PC Gamer reports: The Diablo team is the next in line to unionize at Blizzard. Over 450 developers across multiple disciplines have voted to form a union under the Communications Workers of America (CWA), and they're now the fourth major Blizzard team to do so... A wave of unions have formed at Blizzard in the last year, including the World of Warcraft, Overwatch, and Story and Franchise Development teams. Elsewhere at Microsoft, Bethesda, ZeniMax Online Studios and ZeniMax QA testers have also unionized... The CWA says over 3,500 Microsoft workers have now organized to fight for fair compensation, job security, and improved working conditions. CWA is America's largest communications and media labor union, and in a statement, local 9510 president Jason Justice called the successful vote "part of a much larger story about turning the tide in an industry that has long overlooked its labor. Entertainment workers across film, television, music, and now video games are standing together to have a seat at the table. The strength of our movement comes from that solidarity." And CWA local 6215 president Ron Swaggerty said "Each new organizing effort adds momentum to the nationwide movement for video game worker power." "What began as a trickle has turned into an avalanche," writes the gaming news site Aftermath, calling the latest vote "a direct result of the union neutrality deal Microsoft struck with CWA in 2022 when it was facing regulatory scrutiny over its $68.7 billion purchase of Activision Blizzard." We've come a long way since small units at Raven and Blizzard Albany fended off Activision Blizzard's pre-acquisition attempts at union busting in 2022 and 2023, and not a moment too soon: Microsoft's penchant for mass layoffs has cut some teams to the bone and left others warily counting down the days until their heads land on the chopping block. This new union, workers hope, will act as a bulwark... [B]ased on preliminary conversations with prospective members, they can already hazard a few guesses as to what they'll be arm-wrestling management over at the bargaining table: pay equity, AI, crediting, and remote work.

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"Typically when something is available to "buy," ownership of that good or access to that service is offered in exchange for money," writes Ars Technica. "That's not really the case, though, when it comes to digital content." Often, streaming services like Amazon Prime Video offer customers the options to "rent" digital content for a few days or to "buy" it. Some might think that picking "buy" means that they can view the content indefinitely. But these purchases are really just long-term licenses to watch the content for as long as the streaming service has the right to distribute it — which could be for years, months, or days after the transaction. A lawsuit recently filed against Prime Video challenges this practice and accuses the streaming service of misleading customers by labeling long-term rentals as purchases. The conclusion of the case could have implications for how streaming services frame digital content... [The plaintiff's] complaint stands a better chance due to a California law that took effect in January banning the selling of a "digital good to a purchaser with the terms 'buy,' 'purchase,' or any other term which a reasonable person would understand to confer an unrestricted ownership interest in the digital good, or alongside an option for a time-limited rental." There are some instances where the law allows digital content providers to use words like "buy." One example is if, at the time of transaction, the seller receives acknowledgement from the customer that the customer is receiving a license to access the digital content; that they received a complete list of the license's conditions; and that they know that access to the digital content may be "unilaterally revoked...." The case is likely to hinge on whether or not fine print and lengthy terms of use are appropriate and sufficient communication. [The plaintiff]'s complaint acknowledges that Prime Video shows relevant fine print below its "buy" buttons but says that the notice is "far below the 'buy movie' button, buried at the very bottom" of the page and is not visible until "the very last stage of the transaction," after a user has already clicked "buy." Amazon is sure to argue that "If plaintiff didn't want to read her contract, including the small print, that's on her," says consumer attorney Danny Karon. But he tells Ars Technica "I like plaintiff's chances. A normal consumer, after whom the California statute at issue is fashioned, would consider 'buy' or 'purchase' to involve a permanent transaction, not a mere rental... If the facts are as plaintiff alleges, Amazon's behavior would likely constitute a breach of contract or statutory fraud."

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"I have no musical talent at all," says Oliver McCann. "I can't sing, I can't play instruments, and I have no musical background at all!" But the Associated Press describes 37-year-old McCann as a British "AI music creator" — and last month McCann signed with an independent record label "after one of his tracks racked up 3 million streams, in what's billed as the first time a music label has inked a contract with an AI music creator." McCann is an example of how ChatGPT-style AI song generation tools like Suno and Udio have spawned a wave of synthetic music, a movement most notably highlighted by a fictitious group, Velvet Sundown, that went viral even though all its songs, lyrics and album art were created by AI. Experts say generative AI is set to transform the music world. However, there are scant details, so far, on how it's impacting the $29.6 billion global recorded music market, which includes about $20 billion from streaming. The most reliable figures come from music streaming service Deezer, which estimates that 18% of songs uploaded to its platform every day are purely AI generated, though they only account for a tiny amount of total streams, hinting that few people are actually listening. Other, bigger streaming platforms like Spotify haven't released any figures on AI music... "It's a total boom. It's a tsunami," said Josh Antonuccio, director of Ohio University's School of Media Arts and Studies. The amount of AI generated music "is just going to only exponentially increase" as young people grow up with AI and become more comfortable with it, he said. [Antonuccio says later the cost of making a hit record "just keeps winnowing down from a major studio to a laptop to a bedroom. And now it's like a text prompt — several text prompts." Though there's a lack of legal clarity over copyright issues.] Generative AI, with its ability to spit out seemingly unique content, has divided the music world, with musicians and industry groups complaining that recorded works are being exploited to train AI models that power song generation tools... Three major record companies, Sony Music Entertainment, Universal Music Group and Warner Records, filed lawsuits last year against Suno and Udio for copyright infringement. In June, the two sides also reportedly entered negotiations that could go beyond settling the lawsuits and set rules for how artists are paid when AI is used to remix their songs. GEMA, a German royalty collection society, has sued Suno, accusing it of generating music similar to songs like "Mambo No. 5" by Lou Bega and "Forever Young" by Alphaville. More than 1,000 musicians, including Kate Bush, Annie Lennox and Damon Albarn, released a silent album to protest proposed changes to U.K. laws on AI they fear would erode their creative control. Meanwhile, other artists, such as will.i.am, Timbaland and Imogen Heap, have embraced the technology. Some users say the debate is just a rehash of old arguments about once-new technology that eventually became widely used, such as AutoTune, drum machines and synthesizers.

