttons.
  • Zoom ring angle and direction of rotation can be customized to suit individual preferences.2
  • Synchro mode enables simultaneous optical zoom and Hi-Res Zoom using a single control with video recording.3
  • Professional video accessories, including matte boxes and follow focus systems are supported.
  • Adoption of an internal zoom mechanism allows for comfortable zooming without concern for shifts in the center of gravity that may upset the balance of the camera-lens setup, especially useful when using a gimbal.
  • Adoption of Meso Amorphous Coat, Nikon’s best anti-reflection coating, significantly reduces ghosts and flares.
  • Adoption of a stepping motor (STM) ensures fast and accurate autofocusing.
  • Optimized for video recording with a design that suppresses focus breathing.
  • Support for linear MF drive enables smooth focusing.
  • Comes with a rectangular HB-116 lens hood that helps users control the amount of light entering the lens for less ghosting and flares. A filter adjustment window allows users to adjust circular polarizing and variable ND filters while the hood is attached.
  • Zooming can be controlled remotely from a computer, smartphone, or tablet using NX Tether, SnapBridge, or NX Field.
  • Customizable L-Fn buttons are positioned on the side and top of the lens for convenient operation of assigned functions, even when shooting in vertical (portrait) orientation.
  • Nikon’s fluorine coat applied to the front lens element effectively repels dust, water droplets, grease, and dirt.
  • Designed with consideration for dust and drip-resistance.4

Price and Availability

The new NIKKOR Z 28-135mm f/4 PZ lens will be available in April 2025 for a suggested retail price of $2599.95* .The lens will also be available as part of a bundle with the new RED KOMODO-X Z Mount camera. For more information on these products, please visit RED.com. For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit nikonusa.com.

For more information about the latest Nikon products, including the vast collection of NIKKOR Z lenses and the entire line of Z series cameras, please visit nikonusa.com.

Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.

1. The camera must be running the latest firmware to use some functions.

2. Firmware may require updating before using this feature. See the product page for compatible cameras. We plan to add support for some models with a future firmware update.

3. Control ring operation is not supported.

4. Thorough dust and drip-resistance is not guaranteed in all situations or under all conditions.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon Nikkor Z 28-135mm F4 PZ specifications

Principal specifications
Lens typeZoom lens
Max Format size35mm FF
Focal length28–135 mm
Lens mountNikon Z
Aperture
Maximum apertureF4
Minimum apertureF22
Aperture ringNo
Number of diaphragm blades9
Optics
Elements18
Groups13
Special elements / coatings3 ED, 4 asph., 1 ED asph., Meso Amorphous coat, flourine coat
Focus
Minimum focus0.34 m (13.39)
AutofocusYes
Motor typeStepper motor
Focus methodInternal
Distance scaleNo
DoF scaleNo
Physical
Weight1210 g (2.67 lb)
Diameter105 mm (4.13)
Length178 mm (7.01)
ColourBlack
Zoom methodRotary (internal)
Power zoomYes
Filter thread95 mm
Hood suppliedYes
Hood product codeHB-116
Tripod collarYes

Red's adding Z-mount to its most powerful cinema cameras

Red-V-Raptor-and-Komodo-x-with-z-mount
Image: Red

Red Digital Cinema is bringing Nikon's Z-mount to its Komodo-X and V-Raptor X cinema cameras. Originally, the cameras launched with Canon's RF mount, which will still be available as an option, but now that Nikon owns Red, it's not a surprise to see its mirrorless mount making its way onto the company's cameras.

The mount has one major difference compared to the one found on Nikon's mirrorless cameras: it features a positive locking mechanism, which is generally standard for these types of cameras. Besides the new mount, the cameras are the same as their RF counterparts.

The Z-mount provides access not only to a range of native glass – including the new video-focused Nikkor 28-135mm F4 PZ – but to an ecosystem of adapters as well. The mount's shallow flange distance gives it compatibility with a wide range of lens types, from older Nikon F lenses to Sony E lenses and more.

V-RAPTOR X Z Mount
Image: Red

As it does for the RF mount versions of its cameras, Red plans to sell PL adapters for its new Z-mount cameras, which will let you use a wide array of professional cinema lenses. The Z to PL pack, which includes an adapter and support brackets, will cost $1500, or $3500 for a version with a built-in electronic ND filter. Based on the packs available for RF mount, the filter will provide 2-7EV of light reduction, controllable in 1/4, 1/3, or full-stop increments. The PL adapter packs for each camera will ship in "spring 2025."

While cameras like the Nikon Z8 and Z9 are very capable at shooting video, especially as the company continues to add video features via firmware updates, the Red cameras are designed for the most demanding use cases. Both feature global shutters and a range of professional I/O, such as SDI, V-Lock battery interfaces and Timecode ports. The Komodo-X can shoot at up to 6K at 80fps, while the V-Raptor X can produce 8K footage at up to 150fps. They're also adorned with several threaded mounting points for attaching all sorts of accessories, such as monitors, EVFs and more.

