DÉCRYPTAGE - Paris, Nice, Lille, Bordeaux, Nouméa... Avant ce scrutin décisif des 15 et 22 mars, qui aura aussi valeur de test pour la présidentielle, Le Figaro revient sur les points chauds à surveiller.
Conférence organisée par l'Université du temps libre de Quimper. Faut-il craindre l'intelligence artificielle ? avec Jean-Paul Krivine Jeudi 7 mai à 9h30 (matinée) Cinéville 67 Rue de la Providence 29000 Quimper Conférence publique, ouverte à tous. Accès gratuit pour les membres de l'UTL. [(ChatGPT, génération d'images, diagnostic médical, éducation, reconnaissance faciale, robots autonomes… l'intelligence artificielle pénètre tous les domaines d'activité. Elle est également (…)
Agenda de l'Afis
Vous aviez Lydia avant la migration vers Sumeria ? Attention, la plateforme va commencer à facturer 3 € par mois aux comptes inactifs. Un détail facile à rater… mais qui peut coûter.
Mel et Jack seront très bientôt de retour : la saison 7 de Virgin River s'apprête ainsi à débarquer sur nos écrans. Casting, date de sortie, bande-annonce... Voici tout ce que l'on sait sur cette suite très attendue.
Découvrez pourquoi choisir un pack démonte-pneu + équilibreuse est souvent plus rentable : critères essentiels, erreurs à éviter et conseils pour bien s’équiper.
Mise à jour du 13/01/2026 : Le Aoostar WTR Pro en version Barebone est en baisse dans sa version Ryzen 7 5825U. Voir en fin de billet.
Billet d’origine du 09/07/2025 : Aoostar a lancé à la fin du mois de juin le WTR PRO dans une version Intel N100. Une solution complète de NAS-PC qui proposait pas moins de quatre baies 3.5″ SATA pour stocker des données. Une version AMD était alors en préparation sans plus de détails sur son équipement spécifique. Nous en savons plus aujourd’hui.
AOOSTAR WTR Pro
Le nouveau WTR Pro d’AOOSTAR embarquera donc un Ryzen 7 5825U,une puce Zen 3 proposant 8 cœurs et 16 Threads dans des fréquences allant de 2 à 4.5 GHz et un circuit graphique Radeon RX Vega 8. Une solution plus performante que le N100 d’Intel donc avec notamment de meilleures capacités de calcul et de 3D.
Un ventilateur 12 cm est à l’œuvre pour refroidir la machine
Le reste suit la logique de ce premier changement. Les puces Intel Alder Lake-N étant limitées à une banque SODIMM, la version AMD bascule vers une solution plus classique avec un duo de slots SODIMM DDR4-3200 en double canal pour un maximum de 64 Go. Le stockage double également avec deux ports M.2 2280 NVMe PCIe. Les baies SATA 3.5″ sont les mêmes.
Pour le reste, on retrouve sur le WTR Pro une connectique identique avec deux Ethernet 2.5 Gigabit pilotés par des circuits Intel I226-V, un USB 3.2 Gen2 Type-C avec DisplayPort, deux USB 3.0 Type-A, deux USB 2.0 Type-A, des sorties vidéo HDMI et DisplayPort, un jack audio combo 3.5 mm et un lecteur de cartes MicroSDXC. L’alimentation semble également identique avec un bloc secteur 120 Watts en 19V et 6.32A. Enfin, le format du châssis reste assez sage puisque l’engin mesure toujours 22.8 cm de large pour 18.5 cm de profondeur et 15 cm d’épaisseur.
Ces engins particuliers sont assez intéressants à explorer pour de nombreux usages et peuvent faire aussi bien office de MiniPC classique que de NAS. Ils peuvent surtout devenir une solution alternative très souple pour des usages alternatifs. Il y a ici de quoi exploiter aussi bien une solution de jukebox numérique avec une belle capacité de stockage qu’un serveur de fichier familial ou une machine dédiée à de la domotique. Le plus intéressant étant probablement que cet engin pourra faire tout cela en même temps sans problèmes.