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"Nearly 400 students, many of them entrepreneurs, have so far made the journey to Forest City to study everything from coding to unconventional theories on statehood," reports Bloomberg. "They're building crypto projects, fine-tuning their physiques and testing whether a shared ideology — rather than just shared territory — can bind a community." They have descended on Forest City to attend Network School, the brainchild of former Coinbase Inc. executive and "The Network State" author Balaji Srinivasan. In this troubled megaproject once envisaged to house some 50 times its current population, they're conducting a real-life experiment of sorts with Srinivasan's vision of "startup societies" defined less by historical territory than shared beliefs in technology, cryptocurrency and light regulation... Mornings are spent in product sprints and coding sessions; afternoons in seminars exploring topics from the Meiji Restoration to Singapore's statecraft and the mechanics of decentralized governance. Guest lectures double as both technological deep dives and ideological sermons, according to half a dozen students interviewed by Bloomberg. The campus also mirrors Silicon Valley's infatuation with longevity and health, right down to a commercial-grade gym and specially designed workout routines. Students follow a protein-heavy diet... After co-founding DNA testing startup Counsyl in 2008 and serving as its chief technology officer, Srinivasan spent five years at venture capital firm Andreessen Horowitz, first as general partner and then as board partner. He joined Coinbase as CTO in 2018 when the crypto exchange bought a portfolio company he oversaw and left after a little over a year, according to his LinkedIn profile. In a 2013 speech at Y Combinator's Startup School, Srinivasan brought his ideas about what he saw as a fundamental conflict between some modern nation-states and innovation to a wider audience. In the address, he advocated for Silicon Valley's "ultimate exit" from the U.S., which he argued was obsolete and hostile to innovators. In essence: If the society you live in is broken, why not just "opt out" and create a new one? "The Network State: How To Start a New Country," published in 2022, expanded on Srinivasan's "exit" concept to outline how online, ideologically aligned communities can use crypto and digital tools to form new, decentralized states. A network state can be geographically dispersed and bound together by the internet and blockchains, he says, and the aim is to gain diplomatic recognition... On the Moment of Zen podcast in September 2023, he outlined how the "Gray Tribe" — entrepreneurs, innovators and thinkers — can retake control of San Francisco from the Blues using a variety of tactics, like allying with local police. The effort would involve gaining control of territory, according to Srinivasan, who didn't advocate for violence. "Elections are just the cherry on the cake," he said. "Elections are just a reflection of your total control of the streets." The cost of attending Network School "starts at $1,500 per month, including lodging and food, for those who opt for a shared room."

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Futurism reports: Earlier this week, buried in the middle of a lengthy blog post addressing ChatGPT's propensity for severe mental health harms, OpenAI admitted that it's scanning users' conversations and reporting to police any interactions that a human reviewer deems sufficiently threatening. "When we detect users who are planning to harm others, we route their conversations to specialized pipelines where they are reviewed by a small team trained on our usage policies and who are authorized to take action, including banning accounts," it wrote. "If human reviewers determine that a case involves an imminent threat of serious physical harm to others, we may refer it to law enforcement." The announcement raised immediate questions. Don't human moderators judging tone, for instance, undercut the entire premise of an AI system that its creators say can solve broad, complex problems? How is OpenAI even figuring out users' precise locations in order to provide them to emergency responders? How is it protecting against abuse by so-called swatters, who could pretend to be someone else and then make violent threats to ChatGPT in order to get their targets raided by the cops...? The admission also seems to contradict remarks by OpenAI CEO Sam Altman, who recently called for privacy akin to a "therapist or a lawyer or a doctor" for users talking to ChatGPT. "Others argued that the AI industry is hastily pushing poorly-understood products to market, using real people as guinea pigs, and adopting increasingly haphazard solutions to real-world problems as they arise..." Thanks to long-time Slashdot reader schwit1 for sharing the news.

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Graphic designer Lisa Carstens "spends a good portion of her day working with startups and individual clients looking to fix their botched attempts at AI-generated logos," reports NBC News: Such gigs are part of a new category of work spawned by the generative AI boom that threatened to displace creative jobs across the board: Anyone can now write blog posts, produce a graphic or code an app with a few text prompts, but AI-generated content rarely makes for a satisfactory final product on its own... Fixing AI's mistakes is not their ideal line of work, many freelancers say, as it tends to pay less than traditional gigs in their area of expertise. But some say it's what helps pay the bills.... As companies struggle to figure out their approach to AI, recent data provided to NBC News from freelance job platforms Upwork, Freelancer and Fiverr also suggest that demand for various types of creative work surged this year, and that clients are increasingly looking for humans who can work alongside AI technologies without relying on or rejecting them entirely. Data from Upwork found that although AI is already automating lower-skilled and repetitive tasks, the platform is seeing growing demand for more complex work such as content strategy or creative art direction. And over the past six months, Fiverr said it has seen a 250% boost in demand for niche tasks across web design and book illustration, from "watercolor children story book illustration" to "Shopify website design." Similarly, Freelancer saw a surge in demand this year for humans in writing, branding, design and video production, including requests for emotionally engaging content like "heartfelt speeches...." The low pay from clients who have already cheaped out on AI tools has affected gig workers across industries, including more technical ones like coding. For India-based web and app developer Harsh Kumar, many of his clients say they had already invested much of their budget in "vibe coding" tools that couldn't deliver the results they wanted. But others, he said, are realizing that shelling out for a human developer is worth the headaches saved from trying to get an AI assistant to fix its own "crappy code." Kumar said his clients often bring him vibe-coded websites or apps that resulted in unstable or wholly unusable systems. "Even outside of any obvious mistakes made by AI tools, some artists say their clients simply want a human touch to distinguish themselves from the growing pool of AI-generated content online..."