The Z-mount versions of the cameras will cost the same as their RF-mount counterparts, with the Komodo-X Z mount coming in at $6995 and the V-Raptor X Z mount costing $29,995. Both are available immediately. If you currently own an RF Komodo or Raptor, you can send it to Red for a Z-mount conversion, which will cost $1595 or $1695, respectively.


Red Komodo-X Z-mount:

Buy at B&H

Red V-Raptor X Z-mount:

Buy at B&H

RED DIGITAL CINEMA’S V-RAPTOR [X] AND KOMODO-X CAMERA SYSTEMS EXPAND CAPABILITIES WITH POWERFUL NIKON Z MOUNT

FOOTHILL RANCH, Calif. (Feb. 12, 2025 at 8p.m. PACIFIC TIME)—RED DIGITAL CINEMA® announced today that its groundbreaking V-RAPTOR [X] and KOMODO-X camera systems will also now be available with Nikon’s premier Z Mount, providing filmmakers with ultimate flexibility in lens choice and a complete capture solution from lens to sensor to codec.

“This marks the beginning of RED and Nikon's collaborative products and it is the exciting first step in a new Z Cinema Series,” said RED Digital Cinema CEO Keiji Oishi. “By integrating the Z Mount, RED is providing more lens choices than ever before, empowering filmmakers with greater artistic flexibility. This development grants filmmakers the versatility of Nikon’s innovative Z lineup and PL options, as well as access to F Mount glass and many popular vintage lenses.”

With a shallower flange depth and a wider diameter, the Nikon Z Mount enables lens designs with higher sharpness and superior aberration control. The Z lenses can deliver unrivaled low-light performance and edge-to-edge detail as well as autofocus performance on both the V-RAPTOR [X] and KOMODO-X cameras.

Key Features, Pricing and Availability

RED’s V-RAPTOR [X] Z MOUNT, recognized for its unmatched low-light performance, dynamic range, resolution, high frame rates, and industry-leading 8K VV global shutter large format sensor, is available for a suggested retail price of $29,995.

RED’s KOMODO-X Z MOUNT features a 6K S35 global shutter sensor and frame rates at 6K 80P and 4K 120P, all in a form factor measuring only 4x4x5 inches and 2.6 lbs. The KOMODO-X Z MOUNT is available for a suggested retail price of $6,995.RED is also announcing all-new Z to PL Adapter Packs, which provide a robust PL mount solution and added flexibility for V-RAPTOR [X] Z MOUNT and KOMODO-X Z MOUNT shooters. Currently, there are four different Z to PL Adapter Pack options available, with shipments starting in spring 2025:

Z to PL Adapter Pack Options Suggested Retail Price
RED V-RAPTOR Z to PL Adapter Pack $1,500
RED V-RAPTOR Z to PL with Electronic ND Adapter Pack $3,500
RED KOMODO Z to PL Adapter Pack

$1,500

RED KOMODO Z to PL with Electronic ND Adapter Pack $3,500

Both the RF and the all-new Z mount versions of the V-RAPTOR [X] and KOMODO-X cameras, and Z to PL adapter packs are available now on RED.com or through RED Premium Dealers.

RF Mount Transition

Filmmakers now also have the option to convert their RF mount versions of the V-RAPTOR [X] and KOMODO-X cameras to the all-new Z Mount systems. This transition costs $1,695 for the V-RAPTOR [X] and $1,595 for the KOMODO-X.

Trade-In Program

RED is excited to announce the return of its trade-in program, now available for the latest generation of RED cameras, including the new Z Mount models. Customers can trade in their existing RED DSMC, RAVEN, SCARLET-W, DSMC2, or RANGER cameras and receive a credit towards the purchase of a new, eligible RED V-RAPTOR XL [X] Pack or RED V-RAPTOR Pack [X] Pack with either the new Z Mount or RF Mount. For more information on the trade-in process and eligibility, please visit RED.com.

“We are committed to providing filmmakers with limitless possibilities for realizing their desired vision, and the fusion of RED and Nikon’s robust technologies and expertise will generate even more advanced tools, enhancing our filmmaking community’s creative capabilities,” added Oishi.

For more information on the V-RAPTOR [X] and KOMODO-X Z MOUNT camera systems, visit RED.com or RED Premium Dealers. Filmmakers can also visit the RED Studios Hollywood store location or any one of the RED Premium Dealers across the globe to schedule a demo and learn more about the products.

To learn more about the latest RED technologies, visit www.RED.com or follow RED on Instagram (@REDdigitalcinema) or X (@RED_Cinema).