Le AOOSTAR WTR Pro en promo
Seule la version Barebone de ce MiniPC est en vente désormais. Vendu sans mémoire ni stockage il est proposé à 344.75€ sur Banggood. Il est livré gratuitement depuis un entrepôt Européen.
AliExpress le propose également en promo à 343.66€ et avec l’ajout du code WSFR30il « peut » tomber à 313.66€. Il n’est pas certain que le code marche très longtemps, si le produit vous intéresse et que le tarif tombe à ce prix, n’hésitez donc pas trop.
En 2026, il y a de quoi se faire plaisir gratuitement avec de nombreux Free-to-play. Nous avons réuni ici une sélection de jeux gratuits disponibles sur PS5, Xbox et PC. Entre FPS, RPG, MOBA, il y en a pour tous les goûts dans ce top des meilleurs jeux gratuits.
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Updated: March 4, 2026
These days, midrange cameras go for around $2500-3000, though in the US tariffs have made great deals in this price range a little harder to come by. For that money, you get something that's incredibly capable; our picks are high-spec options that are excellent for stills and video, and many have autofocus systems that come close to the performance of professional sports cameras.
Choosing a camera means committing to the ecosystem of lenses that are available for it, so we advise looking into the price and availability of your preferred kit. It's also worth noting that some camera manufacturers are more restrictive of what options third-party lens makers can provide, so be sure to consider that during your lens research.
Speaking of lenses, it's also worth considering that the latest lens designs for mirrorless cameras regularly outperform their older DSLR counterparts. If you have any lenses already, you may want to think about whether it's worth adapting them, or if you'd be better off selling them to help you buy modern equivalents of your most-used lenses. This option also gives you a path to switching brands, if you feel there's a compelling reason to do so.
Full suite of video recording modes and assist features
What we don't:
Overheating in ambitious video modes
Dynamic range isn't as strong as its best competitors'
Hitting buffer's limit slows camera down
The Canon EOS R6 III is a full frame enthusiast camera, with a 33MP sensor.
It earns top place on this list because it's such a complete package, with image quality, burst rates and autofocus capable of helping you tackle pretty much any subject. It's also a very capable video camera; no matter what your needs, it's hard to imagine you'll find that the EOS R6 III holds you back.
It has plenty of customizable buttons and a decent range of settings for them. It's comfortable to hold, but its viewfinder and display aren't the nicest around.
The EOS R6 III has very dependable autofocus across its selection of tracking and subject recognition modes. It can shoot at bursts up to 40fps (though with reduced dynamic range), and supports pre-capture for up to 0.5 sec before you press the shutter.
Rather than "jack of all trades, master of none." It's a master of most.
Images from the EOS R6 III have very good levels of detail and pleasing colors. The camera's peak dynamic range can't match the best of its competitors, and it'll struggle a bit more in e-shutter mode, but it's good enough for most use cases.
The video quality from the camera's open gate, Raw and oversampled 4K modes is quite good at 24p, though its higher-framerate and subsampled modes suffer a bit. Its rolling shutter performance is great, and it's quite nice to use for shooting video. However, its overheating performance could limit its most ambitious modes in hot shooting environments.
The EOS R6 III is an abundantly capable camera for most kinds of stills and video shooting. It pairs great performance with excellent ergonomics and a refined user experience.
The Sony a7 V is a full-frame enthusiast camera, with a 33MP 'partially stacked' sensor.
It earns its place on this list by being an extremely capable camera. If you're already a Sony shooter, it's the obvious pick, as the other cameras in this list offer precious little to warrant a switch. However, if you're not currently tied down by lenses, we feel the EOS R6 III's ergonomics and usability give it the edge, even though they come at the cost of a more tightly controlled mount.
It has excellent image quality in terms of detail capture, and impressive dynamic range when shooting with its mechanical second shutter. This drops in the e-shutter modes used for fast shooting, but only to the same level as most of its peers.