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The U.S. government site climate.gov offered years' worth of climate-science information — until its production team was fired earlier this summer. The site "is technically still online, but has been intentionally buried by the team of political appointees who now run the National Oceanic and Atmospheric Administration," reports the Guardian. But now "a team of climate communication experts — including many members of the former climate.gov team — is working to resurrect its content into a new organization with an expanded mission." Their effort's new website, climate.us, would not only offer public-facing interpretations of climate science, but could also begin to directly offer climate-related services, such as assisting local governments with mapping increased flooding risk due to climate change. The effort is being led by climate.gov's former managing editor, Rebecca Lindsey, who, although now unemployed, has recruited several of her former colleagues to volunteer their time in an attempt to build climate.us into a thriving non-profit organization... "None of us were ready to let go of climate.gov and the mission...." Lindsey's new team has received a steady flow of outside support, including legal support, and a short-term grant that has helped them develop a vision for what they'd like to do next... As multiyear veterans of the federal bureaucracy, at times they've been surprised by the possibilities that the new effort might offer. "We're allowed to use TikTok now," said Lindsey. "We're allowed to have a little bit of fun... The climate.us team is also in the process of soft-launching a crowdsourced fundraising drive that Lindsey hopes they can leverage into more permanent support from a major foundation.... "[W]e do not yet have the sort of large operational funding that we will need if we're going to actually transition climate.gov operations to the non-profit space." In the meantime, Lindsey and her team have found themselves spending the summer knee-deep in the logistics of building a major non-profit from scratch.

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"A class of drugs called beta-blockers — used for decades as a first-line treatment after a heart attack — doesn't benefit the vast majority of patients," reports CNN. And in fact beta-blockers "may contribute to a higher risk of hospitalization and death in some women but not in men, according to groundbreaking new research..." Women with little heart damage after their heart attacks who were treated with beta-blockers were significantly more likely to have another heart attack or be hospitalized for heart failure — and nearly three times more likely to die — compared with women not given the drug, according to a study published in the European Heart Journal and also scheduled to be presented Saturday at the European Society of Cardiology Congress in Madrid... The findings, however, only applied to women with a left ventricular ejection fraction above 50%, which is considered normal function, the study said. Ejection fraction is a way of measuring how well the left side of the heart is pumping oxygenated blood throughout the body. For anyone with a score below 40% after a heart attack, beta-blockers continue to be the standard of care due to their ability to calm heart arrhythmias that may trigger a second event... The analysis on women was part of a much larger clinical trial called REBOOT — Treatment with Beta-Blockers after Myocardial Infarction without Reduced Ejection Fraction — which followed 8,505 men and women treated for heart attacks at 109 hospitals in Spain and Italy for nearly four years. Results of the study were published in Mem>The New England Journal of Medicine and also presented at the European Society of Cardiology Congress. None of the patients in the trial had a left ventricular ejection fraction below 40%, a sign of potential heart failure. "We found no benefit in using beta-blockers for men or women with preserved heart function after heart attack despite this being the standard of care for some 40 years," said Fuster, former editor-in-chief of the Journal of the American College of Cardiology and past president of the American Heart Association and the World Health Federation... In fact, most men and women who survive heart attacks today have ejection fractions above 50%, Ibáñez said [Dr. Borja Ibáñez, scientific director for Madrid's National Center for Cardiovascular Investigation]. "Yet at this time, some 80% of patients in the US, Europe and Asia are treated with beta-blockers because medical guidelines still recommend them...." While the study did not find any need to use beta-blockers for people with a left ventricular ejection fraction above 50% after a heart attack, a separate meta-analysis of 1,885 patients published Saturday in The Lancet did find benefits for those with scores between 40% and 50%, in which the heart may be mildly damaged. "This subgroup did benefit from a routine use of beta-blockers," said Ibáñez, who was also a coauthor on this paper. "We found about a 25% reduction in the primary endpoint, which was a composite of new heart attacks, heart failure and all-cause death."

