L'actrice américaine, qui a brillé dans Mamma Mia!, Jennifer's Body, Veronica Mars ou The Dropout, est à l'affiche de son premier drame policier : La Rivière des Disparues sur Max, qui évoque la crise des opiacés à Philadelphie. Un rôle intense, sur lequel elle est revenue lors du festival Séries Mania, à Lille.

Here is the recap of a recent Fujifilm interview with Dpreview:

• Fujifilm X100VI preorders were so large that some people have been waiting for a year to receive a camera.
• The X100VI has been shipping continuously throughout the year
• Fujifilm was caught off guard by the X100VI because preorders were 3-4x the volume of previous X100 cameras so they sold in one year what would typically take 3-4 years to sell
• Ramping the X100VI was more difficult than other cameras because premium products are harder to mass-produce
• The Sharp edges of the X100VI are made of aluminum which is stamped and milled before color details are added.
• Fujifilm is continuing to do the best it can to produce more cameras and they are not constraining supply artificially
• Fujifilm AF has always been a topic of discussion, but the recent issues have been addressed and Fujifilm plans to continue improving AF performance
• Fujifilm’s AF has had to address new concerns in recent years as Fujifilm has launched telephoto lenses for birding and more
• Sports and action photography aren’t Fujifilm’s strength, but they are working to get better
• Fujifilm still plans to launch a successor to the X-Pro3 but hasn’t picked a date yet
• Fujifilm will also continue the X-E line but it might return to its enthusiast photographer roots since the X-T line has grown
• There is no such thing as a perfect camera so Fujifilm continuously works on all its cameras
• One of the managers joked that everyone would be surprised if the next X-E camera wasn’t rangefinder-styled
• Some people really liked the X-E4, but some did not, Fujifilm does its best to satisfy the majority of photographers
• The next X-E camera will be for photographers who love rangefinder-style cameras but don’t have a specific subject in mind
• The next X-E will be more snapshot-focused with an emphasis on style and design
• Fujifilm fans shouldn’t be worried about the company’s efforts to expand appeal because it makes Fujifilm’s cameras more focused
• The X-H being more hybrid focused allowed the X-T5 to only have a tilting screen instead of a flip-out screen which some didn’t like
• Fujifilm believes it can have more distinction between its still and hybrid cameras
• Fujifilm just needs to be mindful of its audience to provide the right fit

Via FujiAddict

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Phototrend published their interview with Canon executives at the 2025 CP+ show. One of the questions was about a potential retro/vintage Canon camera.

Next year (2026), the iconic Canon AE-1 will celebrate its 50th anniversary, and there is a very good chance we may see a new digital version.

Rumors about a new retro-designed Canon digital camera are not new and have been circulating for years:

Canon conducted market research for a retro-designed digital camera

Here is the recap of the interview:

• Canon EOS R1 and R5 Mark II Performance: Go Tokura noted that both the EOS R1 and R5 Mark II are performing well commercially, though there have been backorders since their launch. He apologized to customers still waiting and confirmed efforts to improve supply throughout 2025, particularly for these models.
• EOS R1 Development Philosophy: Yasuhiko Shiomi explained that the EOS R1, designed as a flagship for professional photographers, builds on the legacy of the EOS-1 series. It prioritizes reliability and uncompromising quality, surpassing its predecessors in every aspect, aligning with Canon’s long-standing standards.
• APS-C and Market Strategy: Manabu Kato emphasized Canon’s commitment to the APS-C segment, promising products that meet customer expectations without revealing specific plans. The team acknowledged the importance of this market alongside their full-frame offerings.
• Video Market Expansion: The executives highlighted the growing shift from 2D to 3D imaging, seeing it as an opportunity for market growth. Canon is integrating advanced video features into models like the EOS R5 Mark II and R1 to cater to this trend.
• PowerShot V1 and New Ventures: The PowerShot V1 was discussed as an innovative compact camera aimed at new audiences, reflecting Canon’s strategy to test new technologies and expand its reach beyond traditional photography markets.
• Vintage-Style Cameras: Responding to interviewer interest in a modern Canon AE-1 (a classic film camera), Manabu Kato acknowledged significant demand for vintage aesthetics. However, he cited technological and business challenges—such as ensuring modern operability and profitability—as hurdles to producing such a design. While not dismissing the idea, he stressed a cautious approach.

The interview was conducted at CP+ 2025 with Canon Corp’s executive team, including Go Tokura (VP and General Manager of the Imaging Division), Manabu Kato (head of Imaging Business Operations for products), Yasuhiko Shiomi (director of development), and Tetsushi Hibi (director of optics).

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Kamini a marqué l'histoire d'Internet avec Marly-Gomont, dont le clip est le premier buzz français sur YouTube. Dans une interview inédite, il nous confie ses souvenirs et nous explique l'impact que ce succès a eu sur lui, sur les gens et sur ce village. Il n'est pas non plus en manque de projets.

Interviewé simultanément sur France 2 et à la télévision indienne, Emmanuel Macron, en marge du Sommet pour l’action sur l’Intelligence Artificielle, a dévoilé son projet pour faire de la France une des grandes nations de l'intelligence artificielle. Le président de la République souhaite des investissements massifs.