The a7 V's autofocus system is very effective and its subject recognition system works well with the user interface. It can be fine-tuned but is tenacious at tracking subjects and focusing on eyes, even at default settings. It can shoot at up to 30ps in e-shutter mode, and can pre-capture for up to 30 frames.
The a7 V is more camera than most of us will ever need, and it'll support you almost regardless of what you ask it to do.
It has plenty of customizable dials and buttons to fit however you shoot. We're not the biggest fans of the grip, nor do we love the complex menu system, which is arguably overwhelmed by the camera's level of features and customization.
The a7 V produces very detailed 4K footage, derived from 7K capture. It can, at a push, shooting full-width, oversampled 4K/60. While it doesn't offer features like Raw or open gate capture, it can record for quite a long time before overheating.
The a7 V is perhaps the best all-round camera Sony has yet made, outside its pro-grade (and priced) models, excelling at both stills and video capture. Sony's interface still isn't our favorite, but familiarity and customization can help. E-mount offers an extensive choice of lenses.
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The premium video shooter
The Panasonic S1II is also a very capable option, though its $3200 price tag technically puts it out of the price range of this buying guide, and means you'll have to consider whether it's worth the extra over our top picks. Its autofocus isn't quite as good as Canon or Sony's, but for video shooters, the S1II is the best in class: it offers all the features that the EOS R6 III does, but with longer record times thanks to its built-in fan. We also appreciate the lens options available on L-mount.
The Nikon Z6III is Nikon's third-generation full-frame enthusiast mirrorless camera, with a 'partially stacked' 25MP CMOS sensor.
At its MSRP, we feel the Z6III struggles to keep up with the competition because of its lower dynamic range in stills and (especially) video and lack of Raw pre-capture. However, it's often on sale for hundreds off, making those issues easier to overlook for the price-conscious buyer (though anyone looking to make long-term investments into lenses should note that Nikon, like Canon, exercises tight control over its mount). And despite those quibbles, which some shooters may never even encounter, it's a very solid camera when it comes to ergonomics and autofocus.
The Z6III has an ample grip and easy-to-use control scheme. Nikon's menus and touchscreen layout are also well-refined, but the camera lacks the company's traditional AF mode button or front-corner switch.
Autofocus is generally reliable, and the camera includes Nikon's 3D-tracking system and plenty of subject recognition modes. It can shoot 20 raws per second, or 60fps in JPEG mode.
The Z6III is a genuine do-anything camera with excellent video and photo capabilities.
Image quality is very good, with lots of detail and acceptable amounts of noise. There is a recognizable dynamic range tradeoff for that speed, but it's only noticeable in extreme situations.
The Z6III shoots many video formats, including Raw, and has dependable subject-tracking autofocus and a waveform display. Its 4K and 5.4K modes produce excellent detail, even in 60p, and its rolling shutter performance is outstanding.
The Z6III is a significant step-up from its predecessor and is to-date the most all-round capable camera in its class. It excels in both stills and video.
The Sony a7C II is a compact, full-frame mirrorless camera with a 33MP BSI CMOS sensor.
The a7C II's viewfinder is a little small and rather low resolution for this price, but it's part of what helps the camera stay so compact. Modern full-frame lenses are often so large as to make the difference in camera size fairly trivial but Sony's E-mount has the widest range of lenses available, so there are some relatively compact options.
The a7C II is impressively small for a full-frame camera. The addition of a front control dial improves handling significantly and brings it closer to its peers. A fully articulating screen anchors the back and features an extremely responsive touch interface. Unlike many cameras at this price, there’s no joystick control.
Autofocus performance on the a7C II is fantastic and is helped by having a processor dedicated to handling machine learning-derived algorithms. Subject recognition is quick, and the AF system tracks subjects tenaciously around the frame in both stills or video. 10 fps burst shooting with continuous AF results in a dependably high hit rate.
“The a7C II is a surprisingly capable camera for its size.”