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"AI web crawlers are strip-mining the web in their perpetual hunt for ever more content to feed into their Large Language Model mills," argues Steven J. Vaughan-Nichols at the Register. And "when AI searchbots, with Meta (52% of AI searchbot traffic), Google (23%), and OpenAI (20%) leading the way, clobber websites with as much as 30 Terabits in a single surge, they're damaging even the largest companies' site performance..." How much traffic do they account for? According to Cloudflare, a major content delivery network (CDN) force, 30% of global web traffic now comes from bots. Leading the way and growing fast? AI bots... Anyone who runs a website, though, knows there's a huge, honking difference between the old-style crawlers and today's AI crawlers. The new ones are site killers. Fastly warns that they're causing "performance degradation, service disruption, and increased operational costs." Why? Because they're hammering websites with traffic spikes that can reach up to ten or even twenty times normal levels within minutes. Moreover, AI crawlers are much more aggressive than standard crawlers. As the InMotionhosting web hosting company notes, they also tend to disregard crawl delays or bandwidth-saving guidelines and extract full page text, and sometimes attempt to follow dynamic links or scripts. The result? If you're using a shared server for your website, as many small businesses do, even if your site isn't being shaken down for content, other sites on the same hardware with the same Internet pipe may be getting hit. This means your site's performance drops through the floor even if an AI crawler isn't raiding your website... AI crawlers don't direct users back to the original sources. They kick our sites around, return nothing, and we're left trying to decide how we're to make a living in the AI-driven web world. Yes, of course, we can try to fend them off with logins, paywalls, CAPTCHA challenges, and sophisticated anti-bot technologies. You know one thing AI is good at? It's getting around those walls. As for robots.txt files, the old-school way of blocking crawlers? Many — most? — AI crawlers simply ignore them... There are efforts afoot to supplement robots.txt with llms.txt files. This is a proposed standard to provide LLM-friendly content that LLMs can access without compromising the site's performance. Not everyone is thrilled with this approach, though, and it may yet come to nothing. In the meantime, to combat excessive crawling, some infrastructure providers, such as Cloudflare, now offer default bot-blocking services to block AI crawlers and provide mechanisms to deter AI companies from accessing their data.

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"I'm still teaching at Princeton," 83-year-old Brian Kernighan recently told an audience at New Jersey's InfoAge Science and History Museums. And last month the video was uploaded to YouTube, a new article points out, "showing that his talk ended with a unique question-and-answer session that turned almost historic..." "Do you think there's any sort of merit to Rust replacing C?" one audience member asked... "Or is this just a huge hype bubble that's waiting to die down...?" '"I have written only one Rust program, so you should take all of this with a giant grain of salt," he said. "And I found it a — pain... I just couldn't grok the mechanisms that were required to do memory safety, in a program where memory wasn't even an issue!" Speaking of Rust, Kernighan said "The support mechanism that went with it — this notion of crates and barrels and things like that — was just incomprehensibly big and slow. And the compiler was slow, the code that came out was slow..." All in all, Kernighan had had a bad experience. "When I tried to figure out what was going on, the language had changed since the last time somebody had posted a description! And so it took days to write a program which in other languages would take maybe five minutes..." It was his one and only experience with the language, so Kernighan acknowledged that when it comes to Rust "I'm probably unduly cynical. "But I'm — I don't think it's gonna replace C right away, anyway." Kernighan was also asked about NixOS and HolyC — but his formative experiences remain rooted in Bell Labs starts in the 1970s, where he remembers it was "great fun to hang out with these people." And he acknowledged that the descendants of Unix now power nearly every cellphone. "I find it intriguing... And I also find it kind of irritating that underneath there is a system that I could do things with — but I can't get at it!" Kernighan answered questions from Slashdot readers in 2009 and again in 2015...

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"According to a new study, wearing the right kind of perfume or cologne can enlarge your brain's gray matter," writes ScienceAlert Researchers from Kyoto University and the University of Tsukuba in Japan asked 28 women to wear a specific rose scent oil on their clothing for a month, with another 22 volunteers enlisted as controls who put on plain water instead. Magnetic resonance imaging ( MRI) scans showed boosts in the gray matter volume of the rose scent participants. While an increase in brain volume doesn't necessarily translate into more thinking power, the findings could have implications for neurodegenerative conditions such as dementia. "This study is the first to show that continuous scent inhalation changes brain structure," write the researchers in their published paper. We've seen scents like this improve memory and cognitive performance, but here the team wanted to try a longer-term experiment to see how triggering our sense of smell might lead to measurable changes in brain structure... It's difficult to pin down exactly what's causing this boost in gray matter. Another possibility raised by the researchers is that the rose scent is actually labeled as unpleasant by the brain, with the subsequent emotional regulation responsible for the PCC working harder and increasing in size. The researchers hope that the findings could be useful in the development of aromatherapies that boost mental health and brain plasticity... The research was published in the Brain Research Bulletin.

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There's something rare about a snail named Ned, reports CNN: Ned's shell spirals left, while almost all other snails have right spiraling shells. It's a one in 40,000 genetic condition among the common corno espersum... "I was quite breathless for a moment," says Giselle Clarkson, an author, illustrator and self-described 'observologist' who found Ned while digging in her garden in Wairarapa, just north of capital Wellington. "I was just pulling out this plant, and a snail tumbled into the dirt and I was just about to scoop it up and just chuck it off to the side, when I realized what I had," Clarkson told CNN. It was a serendipitous moment for Ned, now named for Homer Simpson's left-handed neighbor. Clarkson was aware of this rare asymmetry in snails from her work with the magazine New Zealand Geographic. But "should Ned hope to mate one day, it will have to be with another very rare left-coiled snail," notes the Washington Post (since, as CNN points out, this snail's reproductive organs "don't line up" with those of snails with right-spiraling shells). This has sparked a national campaign to locate a compatible snail — something that was last successfully attempted in 2016. "If 40,000 people read this," the campaign explains, "chances are, Ned's dreams will come true."