Improved tethering is just one of Lightroom's new tricks

focus-point-selection-example
Image: Adobe

Adobe has announced its latest round of updates, with new features coming to Lightroom and Adobe Camera Raw. Unsurprisingly, many of the new tools utilize AI in some capacity. While most of the changes aim to make editing faster and better, there is also a useful update for tethered shooters.

lightroom-tethered-focus-mode-selection

Shooting tethered with Lightroom Classic will now allow users to select focus mode and focus points.

Image: Adobe

Lightroom Classic will now offer a Focus Point Selection tool, allowing users to change the camera's autofocus mode and focus point in the Tether Live View window. With this enabled, you can easily change your autofocus mode and simply click on the subject you want in focus. That's an ideal feature when the camera is in locations that make it challenging to access, such as in tight corners or high above your head. Plus, setting the focus point on a larger display is always easier than working with a small camera display. Focus Point Selection will work with supported Sony, Nikon and Canon cameras.

adobe-Adaptive-Profiles
Image: Adobe

One of the most prominent updates regarding editing is the expansion of Camera Raw's Adaptive Profile. Adobe released Adaptive Profile for Camera Raw last fall to make editing images with high dynamic range easier, regardless of whether you plan on exporting them in SDR or HDR. The Adaptive Profile uses an AI model to analyze your photo and adjust tones and colors. These adjustments are made according to each individual image instead of simply applying universal settings like other presets and profiles.

Adaptive Profile builds on Adobe's existing HDR workflows, taking things to the next level. The profile can make a significant difference, breathing new life into images. It is certainly exciting to see this feature moving to Lightroom as well.

adobe-camera-raw-tech-preview-setting
To use Distraction Removal in Camera Raw, you'll need to turn on Technology Previews in the Camera Raw settings menu.

Another tool that Adobe is expanding is the Distraction Removal tool. Adobe previously released Distraction Removal in Photoshop in October last year, with the option to use AI to automatically detect people, wires and cables, making it easy to remove them with one or two clicks. Now, the option to remove unwanted people will also be moving into Camera Raw as a Tech Preview. Adobe says it will also be coming soon to Lightroom but didn't specify a date.

adobe-lightroom-web-Find-Duplicates

Lightroom on the web can now flag duplicates to streamline the culling process.

Image: Adobe

Lightroom on the web isn't left out from the updates, either, with a change coming that aims to make it easier to work with large libraries. Culling through thousands of photos is one of the more time-consuming processes when selecting images to edit, so tools to help with that are always appreciated. To aid in that process, Adobe has added a Find Duplicates feature that is now available in early access. It is part of the Clean Up tool in Lightroom on the web and can identify duplicate shots, saving you the time of going through them. Clean Up can also flag blurry images, screenshots and other "unwanted images."

Finally, along with some smaller updates to provide easier link sharing, improved performance in Lightroom Classic and better Select Background performance on Lightroom for Mobile, Adobe also announced dual monitor support for Lightroom. Working with dual monitors can be a game changer for efficiency, so this is a welcome addition.

Planning a photography gathering? You may be eligible for funding help

Create-Together-Fund -Cohort-2 -2025
Image: Aftershoot

Photography community leaders or educators looking to host events this year have new support available thanks to AI-based culling and editing software company Aftershoot. The company announced the second year of its Create Together Fund, a grant program that provides funding support for photography events and communities worldwide. Submissions for funding are open through February 28.

The Aftershoot Creat Together Fund is open to professional photographers, photography educators, and emerging community leaders. Workshops, meetups, photowalks and styled shoots are all eligible for funding support. To apply for Cohort 2 visit the Create Together Fund website for more details and to fill out an application.

“Our goal has always been to support photographers – not just in their post-production workflow, but in their growth, connections, and creative journey,” said Harshit Dwivedi, Founder of Aftershoot. “We saw how impactful Cohort 1 was, and we can’t wait to help even more photographers bring their community-driven ideas to life with Cohort 2.”

Last year, Aftershoot supported 27 community leaders hosting photography events across 15 cities in 4 countries. Those events brought together more than 600 photographers as part of Cohort 1 of the Create Together Fund. From photo walks to workshops, the events offered in-person connection and learning opportunities.

"The experience of hosting an event as part of Cohort 1 was incredible. Organizing a
wedding-styled photoshoot for photographers had been a long-time goal of mine, and the
Aftershoot Create Together Fund gave me the support I needed to turn that vision into
reality. It allowed photographers to connect, learn, and grow together, and I’m grateful to
have been part of it!" said Lindsey Birchfield, wedding and event photographer from
Scottsdale, Arizona, USA.

This year, with Cohort 2, Aftershoot is even more ambitious and is expanding the program with $1M in total funding. By the end of 2025, it hopes to sponsor 750 events in the United States, Canada, the UK, Europe, Brazil, Australia and New Zealand. Funding depends on the event size and scope, with grants of $1000 for events with 15-25 attendees or $2000 for 25-50 attendees. Grants of $5000 are also possible for larger events, depending on the proposal.

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