The a7C II's 4K/30p video is downsampled from 7K, but with fairly high rolling shutter. There's also 4K/60p from an APS-C crop, all in 10-bit color. S-Log3 and S-Cinetone profiles provide flexibility in post, and the camera supports internal LUTs. Auto Framing mode punches in on subjects, keeping them framed and in focus. The camera includes mic and headphone jacks.
The a7C II is a surprisingly capable camera for its size. It essentially provides the same level of image quality, video capabilities, and AF performance as Sony’s a7 IV, but in a smaller package. In exchange for the small size, you make a few tradeoffs, like no AF joystick, but if compact size is a priority the a7C II will get you there with few compromises.
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Should I buy the Sony a7 IV, a7 III or a7C?
The Sony a7 IV is tough to wholeheartedly recommend in 2025. Its viewfinder, ergonomics, and full mechanical shutter are improvements over the a7C II, but it's also larger, heavier and offers less effective image stabilization. If you're you don't care about compactness, it might be worth paying a little extra for the a7 IV's larger, higher-resolution viewfinder, but only if the price difference is small.
It's a similar story with the a7 III and a7C. These are from an older generation of products with less sophisticated autofocus, video and image stabilization. They also use an older, more awkward-to-navigate menu system, which we'd happily pay to avoid ever having to use again. The a7C lacks the version II's front control dial and features an even smaller viewfinder, so we'd strongly recommend saving up for one of the newer models.
What about APS-C?
We make most of our APS-C recommendations in our best cameras under $2000 buying guide, which covers cameras like the Fujifilm X-T5, Canon EOS R7 and Sony a6700. The latter two are the highest-end crop sensor cameras from their respective brands, but Fujifilm makes the X-H2S, which is historically one of the better video cameras on the market. However, cameras like the Z6III have arguably caught up in capabilities and framerate options, and while the X-H2S' global price is more competitive, in the US it's around the same price as the EOS R6 III and a7 V.
The wildlife option with reach: OM System OM-1 II
20MP Four Thirds Stacked sensor | 50fps continuous shooting w/AF, 120fps AF/AE locked | IBIS rated to 8.5EV
The OM System OM-1 Mark II is a high-speed Micro Four Thirds camera based around a 20MP Stacked CMOS sensor.
It's well-suited to wildlife photography, as the Micro Four Thirds system has several lenses that give you plenty of reach without being back (or pack) breakingly large, and its Stacked sensor gives it fast autofocus and incredible burst rates for shooting even the fastest subjects. It also has several computational modes that let it adapt to a wide variety of situations, and sports an IP53 rating for dust and water resistance, so you won't have to worry if it starts raining.
The body is quite rugged-feeling (while still being smaller than full-frame counterparts), with dials designed to be used with or without gloves, and has plenty of customizable control points. The viewfinder is relatively large and bright.
While we haven't put the OM-1 II through our full review process, we do have extensive experience with it and with the OM-3, which uses the same processor and sensor. We've found the autofocus to be reliable, though not class-leading, and it's a bit of a shame that continuous autofocus in its 50fps is limited to certain lenses. There's an image quality price to be paid for the smaller sensor, but, for Four Thirds, the OM-1 II's sensor provides good amounts of detail, and the multi-shot modes can compensate for this in some circumstances.
While there are more all-round capable cameras at this price point, the OM-1 II fits into its niche quite well and is still quite solid for other kinds of photography. Its video capabilities aren't at the level that other companies provide, but if you simply want to record something, it's certainly up to the task.
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Other Four Thirds cameras
The OM-1 II shares most of its DNA with the OM System OM-3, a smaller, more stylish and less expensive option that uses a smaller viewfinder to achieve its classic styling. Both are similar to the Panasonic G9II, though that's substantially larger, sharing its body with the full-frame S5II. All are Micro Four Thirds, which offers smaller camera/lens combinations at the cost of ultimate image quality. However, they can well worth considering if your photography requires the most compact kit available.