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"A new study released Friday found that young children diagnosed with attention-deficit/hyperactivity disorder, or ADHD, are often prescribed medication too quickly," reports CBS News: The study, led by Stanford Medicine and published in JAMA Network Open, examined the health records of nearly 10,000 preschool-aged children ages 3 to 5 between 2016 and 2023 who were diagnosed with ADHD... The Stanford study found that about 68% of those children who were diagnosed with ADHD were prescribed medications before age 7, most often stimulants such as Ritalin, which can help children focus their attention and regulate their emotions. The turn to medication often came quickly, according to the study. About 42% of the children who were diagnosed with ADHD were prescribed drugs within 30 days of diagnosis, the study found. "We don't have concerns about the toxicity of the medications for 4- and 5-year-olds, but we do know that there is a high likelihood of treatment failure, because many families decide the side effects outweigh the benefits," Dr. Yair Bannett, assistant professor of pediatrics at Stanford Medicine and the lead author of the study, said in a statement. Those side effects can include irritability, aggressiveness and emotional problems, according to Bannett. "The high rate of medication prescriptions among preschool-age children with ADHD and the lack of delay between initial diagnosis and prescription require further investigation to assess the appropriateness of early medication treatment," the researchers concluded. The study also found that the vast majority of the young children diagnosed with ADHD, about 76%, were boys. CBS News interviewed Jamie Howard, senior clinical psychologist from the Child Mind Institute (who was not involved in the study). Howard said when treating ADHD in young children, clinical guidelines call for starting with "behavioral intervention...." "I think that people have an association with ADHD and stimulant medication... But there is actually a lot more than that. And we want to give kids the opportunity to use these other strategies first, and then if they need medication, it can be incredibly helpful for a lot of kids."

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The Washington Post covers "a string of false reports of active shooters at a dozen U.S. universities this month as students returned to campus." The FBI is investigating the incidents, according to a spokesperson who declined to specify the nature of the probe. While universities have proved a popular swatting target, the agency "is seeing an increase in swatting events across the country," the FBI spokesperson said... Local officials are frustrated by the anonymous calls tying up first responders, straining public safety budgets and needlessly traumatizing college students who grew up in an era in which gun violence has in some way shaped their school experience... The recent string of swattings began Thursday with a false report to the University of Tennessee at Chattanooga, quickly followed by one about Villanova University later that day. Hoaxes at 10 more schools followed... Villanova also received a second threat. As the calls about shootings came in, officials on many of the campuses pushed out emergency notifications directing students and employees to shelter in place, while police investigated what turned out to be false reports. (Iowa State was able to verify the lack of a threat before a campuswide alert was sent, its police chief said. [They had a live video feed from the location the caller claimed to be from.]) In at least three cases, 911 calls reporting a shooting purported to come from campus libraries, where the sound of gunshots could be heard over the phone, officials told The Washington Post... Although false bomb reports, shooter threats and swatting incidents are not new, bad actors used to be more easily traceable through landline phones. But the era of internet-based services, virtual private networks, and anonymous text and chat tools has made unmasking hoax callers far more challenging... In 2023, a Post investigation found that more than 500 schools across the United States were subject to a coordinated swatting effort that may have had origins abroad... [In Chattanooga, Tennessee last week] a dispatcher heard gunfire during a call reporting an on-campus shooting. "We grabbed everybody that wasn't already out on the street and got to that location," said University of Tennessee at Chattanooga Police spokesman Brett Fuchs. About 150 officers from several agencies responded. There was no shooter. The New York Times reports that an online group called "Purgatory" is "suspected of being connected to several of the episodes, including reports of shootings, according to cybersecurity experts, law enforcement agencies and the group members' own posts in a social media chat." (Though the Times, couldn't verify the group's claims.) Federal authorities previously connected the same network to a series of bomb scares and bogus shooting reports in early 2024, for which three men pleaded guilty this year... Bragging about its recent activities, Purgatory said that it could arrange more swatting episodes for a fee. USA Today tries to quantify the reach of swatting: Estimated swatting incidents jumped from 400 in 2011 to more than 1,000 in 2019, according to the Anti-Defamation League, which cited a former FBI agent whose expertise is in swatting. From January 2023 to June 2024 alone, more than 800 instances of swatting were recorded at U.S. elementary, middle and high schools, according to the K-12 School Shootings Database, created by a University of Central Florida doctoral student in response to the Parkland High School shooting in 2018.tise is in swatting... David Riedman, a data scientist and creator of the K-12 School Shooting Database, estimates that in 2023, it cost $82,300,000 for police to respond to false threats. Thanks to long-time Slashdot reader schwit1 for sharing the news.

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In 2017 Rick Beato streamed "Rick's Rant Episode 2" — and just received a copyright claim this month. And days after jazz pianist Chick Corea died in 2021, Beato livestreamed a half-hour video which was mostly commentary, but with several excerpts from Corea's albums (at least one more than three minutes long). He also received a copyright claim for that one this August — just minutes after the claim on his 2017 video. These videos "are all fair use," Beato argues in a new video, noting it's also affected other popular YouTube channels like The Professor of Rock: Rick Beato: Universal Music Group [UMG] has continued to send emails about copyright content ID claims — and now copyright strikes — on my channel. As a matter of fact, I have three shorts — these are under a minute long — that if they go through in the next four days, I'll have three strikes on my channel! Now if you don't fight these things, those three strikes would actually remove my channel from YouTube. Five months ago Rick Beato had posted a clip from his interview with singer-songwriter Adam Duritz (founder of The Counting Crows) on YouTube. After 250,000 views, he'd earned a whopping $36.52 — and then Universal Music Group also claimed that video violated their copyright. (In the background the video played Duritz's song as he described how he wrote it.) "So they're gonna take my channel down over less than a hundred bucks — for using a small segment from an interview with him, on a song he sang on," Beato complained on YouTube. "That video is 55 seconds long!" "You need to play people's music to talk about it," Beato argues. "That is the definition of fair use. These are interviews with the people about their careers." (And the interviews actually help promote the artists for the record labels...) Rick Beato: The next one has me in it — it's an Olivia Rodrigo song — that I played maybe 10 seconds of the song on, and the short is 42 seconds long. Who did it? UMG. The third copyright strike is from a Hans Zimmer short. It's also UMG — it's from the Crimson Tide soundtrack. Now, what do these things say...? "Your video is scheduled to be removed in four days and your channel will get a copyright strike due to a removal request from a claimant. If you delete your video before then, your channel won't get a copyright strike." [And there's also emails like "After reviewing your dispute, UMG has decided that their copyright claim is still valid..."] I've had probably 4,000 claims, over the last 9 years — from things that are fair use. [When he interviewed producer Rick Rubin, that video got 13 separate copyright claims.] That's when I hired a lawyer to fight these. [Full-time, Beato says later.] And what he's done is he fought every single claim... We have successfully fought thousands of these now. But it literally costs me so much money to do this. Since we've been fighting these things — and never lost one — they still keep coming in... They're all Universal Music Group. So they obviously have hired some third party company, that are dredging up things, they're looking for things that haven't been claimed in the past — they're taking videos from seven or eight years ago! Slashdot reader MrBrklyn (Slashdot reader #4,775) writes on the "New York's Linux Scene" site that video bloggers like Beato "have been hounded by copyright pirates like UMG," arguing that new videos of support are a "rebellion gaining traction". (Beato's video drew 1,369,859 views — and attracted 24,605 Comments — along with videos of support from professional musicians like drummer Anthony Edwards, guitarist Justin Hawkins, and bassist Scot Lade, as well as two different professional music attorneys.) "Since there's rarely humans making any of these decisions and it's automated by bots, they don't understand these claims are against Universal Music's best interests," argues the long-running blog Saving Country Music (first appearing on MySpace in 2008). On YouTube videos, creators can freely filch copyrighted photos and other people's videos virtually free of ramifications. You can take an entire 2 1/2 hour film, impose it over a background, and upload it to YouTube, and usually avoid any problems. But feature a barely audible 8 1/2-second clip of music underneath audio dialogue, and you could have your entire podcast career evaporate overnight... People continue to ask, "Why doesn't Saving Country Music has a podcast?" Because what's the point of having a music podcast when you can't feature music? In fact, after over a decade of refusing to start one, I finally did, music free. What happened? About a dozen episodes in, someone took out a claim, and not only were all the episodes deleted, so was the entire account, even though no music even appeared on any of the episodes. I was given absolutely no recourse to fight whatever false claim had been made... The music industry continues to so colossal fail the artists and catalogs they represent, and the fans they're supposed to serve with this current system of how podcasts are handled. If everything changes today thanks to the Rick Beato rant, it would still be 15 years too late. But at least it would happen. Instead, they write, "Music labels have been leaving major opportunities to promote their catalogs and performers on the table with their punitive copyright claims that make it impossible to feature music on music podcasts and other platforms... "You aren't screwing podcasters. You're screwing artists who could be using podcasts to help promote their music. "

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"For months, tens of thousands of people around the world have been complaining Meta has been banning their Instagram and Facebook accounts in error..." the BBC reported this month... More than 500 of them have contacted the BBC to say they have lost cherished photos and seen businesses upended — but some also speak of the profound personal toll it has taken on them, including concerns that the police could become involved. Meta acknowledged a problem with the erroneous banning of Facebook Groups in June, but has denied there is wider issue on Facebook or Instagram at all. It has repeatedly refused to comment on the problems its users are facing — though it has frequently overturned bans when the BBC has raised individual cases with it. One examples is a woman lost the Instagram profile for her boutique dress shop. ("Over 5,000 followers, gone in an instant.") "After the BBC sent questions about her case to Meta's press office, her Instagram accounts were reinstated... Five minutes later, her personal Instagram was suspended again — but the account for the dress shop remained." Another user spent a month appealing. ("In June, the BBC understands a human moderator double checked," but concluded he'd breached a policy.) And then "his account was abruptly restored at the end of July. 'We're sorry we've got this wrong,' Instagram said in an email to him, adding that he had done nothing wrong." Hours after the BBC contacted Meta's press office to ask questions about his experience, he was banned again on Instagram and, for the first time, Facebook... His Facebook account was back two days later — but he was still blocked from Instagram. None of the banned users in the BBC's examples were ever told what post breached the platform's rules. Over 36,000 people have signed a petition accusing Meta of falsely banning accounts; thousands more are in Reddit forums or on social media posting about it. Their central accusation — Meta's AI is unfairly banning people, with the tech also being used to deal with the appeals. The only way to speak to a human is to pay for Meta Verified, and even then many are frustrated. Meta has not commented on these claims. Instagram states AI is central to its "content review process" and Meta has outlined how technology and humans enforce its policies. The Guardian reports there's been "talk of a class action against Meta over the bans." Users report Meta has typically been unresponsive to their pleas for assistance, often with standardised responses to requests for review, almost all of which have been rejected... But the company claims there has not been an increase in incorrect account suspension, and the volume of users complaining was not indicative of new targeting or over-enforcement. "We take action on accounts that violate our policies, and people can appeal if they think we've made a mistake," a spokesperson for Meta said. "It happened to me this morning," writes long-time Slashdot reader Daemon Duck," asking if any other Slashdot readers had their personal (or business) account unreasonably banned. (And wondering what to do next...)