Best for vlogging: Nikon ZR
24.5MP full-frame 'partially Stacked' sensor | 7.5EV IBIS | R3D (NE) Raw video codec
The Nikon ZR is a video-focused mirrorless camera with a 24.5MP full-frame 'partially Stacked' sensor.
While its Red co-branding and three flavors of Raw shooting show its ambitions as a video production camera, the ZR has a lot of features that make it a great tool for vlogging, too. It has IBIS, Nikon's fairly effective autofocus system, and a 4", 3.07M dot display that can go up to 1000 nits, which should make previewing your image relatively easy, even if the camera is a bit far away from you.
It's also the first mirrorless camera with support for 32-bit float audio recording built-in, even on the 3.5mm input, which means you won't have to worry nearly as much about your audio gain levels when trying to capture the moment.
It can shoot compressed video at up to 5.4K/60, and is capable of 4K/120 for proper slow-motion, though going above 4K/60 will come with a 1.5x crop. In Raw, the ZR can record full-width 6K/60.
We'll be putting the ZR through its paces more in the coming weeks, but it's essentially a Z6III at heart, with a few more video features that should make it a very capable option if you want to go from vlogging to full-on production.
Why you should trust us
This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.
INFOGRAPHIE – La présidente de la Commission européenne Ursula von der Leyen a annoncé ce vendredi appliquer de façon provisoire le traité commercial avec les pays sud-américains.
La Chronique des Bridgerton est enfin de retour avec la saison 4, au complet. Date de sortie de la partie 2, bande-annonce... Voici tout ce que l'on sait sur les nouveaux épisodes de la série Netflix, dont l'intrigue se concentre cette fois sur Benedict Bridgerton et sur Sophie Baek.
Blizzard prépare activement la sortie de World of Warcraft: Midnight, la nouvelle extension de son MMORPG. Alors que la mise à jour de pré-lancement est déployée, et que le système de logement (housing) est disponible en accès anticipé, voilà tout ce qu'il faut savoir pour le jour J.
Pour écouter sa musique dans des conditions optimales, le casque demeure indétrônable. Aujourd'hui, les modèles phares s'appuient sur une réduction de bruit redoutable pour vous couper totalement du reste du monde. Chez Numerama, nous testons régulièrement ces appareils pour vous livrer le bilan des meilleurs choix du moment.
Malcolm, la célèbre sitcom des années 2000, sera très bientôt de retour pour une saison 8 inespérée, vingt ans après ses adieux. Bande-annonce, casting, date de sortie, histoire... Voici tout ce que l'on sait sur le retour de Malcolm et ses parents, Lois et Hal.
Consultez les prévisions météo dans votre ville ou votre région, associées à des données historiques mettant en lumière les écarts de température avec la moyenne des trente dernières années.
Le petit clavier est assez classe, en cuir synthétique, avec trois pliures et proposant à la fois des touches, un pavé tactile et un repose poignets. Enzo s’en sert en intérieur pour piloter un MiniPC planqué sous son téléviseur. Rien de forcément novateur mais un objet qui rejoint ses télécommandes une fois replié sur lui-même.
Le clavier Omoton propose des LEDs sur son repose poignet pour indiquer vers quel appareil il est connecté.
Bluetooth, le clavier Omoton sait piloter jusqu’à trois appareils distincts. Il peut se connecter à un smartphone, une tablette, un PC classique ou une carte de développement. Sa batterie interne lui offre plusieurs dizaines d’heures d’utilisation entre deux recharges rapides en USB Type-C. Deux à trois heures de connection à un câble et le revoilà regonflé à bloc.
Omoton
Le gros point fort de ce type de clavier, comme celui du classique Logitech K400 Plus, c’est la proposition d’un pavé tactile pour toutes les tâches nécessaires à un système d’exploitation de PC classique. Ici, il est juste plus compact, peut se ranger facilement et profite à la fois d’un pavé tactile multipoints et de touches multimédia pour piloter son système.
Connexion