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At the moment, the Spotify exodus of 2025 is a trickle rather than a flood, writes the Guardian, citing the departure of five notable bands "liked in indie circles," but not "the sorts to rack up billions of listens." "Still, it feels significant if only because, well, this sort of thing wasn't really supposed to happen any more." Plenty of bands and artists refused to play ball with Spotify in its early years, when the streamer still had work to do before achieving total ubiquity. But at some point there seemed to a collective recognition that resistance was futile, that Spotify had won and those bands would have to bend to its less-than-appealing model... This artist acquiescence happened in tandem — surely not coincidentally — with a closer relationship between Spotify and the record labels that once viewed it as their destroyer. Some of the bigger labels have found a way to make a lot of money from streaming: Spotify paid out $10bn in royalties last year — though many artists would point out that only a small fraction of that reaches them after their label takes its share... So why have those five bands departed in quick succession? The trigger was the announcement that Spotify founder Daniel Ek had led a €6oom fundraising push into a German defence company specialising in AI weapons technology. That was enough to prompt Deerhoof, the veteran San Francisco oddball noise pop band, to jump. "We don't want our music killing people," was how they bluntly explained their move on Instagram. That seems to have also been the animating factor for the rest of the departed, though GY!BE, who aren't on any social media platforms, removed their music from Spotify — and indeed all other platforms aside from Bandcamp — without issuing a statement, while Hotline TNT's statement seemed to frame it as one big element in a broader ideological schism. "The company that bills itself as the steward of all recorded music has proven beyond the shadow of a doubt that it does not align with the band's values in any way," the statement read. That speaks to a wider artist discontent in a company that has, even by its own standards, had a controversial couple of years. There was of course the publication of Liz Pelly's marmalade-dropper of a book Mood Machine, with its blow-by-blow explanation of why Spotify's model is so deleterious to musicians, including allegations that the streamer is filling its playlists with "ghost artists" to further push down the number of streams, and thus royalty payments, to real artists (Spotify denies this). The streamer continues to amend its model in ways that have caused frustration — demonetising artists with fewer than 1,000 streams, or by introducing a new bundling strategy resulting in lower royalty fees. Meanwhile, the company — along with other streamers — has struggled to police a steady flow of AI-generated tracks and artists on to the platform... [R]emoving yourself from such an important platform is highly risky. But if they can pull it off, the sacrifice might just be worth it. "A cooler world is possible," as Hotline TNT put it in their statement. The Guardian's culture editor adds that "I've been using Bandcamp more, even — gasp — buying albums..." "Maybe weaning ourselves off not just Spotify, but the way that Spotify has convinced us to consume music is the only answer. Then a cooler world might be possible."

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Intel amended its deal with the U.S. Department of Commerce "to remove earlier project milestones," reports Reuters, "and received about $5.7 billion in cash sooner than planned." "The move will give Intel more flexibility over the funds." The amended agreement, which revises a November 2024 funding deal, retains some guardrails that prevent the chipmaker from using the funds for dividends and buybacks, doing certain control-changing deals and from expanding in certain countries. The move makes the Wall Street Journal wonder what, beyond equity, the U.S. now gets in return, calling government's position "a stake without a strategy." The U.S. has historically shied away from putting money into private business. It can't really outguess the market on where the most promising returns lie. Yet there are exceptions. Sometimes a company or industry risks failing without public support, and that failure would hurt the whole country, not just its shareholders and employees. Intel meets both conditions. It isn't failing, but it is losing money, its core business is in decline, and it lacks the capital and customers needed to make the most advanced semiconductors. If Intel were to fail, it would take a sizable chunk of the semiconductor industrial base with it. At a time of existential competition with China, that is a national emergency... [U.S. Commerce Secretary Howard Lutnick] said as a shareholder, the U.S. would help Intel "to create the most advanced chips in the world." And yet the deal doesn't provide Intel with new resources to accomplish that. Rather, to get the remaining $9 billion, Intel had to give the U.S. equity. This is more like a tax than an investment: Shareholders gave up a 10th of their ownership in return for money the company was supposed to get anyway... Some of the administration's forays into private business do reflect strategic thinking, such as the Pentagon's 15% stake in MP Materials in exchange for investment and contracts that help make the company a viable alternative to China as a supplier of rare-earth magnets for products such as automobiles, wind turbines, jet fighters and missile systems. But more often, companies recoil from government ownership... Though the U.S. stake dilutes Intel's existing shareholders, its stock has held up. There could be several reasons. It eliminates uncertainty over whether the remaining $9 billion in federal funds will be forthcoming... [B]ecause Washington has a vested interest in Intel's share price, investors believe it may prod companies such as Nvidia and Apple to buy more of its chips. But that only goes so far, the article seems to conclude, offering this quote from an analyst Bernstein investment research. "If Intel can prove they can make these leading-edge products in high volume that meets specifications at a good cost structure, they'll have customers lined up around the block. If they can't prove they can do it, what customer will put meaningful volume to them regardless of what pressure the U.S. government brings to bear?" CBS News also notes the U.S. government stake "is being criticized by conservatives and some economic policy experts alike, who worry such extensive government intervention undermines free enterprise." Thanks to Slashdot reader joshuark for sharing the news.

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After Will Smith uploaded a video of an adoring crowd, blogger Andy Baio "conducted a detailed analysis that suggests Will Smith's team might have used AI to turn photos from his recent concerts into videos," writes BGR. But there's more to the story: Google recently ran an experiment for YouTube Shorts in which it used AI (machine learning) to improve the quality of Shorts without asking the creator for permission. People complained the videos looked like they were AI generated. It seems that Will Smith's YouTube Shorts clip that attracted criticism from fans this week might have been a victim of this experiment... The signs are real. The man who claimed Will Smith's song helped him cure cancer was there. The woman in front of him was holding the sign with him. The "Lov U" sign appeared in photos the singer posted on his social media channels before the clip was shared. "Will Smith has not denied the use of AI in these promotional clips," the article adds. But the Hollywood Reporter also calls it "just the beginning of AI chaos," noting that "influencers and spinmeisters have been using AI upscaling for years, if quietly, the way you might round up your current salary in a job interview." It's only going to grow more popular as the tools get better. (And they will — you just need some tweaks to the model and increases in compute to erase these hallucinations.) In fact, when the chapter on the early AI Age is written, the line about this moment is less likely to be, "Remember when Will Smith did something cringily AI?" and more, "Remember when AI was still seen as so cringe that we made fun of Will Smith for it?" Experts differ on the timeline, but everyone agrees it's just years if not months before we'll stop being able to spot an AI video. [Will Smith's video] had the particular misfortune of coming out at this interregnum moment: good enough for someone to use but not so good we can't spot it. That moment will be over soon enough, and, I suspect, so will our pearl-clutching. The main effect of this new age of the synthetic is that video will stop being a meaningful measure of truth. We have long stopped believing everything we read, and AI image-generators have killed what photoshop wounded. But video until now has been the last bastion of objectivity — incontrovertible evidence that an event took place the way it seemed to.... But there is an upside. (Really.) Without a format that can telegraph objectivity, we'll need to (if we care to) turn to other ways to assure ourselves of the facts: the source of the video. That could mean the human-led content creator will matter more. After years of seeing news brands take a beating in the trust department, they'll soon become the only hope we have of knowing whether something happened. We no longer will be able to trust the medium. But we may newly believe the media.

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They offer "a self-sustaining power solution for marine regions," according to a newly published 41-page review after "pioneering use in wave energy harvesting in 2014". Ten years later, researchers have developed several structures for these "triboelectric nanogenerators" (TENGs) to "facilitate their commercial deployment." But there's a lack of "comprehensive summaries and performance evaluations". So the review "distills a decade of blue-energy research into six design pillars" for next-generation technology, writes EurekaAlert, which points the way "to self-powered ocean grids, distributed marine IoT, and even hydrogen harvested from the sea itself..." By "translating chaotic ocean motion into deterministic electron flow," the team "turns every swell, gust and glint of sunlight into dispatchable power — ushering in an era where the sea itself becomes a silent, self-replenishing power plant." Some insights: - Multilayer stacks, origami folds and magnetic-levitation frames push volumetric power density...three orders of magnitude above first-generation prototypes. - Frequency-complementary couplings of TENG, EMG and PENG create full-spectrum harvesters that deliver 117 % power-conversion efficiency in real waves. - Pendulum, gear and magnetic-multiplier mechanisms translate chaotic 0.1-2 Hz swells into stable high-frequency oscillations, multiplying average power 14-fold. - Resonance-tuned structures now span 0.01-5 Hz, locking onto shifting wave spectra across seasons and sea states. - Spherical, dodecahedral and tensegrity architectures harvest six-degree-of-freedom motion, eliminating orientational blind spots. - Single devices co-harvest wave, wind and solar inputs, powering self-charging buoys that cut battery replacement to zero... Another new wave energy project is moving forward, according to the blog Renewable Energy World: Eco Wave Power, an onshore wave energy technology company, announced that its U.S. pilot project at the Port of Los Angeles has successfully completed operational testing and achieved a new milestone: the lowering of its floaters into the water for the first time. The moment, broadcast live by Good Morning America, follows the finalization of all installation works at the project site, including full installation of all wave energy floaters; connection of hydraulic pipes and supporting infrastructure; and placement of the onshore energy conversion unit. With installation completed, Eco Wave Power has now officially entered the operational phase of its U.S. excursion... [Inna Braverman, founder and CEO of Eco Wave Power] said "This pilot station is a vital step in demonstrating how wave energy can be harnessed using existing marine infrastructure, while laying the groundwork for full-scale commercialization in the United States...." Eco Wave Power's patented onshore wave energy system attaches floaters to existing marine structures. The up-and-down motion of the waves drives hydraulic cylinders, which send pressurized fluid to a land-based energy conversion unit that generates electricity... The U.S. Department of Energy's National Renewable Energy Laboratory estimates that wave energy has the potential to generate over 1,400 terawatt-hours per year — enough to power approximately 130 million homes. Eco Wave Power's 404.7 MW global project pipeline also includes upcoming operational sites in Taiwan, India, and Portugal, alongside its grid-connected station in Israel. Long-time Slashdot reader PongoX11 also brings word of a company building a "simple" floating rig to turn wave motion into electricity, calling it "a steel can that moves water around" and wondering if "This one might work!" The news site TechEBlog points out that "Unlike old-school wave energy systems with clunky mechanical parts, Ocean-2 rocks a modular, flexible setup that rolls with the ocean's flow." At about 10 meters wide [30 feet wide. and 260 feet long!], it is made from materials designed to (hopefully) withstand the ocean's abuse, over some maintenance cycle. It's designed for deep ocean, so solving this technically is the first big challenge. Figuring out how to use/monetize all that cheap energy out in the middle of nowhere will be the next. "Ocean-2 works with the ocean, not against it, so we can generate power without messing up marine life," said Panthalassa's CEO, Dr. Elena Martinez, according to TechEBlog: Tests in Puget Sound, done with Everett Ship Repair, showed it pumping out up to 50 kilowatts in decent conditions — enough juice for a small coastal town. "We're thinking big," Martinez said in a press release. "Ocean-2 is just the start, but we're already planning bigger arrays that could crank out gigawatts..." Looking forward, Panthalassa sees Ocean-2 as part of a massive wave energy network. By 2030, they're aiming to roll out arrays that could power whole coastal cities, cutting down on fossil fuel use.

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